Pair of Syrian mother-of-pearl inlaid wooden end tables, each with two drawers and curving front legs. Inlaid with geometric designs.Keywords: Levantine, Persian, Moroccan, Moorish, Middle Eastern, OrientalistProvenance: From the Estate of Horst Rechelbacher, Osceola, Wisconsin.Horst Rechelbacher, the founder of Aveda and Intelligent Nutrients, was a pioneer in the field of safe and eco-friendly cosmetics. The same curiosity that led him to explore ways to improve the beauty industry led him to travel the world, collecting rare and beautiful objects as he went.Light brown; height: 17 1/2 in x width: 25 in x depth: 20 1/4 in. Dark brown; height: 20 in x width: 28 in x depth: 19 1/4 in.Condition:The drawers of both tables open. Wear throughout both tables including scuffs, scratches, some accretions, and some areas of minor separation to the joints. The dark brown table has wear throughout including some chips along the edges. The bottom front panel is broken along one edge. The light brown table has losses to the inlaid decoration. The back panel and another small piece have detached.
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Group of four antique Japanese cloisonne vases. Two depicting flowers, one with a bird, and one with a dragon.Height ranges from 5 in to 7 1/2 in; diameter ranges from 2 in to 4 in.Condition:The largest vase has a dent/chip and a small loss along the shoulder; there are numerous minute chips and areas of wear throughout this vase. The other three vases appear to be in good condition. There is wear to the metal components throughout; light wear throughout.
Hiroshi Yoshida (Japanese, 1876-1950). Japanese woodblock print titled "Night in Kyoto" depicting a night market with a wet street reflecting the lights glowing from lanterns illuminating the products for sale. Pencil signed along the lower right and titled along the lower left.Height: 15 1/2 in x width: 10 1/2 in.Condition:There are no major tears, creases, or losses. There are several dark spots throughout the margins, possibly from ink transfer. There are no signs of restoration under UV light. Not framed.
Chinese, likely Song Dynasty, ceramic cup with a white glaze and a small, slightly flared stem. With a letter of provenance.Provenance: Purchased in May, 1930 by Aganetha Helen Fast (American, 1888-1981), a missionary.Height: 2 3/4 in x diameter: 3 1/2 in.Condition:There are no major chips, cracks, or losses. Light wear throughout as expected.
Angela Strassheim (American, b. 1969). Chromogenic color print titled "Alicia in the Pool" depicting a girl in a bathing suit standing in a kiddie pool in front of a clothesline, 2006. Numbered 5/8. Signed, titled, and numbered along a Marvelli Gallery label affixed along the verso.Provenance: Collection of the artist; courtesy Marvelli Gallery, New York; Private Minnesota collection.Sight; height: 37 1/2 in x width: 47 1/2 in. Framed; height: 39 in x width: 49 in.Condition:The emulsion appears smooth with no breaks. No visible tears, losses, or restorations. Framed under plexiglass; light wear to the frame. Not inspected out of frame.
Edwin Scheier (American, 1910-2008). Ceramic plate decorated with a stylized scene of Adam and Eve with the snake and the forbidden fruit, 1947. Earthenware with slip decoration and a clear glaze overtop. Incised signature and date along the underside.Provenance: From the distinguished collection of the Walker Art Center, Minneapolis, MN - proceeds from this sale will benefit their mission.Height: 2 1/2 in x diameter: 16 in.Condition:The underside has signs of light wear, consistent with age and use. There are no major chips, cracks, or losses. There are no visible signs of restoration under UV light. There are four spots along the underside where felt tabs may have once been affixed; there is a label affixed to the underside and a partial label as well; accession number in red ink along the underside.
Likely Indian manuscript-style painting depicting three figures on a terrace while a fourth figure sleeps in a boat below. Painted on cardboard.Height: 10 1/2 in x width: 6 3/4 in.Condition:Heavy wear throughout. There is a large tear along the lower right edge; some glue/repairs visible to this tear along the verso. Light wear and rubbing throughout. Some chips to the paint along the edges. Small chips and losses to the edges. Evidence of moisture exposure along the right edge; most visible along the verso. Numerous pencil and ink inscriptions to the verso. Tape along the upper and lower edges. Small stains/soiling to the verso. The work is not framed.
