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Group of vintage boxed games, puzzles two polystyrene lace maker's pillows with various bobbins and sundries (2 boxes)

A Sunderland style wall plaque; an Inuit style figure; a Venetian scent bottle; a selection of lace making bobbins.

A box of white cotton and lace

Items of vintage clothing including a quantity of 19th and 20th century embroidered cotton and linen under garments and baby items, nightdresses, combinations, bloomers, petticoats, and a lace baby face veil circa 1913

A collection of vintage accessories including beaded evening and other bags circa 1930 and later, a handkerchief case with contents, a set of steel cut diamond buttons on original card, lace fichus, collars and stoles and a black chiffon scarf

A German automaton of a flower seller, 39cm highHeubach, Koppelsdorf bisque head with flakes to her right cheek.  Clockwork musical action with head and both arms rising; fabrics faded; her blue coat stained; lace cuffs and hems worn, dis-coloured; petticoat with tears

A 19TH CENTURY PARIS PORCELAIN FIGURE GROUP OF FIVE 18TH CENTURY FIGURES AROUND A DINING TABLE, with raised glasses and the table set with plates and knives, on an oval base decorated with a floral carpet design, bears underglaze blue mark to underside, height 23cm x oval length 27cm approx. (Condition Report: damage throughout to the encrusted lace details on the clothing, figural ornament from centre of table is broken off (piece loose in bag), one knife blade is missing, bouquet? missing from the carpet on the left side of etagere very dirty / dusty in crevasses and surfaces and would benefit from professional cleaning)

Part of The Gentle Arts series this matte finish figural in traditional dress has blue lace up bodice, cream skirt with floral design at hem and matching bonnet. Limited edition 693 of 750. Royal Doulton backstamp. Figurine measures: 7"L x 5"W x 7"H. Artist: Peggy DaviesIssued: 1984Edition Number: 693 of 750 Manufacturer: Royal DoultonCountry of Origin: EnglandAge related wear.

Sky blue No.8 Uruguay International match issued long-sleeved shirt, 2002, Uhlsport, L with lace-up collar and embroidered badge inscribed AUF The above is an official match issued shirt. However, we are unable to identify which match and which player wore it

Naples lace figurine of a young lady and dog width 18cm approx

Royal Doulton "Gold Lace" dinner set 38 pieces Comprising 6 dinner plates, 6 entree plates, 6 bowls, 6 side plates, 6 cups & 6 saucers, a gravy boat and under dish

Antique Mother of Pearl & lace fan (one broken arm to mother of pearl) , together with a celluloid fan with ribbon and hand painted floral decoration

Royal Copenhagen "Blue lace" jug & vase height 18cm approx

Feine Tischdecke mit allen Tierkreiszeichen.153 cm x 103 cm. Handarbeit. Gewebt. Stickerei. Klöppelarbeit (Spitze). Antik, um 1900. Zustand siehe Fotos. Versand kann organisiert werden.Fine tablecloth with all the signs of the zodiac.153 cm x 103 cm. Handmade. Woven. Embroidery. Lace work. Antique, around 1900. See photos for condition. Shipping can be organized.

A magnificent, aristocratic liqueur bar, spherical in shape, made of Baccarat glass in a gilded bronze case, Belle Epoque period. It is a unique ensemble of 4 decanters and 16 conical glasses of the finest glass with lace vine decoration. Placed on a gilded tray, they form the core of a glass sphere with a bell-shaped lid on a hinged mechanism. The original stopper ensures reliable fixation of the lid at any angle. The through motif of a grapevine, frosted etched glass, is effectively complemented by gilded bronze details, combining the delicate fragility and power of a festive representation. Gilded belts with two lion mascarons holding ring-handles in the mouth rest on a pedestal of four lion paws. A wonderful and irreplaceable attribute of a guest room, leisurely conversation, and an aristocratic lifestyle. Baccarat. Late 19th century. Closed dimensions. Height: 37 cm. Diameter: 30 cm. Width: 30cm, Height: 37cm, Depth: 30cm, Weight: 15kg, Condition: Good, Material: Bronze, glass

