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A BOX OF ASSORTED ITEMS, to include a fresh water pearl necklace, fitted with a yellow metal clasp, stamped 375, a white metal and carnelian brooch, stamped 925, a 'Sarah Cov' brooch, a cased 'Ronson' lighter, seven wrist watches, names to include Casio, Ingersoll, Zetron, Luxor and Rotary, together with a selection of costume jewellery and a hinged lid jewellery box
A 'MUST DE CARTIER' LIGHTER, gilt lighter with black lacquer and trinity band, serial 28008T, with a signed 'Must de Cartier' box, filling instructions, gas refill tank and flints, and an international guarantee dated 1995 (condition report: general moderate wear, some wear to gilt and trinity bands, not tested for working condition)
A BOX OF ASSORTED ITEMS, to include a 'Zippo' brass lighter, six additional lighters, a 'Parker' fountain pen and ink set, seven drinks flasks, a cigarette case, seven belt buckles and a belt, an assortment of tie pins and cufflinks, a Montenegro cased gift set, together with a small assortment of white metal tableware and a six piece kitchen knife set signed 'Tower',
AN ASSORTMENT OF WRISTWATCHES, names to include 'Everite, Hanowa, King Quartz, Auriol, Swiss Army Reflex, Tunis, Garrard, Citron, Cocci Lorenzo, Identity, Ascot and Figaro', together with four watch heads, names to include 'Brasli, Timex, Oris and Smiths Empire', also including a 'Mosda' lighter (condition report: watches not tested for working condition)
CARTIER VINTAGE Feuerzeug. 18K vergoldetes Modell mit Rillen-Dekor. Gebrauchsspuren und Kratzer vorhanden. Voll funktionsfähig. Feuerzeug wurde am 23.03.23 in einer Tabakstube aufbereitet. | CARTIER VINTAGE lighter. 18K gold-plated model with grooved decoration. Signs of wear and scratches present. Fully functional. Lighter was refurbished on 23/03/23 in a tobacco shop.
Ca. 500-300 BC. A helmet of hammered bronze. The domed crown with frontal medial ridges, contoured double curve above the brow continuing as an occipital rib around the helmet. Moveable articulated crescentic cheeky guards with contoured edges are attached by hinges on the sides. The Chalcidian-Type helmet started to replace the Corinthian-type helmet on the battlefield in the 5th century BC due to its restrictive attributes. The new versatile Chalcidian form of battle helmet enabled the owner to adapt on the battlefield. The Chalcidian helmet enabled greater sensory perception as the helmet was lighter and made in with senses in mind. By the time of the Peloponnesian War (434-402 BC) the Chalcidian helmet was the most widely distributed helmet in the Greek ranks. Good condition. Size: L:220mm / W:335mm ; 690g Provenance: Property of a European collector; ex. F. Breydel collection, Belgium, 1970s
Ca. 100-300 AD. A restrung necklace composed of a stunning array of carnelian beads in various shapes - polygonal, spherical, and tubular - arranged in a pleasing order with darker-hued beads interspersed with lighter ones. The carnelian stone, a type of chalcedony, was highly valued in the Roman world for its vibrant reddish-orange color and durability. It was believed to have magical properties, such as the ability to ward off evil spirits and protect the wearer from harm. It was also associated with courage and strength and was often used to adorn military regalia and other symbols of power. Roman necklaces have a rich history, dating back to the earliest days of the Roman Empire, and were worn for a variety of reasons, from personal adornment to social status. These necklaces were often made from a variety of materials, including precious metals, gemstones, and glass, and were crafted using a range of techniques, from beading and stringing to wirework and casting. Size: L:240/480mm / W:mm ; 34.83g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s.