Historical document naming Henry E. Day postmaster of the city of Raymond in Kandiyohi County, Minnesota. Signed by U.S. President Woodrow Wilson and Postmaster General Albert S. Burleson. Dated July 28, 1919 and the testimony dated August 19, 1919.Height: 14 in x width: 18 in.Condition:No visible tears or losses, or major creases. The sheet is toned and has light creases along the recto. The sheet has been kept rolled. There is browning along the edges and minor foxing to the center of the lower margin. Soiling to the upper left and lower left quadrants. Along the edge of the round sticker to the lower left quadrant, there is dark discoloration as shown in the listing image. Along the verso, the paper is toned, has browning, soiling, and vertical creases. To the center of the verso, there is a round area that is lightly discolored dark. Along the lower margin, there are a few networks of unidentified accretions, possibly water damage. No visible sign of restoration under UV light.
20th century Chinese ox blood porcelain plate. The face of the plate decorated with chrysanthemums. The exterior sides of the bowl with an ox blood coloration.Diameter: 6 3/4 in.Condition:No chips, cracks, losses, or restorations. Light wear throughout. Some small firing/glazing flaws throughout the flowers.
Le Corbusier (Charles-Edouard Jeanneret) (Swiss, 1887-1965) for Palazzetti, Italy. Petit Confort Model 232 two seater sofa or loveseat. Chrome with black leather upholstery. Two black pillows are included.Height: 26 in x width: 51 in x depth: 27 1/2 in.Condition:The sofa is in overall good condition. It is structurally sound and stable. There are no visible major rips, stains, or repairs to the cushions or frame. A few small tears to the upholstery. Some light wear to the cushions as expected. Some spots of discoloration and oxidization to the frame.
Pair of Chinese porcelain advertising cups, 20th century. Each hand-painted with an advertisement for "Pirate" magnums cigarettes. Each marked along the underside with a hand-painted six-character mark of Jiangxi Porcelain Company.(Each) Height: 2 1/2 in x diameter: 3 in.Condition:No chips, cracks, losses, or restorations. Light wear throughout both including some light surface marks and light wear to the footrims.
Laure Prouvost (French, b. 1978). Painted ceramic teapot titled "Grandma's Teapot - Too Much Gin (Not So Keen)," 2018. Painted with abstract splashes of black, red, white, and blue.Height: 9 in x width: 9 3/4 in x depth: 8 1/4 in.Condition:The underside has signs of light wear, consistent with age and use. There are no major chips, cracks, or losses. There are no visible signs of restoration under UV light.
Large vintage redwood burl live edge coffee table.Height: 16 1/2 in x width: 80 in x depth: 41 in.Condition:The table is structurally sound and stable. Crazing to the glaze along the top of the table. Some splits to the wood; it is difficult to discern if these are original to the slab of wood or if there were after production. Area of staining along the top of the table, visible in the lot listing photos. Light wear throughout the rest of the work including some light scratches and dirt/dust gathered in the recessed areas.
Group of five Chinese carved animal figures including three fish or carp, one bat with peaches, and one ram.Height ranges from 1 1/4 in to 1 1/2 in; width ranges from 2 in to 3 in.Condition:There is a large chip on the bat. All three fish have small chips. There is a small spot which may be a minor restoration along the front leg of the ram. Light wear throughout all pieces as expected with age and use. Some dirt/dust collected in the recessed areas.
Pair of Chinese Guangxu porcelain blue and white lidded ginger jars. Painted with flowering branches. The underside with a double ring mark in underglaze blue. Each marked "China" along the underside in red or brown.(Each) Height: 5 1/2 in x diameter: 4 1/2 in.Condition:No major chips, losses, or restorations. Light wear throughout consistent with age and use. Some areas of adhesive residue from where it appears the lids were taped to the body. Light wear to the footrim and where the lid and body meet.
Panu Turunen (Finnish, 20th/21st c.) and Kari Alakoski (Finnish, b. 1956). Frosted two-tone "Drop" handblown glass vase, 2010. Etched signature and date reading "Panu Turunen / Kari Alakoski nj 2010" along the underside. Similar to the Finnish works of Tapio Wirkkala and Kaj Franck.Height: 14 1/4 in x diameter: 4 in.Condition:There are a few fleabite chips along the footrim. There are two very small chips along the footrim. Light wear along the underside consistent with age and display.
