A COLLECTION OF NINE JAPANESE GOLD IMARI PIECES EDO AND LATER, 17TH CENTURY AND LATE Decorated in gilt and red enamels, some with details highlighted in green; comprising: a small pair of cups and saucers with landscape panels; two tripod pouring vessels with chrysanthemum mon and bamboo-shaped handles; a foliate dish with quails and millet; a scalloped moulded bowl with further chrysanthemum, and a teapot and cover shaped as a minogame, 20.7cm max. (10)PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from the collection of Phillip Allen (1938-2022).
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A JAPANESE GOLD LACQUER BOX, COVER, INNER TRAY AND DRAWER MEIJI ERA, 19TH CENTURY The tall rectangular body richly decorated with a continuous design of pavilions in a mountainous river landscape, one on tall stilts reminiscent of Kiyomizu-dera; with details rendered in hiramaki-e, takamaki-e and kirigane and with minute coral inlays; the sides and drawer with similar embellishments; the inner tray decorated with fishermen on small boats casting their nets amongst the waves, the reverse with brocade patterns, 14.5cm x 12cm x 21.5cm. (4)PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from the collection of Phillip Allen (1938-2022).
A JAPANESE LACQUER SUZURIBAKO AND TWO DISHES EDO OR MEIJI, 19TH CENTURY The rectangular writing box and inner tray decorated in gold, silver and black lacquer with many cranes in a mountainous river landscape, the reverse of the lid with two minogame; the rectangular tray embellished with figures in a garden, and the octagonal dish with two seals depicted in relief, one topped with a shishi, the other on its side revealing the characters underneath, 23.3cm max. (5)PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from the collection of Phillip Allen (1938-2022).
FOUR CHINESE BLUE AND WHITE VASESLATE MING DYNASTY AND KANGXIThe Ming vase of octagonal section painted with figures in a landscape, the other vases decorated with further figures and flowers, 27cm max. (4)PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.Provenance: from the collection of Phillip Allen (1938-2022).
KUSUMI MORIKAGE (C.1620-90) SEKKO (DATES UNKNOWN) KANO RYOMIN TAKANOBU (ACT. 1716-48) AND UNIDENTIFIED EDO PERIOD, 17TH CENTURY AND LATER Three Japanese scroll paintings, one depicting a white magnolia spray, signed Sekko and inscribed Kanro gannen, Mokutoku o motte osu (The emperor’s virtue rules the country with good heavenly decree); another with Chinese figures and a pavilion in a mountainous river landscape, with a seal reading Morikage; the third with Daikoku standing on a hay bale, signed Kano Ryomin Takanobu hitsu, 123cm x 25cm max. (3)PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from the collection of Phillip Allen (1938-2022).
A CHINESE EMBROIDERED SILK 'DRAGON' PANELQING DYNASTYWith a central five-clawed front facing dragon in gold thread above breaking waves, together with a small kesi landscape and four framed heart-shaped pockets, all framed and glazed, 40.5cm max. (3)PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. Provenance: from the collection of Phillip Allen (1938-2022).
ATTRIBUTED TO LI JIAN (19TH CENTURY)MOUNTAINOUS LANDSCAPEA Chinese scroll painting, ink and colour on silk, inscribed and dated second of the sixth month, signed Erqiao Shanren Li Jian, with two artist's seals, framed and glazed, 56cm x 36cm.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.Provenance: from the collection of Phillip Allen (1938-2022).
A JAPANESE SILVER-INLAID BRONZE KORO AND COVER BY MORIGUCHIMEIJI ERA, 19TH CENTURYThe bulbous squat body raised on three shaped legs, decorated with two large panels enclosing thatched pavilions in a mountainous river landscape, one side with figures; on a dense ground of brocade patterns, circular mon, flowers, scrolling tendrils and other formal designs; the cover with further panels enclosing similar patterns; all rendered in gold and silver wire on the black ground; the base inscribed Kyoto Moriguchi sei, together with a detachable side handle, 15.5cm. (3)
A LARGE JAPANESE IMARI BOWLEDO PERIOD, 17TH CENTURYThe deep body decorated in underglaze blue, gilt, yellow, red, orange, green and purple enamels, the well painted to the centre with a spray of peony and the cavetto with chrysanthemum tied up to bamboo canes, the rim with a band of clouds and fruiting branches in gilt on the dark blue ground; the reverse with a mountainous river landscape above two floral borders; an elderly man and two boy attendants crossing a bridge to one side, and a pavilion by a waterfall to the other, the base with a chrysanthemum mon, 37.7cm.
