A Chinese Kangxi famille verte porcelain Plate, with colourful enamels of a flower basket and underglaze blue pictorial mark verso, D 21.6cm, with label for Carew-Shaw collection 1969, together with a Kangxi enamelled plate with pictorial mark verso, D 22.5cm and another with central floral motif enclosed by four further panels, pictorial mark verso, damaged and restuck, D 22.6cm(3)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
We found 29334 price guide item(s) matching your search
There are 29334 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
29334 item(s)/page
A pair of 18thC Chinese porcelain export Plates, decorated in underglaze blue with overpainted gilt and red, chips to rims, D 23cm, together with another Chinese porcelain Plate, this one with overlayed lace work, D 22.7cm and a Chinese octagonal Dish, with pictorial Kangxi mark verso, repaired, D 17.5cm (4)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An 18thC Chinese porcelain Imari palette Charger, probably Kangxi/Yongzheng, the well decorated with flower basket in underglaze blue and overpainted red and gilt, enclosed within foliate border, further decorations verso, chip to rim, D 32.8cm, together with another 18thC Chinese imari Charger, also decorated with flower basket, damaged and repaired, D 35.5cm and an 18thC Chinese Plate of smaller size, of similar subject matter, damaged and restuck, D 22.2cm, and a Chinese famille verte Plate, the well decorated with enamels enclosed within moulded rim, repaired, D 22.5cm, also with another very similar (5)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A quantity of 19thC and later Chinese blue and white porcelain Teawares, to comprise a Saucer with incised Cafe-au-Lait verso, a Teabowl and Saucer of octagonal forms, a Saucer depicting sailing scene with pictorial Kangxi mark verso, Saucer with Nanking mark, etc. the largest D 12.4cm, the smallest: D 10.5cm, some damages (8)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An 18thC Chinese porcelain powder blue Charger, decorated with overpainted gilt depiction of ornate flower basket, damaged and restuck, Kangxi pictorial mark verso, D 28cm, together with a powder blue Tea Caddy, restored neck and lid, H 13cm, a small Chinese blue and White Dish, finely painted with apocryphal Chenghua six character mark verso, D 12.5cm, and an octagonal Dish, with staple repair, D 16cm, also with a Kraak-style Saucer with Kangxi pictorial mark, D 11.2cm and another blue and white Saucer (6)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An antique Chinese blue and white porcelain Plate, of octagonal form, with concentric circle mark verso, D 16cm, together with a matched pair of 19thC Chinese Plates, D 21cm, and another with pictorial Kangxi mark verso (4)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An 18thC Chinese export porcelain Sparrow Beak Jug, decorated in underglaze blues and overglaze reds, with cover, H 13.5cm, together with a Chinese famille verte and iron red Saucer, D 14cm, another of similar palette with pictorial Kangxi mark verso, D 13cm, a Chinese famille verte Teabowl, with a pair of Wucai palette modern Vases, an 18thC Chinese blue and white Charger and another large antique Chinese Charger Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A large antique Chinese porcelain powder blue Temple Jar, in the Kangxi style, decorated in overglaze gilt depictions of butterflies, birds, etc. damaged and repaired heavily, with cover and recumbent Lion finial, chips to lid, H 41cm.Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A Chinese double walled reticulated Vase, of baluster form, in ochre ground with blue and green colouration, intricately reticulated, restored to neck and rim, six character mark to base for Kangxi, H 31.5cm.Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A 19thC Chinese famille verte porcelain Teabowl, decorated in prunus and fauna interspersing figures supporting large ornamental vases, with concentric circles and apocryphal Kangxi mark to base, D 10.3cm x H 6cm, together with another Chinese Teabowl and Saucer, of lobed form, restored, D 11cm x H 4.5cm (2)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A Chinese Blue and White Porcelain Teapot, Kangxi Period, with Dutch Silver Mounts, painted with river landscape within shaped panel, vase with peacock feathers and censers, the mounts engraved with fruiting vines, 5ins (12.7cm) high, six character mark to baseNo comment about condition of the porcelain hidden by the silver mounts can be made. There is a small area of 'fritting' to the upper edge of the spout, together with some very light scattered scratching to the surface, but otherwise this piece appears to be in good condition with no obvious damage/loss/restoration.
A Small Reference Collection of Chinese Porcelain, 18th/19th Century, including blue and white octagonal dish painted with a riverine landscape with pagodas and islands 17.5ins (44.5cm), a Famille Verte beaker painted with flowering branches within shaped cartouche, Kangxi, and a moulded blue and white saucer with flower and leaf bouquets and sacred objects (32 pieces)Octagonal dish - stained hairline crack to well at approximately 8 o'clock. Famille Vert - with stained hairline crack from rim to foot ring. Four tea bowls with very small single hairline crack and one saucer with rim chip. Otherwise all other pieces appear to be in reasonable condition with no obvious damage/loss/restoration, save some very light typical wear to enamels/gilt and some light scattered scratching
A Chinese famille verte export porcelain saucer dish, Kangxi period, the centre painted with chrysanthemum within a rim of further flowerheads, diameter 21.6cm (minor glaze fritting to rim and plugged hole to centre). Provenance: from the private collection of David Armitage, former conservator to the Department of Eastern Art at the Ashmolean Museum, Oxford, between 1970 and 1999.