Rare, Russian, silver icon of Archangel Raphael, painted, cloisonne and champleve enamels. Probably a complex, private order, presumably executed by the factory master P. Ovchinnikov. Intimate and at the same time festive, the breastplate bears a half-length image of Archangel Raphilus with holy scripture in his hands. The gentle face and folds of the Archangels clothes are subtly depicted in the shimmering purity of silver, affirming the sacred purity and holiness of the heavenly powers. The high reliquary fields of the icon and its reverse side are decorated in accordance with the neo-Russian style of the 19th century - a triangular pattern alternating with foliage and a cross with Gothic curls around the flowers. The eyelet for the lace, on a turning loop, is also decorated with belts of cloisonne and champleve enamel. A charming monument to Russian style and spiritual purity of pre-revolutionary Russia at the end of the 19th century. 6.2x3.8 cm. Weight: 54 g. Width: 3.8cm, Height: 6.2cm, Depth: 0.7cm, Weight: 0.054kg, Condition: Good, Material: Enamel

The romantic landscape of the school of Julius Yulievich Klever WINTER EVENING IN A VILLAGE, richly and sweepingly demonstrates the atmosphere of a pre-sunset, snowy evening, where a traveler hurries to the comfort and warmth of home. Sunset Light spills across the canvas. It captivates with the high golden distances and the lights of the blazing sunset. They seem to outline the silhouette of the hut and separate the purple lace of the snow. The center of the composition and saving comfort is the house, with its red dot of the window and the smoke of the burning stove. Canvas, cardboard, oil. 50 x 36.5 cm. Turn of the 19th-20th centuries. Illegible signature at bottom left.Condition: GoodStyle: RealismCountry: RussiaPeriod: At the turn of 19th -20th centuryWarranty: Seller WarrantyMaterial: Canvas, oilProduct sizes: Height - 63cm, Width - 49cm, Depth - 6cm 

A mixture of items to include vintage doll's house accessories, tin plate pram and bucket, handmaid buttons H.M.S Victory, building blocks, fabric books, children's porcelain part tea services, spare dolls wigs, old lace remnants, small wooden items, doll's hats etc.

A Victorian taffeta purple skirt and bodice with hooks and bows to the front and lace collar. Skirt approx. 103cm from waist to front hem. Approx. 140cm from waist to back hem. Jacket measuring approx. 41cm underarm to underarm.

A collection Victorian Nightgowns (4), Petticoats (3) along with 6 Christening Gowns all in cotton/linen with various lace trims and designs.

Two Victorian items of clothing to include a child’s dress in brown with black velvet trim, lace sleeves and shoulder covering along with a ladies black beaded bodice

A Schoenau & Hoffmeister bisque head Doll, blue glass sleeping eyes, open mouth with four upper teeth, pierced ears and blond mohair wig, wood and composition jointed body, white cotton and lace underclothes, knitted dress and bonnet, appx.50cm high, marked S.H. 1009 D.E.P. 10., together with an Armand Marsaille bisque head doll, marked 390 A.8.M, appx.60cm high, lacks one hand (2)

Collection of assorted Lace makers bobbins and related items

19th century English school - half-length portrait of a lady wearing a lace bonnet and blue dress, oil on canvas, 74 x 62cm

Isabelle Beetham (c.1753-1825): A Silhouette Portrait of a Seated Lady, bust length,with curled hair and lace-tied dress, the reverse painting on convex glass with verre eglomise border, oval10.5cm by 6.5cm, in turned wooden frameGlass in good order. Some minor delamination of the border. Some chips to the frame.

