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Cinthia Sifa Mulanga Intimate I, 2021 Acrylic and Collage on Fabriano Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Cinthia Sifa Mulanga was born in Lubumbashi, Democratic Republic of Congo in 1997. Sifa graduated her 3rd year In 2020 at Artist Proof Studio in printmaking combining techniques such as intaglio, Linocut and silk screening. Her third-year body of work explored the politics surrounding the domestic space and notions of beauty within an Afropolitan context. Sifa's works in many mediums including painting, collage, drawing, photography. In 2019, she was awarded first place for a work created for a tribute exhibition to Louis Khela Maqhubela & Douglas Portway presented by Artist Proof Studio in partnership with Strauss & Co at the Turbine Art Fair. Sifa was also a trainee in the Special Projects Unit at the Artist Proof Studio and had been part of numerous projects commissioned by Bidvest Bank and Hogan Lovell. In 2020 Sifa participated in The TLC Student Lockdown Collection, and exhibited her works on Latitudes Online. She currently lives and works in Johannesburg. Education Matriculated at New Nation School -2015 Graduated in Print making at Artist Proof Studio - 2020 Exhibitions 2018 Grahams fine art gallery "animal in distress" with The Little Artist JSE Duetche bank "animal in distress" with Little Artist 2019 Awarded 1st prize winner in group exhibition at Turbine Art Fair paying tribute to Louis Khela Maqubhela & Douglas Portway in collaboration with Artist Proof studio & Strauss&Co. 2020 Part of TLC student collection with Artist Proof Studio and The University of Johannesburg. Latitudes Online exhibition for Latitude artfair. The human experience group exhibition with. The Project Space South Africa Green recovery project for climate change student portfolio with Artist Proof studio Eclectic group exhibition with The Art room South Africa Liminality in infinite spaces group exhibition organised by African Artists foundation curated by Azu Ngwagbugo and Jana in Lagos Nigeria 3rd year Printmaking Graduation/exhibition presented by Artist Proof Studio London Art Fair EDITs 2021 represented by African Arty in partnership with Latitudes Online   Gallery Representation Agent - Latitudes.Online African Arty - africarty.com   About the postcard artwork   Art on a postcard has made me aware of the Hepatitis C virus, the causes , symptoms and the treatment with further and provided research. I captured intimate moments in intimate spaces, I choose that moment and space because of how HC virus is caught and passed on ,like a child born to a mom with HCV , sharing of needles and grooming gears , not researching tattoo parlors and unsafe sex. The colours are to evoke emotions of hope and calm which is what I believe reflects the Fundraise of The Trust for the people who do not know they have hepatitis C.    

Cinthia Sifa Mulanga Intimate II, 2021 Acrylic and Collage on Fabriano Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Cinthia Sifa Mulanga was born in Lubumbashi, Democratic Republic of Congo in 1997. Sifa graduated her 3rd year In 2020 at Artist Proof Studio in printmaking combining techniques such as intaglio, Linocut and silk screening. Her third-year body of work explored the politics surrounding the domestic space and notions of beauty within an Afropolitan context. Sifa's works in many mediums including painting, collage, drawing, photography. In 2019, she was awarded first place for a work created for a tribute exhibition to Louis Khela Maqhubela & Douglas Portway presented by Artist Proof Studio in partnership with Strauss & Co at the Turbine Art Fair. Sifa was also a trainee in the Special Projects Unit at the Artist Proof Studio and had been part of numerous projects commissioned by Bidvest Bank and Hogan Lovell. In 2020 Sifa participated in The TLC Student Lockdown Collection, and exhibited her works on Latitudes Online. She currently lives and works in Johannesburg. Education Matriculated at New Nation School -2015 Graduated in Print making at Artist Proof Studio - 2020 Exhibitions 2018 Grahams fine art gallery "animal in distress" with The Little Artist JSE Duetche bank "animal in distress" with Little Artist 2019 Awarded 1st prize winner in group exhibition at Turbine Art Fair paying tribute to Louis Khela Maqubhela & Douglas Portway in collaboration with Artist Proof studio & Strauss&Co. 2020 Part of TLC student collection with Artist Proof Studio and The University of Johannesburg. Latitudes Online exhibition for Latitude artfair. The human experience group exhibition with. The Project Space South Africa Green recovery project for climate change student portfolio with Artist Proof studio Eclectic group exhibition with The Art room South Africa Liminality in infinite spaces group exhibition organised by African Artists foundation curated by Azu Ngwagbugo and Jana in Lagos Nigeria 3rd year Printmaking Graduation/exhibition presented by Artist Proof Studio London Art Fair EDITs 2021 represented by African Arty in partnership with Latitudes Online   Gallery Representation Agent - Latitudes.Online African Arty - africarty.com   About the postcard artwork   Art on a postcard has made me aware of the Hepatitis C virus, the causes , symptoms and the treatment with further and provided research. I captured intimate moments in intimate spaces, I choose that moment and space because of how HC virus is caught and passed on ,like a child born to a mom with HCV , sharing of needles and grooming gears , not researching tattoo parlors and unsafe sex. The colours are to evoke emotions of hope and calm which is what I believe reflects the Fundraise of The Trust for the people who do not know they have hepatitis C.    