Oggetti Mangani porcelain painted fish, ca. 1970s. Made in Florence, Italy. Affixed to a swiveling metal base on a wooden platform. Depicting a fantastical fish in bright colors with gold accents.With Base; height: 17 1/2 in x width: 13 in x depth: 6 1/4 in.Condition:The color is bold and bright. No visible chips, cracks, or dents. No visible sign of restoration under UV light. Along the underside edge, there are a few scattered areas that show the underlying white porcelain; however, it does not appear to be damaged but original. To the head of the fish, there is an area with adhesive residue adhered; please see the listing image. Light natural cracks to the wooden base as shown in the listing image. Wear along the underside of the wooden stand, consistent with age and use.
Tsuchiya Koitsu (Japanese, 1870-1949). Japanese shin-hanga woodblock on paper print titled "Natsu no Suki Miyajima (Summer moon at Miyajima)" depicting a peaceful scene at Miyajima island in Japan with the summer moon shining in the sky, 1936. Sealed with artist's seal ('shin') along the lower left in plate; ink inscription in Japanese along the lower right and left margins.Height: 11 1/4 in x width: 16 1/2 in.Condition:Colors are bright and bold. The sheet and paper backing are toned. There is slight undulation to the sheet. There is light wear to the deckled edge of the sheet. The edges of the sheet and backing are slightly uneven. There is some soiling to the extreme edges of the recto. The print is unframed.
Ye Zhongsan (Chinese, late Qing Dynasty). Inside-painted glass snuff bottle. Painted with a continuous scene depicting Zhong Kui, the Demon Queller, with his attendants taking his sister in a wheelchair to be married. Signed along the upper left of the side depicting the sister.Christie's New York sold a very similar example on March 15, 2017. See "The Ruth and Carl Barron Collection of Fine Chinese Snuff Bottles: Part IV," Lot 440.Height: 2 3/4 in x width: 1 1/4 in x depth: 1/2 inCondition:There are no major chips, cracks, or losses. The spoon is not connected to the lid. There are minute losses along the top rim. The spoon, which is detached from the lid, cannot be removed and is stuck within the opening. There is minute crack along the inside of the neck. There is a diagonal crack across the base. There are minute losses to the footrim, including a minute chip to a corner. There are signs of wear throughout such as light scratches or scuffs as expected from age and use.
CHROMA aka Rick Wolfryd (American, b. 1953), in collaboration with Huichol artists. Color beaded vinyl sculpture titled "Flower Child Melting X," from CHROMA's "Alterations" series, depicting a standing figure beaded throughout in the Huichol style. Signed by Wolfryd, titled, annotated T.P. .0003, and dated 2022 along the underside. With a certificate of authenticity.Height: 16 1/2 in x width: 6 in x depth: 8 in.Condition:The sculpture is in excellent condition with no cracks, major losses, or restorations. Given the material, there are likely minute losses to the beaded decoration, though these do not affect the overall work. Very light wear along the underside as expected.
Group of seven prints by Rudolf Seiler, Hitoshi Kiyohara, and Tokuriki Tomikichiro including:Rudolf Seiler (German, 1898-1982). Etching titled "Miyajima" depicting a Japanese shrine. Pencil signed along the lower right; titled along the lower left. Numbered 27 along the verso.Rudolf Seiler (German, 1898-1982). Etching titled "Korean Man" depicting a man standing next to a field. Pencil signed along the lower right; titled along the lower left. Numbered 14/65 along the verso.Rudolf Seiler (German, 1898-1982). Etching titled "Priest with Flute" depicting a man playing an instrument. Pencil signed along the lower right; titled along the lower left. Numbered 10/25 along the verso.Rudolf Seiler (German, 1898-1982). Etching titled "Mother and Children" depicting a woman with her two small children in the street. Pencil signed along the lower right; titled along the lower left. Numbered 8/25 along the verso.Hitoshi Kiyohara (Japanese, 1896-1956). Woodblock print titled "Three Young Girls on Childrens' Day" depicting three finely dressed children. Signed in plate along the lower right; annotated in plate along the lower left margin.Tokuriki Tomikichiro (Japanese, 1902-2000). Woodblock print depicting a view of Mount Fuji. Signed and annotated in plate along the right and left margins.Tokuriki Tomikichiro (Japanese, 1902-2000). Woodblock print titled "Mount Fuji and Cherry Blossoms" depicting a view of Mt. Fuji as seen through cherry blossom trees. Signed in plate along the upper left; annotated in margin along the lower left.(Sheet) Height ranges from 10 3/4 in to 15 in; width ranges from 13 in to 16 1/2 in.Condition:There are no major tears, losses, or creases. There is minor soiling and discoloration throughout. There is minute foxing. There are no signs of restoration under UV light.