Two Chinese blue and white export porcelain square tiles, Kangxi period, each painted with lotus within scrolling tendril borders, 20.2cm x 20.2cm and 20.5cm x 20.5cm (both chipped). Provenance: from the private collection of David Armitage, former conservator to the Department of Eastern Art at the Ashmolean Museum, Oxford, between 1970 and 1999.
A Chinese blue and white export porcelain square tile, Kangxi period, painted with scattered flowerheads within flower basket and scrolling leafy tendril borders, 18.2cm x 18.2cm, together with another similar tile painted with lotus and scrolling tendril border, 18.7cm x 18.7cm (minor faults). Provenance: from the private collection of David Armitage, former conservator to the Department of Eastern Art at the Ashmolean Museum, Oxford, between 1970 and 1999.
A group of five Chinese famille verte powder blue ground porcelain plates, Kangxi period, each central octalobed panel filled with either a bird or butterflies beside blossoming branches, surrounded by smaller flower-filled vignettes to rim, all reserved against a powder blue ground with gilt decoration, diameters 21.9cm to 22.2cm (faults).
A Chinese blue and white export porcelain circular dish, Qianlong period, painted with a fenced peony garden within a rim of lotus sprays, diameter 37.8cm (restoration to rim), together with a blue and white porcelain plate, Kangxi period, painted with flowers, diameter 22cm (faults). Provenance: from the private collection of David Armitage, former conservator to the Department of Eastern Art at the Ashmolean Museum, Oxford, between 1970 and 1999.
A Chinese famille verte archaistic gu-form porcelain vase, Kangxi period, the panelled square mid-section painted with precious vessels, objects and Buddhistic lion, the flared upper and lower neck and base sections filled with birds, rocks and flowers, height 43cm (repaired neck, chips and converted to a table lamp).
A Chinese turquoise and aubergine enamelled biscuit porcelain figure of a seated fisherman, early 20th century, height 15.5cm, with wood stand, together with a Chinese blue and white porcelain ginger jar and cover, mark of Kangxi but late 19th century, painted with prunus, height 14.5cm, and a famille rose vase, height 25.5cm.
Chinese blue and white prunus pattern ginger jar and cover, 19th Century, painted Kangxi four character mark, height 26cm; also a Chinese blue and white vase, decorated with figures within a fenced garden, with matched cover (body crack), painted Kangxi mark, height 28cm (2) (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Matched pair of Chinese famille verte rouleau vases, 19th Century, decorated with figures at play in predominantly green enamels, one marked with Kangxi four character mark within a double circle, the other being unmarked, height 26cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Chinese blue and white ewer, Kangxi (1662-1722), decorated with auspicious objects in foliate panels to a slight baluster, over a domed circular foot, painted lingzhi mark, height 17.5cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Matched pair of Chinese blue and white vases, late 19th Century, of rouleau form decorated with figures displaying an oversized jar against a prunus blossom ground, painted Kangxi four character marks, height 31cm and 30.5cm (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Chinese porcelain fish dragon plate, Kangxi period, decorated in underglaze blue with pictorial representation of the fish-dragon Longmen legend and showing the metamorphosis of the carp into dragon over waves, painted censor mark to base, W21cm. Together with two 19th century Chinese export blue and white plates. There are approx. ten small and shallow flake chips/nibbles to the rim of the dragon plate, minor wear and glaze imperfections throughout. The two shaped plates are pitted in a few areas.
An assembled group of Chinese blue and white porcelain, KangxiIncluding a teabowl and saucer of lobed form and decorated with panels of flowers and foliage; a wine cup decorated with 'long Eliza' figures and flowers, 7.5cm high; and a small cusped dish decorated with horseman, 11cm dia. (3)Condition:Cup and saucer: Both appear good with only negligible signs of age.Wine cup: Very small chips to rim edge. Fine hairline to foot rim.Cusped dish: Fine hairline to rim.
A Chinese blue and white 'Romance of the Western Chamber' dishKangxi six-character mark and of the periodOf plain circular form, decorated with a scene of figures conversing beside a dwelling and a tree with copper red leaves, the rim with four peach blossom cartouches between cell and diaper panels, the underside with two rocky landscapes.22.5cm dia.Condition:Very good overall. Typical tiny glaze pinholes to the rim edge.
Two 19th and 20th century Chinese lidded ginger jars. With famille verte decoration, the larger with figures in a garden and on horseback with apocryphal four character Kangxi mark to base, the smaller with a pheasant on a rock amongst blossoms. H17.5cm and H 15cm Condition Report: Minor wear and scratches to glaze and enamels. Small jar: Two cracks running down from lip rim almost to lower green border above the foot; large jar: minor wear.
A Chinese blue and white gourd shaped vase. Decorated with pavilions and figures in a rocky landscape. Apocryphal four character Kangxi mark to base. H24cm. (AF) Condition Report: Chip to rim broken out and re-glued, ca 4cm x 2cm, anf other smaller chips, pin prick firing marks and minor scratches.
