![Ketham (Johannes de). Fasciculus medici[n]e praxis tam chirurgis quam etiam physicis maxime necessaria, Venice: Cesare Arriva](https://cdn.globalauctionplatform.com/c42456d3-ac35-4d47-bf9e-b21100a1d9eb/494608c6-db50-4843-a01a-b21b00ae595d/468x382.jpg)
Ketham (Johannes de). Fasciculus medici[n]e praxis tam chirurgis quam etiam physicis maxime necessaria, Venice: Cesare Arrivabene, March 1522, [4], LVIII (i.e. 59), [1, blank] leaves including final blank, double column, roman type, title-page within an ornamental woodcut border, 10 full-page woodcut illustrations (attributed to Gentile Bellini), numerous 3- to 12-line woodcut floriated and historiated initials, woodcut printer’s device on verso of H3, light occasional marginal spotting, dust-soiling and a few tiny ink spots, one slightly larger ink stain to leaf A6r affecting two words but without loss of legibility, late 19th or early 20th-century vellum over boards with printed paper title label to upper cover, slightly rubbed and dust-soiled, short split at foot of upper joint and front free endpaper detached but present, folio (310 x 215 mm) QTY: (1)NOTE:Durling 2660; Garrison-Morton-Norman 363; Heirs of Hippocrates 126; PMM 36 (1493/4); Wellcome I, 3549. Signatures: a4 A-G8 H4. A fresh, complete and wide-margined copy of this last early edition of Ketham’s medical masterwork. ‘The book includes sections on surgery, epidemiology, uroscopy, pregnancy and the diseases of women, herbal and other remedies, etc. It was first published in Latin in 1491...’ (Printing and the Mind of Man).
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* Gillray (James). The Fall of the Wolsey of the Woolsack, London: H. Humphreys, May 24th 1792, etching on wove paper with contemporary hand colouring, paper residue on verso, 250 x 350 mm, together with:The Coward, comforted; -or-A Scene immediately after the Duel, London: J. Aitken, May 29th 1789, etching on wove paper with contemporary hand colouring, paper residue to top margin and on verso, 250 x 350 mm, plusCooling the Brain. or - The Little Major, shaving the Shaver, London: J. Aitken, May 8th 1789, etching on wove paper with contemporary hand colouring, small repaired hole to printed area, 250 x 350 mm, andBrunswick, Triumphant! or-The Battle of the Blood's,-pure, & contaminated, London: J. Aitken, May 23rd 1789, etching on wove paper with contemporary hand colouring, light dust-soiling, some closed repaired tears, trimmed to platemark, 250 x 350 mm QTY: (4)NOTE:BM Satires 8096; 7535; 7529 & 7531 respectively.
Camden (William). Britain, or a Chorographicall Description of the Most Flourishing Kingdomes, England, Scotland, and Ireland..., London: Georgii Bishop & Joannis Norton, 1610, additional engraved map title (from another copy with slightly reduced margins), 57 engraved maps after C. Saxton by W. Kip and G. Hole, all but 2 double-page (few maps with printing slight faults including maps of Dorset, Essex and Norfolk), 8 engraved plates of coins on 4 leaves, engraved and woodcut illustrations, letterpress title with early 19th-century ownership signature William Gribble to upper margin (name also appears to margins of several text leaves, some bearing the date 1839), Latin dedication torn to margins and repaired (leaf reattached), lower outer corner of fore-margin of F1, 3C3 and 3N5 repaired (3C3 with consequent text loss), H7 and 3Y5 with repaired closed tear, blank fore-margins of final leaves of index strengthened/repaired, some upper margins throughout volume damp-stained (mostly light), occasional toning and few marks, recent endpapers, contemporary calf with faint oval blind stamp ornament to centre of upper board, modern reback with maroon skiver title label, board corners refurbished, folio (33.5 x 22 cm)QTY: (1)NOTE:Chubb XIX; STC 4509.The maps are reprints of the 1607 plates without text on the back, arranged in the same order (Chubb).
