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Lot 403
FIVE BOXES OF GLASS, CERAMICS AND SUNDRY ITEMS, to include a boxed Royal Crystal Rock 'Ofelia' Crystal & Dance sculpture, several boxed Georgian Crystal items including a vase height 14.5cm, two black glass egg cups in the form of hens, a boxed lampwork sculpture of Blackpool tower, an oversized champagne coupe, a marble based table lighter, a Skol Lager wall clock, Ind Coope and Bass bar trays, etc (5 boxes) (sd)
Lot 23
A William IV Silver Circular Mustard Pot and Mixed Silverware, the mustard pot by Robert Hennell III, London 1834, with gadroon mounts, shell pattern thumb piece and part-reeded body engraved with crest to lid 2.75ins high, a George V silver circular mustard pot, London 1921, of plain bulbous form 2.5ins high, a pair of late Victorian silver circular salts, Birmingham 1892, and a small silver jug combined weight 11ozs Mustard pot - this is of a good gauge of silver. The lid is engraved with a crest to centre in the form of a seated lion - slightly rubbed. There are two small vertical lines on the handle where the thumbpiece has marked it. The hinge is loose. Very minor misshaping around the spoon hole. Scattered light surface scratches all over. Hallmarks struck on the plain part of the body near the handle and are somewhat rubbed. Further marks struck on the inside of the lid - date letter a little rubbed. On its own it weighs 5ozs and is has a blue glass liner.The other mustard pot is of a lighter gauge of silver. The gadroon mounts are slightly rubbed. Light surface scratches all over. Some movement to the hinge. Hallmarks struck on the side of the body are quite rubbed and those struck on the inside of the lid are clear. On its own it weighs 3ozs and it has a blue glass liner. The pair of late Victorian circular salts - these are of a light gauge of silver. They appear to be in overall good condition and have their matching spoons. Hallmarks are struck on the side of the bodies within the embossed decoration and on the backs of the bowls of the spoons. The case has some scattered scuff marks and some fading to the base and some dirt to the interior. The small silver jug is London 1911 - some minor scattered dents to the body and some rubbing to the hallmarks on the side - the base is impressed Vincent silversmith Weymouth.
Lot 1351
Miscellany to include leather Gladstone bag, Jennens and Bettridge papier mâché tea caddy, Ronson lighter, Success to Agriculture seal, meerschaum cheroot holder, EPNS inkwell, prince nez, leather and embroidered card cases, stamps, 1883 King of Hawaii coin turned into buckle, a cane walking stick, etc.
Lot 1370
A miscellany of items to include two car badges, AA and RAC, a Zippo Thunderbird lighter, a Ronson lighter, a file containing Hull invoices relating to the trawling industry, a quantity of brass shells, old newspapers/journals to include British Bandsmen and Contest Field newspapers, London Opinion etc, a Rolls Royce workshop manual, automobile ephemera etc.
Lot 1345
A wooden canteen of cutlery by Joseph Rodgers & Sons Ltd, Sheffield, six place setting, knives and carving set with bone handles, a quantity of silver plate to include coffee, tea, sugar and milk set, 3 x trays, one twin handled, one galleried, 4 x goblets, coasters, table lighter etc and other metal items, pewter tankard, wine stoppers etc.
Lot 1318
A hallmarked silver and tortoiseshell Royal Navy Brooch,a tortoiseshell set comprising brush, dish, blotter, shoe horn and lidded box, ICB Siam & Bangkok cutlery in original fitted cases, various tins to include a M.A. Craven & Son Ltd depicting Bootham Bar, York, tin depicting countries of United Kingdom, cufflinks, threepence lighter, Brasso pencil, Coronation pencil and playing cards.