A Leather Working Tool by J Dixon, 19th century, with steel blade, brass ferule, turned hardwood grip and in leather sheath18cmA Lace Crimping Roller on Blockroller 15.5cm wideAnother Roller21cm wideThree Knitting Sheathslongest 22.5cm longA Turned Hardwood Etui16cm longThree Pairs of Glove StretchersA Further Two Implements (13)

Follower of Sir Godfrey Kneller (1646-1743)A portrait of a gentleman, three-quarter length standing, before a draped curtain and pillar, wearing a powdered wig, a white lace cravat, and decorative armourOil on canvas, 125cm by 99.5cmThe painting has a fairly old lining, with a stretcher keyed far out. Several missing keys, but the canvases have fair tension.The original tacking margins have been removed, and the painting has been filled out and retouched to the top and bottom edges (the sides are covered so can't be seen). There is a slight distortion to the top left corner, possibly where it is coming away from the lining canvas. Slight movement in frame has left some white abraded surface layers at the very edges of the painting.There is a large old filled and retouched 'C' shaped tear measuring approx. 20cm x 9cm running through the extended finger and below through the drapery.There is a finescale brittle age craquelure throughout, and there are some minor patches of micro-flaking associated with this (see images) in the background, and futher old minor patches of flaking to the bottom edge. Mostly secure.There are scattered old minor filled and retouched losses throughout, but especially at the bottom edge, one in the bottom left corner, and in the sky top right. There is an old unretouched damage to the canvas to the lower left edge 30cm up.There has been some abrasion to the upper paint layers, particularly in the darker areas of the drapery, and around the pale drapery at the shoulder (see images).There is a line of spotty brown material around the long locks of hair, possibly associated with abrasion or old mould growth. Appears to be in a reddish brown layer of possible overpaint or damaged original paint (see images).There is old ingrained dirt and varnish, and at least two old varnish layers, one of which has been removed from the face and pale drapery. The varnish layers are now slighly cloudy, with wipe marks visible in torch light. There are minor scuffs and scratches to the varnish, and a pair of drip marks approx. 10cm long to the background mid-left. Examined in frame.

Arthur Brett of Norwich: A Reproduction Mahogany Twin-Pedestal Dining Table, the crossbanded top surrounding a scrolled border, with three additional leaves, on twin pedestal supports with splayed brackets and gilt metal loop handles, on quadripartite bases with splayed legs, brass hairy paw feet and castors350.5cm extended by 117cm by 74cmArthur Brett of Norwich: A Set of Fourteen (12+2) Gothic-Style Dining Chairs, covered in red and gold geometric fabric, with trefoil and fluted carved back supports above overstuffed seats, on fluted forelegs joined by an H stretchersingles 52cm by 60cm by 117cmcarvers 56cm by 62cm by 117cm (15)Some surface scratches, as well as some further deep scratches. Some small patch repairs to one end section (as photographed). Scuffs to the base. Chairs - generally good. Upholstery is also good throughout. The frames have some minor scuffs. The lace trim to the padded arm supports on the armchairs is loose.

British School (19th Century) Portrait of a lady, half-length seated, wearing a white dress and a black cap decorated with flowers Oil on canvas, 65cm by 62cm The picture is lined. All keys present, but the canvas is slightly slack. There is an undulation/corner draw top right, and a lesser undulation bottom right. There is a 2 inch dent in the bottom right quadrant, with a little associated flaking and paint loss. There are small unrestored losses at all edges, and a patch of ground at the top edge.There has been widespread alligatoring, especially at all edges. This is associated with drying problems of the original materials used, the paint having retracted to leave wide cracks which have possibly been opened further with cleaning in the past. These have been partially suppressed by retouching in the past. The central portions of the portrait are less cracked.There are small scratches, unrestored, top left quatrant, and a 1.5inch scuff mid right.There are dark surface accretions and flyspots in the lighter passages of paint, white spotty accretions in the darks, and slight abrasion to the white of the headress and the black lace neckline. There is uneven, patcy grey/ingrained dirt and varnish to the face, and a yellowed upper varnish.