![Bible [English]. [The Holy Bible: Containing the Old Testament and the New. Newly Translated out of the original Tongues: And](https://cdn.globalauctionplatform.com/c42456d3-ac35-4d47-bf9e-b21100a1d9eb/21cacc55-7331-41ca-ab3e-b21b00ae786a/468x382.jpg)
Bible [English]. [The Holy Bible: Containing the Old Testament and the New. Newly Translated out of the original Tongues: And with the former Translations diligently compared and revised..., London: printed by Robert Barker, Printer to the Kings most Excellent Majestie: and by the Assignes of John Bill, 1640], lacking general title, text commences at A1 (First Book of Moses, called Genesis), New Testament title present with decorative woodcut border (with imprint dated 1639), bound without Apocrypha, black letter text throughout, few decorative woodcut initials, long repaired closed tear to leaf 5Z1, closed tear at foot of leaf 5I4, few discreet tissue repairs to margins, occasional light dust-soiling (leaves generally in bright, clean condition), early 19th-century marbled endpapers, early 19th-century blind panelled and decorated calf retaining earlier brass corner pieces, central diamond shaped centre boss and one clasp present, stain to upper board centred on upper joint and spine, joints slight cracked and light wear, folio (39.5 x 25.5 cm)QTY: (1)NOTE:Darlow and Moule 421; Herbert 543; STC 2339.The last of the folio editions in large black-letter printed between 1611 and 1640. It generally agrees very closely with the earlier editions; but the type is somewhat worn, and the rules round the pages do not meet at the corners. Marginal readings in roman type instead of italics. (Herbert).
Gentleman's Magazine. The Gentleman's Magazine, and Historical Chronicle, London: D. Henry, 1773, 27 plates and maps (however Bougainville route map lacking European portion), some light soiling and spotting, contemporary calf, rebacked (endpapers renewed), spine lettered in gilt, lightly marked, 8vo, together with:The Gentleman's Magazine, and Historical Chronicle, London: D. Henry, 1774, 22 plates (including folding maps), some light toning and spotting, contemporary calf, rebacked (endpapers renewed), spine lettered in gilt, lightly marked, 8voQTY: (2)NOTE:The 1773 issue contains one of the earliest published illustrations of a Kangaroo. The 1774 issue contains one of the earliest reports of the Boston Tea Party.
Norton (Caroline). The Dream, and other poems, 1st edition, London: Henry Colburn, 1840, presentation copy inscribed by the author in brown ink to front blank 'Le General Radowiz, de la part de l'auteur, (Par obéifance - non par vanite'.) Caroline Norton', engraved portrait frontispiece, 4 poems on the contents pages asterisked (presumably by the author), preliminary leaves loose (including frontispiece), preliminary leaves spotted, all edges gilt, 19th-century green calf gilt, rubbed and scuffed, 8vo, together with: The Coquette, and other tales and sketches, in prose and verse, volume 2 only (of 2), London: Edward Churton, 1835, inscribed in the author's hand in brown ink to front blank 'General Radowitz, jusqu'il le vend', some further notations to content page (presumably by the author), 4 lines of text of 'On reading an old letter' crossed out with replacement text added beneath in brown ink by the author, a few light spots, contemporary red half morocco gilt, spine faded, rubbed, 8voQTY: (2)NOTE:Provenance: Joseph von Radowitz, conservative Prussian statesman and general (1797-1853).The text of 'On reading an old letter' has been changed from 'The echo of a reveller's shout, is faint, and low, and sad; But this wan lip's smiling, Seems no longer glad' to 'So the revel's music, Soundeth loud & glad, But its far-off echo, Faint & low & sad'.
![[Barker, Thomas]. The Art of Angling. Wherein are discovered many rare secrets very necessary to be knowne by all that deligh](https://cdn.globalauctionplatform.com/c42456d3-ac35-4d47-bf9e-b21100a1d9eb/74fc6750-0e45-41b0-aca6-b21b00ae7a88/468x382.jpg)
[Barker, Thomas]. The Art of Angling. Wherein are discovered many rare secrets very necessary to be knowne by all that delight in that recreation, 2nd edition, London: 1653, 18 pp., title with woodcut device, ornamental headpiece and woodcut initial, marginal repair and two short closed tears to last leaf, some light toning and small stains, later calf, red morocco label to spine, one corner repaired, some fading small 4toQTY: (1)NOTE:Westwood & Satchell p. 21; Wing B783. Scarce.The second edition of this early work, first published in 1651. 'This edition was without the author's name. It is sometimes annexed to copies of "The Countryman's Recreation", 1654.' (Westwood & Satchell).Barker made a living as an angling tutor and the text provides practical advice on fish species, tackle and bait as well as recipes for trout, pike and carp.