Pair of rare mid-19th century Chinese elm wood horseshoe back quanyi chairs. Each with a U-form crestrail. Each with a carved and bowed paneled splat decorated with a ruyi panel above a panel with a Buddhist lion flanked by pierced fretwork. With newer caned seats and high-arched stretchers. It is unusual to see hardwood chairs with carvings such as this.Provenance: Sotheby's, New York, "Fine Chinese Ceramics, Furniture and Works of Art," November 29 & 30, 1995, Lot 349; The collection of Bruce Dayton and Ruth Stricker Dayton - Selections from The Marsh, Minnetonka, Minnesota.Each, height: 39 in x width: 26 3/4 in x depth: 21 in.Condition:The chairs are overall structurally sound and stable. There is some minor to moderate separation to the joints of both chairs. There are some areas, mostly along the edges of the seats, with splits to the wood; to the chair pictured left, the panel second from the top and the bottom panel along the back splat have horizontal splits. Rubbing along the high points, especially to the chair pictured in the left. Some wear including some areas of moisture exposure, small chips along the edges, light scratches and scuffs, and some looseness to the caned seats of both chairs. To the chair pictured right, the two spindles along the arms are loose.
Autographed gelatin silver print photograph of President Dwight D. Eisenhower (American, 1890-1969). Written along the lower right "To Congressman Walter H. Judd with best wishes and warm regards to an American statesman, from his old friend, Dwight Eisenhower." Written to Congressman Walter H. Judd, a Minnesotan congressman from 1943-1963.Height: 14 in x width: 11 in.Condition:The emulsion appears smooth and stable. The photograph is mounted to cardboard; the verso is unable to be inspected. Light toning to the sheet. there is an area along the lower left edge with evidence of moisture exposure. Evidence of moisture exposure along the verso. The ink has slightly faded. There is an area of accretion (shiny under a raking light) in the left margin. Some light creases or surface marks throughout. The work is not framed.
After Kitagawa Utamaro (Japanese, b. circa 1753-1806). Group of two woodblock prints. One titled "Portrait of Takashima O-Hisa" depicting a woman in fine silks holding a fan. One titled "Ichikawa Ebizo IV as Takemura Sadanojo in the Play Koinyobo Somewake Tazuna" depicting a man in red silks.(Ichikawa Ebizo IV) Height: 15 1/2 in x width: 10 1/2 in. (Takashima O-Hisa) Height: 15 in x width: 10 1/2 in.Condition:No major tears or losses. There are creases throughout, in particular to the item with the light background. This item also has a minor loss to the lower right corner.
Autographed gelatin silver print photograph of the American Army General Douglas MacArthur (American, 1880-1964). Written along the lower right "To Congressman Judd with best wishes, Doublas MacArthur, Tokyo 1947." Written to Congressman Walter H. Judd, a Minnesotan congressman from 1943-1963. MacArthur served in World War I and World War II.Height: 10 in x width: 8 in.Condition:The emulsion appears smooth and without breaks. Wear throughout. There is a small tear extending vertically upwards from the lower left edge. Creases in all corners. Some surface marks and light staining throughout. There is a small puncture/hole along the upper right quadrant near the figure's hat. The ink has faded and yellowed. Evidence of moisture exposure, most visible along the verso; the work has a slight undulation due to this. There is a network of accretions along the verso. Some pencil inscriptions along the verso. The work is not framed.
Antique Chinese wooden architectural carving in the form of a dragon. With a stand.Height: 13 1/4 in x width: 24 in x depth: 6 in.Condition:There are numerous splits to the wood throughout. Some areas of white accretions. Areas of flaking pigment; the piece may have once been polychromed. Rubbing along the high points. Some light wear to the metal stand.