Karl Hagemeister 1848 Werder a. d. Havel - 1933 Werder a. d. Havel Altwasser mit Enten - Herbst. Um 1881. Öl auf Leinwand. Warmt G 113. Rechts unten signiert. Verso auf dem Keilrahmen verschiedentlich handschriftlich bezeichnet und nummeriert sowie mit alten, typografisch nummerierten Etiketten. 100,5 x 80,5 cm (39,5 x 31,6 in). • Frühlingshafte, besonders lichtvolle Darstellung der charakteristischen Uferszenen. • Harmonische Farbkomposition im für Hagemeister so typischen breiten, lockeren Duktus. • Eine der frühen, um den Schwielowsee 1881 im Hochformat entstandenen Schilflandschaften. • Besonders schöne, farbintensive Landschaft aus der Zeit, in der Hagemeister zu einer neuen impressionistischen Naturauffassung findet. PROVENIENZ: Galerie Georg Nicklas, Berlin. Galerie Heinemann, München (1912 vom Vorgenannten erworben). Fritz Stollwerck, Köln (1925 vom Vorgenannten erworben). Galerie Schlichtenmaier, Grafenau. Sammlung Rolf Deyhle, München (bis 1999). Privatsammlung Bayern. AUSSTELLUNG: Kunstverein Hannover (verso zweifach mit dem Etikett). Karl Hagemeister, Galerie Heinemann, München, Mai 1912, Kat.-Nr. 23 (m. Abb.). Karl Hagemeister, Galerie Ernst Arnold, Dresden, 1913, Kat.-Nr. 8. Robert Breyer und die Berliner Secession, Schleswig-Holsteinisches Landesmuseum, Kloster Cismar; Landesmuseum Mainz; Staatliche Galerie Moritzburg, Halle; Städtische Galerie Stuttgart, 8.3.1992-6.3.1994, Kat.-Nr. 61 (m. Abb.). LITERATUR: Sotheby's, München, Auktion 10.11.1999, Los 6 (m. Abb.). Atelier im Birkenwald, in: Berliner Morgenpost, Nr. 19738, Berlin 2007 (m. Abb.). Um 1880 kehrt Karl Hagemeister nach seinen Studienjahren in Weimar und ausgedehnten Reisen in den Norden nach Rügen, in die Niederlande, Belgien und schließlich nach Italien in seine Heimatregion an die havelländischen Seen zurück. In der Abgeschiedenheit der unberührten Natur beginnt er die Motive zu entdecken, die für sein weiteres Schaffen charakteristisch werden sollten. Die von kleinen sumpfigen Kanälen und Wasserläufen durchzogene Seenlandschaft um Ferch am Schwielowsee erlaubt ihm ein Eintauchen in die meditative Stille der Natur und bringt am Impressionismus und der Paysage intime geschulte Landschaftseindrücke hervor. Mit einer zunehmend heller und zarter werdenden Farbpalette entwickelt er den Ton aus dem gleichmäßig im Raum verteilten Licht. Das Streben, aus der stilllebenartigen Naturauffassung zu einer intensiv bewegten Naturstimmung zu gelangen, führt ihn immer wieder tief in das Dickicht der menschenleeren Flusslandschaft. Er erkennt, 'dass die Natur kein Stilleben ist, sondern ein schöpferischer, ewig arbeitender Organismus', den er in den wechselvollen Lichtstimmungen eines sich ständig verändernden, Wind und Wetter unterworfenen Eindrucks in der Farbe nachzuschöpfen versucht. Durchwirkt von einem frischen, leuchtenden Grasgrün im Wechselspiel mit zartgelben Farbtupfen zeigt Hagemeister die von den goldenen warmen Tönen des Herbstes durchzogene Uferzone, in deren unberührter Idylle zwei kleine Enten in der sanften, bewegungslosen Ruhe des stillen Gewässers auftauchen. Charakteristisch für die 1880er Jahre, während denen er zurückgezogen in und mit der Natur lediglich für seine Malerei lebt, sind diese in freier und bewegter, luftiger Malweise entstandenen Uferstücke am Schwielowsee. Viele der dortigen Anwohner besitzen selbst einen kleinen Kahn, so auch Hagemeister, den dieser zur Erkundung verborgener Orte im Dickicht des waldigen Gebietes nutzt. So gelingt es ihm, an jene Stellen zu gelangen, die so charakteristisch für seine oftmals 'en plein air' entstandenen Kompositionen sind: Unmittelbare Aussichtspunkte in Nahsicht direkt vom niedrigen Kahn aus, über das dichte Schilf und die Gräser hinweg, verdeutlichen den Standpunkt des Malers und so auch des Betrachters direkt in der Natur, eingebettet wie die dort beheimateten Wasservögel und Lebewesen. [KT] Aufrufzeit: 10.06.2023 - ca. 18.15 h +/- 20 Min. Dieses Objekt wird regel- oder differenzbesteuert angeboten.ENGLISH VERSIONKarl Hagemeister 1848 Werder a. d. Havel - 1933 Werder a. d. Havel Altwasser mit Enten - Herbst. Um 1881. Oil on canvas. Warmt G 113. Signed in lower right. With various inscriptions and hand-written numbers on the reverse, as well as with old, typographically numbered labels. 