English School (mid-19th century) - a portrait miniature of a lady, watercolour on ivory, wearing a low-cut, off the shoulder green dress with lace trim and pink bow and a long guard chain, her bobbed hair centre-parted, seated beside a window, 6.5 x 5.3 cm, in an ebonised frame with gilt slip, inscribed indistinctly verso ('Capt. Garden' legible) and dated 1844. Ivory Registration SLPPQM26.

A 19th century boxwood and inlaid fan, with original mirror to handle, silk fan with lace border

TWO 19TH C. MOTHER-OF-PEARL FANS, probably French, one with vellum leaf painted with a landcape, the other with lace, both in glazed cases, largest case 62.5cms (w) (2)Proveance: private collection CardiffComment: lace fan with one stick broken, lace with marginal staining.

An Early XX Century Wooden Mill Wall Telephone, with black bakelite handset - signs for Dye Shed, Cotton Finishing Room, as Lace Office, etc.no chips to bakelite, just some light scratching and age related wear.

Collection of lace, linen and christening gowns

A Syrian side lamp, 19th century, made of sawn and engraved brass, handmade, arabesque decorations on a background of lace work, one small lampshade has detached from its place and requires soldering or reattachment, Dimensions of the lamp: 25 cm (distance from the wall to the front, ) Height: 41 cm, Width: 45 cm. Period: 19th century

A bag containing a quantity of lace, crochet, etc.

A small collection of religious lace and birthday wishes - sold with a cased pair of 1948 farthing cufflinks

A19th Century black lacquered box with mother-of-pearl decoration, depicting birds swooping amidst branches containing a quantity of fans including feather, lace and other examples - sold with an old feather duster

A vintage christening gown with lace decoration - sold with a vintage wedding veil

A 19th century Brussels Point de Gaze lace triangular panel, probably from the train of a dress, finely worked with overall flowers and scrolls, 117cm x 126cm.

A Honiton lace veil, worked with overall floral sprigs, 220cm x 155cm, a Honiton collar, two hankies, a Chantilly lace stole, a fine gauze cape and other related bridal items.

A group of mainly 19th century lace, including an Italian bertha collar, other Brussels collars, including Point de Gaze and a pair of fine linen gentleman's cuffs.

A 19th century net and applied lace stole, 300cm x 44cm, together with a wax bridal headdress and a silk garter.

A mixed group of textiles, lace bobbins, buckles and two evening bags, including a roll of red silk and gilt thread ribbon, bearing retailer's label detailed 'Galeries Lafayette Limited'.

A Limerick lace veil, 103cm x 100cm, a Carrickmacross lace veil, 114cm x 114cm, another lace veil and three lacework stoles.

A group of whitework, including a Chinese embroidered table cloth, a similar pillow case, two embroidered shawls and various lace work.

A mixed group of whitework, including infants' linen gowns, a baby's cape with lacework edging and other lace items.

A quantity of whitework and lace, including various pairs of cuffs, flounces, collars and border sections.

A parlour/upstairs maids white cotton apron with decorative broderie anglaise smock which fastens down the back (1920s/30s), a cotton 1920s underslip with tied straps and decorative broderie anglaise detail on hemline and front, an ice blue silk night dress, cut on bias, floral pattern lace edged sleeves and v neck, pattern faded, (mid 1930s),  A American crepe blouse by Eian of Chicago, very decorative beaded decoration on collar (late 1940s/early 1950s), a satin 1940s wedding dress, padded shoulders, sweetheart neckline with two decorative bows, wide waist stitched centre and two ties. (5).

A small collection, including: black tulle/lace with a sequin decoration; a piece of black Chantilly lace, probably late 1930s; a small piece of late Victorian lace; a white cotton 1920s collar in cotton edged in lace (4 pieces). Also two decorative hair slides (one with a mock tortoiseshell buckle design - modern) and a black velvet hair slide with a pleated stiff bow (modern). (6)

A pair of Perago sandals in brown (1940s), Renica perspex sandals with wedge heels and gold woven fronts, perspe stietto hhels with gold fronts and stud detail, pale blue leather peep toe high heeled sling backs, raspberry pink stilettos with lace fronts and bow by Harry Nicholls 3 1/2" heels (early 1960s), black suede court shoes with low heels (mid 1950s), backless sandals with stiletto heels by Lilley and Skinner, lilac backless stiletto heeled sandals with beaded design. (Q).

