Thomas Pace, London, lantern clock with verge escapement striking on a bell, 6'' silvered dial with centre flowers moons face over VI engraved Thomas Pace at the Crowne in Fleete Street (Crown Inn Fleet Street). Dimensions 5 1/2 x 16 x 5 1/2'' Provenance this clock was sold Christies 1997. Pace London recorded 1630-1662 See Brian Loomes Lantern clocks and their makers pages 97 and 101 where maker has mention
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R Gilkes, Adderbury. Thirty hour hook and spike longcase clock with 10'' brass dial. Steel pillared lantern/birdcage movement with anchor escapement striking on a bell, chain driven. Contained in an oak case with long trunk door, turned pillars to hood. Case could be later, Dimensions 79 x 22 x 12'' Movement and dial in good restored condition. Good oak case but may be slightly later possibly to update it as fashion changed CONDITION:Movement and dial in good restored condition. Good oak case but may be slightly later possibly to update it as fashion changed
An early 18th century Quaker thirty hour hook and spike clock in original oak case, unsigned. 10'' dial with single hand, zig zag Gilkes style centre, thirty hour steel pillared lantern type movement with anchor escapement. Movement hooks to the back board of the case, no seat board. A substantial oak case with panelled base. Turned pillars to hood, caddy top with three wooden finials, Dimensions 89 x 21 x 12'' Good original condition movement not tested CONDITION:Good original condition movement not tested
Henry Burges lantern clock in oak case. A thirty hour lantern clock with 6 1/2 hour square dial winged cherub spandrels single hand matted dial centre. Above a brass pediment in shape of leaves and flowers. Movement has steel pillars anchor escapement, plain brass side pediments and striking on a bell. Brass turned feet to base, 6 1/2 x 11 (top of bell) x 5''. Chain driven with wooden pulley. Contained in an originally made oak case for the clock with narrow trunk long door, iron blacksmith made hinges. Hood has applied barley twist columns. 83 x 18 x 11'' Illustrated in Brian Loombes latest book Lantern clocks and their makers, pages 399 and 400 movement dial good, original condition, case good condition was made for the clock but possibly later CONDITION:movement dial good, original condition, case good condition was made for the clock but possibly later
A BOX AND LOOSE SUNDRY ITEMS ETC, to include a brass desk cannon, models of boats, wooden sculpture of a Rhinoceros, Cerebos table salt tin, Kaiser anniversary clock in need of attention, electric ship style lantern, large Chinese display fan, Chinese parasol, walking sticks, metal document box, etc
TWO MID 20TH CENTURY CLOCKS, comprising a Smiths brass cased lantern clock with Roman numerals, dial stamped 'Smiths, Great Britain', personal inscription to back, approximate height 24cm, and a Paico Art Deco style clock of brass construction with Arabic numerals at the quarter hour, approximate height 40cm (Condition report: generally ok, Smiths clock is missing key, Paico clock appears to run, would benefit from a clean) (2)
A selection of clocks including an Art deco green onyx and black slate mantel timepiece with garniture, a ships type bulkhead timepiece with case back marked GPO E51/1, two inlaid mantel timepieces, two electric timepieces by Smith and Tempex, a lantern form electric timepiece, a brass cased mantel timepiece retailed by W Potts & Son Paris, a gravity mantel timepiece, other timepieces and a quantity of clock keys in one box (two trays and garniture)
Reproduction brass lantern clock,25cm, another reproduction brass lantern clock, and a German bracket clock in a walnut case.Qty: 3Condition report:German clock has Franz Hermle movement striking on five gongs, good condition, not known if working, both lantern clocks have battery movements, not known if working.
A Late 19th/Early 20th Century Brass Cased Lantern Clock of "17th Century" Design, the 6.5ins chapter ring with Roman numerals and plain dial centre inscribed "Tho. Moore Ipswich", the steel and brass framed movement with anchor escapement striking on a bell, contained in case with turned uprights and finials and with pierced and engraved leaf scroll crestings, on turned feet, 15ins high
A XVII Century Brass Lantern Clock, the strapped bell over urn finials and foliate fret, each inscribed 'S.L.', the tapered column upon ball feet, 6½" chapter ring with Roman numerals and engraved with foliate decoration, weight driven movement, pendulum present, 37cm high. Purchase receipt dated 1978 for £575 from The Old Duke Ltd. Lot 1442 - No guarantee regarding the dial, you cant get behind the dial to see if its been replaced, clock dials needs restoring
A collection of early 20th Century and later clocks, to include an Edwardian inlaid mahogany mantle clock, a brass lantern clock, oak cased Westminster chime examples, a mid 20th Century bracket clock by H.A.C of Wurttemberg, a Masons 'Mandalay' mantle clock, anniversary clocks and others. (2)
A Victorian Hook & Spike Brass Lantern Clock, the strapped bell over urn finials and foliate fret, the tapered column upon turned ball feet, brass chapter ring with Roman numerals and engraved with foliate decoration, single weight driven movement, (lacking pendulum and movement altered and incomplete) L38cm.