Clarke (J. Stirling). The Habit & The Horse; A Treatise on Female Equitation..., London: Day & Son, Lithographers to the Queen, 1860, 9 lithograph plates (including 6 coloured lithographs), light spotting to a few leaves, previous ownership inscription excised from title page to top right corner, all edges gilt, publisher's original red cloth, gilt figure of a woman and horse blocked to upper cover, boards waterstained, rubbed and worn, 4to, together with: Miller (Samuel, publisher). Male Character Costumes for Fancy Dress Balls and Private Events, London: Samuel Miller, [1884], additional hand-coloured pictorial title (toned), 96, [2] pp., including trade advertisements, printed title with decorative outer border, 21 full-page uncoloured wood-engraved plates of fancy dress costumes, numerous illustrations to text, original yellow chalk-glazed endpapers, contemporary ownership signature 'Langtree' to front free endpaper, original publisher's blind-stamped blue cloth, lettered in gilt to upper cover, rubbed with some marks, stain to rear cover, 4to QTY: (2)
![Bible [Latin]. Biblia. Hebraea, Chaldea, Graeca & Latina nomina...restituta, cum Latina interpretatione. Locorum descript](https://cdn.globalauctionplatform.com/c42456d3-ac35-4d47-bf9e-b21100a1d9eb/cf5714dc-1433-41bd-9cf0-b21b00ae5a28/468x382.jpg)
Bible [Latin]. Biblia. Hebraea, Chaldea, Graeca & Latina nomina...restituta, cum Latina interpretatione. Locorum descriptio e Cosmographis. Index practerea rerum & sententiarum...His accesserunt schemata Tabernaculi Mosaici, & Templi & Salomonis, quae praeunte Francisco Vatablo Hebraicarum literarum Regio professore doctissimo, summa arte & fide expressa sunt, Paris: Ex Officina Roberti Stephani [Robert Estienne], 1538-1540, 3 parts bound in 2 volumes, numerous 9-line woodcut criblé initials, ruled in red throughout, all capital letters highlighted in light yellow, extensive contemporary annotations throughout both volumes in Latin in brown ink, in many cases filling the very wide blank margins completely with lengthy manuscript notes, lacking *1, d6-7, e3, p1, 3, 5 and 8, Nn6-8, AA1, and aa1, including all title pages, 2-8 incorrectly transposed (Ecclesiastes), the first 30 leaves to the first volume with archival repairs to outer margins, with some loss of the extensive contemporary manuscript annotations, similar archival paper repairs at rear of the first volume, generally without any loss of manuscript annotations, second volume with similar archival repairs to outer margins at front and rear, not affecting text or manuscript annotations, all edges gilt,, modern dark blue full crushed morocco, lettered in gilt to spines: Biblia Latina Vulgata, Roberti Stephani, and Paris 1532 (the date erroneous), marbled endpapers, some light surface marks, large folio (textblock measures 485 x 350 mm)QTY: (1)NOTE:Darlow & Moule 6117. Signatures conform with this edition.Renouard, Annales Estienne, 35. A major scholarly edition of the Latin Bible published by the renowned Parisian printer Robert Éstienne, who produced several Bible editions between 1527 and 1540, this being the third Estienne folio edition.