A silver and reverse painted intaglio crystal circular box by William & Son (William Rolls Asprey), London 2011, the cover with a rounded rectangular crystal painted with a Labrador with a hare in a Highland landscape, on a scroll foliate ground, the rest plain, the cover interior wood lined, the base gilt, 7.5cm (3in) diameter Condition Report: Ex new stock, clear marks, a white blemish to the dog's nose Condition Report Disclaimer

A mixed collection of Wedgwood items to include; Tri-colours, teal lidded box, base metal candlesticks with intaglio inserts etc.

A small jade pendant with intaglio in 9ct - 1.5 gms

A 19th century carnelian squirrel seal fob, unmarked yellow metal foliate settings with intaglio carved hardstone, seal length 15mm, fob height 27.5mm, 12gNo damage or repairs, seal has a few tiny nibbles and abrasions on edges, settings lightly abraded and worn on high points, unmarked

A 19th century unmarked gold quartz seal fob, 2-colour foliate settings with intaglio carved initial C quartz panel, panel length 12.8mm, fob height 20.7mm, 3.5gNo damage or repairs, stone has a couple of tiny surface chips and abrasions on edges, settings also lightly abraded, unmarked

A 19th century gilt-metal chalcedony seal fob, intaglio carved hardstone with garter motto "Virtus Vera Nobilitas" (Virtue Is True Nobility), seal length 16.3mm, fob height 32.7mm, 16.7gNo damage or repairs, seal panel has 1 large chip on bottom edge and a few nibbles around motto, with personalised initials in centre, settings lightly abraded all over and gilding worn on corners and edges

A framed set of plaster cameo and intaglio plaques, frame 29cm x 34cm

A cased Eastern white metal box rectangular with canted corners, the sides , front and back engraved with animals amid foliage, the hinged cover inset with a hard stone intaglio etched with Islamic script 5,5 cm x 4.5 cm Condition Report: Available upon request

Y A pair of reverse painted intaglio safari cufflinks by William & Son, the oval cufflinks carved and painted with a rhino, a water buffalo, a lion and an elephant, with a mother of pearl panel behind, 1.5cm long, with belcher link connectors, 18 carat gold Birmingham 2017 hallmark with WRA makers mark, 14.5g gross, with original William & Son box Condition Report: Minimal wear, as new conditionCondition Report Disclaimer

Y A pair of reverse painted intaglio horse racing cufflinks by William & Son, the oval panels carved and painted with a galloping bay horse and jockey wearing blue colours, with mother of pearl panel behind, 1.6cm long, belcher link connectors, 18 carat gold Birmingham 2017 hallmark with WRA maker's mark, 14.3g gross, in a William & Son boxCondition Report: Minimal wear, as new conditionCondition Report Disclaimer

A Russian Soviet era silver gilt and champleve enamel salt spoon, Sampson Morden and Company silver pencil holder, Victorian silver heart shaped ointment box, Birmingham 1899, and a white metal fob seal with an intaglio crest of a bird.

A gentlemen's vintage 9ct gold intaglio ring, the oval head inset with the head and shoulders of a gladiator/soldier, size T, approx 3.6g.

An oblong onyx intaglio, mounted in a gold brooch pendant, 5.1g

A Victorian stickpin, set with a reverse painted intaglio or Essex crystal of the had of a fox and a pair of silver cufflinks, each set with earthenware medallions of the head of a fox (3)

A Wedgwood black basalt intaglio and medal of the head of Pope John V, late 18th c, 31 x 22mm and 32mm diam, impressed Wedgwood, the second also impressed 87 [q in error for 81] and a pair of Wedgwood jasper rosettes, 18th or 19th c, impressed mark (4)

A gold signet ring, with black onyx intaglio, marked 10k, 5.4g, size I½

A Roman gold and carnelian intaglio ring of a maenad Circa 1st-2nd Century A.D.The hollow gold hoop set with an oval intaglio engraved with a standing maenad facing right, her hair bound in a chignon, wearing a long tunic with her right breast exposed, a ribboned thyrsos in her left hand, her drapery gathered in the crook of her right arm, intaglio 2.1cm long, ring size K, weight 14gFootnotes:Provenance:US art market, 1994.For further information on this lot please visit Bonhams.com