A small group of 18th to 20th century Chinese and Samson porcelains. Including two small blue and white vases with four character Kangxi marks to base, a turquoise ground bowl decorated with butterflies and fruits with six character Guangxu mark to base, two 18th century famille rose teabowls gilt and decorated with figures, and a Samson teabowl gilt and decorated with flowers. Vases H12.8cm. Condition Report: One of the vases has a hairline crack around the rim. Both have some light pitting, rubbing to the bases and would benefit from a clean. Overall in good condition with bright colours, minor wear and no obvious restoration. All of the bowls have rubbing and losses to the decoration, small areas of pitting and signs of general wear including scratches and marks. The pink bowl has multiple chips to the rim and a hairline crack. The pair of bowls have multiple chips to the rims and one has a large hairline crack. The largest bowl has an uneven rim and a very small chip but is overall in good condition.
Große Teekanne mit Silbermontierung, China wohl 19. Jh. (Qing). Kangxi-Style Teekanne mit bauchigem Korpus und kurzer Tülle. Henkel mit Silbermontierung, diese mit Kette mit dem Deckel verbunden. Umlaufend dekoriert mit 2 großen Kartuschen mit antiken Gegenständen. Der Deckel rest., Glasur an der Tülle minimal best., H. 22 cm
A collection of ceramics, to include a Chinese blue and white porcelain tea bowl, probably Kangxi; a set of 19th century imari palette plates; and a Chinese blue and white porcelain dish, probably 18th centuryGreen jar repair to rim, Prunus jar no damage.Tea bowl 3x chips to rum, hairline crack 6cm, chip to base.Small dish - crack across, glued repair, large chip again badly glued.Blue & white dish very large old stapled repair.Palette plates - one very badly damaged.Candelabra - losses in places.Dresden cup and saucer - no damage, slightly rubbed.Wall plates - chips to two, see pictures.
A Chinese famille verte Hundred Antiquities porcelain bowl, probaby Kangxi period, blue double circle and fungus mark, 19.5 cm diameter Provenance: Sold with an Alistair Sampson Antiques, London, receipt and paperwork, purchased for £5,000 in 1998no visible chips, cracks or restoration, interior rubbed to the base, and there are a few minor firing faults
A near pair of Chinese blue and white ginger jars, 19th century, both decorated with a fishing village near the shore, approx 17 cms h (af), near pair of onion vases with reticulated handles, decorated with peony and chrysanthemum approx 19 cms h (af), blue and white baluster vase, 19th century, decorated with two figures carrying a temple vase, Kangxi marks to base, approx 18 cms and an 18th century blue and white baluster vase decorated with flowers, approx 20 cms together with two spurious ginger jar covers. - Condition Report The one ginger jar has a vertical hairline crack and signs of crazing. The other is in good condition. The first onion vase has a significant loss to the rim and one of the handles. The other is in reasonable condition with two small areas of enamel loss to the rim interior, area of loss to the top of the reticulated handle, the baluster vase in in good overall condition with some fritting to the base rim but no major issues, The baluster vase has losses to the rim. One of the ginger jar covers has a crack across the top.
A pair of Chinese Kangxi "Vung Tau Cargo" bowls and saucers with panels of hatched foliage and flowers, bearing patched ribbon tied lozenge mark to base within blue concentric rings, 11 cm x 6.5 cm, saucer 16 cm diameter, together with three various Chinese polychrome decorated saucers and a Japanese Satsuma figural decorated saucer (8) CONDITION REPORTS Both saucers from the Vung Tau Cargo have hairline cracks and some chips to the undersides. Both bowls also have significant hairline cracks. All bear old Christies labels, are dirty and in need of a clean. The polychrome decorated saucer with the birds and floral sprays has hairline cracks and chips. The Imari palette smaller saucer has been broken in half and repaired as well as repairs elsewhere in the saucer. Has chips throughout. The saucer with the figures has some roughness to the edge, has significant wear to the inside and the Satsuma saucer has a star crack to the base and some light wear to the decoration throughout. All have wear and tear conducive with age and use to include firing faults etc and are in need of a good clean - see images for more details
A CHINESE TURQUOISE-GLAZED `HU' VASEQing dynasty, probably Kangxi The flattened lobed body set with elephant head loop handles beneath a everted lipped rim, 25cm high, wood stand (2)One prominent glaze blemish to one side, approx. 3mm square. Some crazing to the glaze. Some variance in the tone of the turquoise. The stand with some losses
A GROUP OF CHINESE CERAMICS (6)Various dates Comprising; two blue and white slender ovoid jars and covers, painted with vases on stands and Precious Objects, each approx. 34cm high; a pear shaped vase painted in underglaze red and blue with two confronting dragons, apochryphal six character Kangxi mark, 21cm high and a Ming style figure riding a Buddhist lion, 30cm high, wood standTwo blue and white jars and covers- some chips around rims of jars and covers. One with chip to the knop. Each with some surface markings, scuffing and glaze specking. One vase with a very fine haircrack to the base.Pear shaped vase- good conditionMing style figure- minor losses
Loading...-
29334 item(s)/page