Andersen (Hans Christian). Stories, with illustrations by Edmund Dulac, New York: Hodder & Stoughton, [1911], mounted colour illustrations throughout, a few light spots, original brown pictorial cloth gilt, lightly marked and bumped, 4to, together with:Brothers Grimm. Little Brother & Little Sister, and other tales, illustrated by Arthur Rackham, 1st edition, London: Constable & Co, 1917, mounted colour frontispiece, 11 mounted colour illustrations, occasional light spotting and toning, edges untrimmed, original pictorial green cloth gilt, 4to, plusSome British Ballads, illustrated by Arthur Rackham, 1st edition, London: Constable & Co, [1919], 16 mounted colour illustrations, occasional light spotting, edges untrimmed, original blue pictorial cloth gilt, some light fading, 4to, with 41 other related volumes, mostly early 20th-century children's booksQTY: (44)
Lang (Andrew). The Green Fairy Book, 4th edition, London: Longmans, Green, and Co., 1895, The Pink Fairy Book, 1st edition, 1897, lacks front endpapers, gutters cracked, spine partially detached, The Grey Fairy Book, 1st edition, 1900, The Lilac Fairy Book, 1st edition, 1910, previous owner inscription to the front endpaper, The Violet Fairy Book, new impression, 1919, The Yellow Fairy Book, new impression, 1920, previous owner marks to the front endpapers & half-title, The Animal Story Book, 1st edition, 1896, The Red Book of Animal Stories, 1st edition, 1899, period inscriptions to the half-titles, all volumes with some light toning, spotting & wear, all original cloth, boards & spines rubbed with some wear & minor loss, 8vo, together with:Milne (A. A.), When We Were Very Young, 6th edition, London: Methuen & Co., 1924, monochrome illustrations by E. H. Shepard, some minor toning & marks, top edge gilt, original gilt decorated blue cloth, spine lightly rubbed, 8vo, plus other late 19th & early 20th Century pictorial cloth fiction, all original cloth bindings, some gilt decorated, overall condition is generally good to very good, 8voApproximately 105 volumesQTY: (5 shelves)
Dulac (Edmund, Illustrator). My Days With the Fairies, by Mrs. Rodolph Stawell. A New and Enlarged Edition of "Fairies I Have Met", London: Hodder and Stoughton, [1913], 8 tipped-in colour plates, some light spotting, residual of juvenile drawings to endpapers, original red pictorial cloth gilt, edges lightly rubbed, 4to, together with:Robinson (W. Heath, illustrator). A Song of the English by Rudyard Kipling, London: Hodder & Stoughton, [1909], 30 tipped-in colour plates, publisher's gilt tooled blue cloth, 4toRackham (Arthur, illustrator). The Rhinegold & The Valkyrie, by Richard Wagner, London: William Heinemann, 1939, illustrated, publisher's original printed blue cloth, 4to plus Muriel I. Perrin (illustrator). On the Wings of the Wind..., The Field & Queen, 1915, Pamela Bianco. Flora. A book of Drawings, with illustrative poems by Walter de la Mare..., London: William Heinemann, circa 1920 QTY: (5)
Desbrière (Édouard). The Naval Campaign of 1805, Trafalgar, 2 volumes, edited by Constance Eastwick, 1st edition, Oxford: The Clarendon Press, 1933, 13 monochrome folding maps to the rear pocket of volume 2, some minor toning, original cloth in dust jackets, covers lightly toned, marked & rubbed to head & foot with some minor tears, 8vo, together with:Larpent (George, editor), The Private Journal of F. S. Larpent, Esq., Judge Advocate General of the British forces in the Peninsula..., 3 volumes, London: Richard Bentley, 1853, bookseller ink stamps to the front endpapers, some light toning throughout, rebound retaining contemporary uniform embossed red cloth boards & spines, some loss to the spine, 8vo, plusLeslie (John H., editor), The Dickson Manuscripts, being diaries, letters, maps, account books, with various other papers,..., 5 volumes, reprint edition, Cambridge: Ken Trotman, 1987, facsimile pages, original uniform red cloth, 8vo, limited edition 38/200, and other mostly modern Napoleonic era reference & related, mostly original cloth, some in dust jackets, some paperbacks, G/VG, 8voQTY: (6 shelves)