Lot 207
1968 Morris Mini Cooper S Mk. II Transmission: manualMileage:31026The motoring correspondent of The Times reported in May 1963 the Mini while a popular second car in many households was no longer strictly the fashion, the Grande Luxe Mini de Ville by Radford had taken over. On test in London, he reported, it attracted more attention than a Ferrari Berlinetta with its special colour scheme and trim, sliding sunroof, radiator grille with two more recessed lights, special sound insulation and electric windows. The car tested by The Times also had white leather upholstery and deep lambswool carpets, tachometer, ammeter, oil gauge, clock, headlamp flasher and water temperature gauge. Further extras were: a laminated wood steering wheel, automatic red caution lights on open doors, a reading light, cigar lighter, twin-speaker radio and an air blower to demist the rear window. After the 1967 Earls Court Motor Show The Times recorded that Captains of Industry ordered them, painted them to match their Rolls-Royces and gave them to their wives. Pop Stars and West End playboys presumably invested in them as a status symbols. The reporter tested 'a typical Mini de Ville', a 1275 Mini-Cooper S with an engine performance pack providing up to about 110 m.p.h. Outwardly the only distinction was the magnesium alloy wheels, sunroof and non-standard paint. Inside absolutely everything seemed like a refugee from a Rolls-Royce. This exceptional 1968 Morris Mini Cooper S Mk. II has all the hallmarks of being a superb example built by Radford, but no records to prove this can be found. Purchased by a private collector in 2016 it was later sold by Historics in 2022 to another private collector where it has remained until now continuing to be fully maintained and well looked after. A previous owner purchased the car around 2012 from a long-term owner who lived in Derby. Between his purchase and the car being sold in 2016 he sent it to marque specialists Paul Preston Classic Mini Restoration for a comprehensive respray and restoration as necessary. Stripping the car down and removing the original paint, it was found that the body was sound and rust free, the coachbuilders work was to the highest standards where the Mk. II body shell had been de-seemed and lead filled including the smoothed front panel. The car was repainted to the highest of standards in the original colour of maroon. Refitted the excellent bespoke cream and piped red, Connolly leather interior, the burr walnut dashboard with a full compliment of Smith gauges and felt roof lining, A and C pillar panels and Mota Lita wood rimmed steering wheel. Other Radford features include a Webasto folding sunroof and grille recessed Lucas spotlights. During the restoration the engine and gearbox were also overhauled. This lovely Cooper S is supplied with a V5 registration document, the heritage certificate confirming that it is a matching numbers car and a file containing sundry invoices.
Lot 135
1958 Bentley S1 Transmission: automaticMileage:23414Successor to the R-Type, the Bentley S1 was introduced in 1955 with a whole new chassis; the car's wheelbase had been extended three inches to 123", and the luggage compartment was expanded. The S1 had softer suspension than the R-Type, with electrically controlled rear shock absorbers. Brakes had been improved, and the steering was lighter, even more so after 1957 with optional power assisted steering. This model marked the final integration of Bentley with Rolls-Royce the standard saloons were now entirely alike, but for grilles and badging.This elegant Bentley S1 with Standard Steel body was built in 1957 and was registered on 1st January 1958. It is fitted with power steering, a £110 extra when new, as well as a sunroof, which functions as it should. The copy build sheet confirms that the car was originally green with a beige interior and was changed to its present blue in 1991 and its interior remains beige. Presented to auction with a V5C registration document, an MoT test certificate valid until June 2024 in spite of its exempt status by virtue of age, an owner's handbook and details of the original sale from leading franchised dealer H.R. Owen.
