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Click here to subscribeA large quantity of teawares to include Royal Alma Staffordshire Ironstone, Rodgeways 'Apple blossom', Copeland Spode, Spode Flemish Green, Prince Kensington, Sterling 'Acanthus' teapot and cover, Barrats Staffordshire 'Old Castle', Victoria Porcelain 'Willow Pattern', Royal Doulton 'Malvern', Alfred Meakin 'Willow Pattern', Devon Pottery, Burleighware and 'Greydawn' Johnson Bro's (qty)
A large quantity of dinner wares to include Ridgeway 'Willow Pattern', Jewel Pattern, Myott 'Royal Mail', Royal Doulton, A. Meakin 'Willow Pattern', Johnson Bro's 'Pareek', Kensington ware, Royal Victoria 'Rose Bouquet', Ridgeways 'Windsor', two large meat platters, Taunton Vale Pottery, Johnson Bro's Burslem cake stand with metal base, Woods and Son's 'Enoch Woods' and Rideways 'Santa Rosa' (qty)
Mintons Art pottery charger, painted with a cherub lying amidst a blossoming branch, in original ebonised on gilt frame, possibly by Edith M Maplestone, various marks printed Mintons Art Pottery Studio, Kensington Gore, date cypher for 1874, painted No 8 in box, painted initials E.M. asterisk +602, 40cm diameter CONDITION REPORT Repaired chip and crack to rim
A large quantity of ceramics including Sadler tea ware, a Kirkham Pottery three piece cruet set, egg cups on stand, mustard pot and sugar bowl, a Price Kensington hen and nest, two ginger jars, a group of dishes of various size and patterns, four figures of dogs etc. CONDITION REPORT: Cracks and chips throughout.
An Ardmore Studio pottery tureen and cover: modelled by Christopher Ntshalintshali and painted by Angel Gabela, in the form of a brightly coloured tropical fish, painted marks and dated 2003, 22 cm high. * Provenance: Christies South Kensington Lot 173 18th January 2004. * Notes. Sold with a 2007 CSK catalogue of 'Ardmore Ceramic Art' and a Certificate of Authenticity.
Five scarce Fulham Pottery ‘Winnie the Pooh’ figures, comprising: Christopher Robin, 24cm; Winnie the Pooh; Tigger; Eeyore; and Kanga, titled to bases, unmarked (5). See Christie’s South Kensington ‘20th Century British Decorative Arts’, 21st July 2000, lot 130 for a comparable set.Bid Live at the-saleroom.com
A cream china Piggy Bank decorated with Thelwell humorous equestrian scenes, 5 3/4'' long, 4'' high, a mid green glaze Ewenny Claypits pottery baluster Vase, 5'' tall, 4 3/4'' diameter, chips to rim, a small green pottery cream Jug decorated with flowers and foliage in relief, possibly Sylvac, no. 476 to base, 2 15/16'' high and a Price Kensington pottery Chutney jar and lid decorated with faces, the handles representing the ears, 5 3/4'' diameter.
A rare early Chinese painted pottery jar and cover, Han dynasty, 206BC-220AD, of ovoid form, decorated with mythical birds scrolling around the shoulder and cover, and an applied bird finial, on a later hardwood stand, 31cm high. Provenance: Accompanied by a signed Oxford Authentication Certificate, confirming it is a Han dynasty (206BC-220AD) pottery jar and cover, with a Thermoluminescence Analysis Report, sample No. C106e49, signed by Doreen Stoneham, 9th March 2006. Sold Christie's, South Kensington, London, 6th September, 2006, sale 4022, lot 1471.
A late Victorian Kensington Fine Art Pottery Company (circa 1892-9) Japan pattern dinner service comprising oval dishes, tazzas, casserole dishes, sauce boats, plates, side plates, cups and saucers (120 pieces) CONDITION REPORTS Comprises : 12 teacups, 12 saucers, 12 tea plates, 12 side plates, 11 slightly larger plates, 10 dinner plates, 11 bowls, 11 dessert plates, 2 tall comports, 3 low comports, 2 twin handled tureens, a sauce tureen and 2 stands, 6 oval serving plates, a circular serving plate and milk jug. There is heavy wear on all pieces conducive with age and use including rubbing to the gilding, crazing to glaze, staining, various fractures, etc. One teacup has a large chunk missing from the rim, 3 saucers have chips to underside, 3 tea plates show significant hairline cracks, one side plate shows significant cracking, one slightly larger plate has two large chips to the outside rim, one dinner plate has a large chip to outside rim, one soup plate with stapled repair where piece has been broken in half, 6 dessert plates have significant fractures, another has been glued back together, another repaired with staples, one tall comport has been restored with staples, one low comport has chip to underneath, another has been glued back together and the third has significant fractures, milk jug spout has been glued back together, one tureen lid handle is broken, the other tureen handle has been broken off and re-glued and has a large chip to underneath, one soup tureen handle is off, one sauce tureen stand has blistering to paintwork and a crack, 2 serving dishes have been glued back together and 2 have significant splitting. There is also a collection of broken/incomplete pieces appearing to comprise sauce tureen, serving platter, dessert plate, etc.