Late Victorian brass Lantern-style twin fusee clock - Retailed by Goldsmith & Company, 112 Regent Street, London, circa 1890, the earlier 'Lothbury'-type Roman dial with inner quarter hour track, the chain-driven movement now ting-tang striking on the strapped bell surmount, with engraved backplate, 38.5cm high
A rare Charles II brass lantern clock, Edward Webb, Chew Stoke, dated November 7th, circa 1680 , the posted countwheel bell-striking movement now with anchor escapement for regulation by short lenticular bob pendulum swinging outside the frame to the rear, the dial with central alarm disc within stylised symmetrical foliate engraved infill incorporating a winged female mask at twelve o'clock and with pierced black painted brass hand within applied narrow Roman numeral chapter ring with stylised fleur-de-lys hour markers and engraved with date 'nove -7' to the dial plate behind the 'V' numeral, the upper angles engraved with signature Edward Webb, the typical 'Chew Valley' frame with one-piece column turned corner posts beneath lion and unicorn armorial engraved and pierced frets, integral multi-knopped tall vase-and-cover turned finials and domed bell bearer cast with pierced leaf decoration between the limbs, with brass side doors and iron backplate between hanging hoop above spurs to rear, on tall disc-knopped ball feet, (mostly retrained using original pivot plates/bars, alarm lacking), 40cm (15.75ins) high Edward Webb is recorded in Moore, A. J. THE CLOCKMAKERS OF SOMERSET 1650-1900 as married to Anne with sons Walter (1667), James (1670), Richard (1674), George (1678) and William (?). He was probably the son of Charles Webb who owned a foundry in Chew Stoke. Both Edward and his wife Anne died in 1694. Nine lantern clocks by Edward Webb dated 1676, 1678, 1681, 1684, 1688, 1691, 1692, 1692 and 1693 are recorded with the 1684 and 1688 clocks fully described an illustrated in White, George English Lantern Clocks on pages 232 (Figures V/39 and 40), 233 (V/42 detailing date March 10 engraved beneath the chapter ring of the 1684 clock) and 237 (V/51 and 52). In addition to these Moore notes a further undated lantern clock signed Edward Webb of Chewstoke fecit , and a posted musical longcase clock movement and dial (also illustrated by White on page 233, Figure V/43). From these references it would appear that the present clock is currently an unrecorded example of Webbs work. The current lot utilises frame castings that were favoured by the Bristol and Chew Valley school of clockmakers with the earliest surviving being the Edward Webb 1676 example (private collection). All the other recorded lantern clocks by Webb (dates ranging from 1678-93) all share the same frame castings. These castings were also used by John London of Bristol, Thomas Veale of Chew Magna and latterly by Edward Bilbie of Chew Stoke (who is believed to have succeeded Edward Webb in around 1695). Bilbie appears to have persisted with the use of such castings long after Bristol makers had moved onto patterns more closely related to London work of the period, suggesting that such frames were probably cast locally (in the Chew Valley) - perhaps initially by Edward Webb at his foundry in Chew Stoke then by the Bilbie family after Webb's death in 1694. Another noteworthy detail is the distinctive dial engraving which is executed with scrolling foliage issuing from a central point at the base of the dial centre, continuing symmetrically around the alarm disc and terminating with a central winged female mask motif at the top. The design of this decoration is typical of Webb and appears to have its roots in the work of Thomas Brown of Bristol who was most active during the 1650's (see White, George English Lantern Clocks page 232) and can can be directly compared to a clock by John Clarke of Bristol which was sold in these rooms on 15th September 2015 (lot 185) for £9,500 hammer. Some later alterations as mentioned in the description. Brass case with some tarnishing.Please note this is only a brief overview report, for a full condition report please send a request via the-saleroom.com
A 20th century brass lantern clock with Franz Hermle weight driven movement striking on a bell, the dial with engraved decoration and silvered chapter ring and inscribed 'John Smith London', the case of typical form with bell surmount above engraved sides depicting Father Time and skeleton, on turned feet, height 37.5cm, with pendulum, two weights and oak wall bracket.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A 19th century French brass lantern clock with makers monogram stamped to movement. The clock face having engraved plumes and roman numeral to the chapter ring. The case having pierced and engraved Maltese dolphins and domed top raised upon turned feet. Eight day movement. Hands missing. Marked made in France with artists monogram. Measures 31cm tall.
Charles II-Tischuhr von Joseph Knibb Ebenholz, furniert sowie Applikationen aus Silber, Messing und Bronze vergoldet. Gerader, hochrechteckiger, dreiseitig verglaster Korpus auf schmaler Profilzarge mit geschweift ansteigendem oberen Abschluss und aufstellbarem Bügelhenkel, Knaufbekrönungen aus gegeneinander gestellten Blättern sowie durchbrochen gearbeitete Applikationen aus großen Blattreserven. Zifferblatt mit aufgelegtem Ziffernring, Einstellung für Wecker sowie reliefplastische Puttenköpfe, bez. "Joseph Knibb, London". Werk mit Spindelhemmung und Stundenschlag. Aufwendig mit Blattvoluten ornamentierte Platine, bez. "Joseph Knibb Londini fecit". Überholungsbedürftig. Weckwerk fehlt. Glocke beiliegend. 3 Applikationen fehlen. H. 34,5 cm.Vgl. Tardy, 3ème Partie, S. 620 sowie über Joseph Knibb: Ballie, S. 182 "One of the finest makers of lantern and bracket clocks."Provenienz: Aus dem Vermächtnis von Eleonore Maria Franziska Freiin von Seckendorff (1887-1970), verheiratete Sommer, an ihre Nichte 3. Grades, Gräfin und Herrin Maria Agnes Henriette Caroline Adelheid Anna Josepha Sophie von Schönburg-Glauchau (1912-1994), verheiratete Fleischer, in 9. Generation verwandt mit Charles II (1630-1685), genannt The Merry Monarch, aus dem Hause Stuart und von 1660-1685 König von England, Schottland und Irland. King Charles II ist der Ur(x6)großvater von Gräfin von Schönburg-Glauchau und der Ur(x5)großvater ihrer Tante 3. Grades, Freiin von Seckendorff. Familiengeführte Stammbaum-Auflistung liegt vor.An ebony Charles II clock by Joseph Knibb. In need to overhaul and repair. Alarm and some applications are missing.England. London. Um 1680.

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4355 item(s)/page