Wilson (James). A Missionary Voyage to the Southern Pacific Ocean, Performed in the Years 1796, 1797, 1798, in the Ship Duff, commanded by Captain James Wilson. Compiled from the journals of the officers and the missionaries; and illustrated with maps, charts, and views, drawn by Mr. William Wilson, and engraved by the most eminent artists. With a preliminary discourse on the geography and history of the South Sea Islands; and an appendix, including details never before published, of the natural and civil state of Otaheite; by a committee appointed for the purpose by the directors of the Missionary Society, 1st edition, London: S. Gosnel for T. Chapman, 1799, 13 engraved maps, plates and plans, some folding (one with small repair to verso), some offsetting from plates, light spotting to title, contemporary half calf, spine rubbed and faded, some wede wear, 4to, together with A Voyage Round the World, in His Majesty's Ship the Dolphin, Commanded by the Honourable Commodore Byron... by an officer on board the said ship, 2nd edition, London: printed for J. Newbery, 1767, engraved frontispiece, 2 engraved plates, some light spotting, contemporary sprinkled calf, rebacked and repaired, 8voQTY: (2)NOTE:First work Borba de Moraes II pp. 378-9; ESTC T87461; Ferguson 301. The preferred Gosnel edition: there was also an 'ordinary' edition (Ferguson) with 'T. Chapman... by T. Gillet' in the imprint, in a completely different setting and on smaller paper. 'The Duff was the first missionary vessel to sail the little-known waters of the Pacific Ocean. After 208 days the vessel reached Tahiti, landing seventeen missions there, a further twelve at Tonga and one of the Marquesas... several missionaries settled in Australia and founded families important in Australian history. The Duff proceeded from Tonga through the Fiji and Caroline Groups to Canton. In the course of the voyage, the Duff Group was discovered and named and the knowledge of Pacific geography considerably extended.' (Ferguson).
Golden Cockerel Press. The Athenians; Harriet & Mary, Shelley at Oxford, edited by Walter Sidney Scott, 3 volumes, Golden Cockerel Press, 1943-44, frontispiece to each, titles printed in red and black, slight toning to a few leaves bookplate of, Margaret Lyall to Harriet & Mary, 17 signatures of a cast of actors to front endpaper of Shelley at Oxford, top edge gilt, original morocco-backed boards, some light fading and small stains, 4toQTY: (3)NOTE:Limited editions, each a numbered copy of between 350 and 500 copies.
Book of Common Prayer. The Booke of Common Prayer and Administration of the Sacraments, and Other Rites and Ceremonies of the Church of England, London: Imprinted at London by Robert Barker, Printer to the Kings most Excellent Maiestie, 1604, a8,B10, A8 B10, C8-n8, O10, P8, Q6, title printed in red and black with elaborate woodcut border, rubrication to a number of motifs to the outer edges of the design, large woodcut initials, bound with The Psalter or Psalmes of David, after the translation of the great Bible: Pointed as it shall be sung or said in Churches, London: Imprinted at London by Robert Barker, Printer to the Kings most Excellent Maiestie, 1604, A-K8,title within elaborate woodcut border, black letter, large woodcut initials, bound with The Whole Booke of Psalmes, collected into English meeter by Thomas Sternhold, John Hopkins and others, conferred with the Hebrue and apt Notes to sing them with all. Set forth and allowed to be sung in all Churches, of all the people, together and after Morning and Evening prayer, as also before and after Sermons and moreover in private houses, for their godly solace and comfort laying apart all ungodly songs and ballades, which tend onely to the nourishing of vice and corrupting of youth, London: printed [by John Windet] for the Company of Stationers, 1604, A4, B-T6, U8, title within elaborate architectural woodcut border, black letter, numerous woodcut initials, a few leaves between P6 and Q2 with some print offsetting, one contemporary leaf of manuscript prayers in brown ink (relined) bound into the Book of Common Prayer between B8 and A1, three similar manuscript leaves bound in at end of volume (A praier for the Morninge, etc.), the first of which is torn with some loss, and a further manuscript prayer added at foot of U4 recto, occasional light soiling, contemporary full calf, boards triple-ruled in gilt and blind, central octofoil gilt tool with strapwork and floral infill between blind initials F and M, later reback with endpapers renewed, rubbed and some surface wear, folio QTY: (1)NOTE:ESTC S2776: Griffiths, Book of Common Prayer, p. 83: 1604 (1); STC 16327 for the Book of Common Prayer (although the collation is A12 rather than A10 as here) and The Psalter or Psalmes of David; STC 2512a (for Whole Booke of Psalmes).