Utagawa Hiroshige (Japanese, 1797-1858). Woodblock print on paper titled "Shono," number 46 from the series "Gojusan tsuji meisho zue (The Fifty-three Stations of the Tokaido Road)," ca. 1840s. Depicting a road with a large bonfire.Sight; height: 9 in x width: 14 1/4 in. Sheet; height: 11 1/2 in x width: 15 1/2 in.Condition:No major tears or losses. The sheet is toned. There is a crease down the upper right quadrant, measuring approximately 4 inches. There are some areas of discoloration, possibly ink transfer, across the upper right quadrant. There is a minute spot of loss in the lower left quadrant. Soiling throughout the margins. The sheet is affixed along the edges to a sheet of paper. Along the recto there are several spots of adhesive residue. No signs of restoration under UV light.
Santtu Mustonen for Iittala, Finland. Glass "Kartta" sculpture in the color "rain" (dark blue) inspired by an imagery map. Etched marks as well as original factory stickers affixed to the underside. With the original box.Height: 12 3/4 in x width: 5 1/2 in x depth: 4 in.Condition:There are no chips, cracks, losses, or signs of wear. Light wear to the box; the inner packaging/padding is not present.
Milo Baughman (American, 1923-2003) for Thayer Coggin, United States. Set of seven 1188-111 dining chairs, ca. 1971. Originally designed in 1968. Polished stainless steel frames with bright purple velvet upholstery. With original tags.Each, height: 29 1/2 in x width: 22 in x depth: 23 in.Condition:All chairs are structurally sound and stable. The upholstery appears to be in good condition. Some light wear to the metal frames. One chair with a network of white spots along the underside.
CHROMA aka Rick Wolfryd (American, b. 1953), in collaboration with Alfredo (Huichol, 20th/21st c.) Color beaded vinyl sculpture titled "Pinocchio...Hand it Bandit (Mini)," from CHROMA's "Alterations" series, depicting a standing figure, beaded throughout in the Huichol style. Signed by Wolfryd and Alfredo, titled, annotated T.P. .0002, and dated 2022 along the underside. With a certificate of authenticity.Height: 16 in x width: 7 in x depth: 5 in.Condition:The sculpture is in excellent condition with no cracks, major losses, or restorations. Given the material, there are likely minute losses to the beaded decoration, though these do not affect the overall work. Very light wear along the underside as expected.
Lalique, France. Large frosted crystal glass cat. In the form of a sitting cat with its tail curled between its legs. Etched "Lalique France" along the underside.Height: 8 1/4 in x width: 4 1/4 in x depth: 4 1/2 in.Condition:The cat is in good condition with no major areas of wear, scratches, cracks, or restorations. There is a small spot along the lower edge near the front left foot which may be a possible flaw in the cast or a small chip. Light wear throughout including a few small surface marks or scuffs.
Group of five gelatin silver prints and original vintage photographic reproductions related to the war in Israel from the archives of the Star Tribune including subjects relating to: RAF regimental headquarters gunner overlooking the ancient Damascus gate, refugees disembarking at Haifa, Scottish soldiers of the Highland Light Infantry, the Holy Land, the Debayeh Camp in Lebanon with the United Nations Relief and Works Agency for Palestine Relief (UNRWA).Provenance: From the archives of the Star Tribune, established over 150 years ago, Minneapolis, Minnesota.The copyrights for these images remains solely with the Star Tribune or with the issuing agency or photographer. The prints are available as a collectible item only and may not be reproduced in any form whatsoever without prior written consent from the copyright holder.Condition:All lots are in used condition. These photographs are from a working archive andcontains notes, marks, labels, clippings, and/or retouching put in place by the staff at the time of publication. All may have cracks in the emulsion, losses, creases, folds, tears, smudges, and other issues associated with time, age, and use. The archive contains both silver gelatin prints and original vintage photographic reproductions.
Small Chinese Guangxu blue and white porcelain ginger jar. Decorated with two phoenixes among flames. Lacking a lid.Height: 4 in x diameter: 3 1/4 in.Condition:No chips, cracks, losses, or restorations. Light wear where the lid would have rested. Light wear to the footrim. There are a few minute glazing flaws/bubbles. Some light surface wear throughout.