A Doulton faience charger, circa1880, by Florence Lewis, with a spray of flowers and ferns on a yellow ground, impressed and printed mark, 44cm diameter, a Minton`s Art pottery wall plate, dated 1872, with a swallow beside cherry blossom on a mushroom pate ground, printed and impressed marks including date code, `Minton`s Art Pottery Studio Kensington Gore`, 33.5cm diameter, and an Art pottery wall plate, possibly Minton`s, with a finch and beetle beside a water lily, red 1777 K & B 536, restored, 30.5cm diameter K & B is probably Kerr and Binns 1852-1862; this dish would have been towards the end of the period. Ex Dan Klein Ltd, cat no 71. Interestingly, the reverse has been used as a trial palette. Doulton faience - some fine crazing. Mintons - no obvious major faults. Art Pottery charger - 12cm crack restored to top edge and 4cm crack from the rim.
A pair of English rustic pottery oval bust portrait plaques of a lady and gentleman in early 19th century dress, possibly Lord Nelson and Emma Hamilton, painted in shades of ochre, green and brown, 27cm high, early 19th century. Note: Purchased from J. & J. May, 40 Church Street, Kensington, W8 for £300 and given to the vendor in 1975.
A Macintyre Moorcroft Pottery tobacco jar and cover, circa 1904 to 1913, of squat cylindrical shape, decorated in shades of blue with a Florian design against a textured ground, brown printed factory mark to base with black printed mark `Made for Derry & Toms Ltd Kensington`, height approx 9cm.
A MIDWINTER STYLE CRAFT DINNER SERVICE, each piece with a red border and poker dot decoration, comprising two 9½” tureens, 13¾” plate, six 8½” plates, six 7½” plates, four 9¾” plates, six pudding bowls including two restored, a Crown Pottery Art Deco trio, a Royal Crown Derby Japan pattern cup and saucer, an Aynsley trio, a Crown Devon trio, a Kensington leaf decorated jug and six other items.
A COLLECTION OF MISCELLANEOUS POTTERY AND GLASS INCLUDING DEVON LUSTRINE VASE DEPICTING BUTTERFLIES 25 cms, ANTIQUE GREEN AND WHITE ENAMEL WATERING JUG. KENSINGTON WARE FLORAL JUG AND A SUSIE COOPER BURSLEM TWIN HANDLE TEA CUP TOGETHER WITH FOUR ANTIQUE POTTERY JARS ONE STAMPED GEORGE OKEY TAMWORTH
A Troika Pottery Cube lamp base by Louise Jinks, modelled in low relief with geometric panels to two sides, in shades of green, ochre and brown on a blue ground painted marks, 16cm. high Provenance 20th Century Decorative Arts, 14th September 1996, Christie`s South Kensington, lot 1374 Private Collection
A Victorian coromandel and brass mounted table desk, by S. Morden & Co London, the sloping top with brass fretwork spandrels inset blue jasperware style plaques, enclosing a fitted interior, signed as per title to lock plate, also inset retailer’s label for ‘ Howell James& Co, Regent Street, London’, 35 x 25 x 11cm, slight damage* Howell and James were founded in 1819 as silk mercers & retail jewellers, the original partners being John Howell and Isaac James. By 1838 the firm had become Howell, James & Co. with the partners now John Howell, William Sedgwick, Thomas Stroud and Henry Gillett although by 1855 the company was in the sole ownership of Gillett and in 1884 became a limited company known as Howell & James Ltd. The opening day of their annual ‘exhibition’ became one of the outings of the period attracting the cream of London society. They exhibited at the Great Exhibition of 1851 in Hyde Park, as well as the International Exhibition of 1862, the Paris Exhibition of 1867 and the London exhibition of 1872. The company were champions of the South Kensington School and included many items within their stock that came from this establishment, and included jewellery from designers such as C.L. Eastlake, M.D. Wyatt, F. Leighton, and L.F. Day at these various exhibitions. From 1876 they held popular exhibitions at their Regent Street premises showcasing the painted pottery produced by amateurs. One of their designers, the well- known L.F. Day had made a clock for the 1851 Great Exhibition and went on to design the company’s stand at the later 1878 Paris show. His Aesthetic clocks were a mainstay of Howell and James’s production, who had other prominent designers from the Arts & Crafts movement working alongside them including Thomas Harris and J. Llewellyn who left in 1889, taking many of the selling rights to Liberty & Co situated close-by in Regent Street
Mintons - A large four handled vase of ovoid form with flared neck, the body decorated to one side with stylised flower heads in mustard yellow, salmon pink and cross hatched green and yellow with stem cherries, the other with similar flower heads with blue outer stems and falling yellow berries, all against an ivory ground, impressed marks with datecode for 1873 alongside initials OZE, possibly Kensington Gore Art Pottery Studio, restored, height 35cm.
A PAIR OF AESTHETIC MOVEMENT TILES PAINTED AT MORTLOCK`S ORCHARD STREET STUDIO, LONDON by, or under the auspices of Miss Black on Minton blanks with full length studies of nude young women, 35.5 x 14cm, impressed MINTON, painted AEB (?) monogram incorporating banner inscribed MORTLOCK dated 1876, No 193 or No 194 and 30502/ 29050, with the original price ticket dated 28/2/77, in the original ebonised and giltwood reeded frames On the closure of Minton`s influential Art Pottery Studio in Kensington Gore in 1875 several of the artists established studios on similar lines at the leading retailers. The present panels are fine examples, which judging by their quality can confidently be attributed to Miss Black (perhaps confirmed by the mongram) rather than one of her pupils, painted at Mortlock`s the following year. Both in fine original condition
A Carter`s Poole Pottery ruby lustre charger, the design attributed to James Radley Young, modelled in relief with radiating design, glazed in a rich ruby lustre incised Carter`s, minor glaze frits 45cm. diam. Provenance Christie`s South Kensington, 31st March 2004 lot 2 The Albert E Wade Collection
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