A Roman sardonyx intaglio Circa 1st-2nd Century A.D.Engraved with the figure of winged Eros riding a long-horned goat, in a modern gold setting, intaglio 1.3cm long, ring size R, weight 5.6gFootnotes:Provenance:Private collection, UK, acquired in the 1980s as a gift.Cf. a glass cameo of the popular subject of Eros on a goat dating to the 1st Century A.D. in the British Museum, acc. no. 1923,0401.1121, and another Roman glass intaglio example in the Getty Museum, acc. no. 83.AN.437.17.For further information on this lot please visit Bonhams.com

A Roman gold ring with carnelian intaglio of a sphinx Circa 1st Century A.D.The hollow gold hoop set with an oval intaglio carved with a sphinx, facing left with its right forepaw raised, intaglio 1.1cm long, ring size M, weight 2.1gFootnotes:Provenance: with Petit Musée, Montreal. Harry Toulch collection, Montreal, acquired from the above September 1998.For a closely related rendering of a sphinx see the British Museum, London, acc. no. 1923,0401.230.For further information on this lot please visit Bonhams.com

A Roman gold and carnelian intaglio ring with a bust of Artemis Circa 1st-2nd Century A.D.The hollow gold hoop set with an oval intaglio carved with Artemis facing left, a quiver behind her left shoulder and a bow behind the right, wearing a peplos, her wavy hair bound in a low chignon with loose tendrils, adorned with a wreath, intaglio 1.5cm high, ring size K, weight 3.1gFootnotes:Provenance:with Petit Musée, Montreal. Harry Toulch collection, Montreal, acquired from the above March 1997.For further information on this lot please visit Bonhams.com

White metal hinged bracelet, floral and foliage engraved front, 25mm width, 44mm internal diameter; a Sarah Coventry white metal bracelet, faux hematite intaglio with faceted border, leaf to either side, 25mm width, 47mm internal diameter; and other vintage metal hinged bracelets, some with paste stones to front.

A Royal Copenhagen Circular Intaglio Plaque, 13.5cm Diameter

A 14 karat gold agate intaglio pendant. A square shaped pendant depicting a lady en profil in elaborate mount. Gross weight: 8.9 g. 4 x 2.8 cm.

A 14 karat gold quartz fob swivle pendant. Three different intaglio sides. Gross weight: 8.3 g. ca. 30 x 20 mm.

A Roman style oval carnelian Intaglio,, carved with portrait of  the Roman goddess Egeria, approx. 2 cm, together with a Greek Hellenistic carnelian oval Intaglio, carved with portrait of Fortuna holding cornucopia, approx. 1.75cm

A single strand graduated cultured pearl necklace, together with a jade and yellow metal bar brooch initialled N Z with intaglio, 6cm

A 'Nelson Trafalgar' commemorative seal, in gilt brass, the intaglio a female head Ht 27.16 Condition: Worn, behind the intaglio, which we believe to be moulded, is a loose partially coloured glass wafer, this may have been used to give the appearance of carnelian UK Postage:£15.04

A high purity Roman gold ring set an intaglio carved with a running animal 4.4gm size J UK Postage: £15.04

A lady's dress ring having a rose intaglio cabouchon panel in a yellow metal collared mount and loop, no marks, tested as 9ct gold, size M & approx 2.8g

English sterling silver-gilt intaglio fob seal, unmarked, baroque revival style, bloodstone intaglio engraved with lions head motif c1880-1910 3.5 grams 2cm tall

English 14ct gold-mounted intaglio fob seal, unmarked, ovate bezel supported by ornate 4-armed suspension arch and suspension loop, orange coloured, ovate carnelian intaglio engraved with heraldic emblem within a shield, including 3 panther faces and various other motifs c. 1880-1910 2.5 cm tall

English sterling silver-gilt intaglio fob seal, baroque revival style, yellow intaglio (possibly a citrine), engraved with Vi et Virtvte (by strength and valour), c 1880-1910 3cm tall 5 .1 grams

English 9ct gold-mounted intaglio fob seal, single arch with suspension loop, engraved carnelian intaglio with heraldic emblem 3 stags caboshed with chevron between, legend below seal reads Aude et Praevalebis (dare and you will prevail) c. 1880-1910 17.1 grams 4cm tall

English 9ct gold-mounted intaglio fob seal, scallop-backed with ovoid, white coloured intaglio - possibly chalcedony, intaglio engraved with a lion and initials 'MR', suspension loop marked 9ct c 1880-1910 4 cm tall

Lalique for Rolls Royce, a Spirit of Ecstasy glass car mascot, after Charles Sykes model designed 1911, limited edition number 46 of 200, frosted and polished, incised Lalique France and intaglio etched number RR046, with Rapiditas certificate, 19.5cm high

Rene Lalique, a Tete de Belier glass car mascot, model 1136, designed circa 1928, frosted and polished, intaglio moulded mark R Lalique France, 10cm high