Owen (John & Bowen Emanuel). Britannia Depicta or Ogilby Improv'd; being a Correct Coppy of Mr Ogilby's Actual Survey of all ye Direct & Principal Cross Roads in England & Wales..., 1st edition, London: printed for & sold by Thom[as]. Bowles print & map seller next ye Chapter House in St. Pauls Church Yard & Em[anuel]. Bowen next ye King of Spain in S. Katherines, 1720, engraved title, four pages of tables of roads, 273 uncoloured engraved strip road and county maps, printed back-to-back, light even toning throughout, recent endpapers, contemporary blind panelled calf, modern reback, board corners lightly worn, 8voQTY: (1)NOTE:Chubb CXLVII. The first, second and third editions are all dated 1720, but this copy has the 'King of Spain' imprint on the title which Chubb indicates is the first edition.
A Hohner Chromonica 280C and a Harmonica in C Major, both boxed. Also including a Queen Victoria silver half crown 1889, a Guild of St. John Medal, Festival of Britain 5 Shillings and two Queen Elizabeth coins. three lighters, a vesta case, a light meter, a hand mirror, a sieve, cigarette cards of Explorers and replacement watch glasses.
Seamus Heaney Christmas card, privately published for the author by Peter Fallon/The Gallery Press, 2006, (300 Printed) folded light grey card with printed poem 'Miracle' inside, inscribed in black ink by Heaney above and below poem, ' George & ??????? and the other miracle is the first grandchild. Blessings of the season - Seamus + Marie', printed vignette of holly beneath title on front, 8vo
Thirty works by or about Seamus Heaney. Some duplicates, but different editions. The following four are signed: Anything can happen (2004); Sweeney Astray (1983); Ukkasvaloa (1997); North (1975 – 1st ed – Inscribed ‘For Ewan Hogan with admiration for his poem. Seamus Heaney, 25 November 1975). First editions: The Spirit Level (1996); The Burial at Thebes (2004); District and Circle (2006); Beowulf (1999); Finders Keepers – selected prose (2002); Seeing things (1991); Field Work (1979); Sweeney Astray (1983); Electric Light (2001); Human Chain (2010); Station Island (1984); Diary of One Who Vanished (1999). A rare opportunity to acquire a substantial collection of Heaney’s works
Agatha Christie - The Body in the Library, published by The Crime Club, London, 1942. First UK Edition, First Printing. Pp. 160. A true first edition, first printing (first impression) with [1942] and no statement of reprint. Orange cloth, light fading to spine ends, shadow of dust jacket text on boards, in original dust jacket which is not price-clipped (7s 6d net), A scarce wartime title, and rare in the original jacket.
Oxfordshire & Buckinghamshire Light Infantry uniform buttons by Jennens & Co, London; rank pips; a pair of mother of pearl cufflinks; a German Third Reich Mother's Cross miniature pin brooch dated 1938 verso; and a Jefferies Malings stitched leather golf ball Condition Report:Available upon request
A Marx Toys 'The Lone Ranger', jointed action figure, model No 7400, boxed and a Marx Toys 'Silver', model No 7408, boxed. (2) Condition Report: The Lone ranger figure is not broken but has areas of staining to his outfit and light play wear. The box is well worn but complete. The horse 'Silver' has discoloration but no obvious damage. Please see extra photos on Ewbank's website.
AFTER WILLIAM DANIELL RA (BRITISH 1769-1837) TWENTY-SIX PLATES OF SCOTTISH COASTAL VIEWS FROM THE SERIES 'A VOYAGE AROUND GREAT BRITAIN', CIRCA 1814-1825 aquatints, drawn and engraved by William Daniell, published by William Daniell, Cleveland Street, Fitzroy Square, London, the earlier plates in partnership with Messrs Longman & Co, Paternoster Row, including the titles; Near Carsleith Galloway, Forse Castle, Sutherland, Ronadill in Harris, Glenvargle Bridge near Portee Skye, Flandreoch Glenberg Invernesshire, Pier at Tanera Loch Broom, Duntulm Isle of Skye, Castle Sinclair & Girnigo Caithness, The Coolin taken from Loch Slapin, Light House on the Isle of Scarpa, Port Ree Isle of Skye, Isle of Rasay, looking Westward, Geln Coe taken near Ballachulish, On the Isle of Jura, Nairns, Stornaway, Isle of Lewis, Loch Coruisq near Loch Scavig, Wick Caithness, John O'Groats Caithness, May Castle Caithness, Bay of Tongue, Thurso from Holborn Head, The Bass Rock, Near Kylakin Skye, Castle Hill near Thurso & Ullapool in Kylesku Assynt, mounted in various framing styles and sizes (26) each plate 23cm x 30cm [plate margins only] Provenance: The Maisels Collection
VENETIAN MURANO GLASS SIX LIGHT CHANDELIER EARLY 20TH CENTURY in blue and pale brown glass, comprising a centre baluster stem with narcissi and scrolling leaves above six scrolling candle arms with dished flower-form cups, ending in a dropped finial, fitted for electricity 80cm high, 65cm deep
A CHINESE GUAN-TYPE BOTTLE VASEQING DYNASTYThe compressed bulbous body surmounted by a tall flared neck with an everted rim, decorated with horizontal ribbed bands, covered overall in a bluish-grey glaze suffused with a matrix of light and dark crackles, 26.2cm. Provenance: from an English private collection, Sussex.