A JAPANESE DAMASCENE CASE BY FUJII YOSHITOYOMEIJI ERA, EARLY 20TH CENTURYDecorated to one side with pavilions and sailboats in a mountainous river landscape, with Yoshitoyo's Fuji-shaped mark lower right corner; the other side with a pair of chickens in a luxuriant garden; another Fuji mark on the inside, 6.8cm x 9.3cm.PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A JAPANESE FOUR-CASE METAL-INLAID GOLD LACQUER INRO BY SHOKASAIEDO OR MEIJI, 19TH CENTURYOf rectangular rounded form, decorated in gold takamakie and hiramakie, togidashi and hirame against a kinji ground, one side inlaid in mixed metal with a horse rider in an extensive landscape, observing two cranes flying over him; the reverse with a samurai on foot, with Mount Fuji towering behind pines in the distance; each applied figure rendered in iroe takazogan; the base signed Shokasai; attached to a wood netsuke carved as two small dogs on a circular bamboo mat, a two-character signature underneath, the inro 9cm.
KANO KOI (C.1569-1636) PAVILIONS IN A LANDSCAPE EDO PERIOD, 17TH CENTURY A Japanese Kano School scroll painting, ink on paper, depicting small figures in buildings in a mountainous landscape, with a red seal mark lower left corner, 79cm x 27.5cm.Provenance: from the collection of the Rev. Cyril Chase.
A LARGE JAPANESE INLAID-IRON BOX, COVER AND STAND BY KOMAI OTOJIRO MEIJI ERA, EARLY 20TH CENTURYOf rectangular form, the lid richly decorated with a panel enclosing a temple complex in a mountainous landscape, with Mount Fuji in the distance and a dense border of many butterflies in flight; the sides with further panels enclosing various birds and flowers, framed by bands of ivy and grapes; raised on four shaped feet embellished with cherry blossoms; the inside incised with further birds, flowers and butterflies; the base with a square mark under a firefly reading Nihon koku Kyoto ju Komai sei and with further butterflies fluttering around it, together with a fitted wood stand, the box 6.3cm x 17cm x 8cm. (2)
KANO GYOKUEN NAGANOBU (1816-80)SHOKA/SHOKO (DATES UNKNOWN)EDO/MEIJI, 19TH CENTURYTwo Japanese kakemono (hanging scroll paintings), both ink and colour on paper, one in Chinese style depicting travellers visiting a scholar, his young attendant receiving the visitors at the door of the thatched pavilion; the mountainous river landscape extending beyond them, signed lower left Gyokuen Naganobu hitsu and with the seal Kano, 123.5cm x 54cm; the other painting depicting a flowering branch of camellia, signed Shoka/ Shoko and with a red seal mark, 26.6cm x 31.2cm. (2)PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.
A Crown Devon Stockholm part service. Decorated with red leaping deer in a winter landscape, comprising: Two circular vegetable tureens and covers, two graduating meat platters, sauceboat, large bowl, shaped dish, six small bowls, six side plates, six sandwich plates, seven dessert plates, six dinner plates, coffee pot and cover, preserve pot and cover, sugar bowl, milk jug, four coffee cans and saucers, and seven teacups.
A Derby porcelain tea cup and saucer, probably painted by Thomas 'Jockey' Hill. Circa 1800, with landscape views on a yellow ground within a gilt border, puce mark and pattern number 459, diameter of saucer 14.5cm.Several chips to rim of cup and plate, also a small crack to cup, images of this now uploaded to our website.
A 20th Century Royal Copenhagen Porcelain vase, shape 2037, of shouldered sleeve form with an everted collar neck, panel decorated with a cottage to a landscape scene, pattern number 2695, printed and painted marks, height 15cm, together with a smaller vase, shape 271 of ovoid form with shallow collar neck, hand painted with a butterfly and blossom bough over graduated blue ground, pattern 1584, height 11.5cm. (2)
A pair of late 19th to early 20th Century Augustus Rex porcelain jars and covers of shouldered ovoid form with collar neck and domed cover, each lid and body decorated with opposing vignettes of figures in landscape and floral sprays on a yellow ground, blue painted marks to base, height 30cm, one damaged. (2)

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