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Hornby-Dublo 3-rail electric Passenger Set, Locomotive Rolling Stock and accessories: EDP12 with 4-6-2 Locomotive and Tender BR green, ‘Duchess of Montrose’, no 46232, Coaches (2), track, oil bottle, contents E, tear to box lid, VG, EDL17 0-6-2 Tank Locomotive BR black no. 69567, E-NM in G box, D1 Island platform, TPO Set, Level crossing, points (4), Rolling Stock (6), other items, G-E in G boxes, Small quantity of unboxed track, levers and figures, VG (Qty)
HORNBY SERIES (PRE-WAR TINPLATE) ETC, NO 1(A812) ETC, several Railway items including a good boxed pre-war multi-coloured “0” Gauge Level Crossing in a reasonable red Hornby Series box, Code BW8953 9.5M 4-38, an unboxed pre-war good Platform, Open Shelter with Scarborough etc advertisements, a post-car Cream and Green Foot Bridge, a German Buffer Stop (pre-war?), a Truescale Wooden Signal and two Lead Railway Porters (7)
Four various Hornby Dublo goods wagons, to include tender D12, Shell lubricating oil, low-sided wagon D1, and horsebox D1 (B.R), together with a Hornby Dublo D1 level crossing, a D1 signal cabin (32160), boxed, a Hornby Dublo "Duchess of Montrose 4.6.2 EDL12" locomotive, boxed, a Hornby Dublo transformer, various goods wagons and a quantity of three line track, etc
24 half bottles Chateau Guriaud, 1er Cru Classé Sauternes, 1988, in original wooden case CONDITION REPORTS Lid of case removed. Most bottles not removed for inspection, but an example inspected has liquid level just below foil of neck. Exterior of bottles and labels have some dust and dirt, but overall appear in reasonable condition.
A limited edition Magnum Champagne des Princes de Venoge, Bottle No. 00064, in presentation case with funnel and glass stopper CONDITION REPORTS Light general wear, but overall external condition appears good. Label bears number 00064, but no date. No vintage. Liquid level in the neck is at the lower edge of the band which sits around the base of the foil.
Hornby boxed No. 501 passenger train set, also three boxed rail sets, a level crossing and five items of rolling stock. Please note: Condition of items or other faults for this sale is not stated within the catalogue and items are sold strictly as seen (please read terms and conditions below) If you are interested in an item and no condition report is present please email auctions@peterwilson.co.uk for more information. Due to volume of inquires we receive we are not able to answer requests on group lots or items with an estimate of less than £50.
A Jaeger-le-Coulture Atmos Aquarium clock the gilt brass case glazed with opaque perspex panels containing gilt angel fish, starfish and water weed, inset spirit level to base, glass signed `Jaeger-LeCoulture`, circular white dial with gilt batons and arabic numerals at the quarters, signed `Swiss Made`, the movement wound by atmospherics, 9¼in. (23.5cm.) high, in the original faux leather case with instruction booklet.
A Jaeger-Le Coultre Atmos clock contained within a gilt brass case with five viewing apertures, signed movement, gilt brass bezel with white chapter ring bearing gilt arabic numerals affixed at 3, 6, 9, 12, positions with tapering batons denoting other chapters, inset circular spirit level to front, push down thumb piece to front glazed access panel initialled `J.C.`, 9in. (22.9cm.) in height, in original box.
A Jaeger-Le Coultre Atmos clock glazed gilt brass case with inset spirit level to base, glass signed `Atmos Jaeger-LeCoulture`, rounded square white chapter ring with gilt batons and arabic numerals at the quarters, signed `Swiss Made`, signed 13 jewel movement wound by atmospherics, 9in. (22.7cm.) high.
Gabriel Hayes (1909-1978) Peonies in Pewter Mug Oil on canvas, 61 x 51cm (24 x 20") Signed Exhibited: "A Private Collection", The Frederick Gallery, December 1999, where purchased by current owner Gabriel Hayes was born in Kildare and spent time travelling and studying in the USA and France before returning to Ireland and entering the Dublin Metropolitan School of Art. She is best remembered for her wonderful sculpture panels on the Department of Industry on Kildare Street which she worked on in situ, 23 metres from ground level suspended in a wooden cage. These sculptures are generally symbolic, representing themes connected with industry and commerce in general, but there are also some heads, one representing St Brendan as personifying navigation and another 'Eire' over the main entrance. From 1957, she began the life size Stations of the Cross for Galway Cathedral which took her twelve years to complete. During this time she also made designs for the new decimal coins and a series of medals. She worked in bronze, limestone and Portland stone but, although there are few examples, this work shows that she was extremely adept at painting with oils too. Here she skilfully captures the effects of sunlight on the hard reflective surface of the jug and tray, contrasted elegantly with the soft full blooms.