Josef Lorenzl (1892-1950) for Goldscheider Model of a dancer, circa 1923 Painted and glazed ceramic Impressed 'Laurenzl', stamped to underside 'MADE IN AUSTRIA, 'Goldscheider/Wien' and numbered '5267, 101, 11' 45 cm high Literature Robert E. Dechant, Filipp Goldscheider, 'Goldscheider: History of the Company and Catalogue of Works', Regensburg, Munich 2007, p. 404 (shown as a lamp) Condition Report: Overall general surface were to include light scratches and marks throughout, There is an area of rubbing and wear to glaze on edges of cape, one small chip to edge of cape. The base with one small chip and visible restorations and overpainting. Small loss to end of one finger. Signs of overpainting and therefore possible restoration to face. There is a visible blemish/possible restoration to lower back.
Finn Juhl (1912-1989) for House of Finn Juhl Pair of 'Pelican' lounge chairs, originally designed 1940, executed circa 2015 Walnut, wool upholstery Each with manufacturer's plaques 73cm high, 88 wide (2) Condition Report: Chairs are structurally sound and sturdy. Upholstery with light wear from use some very faint marks to seat of one chair. Supports with small scuffs and marks.
Manner of Paul Kiss Art Deco floor lamp, circa 1930 Wrought iron, glass 173cm high It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Condition Report: Lamp with general surface wear throughout to include scratches, marks and signs of oxidisation throughout. Lamp is without light fittings but electrical wire is present.
Charles Harva Four Art Deco lamps, circa 1930 Craquel glazed ceramic Each bearing maker's mark Tallest 24cm high, 31.5cm high including light fitting (4) It is the buyer's responsibility to ensure that electrical items are professionally rewired for useCondition Report: All lamps with general surface wear to include light scratches and scuffs commensurate with age and handling, metalware with patination and marks throughout. The heptagonal lamp with small chips and tapered lamp with some minor losses to glaze
William John Marriner for Fulham Pottery Alberware range 'FMA' & 'FMC' mantel vases, circa 1937 Glazed earthenware Printed manufacturer's marks FMA : 20cm high, 43cm wide ; FMC : 14cm high, 44cm wide (2)Condition Report: Light general surface wear to include minor marks otherwise in generally good clean condition
Hans Olsen (1919-1992) for Frem Røjle Möbelfabrik 'Dinette' dining table, circa 1962 Teak Stamped manufacturer's marks 75cm high, 106cm diameter, 156cm extended Condition Report: Overall general wear to include light scratches and scuffs. There is a difference in colour to one of the leaves. There are some small losses to veneer to edges of table. Legs screw properly and securely.
Constance Spry (1886-1960) for Fulham Pottery Napoleon's hat vase, circa 1935 Unglazed earthenware with glazed interior Impressed facsimile signature and incised 'C.S 155. 7' 20.5cm high, 43cm wide Condition Report: Overall general surface wear to include light marks and minor scuffs. Interior glaze with craquelure throughout, some minor brown marks and two hairlines running into rim.