Chinese white glazed Yingqing ware ceramic vase, possibly Tang Dynasty. With a round body and a flared rim with applied decoration.Height: 6 1/4 in x diameter: 4 1/4 in.Condition:There are no major losses or restorations. Crazing to the glaze throughout. Some small losses to the glaze along high points such as along the applied decoration and edges. Light wear throughout as expected from age and use.
Large modern Chinese lidded bronze censer with a custom wooden stand. Signed along the interior. The exterior with lovely incised decoration and mask form handles in the form of a horned beast.Provenance: A Private Collector based in Alpharetta, GA; Plausibly acquired from R. Hollings & Co., Boston, MA; Private Minnesota Collection.(Without stand, with handle) Height: 12 3/4 in x width: 11 in x depth: 6 in. (Stand) Height: 19 1/2 in x width: 16 3/4 in x depth: 8 1/2 in.Condition:No major cracks, losses, or visible restorations. Verdigris patination throughout. Light wear throughout as expected from age. Very light wear to the stand.
Set of four 18th century Qianlong Chinese pseudo-tobacco leaf pattern porcelain soup bowls. Decorated with bright green, orange, brown, and pink enamels.Each, diameter: 9 in.Condition:One bowl with multiple chips along the rim. All bowls with light wear throughout. Some losses to the painted decoration.
Edwin Scheier (American, 1910-2008). Ceramic coffee pot. Iron-rich stoneware of tall, oblong form with an opalescent pale blue Chun-style glaze. Incised signature along the underside.Provenance: From the distinguished collection of the Walker Art Center, Minneapolis, MN - proceeds from this sale will benefit their mission.Height: 9 1/4 in x width: 4 1/2 in x depth: 8 1/2. WalkerCondition:The underside has signs of light wear, consistent with age and use. There are no major chips, cracks, or losses. There are no visible signs of restoration under UV light. Two spots (along the footrim and along the underside) where accession numbers are painted in red pigment.
Large 19th century Chinese famille noire porcelain vase decorated with birds on flowering branches against a black ground. Marked along the underside "Da Ming Chenghua Nian Zhi" within a double ring.Height: 23 1/2 in x diameter: 10 in.Condition:Original rim has been removed and ground down. The vase has been re-painted in black enamel and re-fired. Some evidence of enamel loss on the inside, exposing the original clear porcelain glaze. There are signs of water and iron staining on both the outside and inside. there is light wear to the footrim consistent with its age. There are no other major chips or cracks evident. The vase has been drilled along the underside.
Edwin Scheier (American, 1910-2008). Ceramic bowl with applied decoration of alternating large and small figures holding hands. Iron-rich stoneware with a celadon liner along the interior. Incised signature along the underside.Provenance: From the distinguished collection of the Walker Art Center, Minneapolis, MN - proceeds from this sale will benefit their mission.Height: 6 in x diameter: 13 in.Condition:The underside has signs of light wear, consistent with age and use. There are no major chips, cracks, or losses. There are no visible signs of restoration under UV light. Three labels affixed to the underside - one partial; accession number in red ink along the underside.
Toshi Yoshida (Japanese, 1911-1995). Japanese woodblock print on paper titled "Urayasu" depicting boats crowded on a river lined by houses, 1951. Pencil signed along the lower right; titled along the lower left. Calligraphic inscriptions along the left margin.Sight; height: 15 in x width: 10 in. Framed; height: 21 in x width: 17 in.Condition:The colors are bold and bright. No visible tears, creases, losses, or restorations. Extreme edges and verso not inspected. Under a non-acidic mat. Framed under plexiglass; light wear to the frame. Not inspected out of frame.
Leonard Tsuguharu Foujita, (Japanese/French, 1886-1968). Collotype on paper depicting a seated kitten, 1929. Signed and dated in plate along the lower left; printed "Made in France" along the lower right. From "A Book of Cats," this print accompanied the poem "Ahinoam."Literature: Leonard Foujita, "A Book of Cats," (Ashford Press Publishing: Southampton, 1987), First printed in 1930. With poems in prose by Michael Joseph.Height: 12 3/4 in x width: 12 in.Condition:There are no major tears or losses. There is a crease running vertically down the lower left quadrant, measuring approximately 3 inches long. Directly above the crease there is a minute loss to the sheet. There is small crease/loss along the margin of the upper left quadrant. The sheet is lightly toned, in particular around the edges of the sheet. There is a minute tear and spot of discoloration along the extreme edge of the lower left corner. There are several small spots along the middle of the right margin. No signs of restoration under UV light. Not framed.