Lot 218
1975 Maserati Merak SS Transmission: automaticMileage:2203The Maserati Merak was introduced in 1972, essentially a lighter version of the Maserati Bora. It substituted an all-new Maserati designed quad-cam, three litre, V6 motor for the Bora's larger V8; resulting not only in a lower cost but with room for a small back seat and better handling due to lower weight and a better front/rear weight distribution. Aesthetically, the Merak differed from the otherwise very similar Bora; mainly in sporting open flying buttresses instead of the Bora's fully glassed rear, the mid-engine Merak used the Bora bodyshell but the extra space offered by the smaller engine was used to carve out a second row of seats suitable for children. As with the Bora, certain Citroën hydraulic systems were used such as the brakes, clutch, and headlight pods.This rare and fabulous left hand drive Maserati Merak SS, is very special indeed. Finished in highly desirable Argento Silver metallic and complemented by its still supple Nero Connolly leather, this 1975 Merak SS has had just two recorded owners and covered a mere 2,203 miles from new. Powered by the extremely sweet sounding and recently recommissioned 3.0 litre V6 pushing out 190bhp with four-overhead cams and triple Weber downdraft carburettors, this Merak is an extremely exciting car to drive. The five-speed manual gearbox shifts crisply and confidently, all while surrounding you with the exquisite leather interior appointments. It comes with factory fitted air conditioning, which is running as cold as it should, Campagnolo light alloy wheels and Jaeger gauges . Also accompanying the car is its original set of keys, handbook and a Certificate of Authenticity confirming that it is indeed a matching numbers car. There is paperwork in the history file confirming its mileage as it was sold by its first owner in 2014 in the US, with 1,812 miles showing on the odometer. The Merak was conceived as a complement to the larger Bora but gives up nothing in style and sophistication; it is also exceedingly rare with only 647 examples of this model produced. It is a wonderful car by any stretch of the imagination and finding one with only two former keepers and with so few miles is truly incredible. This is one of the earliest examples of an SS being built by Maserati in January 1975 prior to the official release of the SS at the Geneva Motorshow in March 1975 making it very rare indeed and even now it still has the original Campagnolo stickers on the wheels along with the original unused spare wheel and Michelin tyre from 1975! Do not miss this opportunity to acquire what is possibly the most original, lowest mileage Merak in existence.
Lot 325
An Elizabeth II silver cased cigarette lighter, of rounded rectangular form, the body decorated with engine-turning, P H Vogel & Co, Birmingham 1950, height 6.5cm, together with a silver photograph frame, a silver snuff box and plated snuff spoon, five silver napkin rings, an amber cheroot holder with 9ct gold mount, together with various other plated items, weight of weighable silver 215g/6.91ozt approx, weight of 9ct gold indeterminable (qty)
Lot 235
An Art Deco chrome plated desk set compring of a Smiths of London 8 day desk clock, the rotating dial with gilt painted Arabic numerals, raised on bracket feet, 15.5cm wide together with a matching Ronson table lighter raised on octagonal base, 9.6cm high and a cigarette dispenser with 'C' handle raised on rectangular foot, 14cm wide.
Lot 122
A quantity of costume jewellery including a 9ct gold watch strap, approx 9.2g; various statement necklaces, including rose quartz, faux pearls, reconstituted turquoise, a Butler & Wilson style butterfly brooch, earrings, and a Ronson cased lighter etc. *good condition overall, wear and tear commensurate with age
Lot 546
A collection of silver to include a nice dressing table clock with silver case, Henry Matthews, Chester, 1913, 3½in. (8.8cm.) high; two cased sets of silver teaspoons; silver coin dish and another; Sterling silver Colibri lighter; matchbox case; pair of sugar tongs and two hand mirrors, weighable silver 10.6 tr.oz. (qty) * Clock not tested, mirrors with dents to silver, other pieces with wear.
Lot 400
A Niki Lauda gifted Cartier lighter, featuring a gilt Cartier Paris lighter in its original box signed at its base 'Thank you 1978 Niki', the lighter was a gift from Niki Lauda to the Vendor, an employee on the McLaren F1 team.Additional picture of the vendor checking the front right tire with Niki Lauda (Driving position) in the pits at the 1978 Canadian Grand Prix.