Clarice Cliff (1899-1972) Group comprising : 'Bizarre Fantasque' range 'Blue Chintz' pattern jug (Newport Pottery) ; 'Bizarre' range 'Sliced Circle' pattern jug (Newport Pottery) ; 'Fantasque' range 'Broth' pattern jug (Lawleys Norfolk Pottery Stoke) ; 'Fantasque' range 'Cherries' pattern tea cup and saucer (Lawleys Norfolk Pottery Stoke), circa 1930s Glazed and hand painted ceramic Tallest 19.5cm high (4) Condition Report: 'Bizarre Fantasque' range 'Blue Chintz' pattern jug - overall general surface wear to include light scratches and scuffs commensurate with age and use, there are small losses to painted finish particularly to dark blue bands to flower decoration.'Bizarre' range 'Sliced Circle' pattern jug - There is a chip to spout as well as three chips to base, there is also a hairline crack to rim. Painted decoration with small losses and general surface wear to include light scratches an scuffs.'Fantasque' range 'Broth' pattern jug - Overall general surface wear to include light scratches and scuffs commensurate with age and use, there is a small loss to painted finish to spout.'Fantasque' range 'Cherries' pattern tea cup and saucer - tea cup with hairline to one side as well as general surface wear to include light scratches and minor rubbing to decoration. The saucer with rubbing to painted finish particularly to inner circles and to rim.
Carl Kauba (1865-1922) Two Art Nouveau figural vases, circa 1900 Parcel gilt bronze Both signed 'c.Kauber' and stamped 'Geschutzt 4472' Each approximately 19.5cm high (2)Condition Report: Good even patina throughout, light general surface wear commensurate with age and handling. The gilding to the figures has largely worn away.
Dieter Rams (b.1932) for Vitsoe '606' wall mounted modular shelving units, comprising 11 uprights, 19 deep shelves, 12 shallow shelves, 2 two drawer units, 2 desk shelves, originally designed 1960, executed circa 1990-2000 Powder coated steel 11 Uprights – 171cm high 2 two drawer units – 39.5cm high, 66cm wide, 27.5cm deep 17 shelves – 66cm wide, 32cm deep 2 shelves – 66cm wide, 38cm deep 12 shelves – 66cm wide, 23cm deep 2 laminated wood desk shelves - 66cm wide, 38cm deep (quantity) Condition Report: Overall general wear throughout to include light scratches and scuffs, three shelves with oxidisation marks to top surface. Colour of all parts is off white/cream.Dimensions –X 11 Uprights – 171cm high X2 two drawer units – 39.5cm high, 66cm wide, 27.5cm deep X17 shelves – 66cm wide, 32cm deep X2 shelves – 66cm wide, 38cm deep X12 shelves – 66cm wide, 23cm deep X2 laminated wood desk shelves - 66cm wide, 38cm deep
Manner of Stilnovo Two light floor lamp, second half 20th century Lacquered metal, brass, marble 180cm high It is the buyer's responsibility to ensure that electrical items are professionally rewired for useCondition Report: Overall general wear to include light scratches and scuffs. Domed shade with some small dents and losses to lacquer on edges. Conical shade is loose from brass mount, would require re-fitting. - brass mount and shade both misshapen where they meet. All brass work with even patination throughout. Marble with light general wear. Fitted with non uk plug.
Charles & Ray Eames for Herman Miller Model '670' lounge chair and '671' ottoman, circa 1960/70 Rosewood veneered plywood, leather, aluminium Lounge chair with manufacturer's label, comes with additional loose original fire labels 670 lounge chair : 83.5cm, high, 84cm wide ; 671 Ottoman : 42cm high, 65.5cm wide, 56cm deep (2) CITES no. 24GBA10G0O962 Condition Report: Chair and ottoman are structurally sound and sturdy. The leather is original with creases, light scuffs and wear but has developed a good patina. The shells are in good general condition with only light scratches and scuffs. The chair feet with losses to lacquer. The ottoman with oxidisation to pole support and scuffs and losses to lacquer on supports and feet.
Rodolfo Dordoni (b.1954) for Foscarini Pair of 'Lumiere' desk lamps, circa 1990 Glass, steel 34.5cm high It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Condition Report: Shades in good overall clean condition with only minimal surface wear, the stands with only minor light surface scratches. The switches are standard. Please note they have European plugs
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