Gabriel Argy-Rousseau, a pate de verre glass Ladybirds pendant, circa 1923, oval plaque form, modelled in relief with three ladybirds climbing coiled tendrils, within a black border, suspended on two chains, tassle below, intaglio moulded mark GAR, 6.5cm long

Rene Lalique, a Tete de Paon glass car mascot, model 1140, desgned circa 1928, polished and frosted, intaglio moulded mark R Lalique, 18cm high

Francois Decorchemont, a pate de verre Petit Bol triangles glass vase, model 314, designed 1926, blue and colourless marbled, intaglio moulded mark FDecorchement, incised A981, 7cm high

Rene Lalique, a Tete de Coq glass car mascot, model 1137, designed circa 1928, polished and frosted, intaglio mark Lalique France, 18.2cm high

Rene Lalique, a Levrier glass car mascot, model 1141, designed circa 1928, polished and frosted with pale amethyst hue, intaglio moulded mark R Lalique France, 19.8cm long

Gabriel Argy-Rousseau, a pate de verre glass vase, ovoid form, relief moulded with crabs and seaweed, in green over marbled blue purplef, intaglio moulded mark G Aargy Rousseau, France, 14.5cm long

Francois Decorchemont, a pate de verre Cendrier etoile glass dish, model 316, designed 1926, on three feet, green marbled with aubergine fissures, intaglio moulded mark FDecorchement, incised B81, 14cm diameter

Henri Berge for Amalric Walter, a pate de verre glass dish, circa 1920, modelled as a trefoil lobed leaf with relief moulded lizard and flowering vine, in marbled and fosted yellow green ground, intaglio marks A Walter Nancy and HBerge, 17cm diameter

Rene Lalique, a Saint Christophe glass car mascot, model 1142, designed circa 1928, frosted and polished, intaglio moulded mark R Lalique France, 11.8cm high

Rene Lalique, a Cigognes glass vase, model 965, designed circa 1926, frosted and polished with amber staining, moulded intaglio mark R Lalique, 18cm high

Rene Lalique for Coty, an Ambre Antique glass perfume bottle, model Coty-Perfume-3, designed circa 1910, frosted and sepia stained, moulded intaglio mark R Lalique, 15.7cm high

Gabriel Argy-Rousseau, a pate de verre glass Cleopatra ashtray, oval form, relief moulded with central portrait bust and border of rosettes and crosses, in pink and purple over colourless fissured crystal, intaglio moulded mark G Aargy Rousseau, 16cm long

Gabriel Argy-Rousseau, a pate de verre glass Pine Cone pendant, circa 1921, relief moulded design, with bead and tassel, suspended on ropetwist cord, intaglio moulded mark GAR, the plaque 5.8cm square

Rene Lalique, a Levrier glass car mascot, model 1141, designed circa 1928, polished, frosted and stained, intaglio moulded mark R Lalique France, 19.8cm long

Marc Lalique, a Remy Martin VSOP glass ashtray, designed circa 1955, frosted and polished with intaglio moulded inscription, apparently unmarked, 11cm diameter

Rene Lalique, a Sauge green glass vase, model 935, designed circa 1923, with white staining, intaglio moulded mark R Lalique, 25.5cm high

Henri Berge for Amalric Walter, a pate de verre glass vase and cover, circa 1920, twin handled pedestal form, relief moulded with fruiting chestnut branches, in marbled and fosted yellow, green and blue ground, intaglio marks A Walter Nancy and HBerge, incised to lid AWN and HB, 17cm high

Rene Lalique, an Archers red amber glass vase, model 893, designed circa 1921, frosted and polished, intaglio moulded mark R Lalique, 26cm high

Henri Berge for Daum, a pate de verre glass dish, circa 1910, modelled as a Chameleon on a fruiting branch with insects, marbled yellow, green and blue, intaglio mark Daum Nancy, 27cm long

Gabriel Argy-Rousseau, a pate de verre glass Hydrangeas pendant, circa 1921, relief moulded floral design, with silk tassel, suspended on silk cord, intaglio moulded mark GAR, the plaque 6.5cm diameter

Francois Decorchemont, a pate de verre Nervures et Ovales glass vase, model 296, designed 1926, blue marbled with aubergine fissures, intaglio moulded mark FDecorchement, incised A813, 18cm high

Collection of Victorian and later jewellery including carnelian seal fob with intaglio crest, propelling turquoise pencil, silver cabochon banded agate brooch, two silver hardstone brooches, butterfly brooch and silver stone set rings, 9ct gold jewellery including horn brooch, weave and knot brooches, initialled 'R' buckle on ribbon, photograph pendant and wristwatch on gilt strap, 15ct gold knot with two pearls, enamel brooch depicting a girl and heart charm, all tested, stamped or hallmarked and other costume jewelleryClick here to view further images, condition reports, sale times & delivery costs for this lot.