A collection of linen and table wear to include a set of dorma embroidered pillow cases in presentation box (late 1930s), a presentation box of Irish linen, table mats, napkins with decorative edge in a pale turquoise  (some slight discolouration), a sateen nightdress case with purple flower and ribbon design, a sleeping snood (1918-20) (small hole), a collection of hankies (1930s), an embroidered shoe bag, a white bedspread with appliqued design (early 1900), a 1920s starched cloth with a centre embroidered design in red and black, 6 table mats and a lace 1930s/40s hankie from Burges.

A navy viscose dress by Toast with a lighter blue and beige floral design on a navy background, short sleeved, size 14, calf length. Together with a Jaeger velvet maxi-length A-line low-waisted dress, size 10 (generous), buttons down the front and on cuffs, 1980s. Also a Royal blue lace coat, collarless design, size 16, purple lining, with matching dress in navy lace with purple lining, late 1960s. Finally a Caroline Charles maxi-length cocktail dress in Royal blue lace and sequins, elbow-length sleeves, nylon zip, full skirt, size 12 and aubergine-coloured underskirt with fitted bodice. (4)

A black silk mowry shawl, early 1900s, embroidered corner and silk tassels (some holes), a black chantilly lace shawl (minimal small hole), two black mourning aprons, very fine flower pattern in a strip design on tulle lace edging, 1870/80s slub taffeta mourning apron with pie crust pleating and jet beading on edging, two ties. (4).

A set of white, brushed cotton bed linen with crocheted lace purchased in 1937 to include cover, bolster case and two pillow cases along with a large white cotton bolster case with broderie anglaise trim, a lawn cotton cushion case embroidered with shamrocks and an Edwardian linen bedspread, hand embroidered with shamrocks with crochet lace inserts (qty)

A striking Max Mara (Italian) knitted jumper in brick red with roll neck, size 14/16, together with a Charlotte Halton three-quarter lace waistcoat in black, 1980s, sleeveless design edged in bugle beads, black decorative buttons, size 12. A Frank Usher black cocktail cape with decorative front of tiny paste silver beads, V-neck and V-effect hemline. A cream wool evening cardigan by Soolees, low neckline decorated in grey beadwork and paste stones, with a coffee-coloured ruffle edging, no fastening (it has a tiny mark on the left-hand bodice). (4)

A collection of lace mostly Welsh from the De Winton family (Based in South Wales around Brecon and Hay), (also silk and a christening robe and two 1920s crepe scarves) (3 boxes) (2 J. Jaques and one M&S box). Some items badly stained.

An assortment of memorabilia to include:- gloves, one pair is cream lace, 1960s plus black suede with pearl buttons and navy cotton plus brown leather and beige etc, dated from 1930s upto 1960s. A collection of vintage bags to include a black Edwardian one, 1916-18 and a lovat green bag decorated in stones and pearls, interesting fretwork, 1920s/30s. A collection of compacts, 1930-1970. A small pill box and two commemorative hankies. Condition: One compact, has a broken mirror

An assorted collection of vintage textiles, to include Victorian and later, mainly lace examples including trims, appliques, ribbons and more. (qty)

An assorted collection of Victorian and later textiles and accessories, to include an ebony dressing table set with mirror, brush, candle holder, pot and glove stretchers, also another hand held mirror, another part dressing table set with shoe horn, various pairs of gloves in black and cream with lace and leather examples, various beadwork coin purses, leather bag and purse, ostrich feathers, a collection of handkerchiefs, various fan, parasols, scarves and more. (qty)