Eduard Samso (Spanish, b. 1956) for BD Barcelona, Spain. Mirallmar Mirror wall mounted mirror comprised of seven separate squared double faced mirrors in different sizes with variable positions. All square except for one concave mirror. Originally produced as a part of "The Casa Barcelona" series designed for the 1992 Olympic Games.Height: 59 in x width: 70 in.Condition:There are no major chips, cracks, or losses. There is a small chip and a small crack present along the edges of the mirrors. Light wear throughout. Hanging hardware included.
John Ward Lockwood (American, 1894-1963). Mixed media sculptural lamp titled "Sun Worshipper." Label with the title affixed along the base. The switch for the lamp is along the top of the lamp.Height: 9 1/2 in x width: 8 3/4 in x depth: 8 in.Condition:All pieces are firmly attached. Light wear throughout. Discoloration and oxidization to metal components. The item turns on but is a tad touchy - if the switch on the top of the lamp is not positioned correctly or turned then it dims or turns off. We make no guarantee to the prolonged function of the wiring.
Richard “Dick†Cooter (American, 20th/21st c). Group of three studio ceramic vessels. Glazed stoneware, each marked along the footrim. Two works with faceted sides and one small cup.Height ranges from 2 1/2 in to 10 1/4 in; diameter ranges from 3 in to 5 1/4 in.Condition:There are no major chips, cracks, or losses. There are no visible signs of restoration under UV light. There is wear throughout all three items, in particular along the footrims, as expected from age and use.
Hasui Kawase (Japanese, 1883-1957). Japanese woodblock print titled "Shato no yuki (Hie jinja)" or "Snow at Hie Shrine" depicting a snowy landscape with two figures walking towards a shrine, 1932. Watanabe Publisher seal along the lower left.Height: 15 1/4 in x width: 10 1/4 in.Condition:There are no major tears, creases, or losses. There are two minute losses along the left margin. There are two small dark spots in the lower right corner of the margin. Along the verso there is a small area of adhesive residue along the right edge of the lower right quadrant. There are no signs of restoration under UV light. Not framed.
Jackie Nickerson (American, b. 1960). Large Lambda photograph titled "Sister Irene" depicting a portrait of a nun holding a skull, 2005. Sister Irene was a sister of Mary Immaculate and St. Philomena, Mount Tabor Hermitage, Westport, County Mayo, Ireland. With labels from Christie's New York affixed to the verso.Provenance: Christie's New York, "First Open," September 26, 2013, Lot 353.Sight; height: 56 1/4 in x width: 44 3/4 in. Framed; height: 57 3/4 in x width: 46 1/4 in.Condition:The emulsion appears smooth with no breaks. The colors are bold and bright. No visible tears, losses, or restoration. Framed under plexiglass; light wear to the frame; not inspected out of frame.
Leonard Tsuguharu Foujita, (Japanese/French, 1886-1968). Collotype on paper depicting a seated kitten, 1929. Signed and dated in plate along the lower left; printed "Made in France" along the lower right. From "A Book of Cats," this print accompanied the poem "Abihail."Literature: Leonard Foujita, "A Book of Cats," (Ashford Press Publishing: Southampton, 1987), First printed in 1930. With poems in prose by Michael Joseph.Height: 10 in x width: 12 3/4 in.Condition:There are no major losses or tears. There are small creases throughout the lower right quadrant, in particular one that is 2 1/2 inches long, horizontally across the center of the right margin. The sheet is toned. There is a minute spot of discoloration in the lower left corner. There are no signs of restoration under UV light. Not framed.
Tom Holland (American, b. 1936). Large steel sculpture titled "Pino" depicting abstracted interlocking vase-like forms painted in bright colors, 1985. Signed, titled, and dated along the edge of one of the forms.Height: 72 in x width: 43 in x depth: 37 in.Condition:There are no bends, breaks, or losses. The sculpture is structurally sound and stable. Very light wear throughout. No major losses or signs of wear to the painted decoration.
