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Lot 731
Collection of Decorative Glass Items, comprising a cut glass swan dish; a Lalique style classic doves glass perfume bottle, small chip on one wing, marked France to base; Murano style red glass dish with sweeping handles; glass bird in flight; and Art Deco style glass lady 11'' tall. Together with a mother of pearl inlaid lidded trinket box.
Lot 158
Lalique, Crystal Lalique, a set of six clear and frosted glass tumblers, of tapered cylindrical form, second half 20th century, the basal section with frosted leaf moulded band, inscribed Lalique, France, 10cm high, in original white cardboard boxCondition Report: All in fair order overall, no serious damage detectedThe box with knocks and scuffs and signs of wear and cracks to leading edges of the cover but largely intactCondition Report Disclaimer
Lot 157
Lalique, Crystal Lalique, Barsac, a set of fourteen small clear and frosted, champagne cups, 12.5cm high, and six white wine glasses en-suite, 14.5cm high, all with script mark Lalique, FranceCondition Report: Six Champagnes and six wines in original grey card boxes, boxes with creases and wearOne with small rim chip to one small champagneCondition Report Disclaimer
Lot 155
Lalique, Crystal Lalique, femmes, a set of ten frosted and clear glass tumblers, second half 20th century, 10cm high, inscribed Lalique France, together a two boxed pairs of Roxanne champagne cups, clear and frosted glass, 17cm high, and nine swizzle sticks en-suiteCondition Report: Boxes for six of the tumblers and the two pairs of champagnes, all with dirt and signs of wear some cracking and creasingNo serious damage detected to the glasses.Condition Report Disclaimer
Lot 154
Lalique, Cristal Lalique, Treves, a clear glass table service of wine glasses, 1952-2006, comprising: nine wine goblets, 18.5cm high; six red wine glasses, 16.5cm high, and twelve white wine glasses, 14.5cm high, incised Lalique, FranceCondition Report: Six white wine and six goblets in original grey cardboard boxes, the remainder looseNo serious damage detectedCondition Report Disclaimer
Lot 159
Lalique, Cristal Lalique, Reverie, a pair of clear and frosted glass figural bookends, modelled opposing, each 22cm high, engraved marks to the rear of the plinths and plastic labels, in original fitted box Condition Report: No damage detected, the box with rip to one cornerCondition Report Disclaimer
Lot 34
RENÉ LALIQUE (FRENCH, 1860-1945), 'SYLVIA', A VASE, DESIGNED 1929, clear and frosted glass with staining, etched 'R LALIQUE / FRANCE', no. 1031. 19cm highCONDITION REPORTFew surface scratches, overall in good condition. There is a 2cm mark on the bottom of the vase, possibly a scratch, etched mark on the base is clear
Lot 390
patinated gilt bronze, with Daum mottled glass shade, stamped E. BRANDT, engraved DAUM NANCY FRANCE with Cross of Lorraine160cm highFootnote: Literature: Kahr J. Edgar Brandt: Master of Art Deco Ironwork, New York, 1999, pp. 156-7, pl. 166.Kahr J. Edgar Brandt: Art Deco Ironwork, New York, 2010, p. 133, pl. 184 et p. 134 for a view of the design in the Brandt showrooms at 101 boulevard Murat, Paris in about 1923.Note: Edgar Brandt was a celebrated Art Deco designer working in metal producing both private and public works. He celebrated the past but was also thoroughly modern. He understood traditional materials and chose to explore their potential, besides using hand-tools, he also relied on machines. Brandt set up a workshop in 1901 and by 1925 was exhibiting on the world stage at the Paris Exposition Internationale des Arts Décoratifs et Industriels Modernes (International Exposition of Decorative Arts and Modern Industries). A design he showed on this occasion was La Tentation, a lamp featuring a serpent. A subject of antiquity that appeared in ancient Greek, Roman and Egyptian culture as a creature to both be feared and revered. It was an exotic motif also employed by other leading Art Deco designers including René Lalique, Jean Dunand, Albert Chereut and Paul Jouve. The serpent was a recurrent motif in Brandt’s work appearing on andirons, vases, cachepots, paperweights and incense burners, but is perhaps best remembered in his two lamps designs both of which were produced in bronze between 1920-26. This present example La Tentation being the larger of the two, the smaller being referred to as the Cobra. Both lamps were made to order and available in two sizes and this present lot is the larger version. They were of high quality, not only in terms of the sophistication of the design, but also in their execution and the attention paid to their finishing. Brandt employed specialists to patinate the pieces. La Tentation was a great commercial success and remain highly sought after still today by collectors.La Simplicitée lamp by contrast illustrates Brandt’s passion for iron. The textured circular base supports soaring vertical elements conjoined by scrolling and foliate forms. Brandt’s lamp offered his customers move versatile lighting options than traditional fixed chandeliers provided.IMPORTANT INFO FOR ‡ LOTSLots affixed with ‡ or [Ω] symbols may be subject to further regulations upon export /import, please see Conditions of Sale for Buyers Section D.2.Collection of Purchased ‡ Lots:For items marked with the ‡ (denoting additional VAT payable at a reduced rate of 5% on the hammer price) additional time should be allowed for Customs clearance by HMRC if the item is to remain in the UK. For items being exported out of the UK these items can be shipped via Crown Fine Art or via another approved shipper with a temporary admissions account.
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29103 item(s)/page