** A JOUSTING HELM IN THE EARLY 15TH CENTURY STYLE, 19TH CENTURY, FROM THE WORKSHOP OF SAMUEL LUKE PRATT formed of as high one-piece crown rising at its rear to a rounded point (extensively repaired with riveted patches) and descending over the nape and sides to a straight inward-turned lower edge, and fitted at each side with a face-defence extending down to the same level and pierced at its right with numerous small circular ventilation-holes, its upper edge and the upper edge of the face-opening of the crown forming the edges of a `frog-mouthed` vision slit, the lower edge of the helm bordered by brass-capped round-headed rivets with square washers shaped peripherally with eight cusps (acid-pitted overall) 36.5 cm; 14¼ in Provenance Londesborough Collection, sold Christie, Manson and Woods, 4th July 1888, probably lot 123 `Tilting helmet - temp. Henry V [a forgery] sold for £2 2s.` Literature James Robinson Planché, Cyclopaedia of Costume or Dictionary of Dress, 1876, Vol 1., p.284 The form of the helm is based on that of Henry V (d. 1422) in Westminster Abbey (Laking 1920, Vol. II, figs 49 a & b). For similar helms from the workshop of Samuel Luke Pratt of Bond Street, London, see Laking 1922, Vol V, fig. 1545,c; and Jonathan Tavares, Samuel Luke Pratt and the Arms & Armor Trade in Victorian Britain, Doctoral Dissertation, Bard College, New York, 2013, fig. 185. The helm was almost certainly made for Pratt by his principal faker, Thomas Grimshaw of Clerkenwell, London.
** ALFRED EMILE O` HARA COMTE DE NIEUWERKERKE (1811-92) :`MORT DE MONSEIGNEUR LE DUC DE CLARENCE`, A FRENCH BRONZE EQUESTRIAN GROUP, MID-19TH CENTURY brown patinated, depicting two accurately modelled armoured figures on caparisoned horses, the base with neo gothic decoration and lengthy narrative inscriptions on each side, signed `par le Cte E. de Nieuwerkerke`, dated 1838, with foundry inscription `fondu par E. Quesnel. Paris` and `Susse frères éditeurs place de la bourse` 55 cm; 21 ¾ in high, 60 cm; 23 5/8 in wide; 19 cm; 7 ¾ in deep This sculpture shows the encounter between Thomas, 1st Duke of Clarence (Henry V`s brother) and Garin de Fontaine at the battle of Baugé, 22 March 1421 during the 100 Years War. Thomas had not been present at his brother`s famous victory at Agincourt (1415), and it may have been his desire to establish his battle credentials that led him to push on against the Scots fighting with the French despite advice to the contrary. In a rather ironic twist of fate his downfall may have been brought about by the lack of archers in his company compared to the number of Scottish bowmen, although the Scots and French were numerically inferior. As it was, in what was effectively an ill-advised sortie, Clarence and a significant number of his men at arms were killed. The historic accounts are confused, and it is not clear who actually killed Clarence, but as he was Henry V`s Regent at the time, his death was a significant blow to the English. This sculpture is probably the best known work of Alfred-Emilien O`Hara Comte de Nieuwerkerke (1811-1892). Nieuwerkerke, a French sculptor of Dutch descent, enjoyed a high level civil service career in the French Second Empire, until its fall in 1870. Following this he left Paris and moved to Italy, via London, shedding much of his distinguished collections as he went. Much of his arms and armour collection was acquired by Sir Richard Wallace and remains in the Wallace Collection today. A plaster model, perhaps the original and another bronze sculpture of this group are preserved in the Royal Armouries, Leeds (XVII.29).
A 3½ inch gauge coal fired live steam 0-4-0 narrow gauge tank locomotive `Peter`, finished in green with black and white lining, the cab detailed with a pressure gauge, level glass, brake, etc (regulator arm missing), the sprung chassis with double acting cylinders and sprung buffer (some parts missing including tank cover), and a small collection of plans.
A scratch built 2½ inch gauge coal fired live steam 4-4-2 Atlantic locomotive and tender, finished in GNR green livery, the detailed cab with regulator, pressure gauge, level glass, brake lever, etc, the sprung chassis with double acting cylinders and sprung buffers (some faults and minor parts missing, no boiler certificate).
A gauge 1 spirit fired live steam 4-4-0 compound locomotive and tender 1000, finished in Midland maroon livery lined in yellow and black, the cab with reverse lever, whistle, level glass, etc, the chassis with double acting cylinders, fluted connecting rods and sprung buffers (some repairs and refinishing).
REELS (4): Wilkes Osprey 3.5" alloy trout fly reel with heavy duty line guide, optional check, counter balanced black handle, good lead finish, a JW Young Gildex grey finish multiplier reel, hinged folding foot, level wind, optional check, an Allcock Easicast 3.5" alloy drum casting reel with line brake, optional check and backplate regulator, good, c/w original box a/f and a 4" alloy salmon fly reel, ivorine handle, ventilated face plate, smooth brass foot, backplate stamped "Made in England".
REELS (2): Abu Ambassadeur 6000C black multiplier reel, smooth end plates, foot stamp 740404?, chips to rims, single black handle, operating fine, c/w tools in maker`s leather case and an Abu Garcia Ambassadeur 823 casting reel, level wind, star drag, adjustable brake, good, c/w handbook, in MOB.
REELS (5): Abu Ambassadeur 6500 multiplier reel, smooth end plates, black handle, level wind, fine with handbook, Mitchell 602 multiplier reel, used with handbooks and 300 box, 3 J W Young spinning reels, Duco half bail arm model with handbook, 2 x Ambidex reels, half and full bail, as per image.
2 x HORNBY Train Sets - R537 Suburban Freight Set comprising a BR Black Jinty 0-6-0T, 3 x Goods Wagons, circle of track, Tunnel and R915 PCU - the Tunnel Cardboard cover is missing otherwise Excellent Boxed - R545 Clockwork Super Set comprising Black Play 0-4-0T no 734, 3 Goods Wagons, 2 x plastic Cars, Level Crossing and circle of track - Near Mint Boxed.

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46415 item(s)/page