Lot 508
A quantity of miscellaneous silver items including a Tiffany & Co. silver comb, signed 'Tiffany & Co., Sterling 925, made in Italy,' a Cartier lighter, signed Cartier to ring and base, a cased Mappin & Webb baby spoon and pusher, Sheffield 1935, a cased pair of Elkington & co. spoons, Birmingham 1919, a silver cigarette case, a further engraved cigarette case, a cased set of electroplated coffee spoons, a matching silver salt and peperette, Sheffield 1902, a further silver baby spoon and pusher, a dyed jade bangle, an articulated skeletal claw ring marked '925' and 'WIG', and further objects in silver and items of jewellery. Total weight of hallmarked silver 13 ozt.
Lot 349
ERCOL, PAIR OF MODEL 449A ELM AND BEECH 'COWHORN' CHAIRS, CIRCA 1960-69 with swept armrests over a spindle back, on splayed stretchered supportsQty: 2Both with some fading to top rails and spindles, some patchiness to colour at the end of the swept arms, both display scratches and nicks to the top rails as well as scuffs and marks to supports, some lighter marks to seats, both with slight movement to frames but are stable, additional images available
Lot 410
MID CENTURY TEAK SIDEBOARD, CIRCA 1960S fitted with three sliding doors and on tapered column supports160cm long76cm high; three cutlery drawers to left side with slots to rearrange or for others; otherwise cupboard storage; feels sturdy and stable; top displays scratches, stains, scuffs and abrasions, particularly right side; similar if lighter general wear throughout with numerous marks, would benefit from cosmetic attention
Lot 350
ERCOL, WINDSOR MODEL 384 DROP LEAF DINING TABLE AND FIVE MODEL 449 DINING CHAIRS, CIRCA 1960-69 all in elm and beech, the table on splayed supports, the chairs with bow top spindle backs over splayed stretchered supportstable 70cm high, 116cm wideQty: 6Stable, there are scratches and gouges to top which would certainly benefit from attention, similar but lesser to leaves, stains and marks to supports; the two earlier chairs with three spindles are both heavily worn with bleaching, marks and heavy scuffs, one of the seats chipped to one side; the later chairs with five spindles with similar but lighter general wear including scuffs and marks to top rails and supports; all chair spindles secure; there are some small bites to table supports also
Lot 369
Leon Kossoff (British, 1926-2019)The LetterEtching, 1982, on wove, signed, titled and dated in pencil, Numbered edition 79 of 100Printed by Studio Prints, London, with their blindstamp, with full margins, 36 x 41cm***Artists resale rights may apply to this lot*** CONDITION REPORT: Overall condition is good, lighter in colour than appears on line
Lot 371
Leon Kossoff (British, 1926-2019)MotherEtching, 1982, on wove, signed, titled and dated in pencil, Numbered edition 48 of 60Printed by Studio Prints, London, with their blindstamp, with full margins, 60 x 50.5cm***Artists resale rights may apply to this lot*** CONDITION REPORT: Overall condition is good, lighter in colour than appears on line
Lot 368
Leon Kossoff (British, 1926-2019)The Booking Hall Etching, 1982, on wove, signed, titled and dated in pencil, Numbered edition 58 of 100, Printed by Studio Prints, London, with their blindstamp, with full margins, 41 x 35.5cm***Artists resale rights may apply to this lot*** CONDITION REPORT: Overall condition is good, lighter in colour than appears on line
Lot 208
AN 'AQUARIUM' LIGHTER, ALFRED DUNHILL LTD., LONDON, 1950s shaped oblong, the four lucite panels reverse intaglio carved and painted with silver fish swimming above rocks and below plants against a green shaded ground painted with further frondy plants, gilt-metal hardware, the snuffer arm with 'Dunhill' panel, underside stamped MADE IN ENGLAND, 7 x 5.8cmDunhill launced the Aquarium range of lighters in 1949, using stocks of lucite left over from the war, production ceasing in 1959. Each lighter was unique, painted to the back of the intaglios, carved using dental tools and drills, all initially by Ben Shillingford (1904-2000) who was then joined by the husband and wife team, Allan and Margaret Bennett.
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44438 item(s)/page