Alec Soth (American, b. 1969). Chromogenic print titled "Two Hearts Chapel" depicting a crowd gathered outside of a chapel, 2006. Numbered 9/10. Signed, titled, numbered, and dated along a label affixed to the verso. With a label from Weinstein Gallery, Minneapolis, Minnesota affixed to the verso.Provenance: Weinstein Gallery, Minnesota; Private Minnesota Collection.Image; height: 23 1/2 in x width: 29 3/4 in. Framed; height: 31 in x width: 37 in.Condition:The emulsion appears smooth with no breaks. No visible rips, losses, or restorations. Framed under plexiglass; light wear to the frame. Not inspected out of frame.
Baron Wilhelm von Gloeden (German, 1856-1931). Gelatin silver print depicting a nude male youth in a tree.Sight; height: 8 1/2 in x width: 6 in. Framed; height: 11 1/4 in x width: 9 in.Condition:There are light creases and marks throughout the work. To the lower left of the image there are two scuffs and one restoration. There are a series of very small pinprick spots to the left of the figure's genitals which may be original to the photographic process. One very minute tear along the extreme edge near the upper right corner, not visible when framed. Some small frits along the edges. There is a slight undulation to the image. The number "440" is written in blue pencil along the verso; there are three pieces of tape affixed to the verso; stamped along the verso. The work is hinged to a backing along the upper edge. Framed under glass; light wear to the frame. The paper backing of the frame has been cut along three edges to allow for inspection of the photograph.
Maria Martinez (San Ildefonso Pueblo, 1887-1980) and her son, Popovi Da (Antonio Martinez) (San Ildefonso Pueblo, 1923-1971). Blackware ceramic plate with feather motifs. Signed "Martinez" and "Popovi" along the underside.Provenance: From the distinguished collection of the Walker Art Center, Minneapolis, MN - proceeds from this sale will benefit their mission.Height: 2 in x diameter: 11 3/4 in.Condition:There are no major chips or losses. There is a thin crack running from the rim towards the footrim (2-3 inches in length). Light wear throughout including some light scratches and scuffing. A partial label is affixed along the underside.
Group of four wooden carved and pierced Chinese stands or bases. Additionally included is a brass stand and a wooden pierced lid.Height ranges from 1 1/2 in to 3 1/2 in; Diameter ranges from 3 1/2 in to 5 1/2 in.Condition:Tarnish along the underside of the brass stand; some white accretions (possibly old polish) collected in the recessed areas. One crack along the inside of the lid; tarnished; dirt/dust collected throughout; possibly some light bends to the edge of the lid. Some wear to the wooden bases throughout, mostly along the underside of the feet.
Mal Furniture, The Netherlands. One "1956" lounge chair and ottoman, inspired by the iconic Eames chair. Waterproof molded plastic (polyethylene) designed for outdoor use. With a cover.(Chair) Height: 33 3/4 in x width: 32 in x depth: 34 in. (Ottoman) Height: 15 3/4 in x width: 24 3/4 in x depth: 22 3/4 in.Condition:The chair and ottoman are both structurally sound and stable. Light wear throughout. Some dirt/dust gathered along the surface that could be easily cleaned.
Manner of Karl Springer (German, 1931-1991). Vintage Hollywood Regency composite marble and brass fireplace.Height: 43 in x width: 60 in x depth: 20 in.Condition:The item is structurally sound and stable. As evidenced in the lot listing, the work has been reinforced with metal L brackets and wood along the interior. Some slight separation to the joints. Some light surface scuffs throughout. Some light wear to the base.
Marguerite Wildenhain (French/American, 1896-1985). High-fire ceramic stoneware bowl. Copper green glaze along the exterior and a dolomitic matte glaze along the interior. Incised with a jug, "Pond Farm," and "M" along the underside.Provenance: From the distinguished collection of the Walker Art Center, Minneapolis, MN - proceeds from this sale will benefit their mission.Height: 5 1/2 in x diameter: 11 in.Condition:The underside has signs of light wear, consistent with age and use. This includes a chip along the footrim (1/4 inch in length). There are no visible signs of restoration under UV light.There are no major chips, cracks, or losses. There are no visible signs of restoration under UV light.
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