100.5 x 80.5 cm (39.5 x 31.6 in). • Spring-like, particularly light-filled depiction of the characteristic shore scenes. • Harmonious color composition in the broad, loose style so typical of Hagemeister. • One of the early reed landscapes created in portrait format around the Schwielowsee in 1881. • Particularly beautiful, colorful landscape from the time when Hagemeister found a new, impressionistic view of nature. PROVENANCE: Galerie Georg Nicklas, Berlin. Galerie Heinemann, Munich (acquired from the above in 1912) Fritz Stollwerck, Cologne (acquired from the above in 1925). Galerie Schlichtenmaier, Grafenau. Rolf Deyhle Collection, Munich (until 1999). Private collection Bavaria. EXHIBITION: Kunstverein Hanover (with two labels on the reverse). Karl Hagemeister, Galerie Heinemann, Munich, May 1912, cat. no. 23 (with illu.). Karl Hagemeister, Galerie Ernst Arnold, Dresden, 1913, cat. no. 8. Robert Breyer und die Berliner Secession, Schleswig-Holsteinisches Landesmuseum, Kloster Cismar; Landesmuseum Mainz; Staatliche Galerie Moritzburg, Halle; Städtische Galerie Stuttgart, March 8, 1992 - March 6, 1994, cat. no. 61 (with illu.). LITERATURE: Sotheby's, Munich, auction 10.11.1999, Los 6 (with illu.). Atelier im Birkenwald, in: Berliner Morgenpost, no. 19738, Berlin 2007 (with illu.). Around 1880, after studying in Weimar and extensive trips to Rügen, the Netherlands, Belgium and finally to Italy, Karl Hagemeister returned to his home region of the Havelland. In the seclusion of untouched nature, he began to discover the motifs that were to become characteristic of his later work. The lake landscape around Ferch am Schwielowsee, which is criss-crossed by small swampy canals and watercourses, allowed him to immerse in the meditative stillness of nature and to produce landscape impressions informed by Impressionism and the 'paysage intime'. With a color palette that becomes increasingly lighter and more delicate, he developed the tone from an evenly distributed light. With the aim of attaining an intensely moving sensation of nature from a still life-like conception, he went deep into the thicket of the deserted river landscape time and again. He recalized 'that nature is not a still life, but a creative, eternally working organism', which he tries to recreate in color in the changing moods of a constantly changing impression, subject to wind and weather. Interwoven with a fresh, radiant grass green with delicate dabs of yellow, Hagemeister shows the shore zone pervaded by the warm, golden tones of autumn, in whose untouched idyll two little ducks appear in the gentle, motionless stillness of the waters. Characteristic of the 1880s, during which he lived in seclusion in and with nature solely for his painting, are these pieces made on the shore of Schwielowsee, which he painted in a free, lively, airy style. Many of the local residents own a small boat themselves, including Hagemeister, which he used to explore hidden places in the thicket of the wooded area. In this way he manages to get to those places that are so characteristic of his compositions, which were often created 'plein-air': Direct vantage points in close-up directly from the low boat, across the dense reeds and the grass, clarify the painter's point of view and also put the viewer directly into the habitat of the water birds and the other creatures that live there. [KT] Called up: June 10, 2023 - ca. 18.15 h +/- 20 min. This lot can be purchased subject to differential or regular taxation.
Only Fools & Horses - Gun Cigarette Lighter - an original vintage cigarette lighter in the form of an antique pistol / gun. Identical to that seen on-screen in the show, often used by Del to light his cigars. Signed by Sir David Jason neatly to the base in silver ink. Supplied with a certificate of authenticity from the Only Fools & Horses Appreciation Society. Believed to be the only one of these items Sir David Jason has ever signed. Note: anyone wishing to collect this item can do so from the week commencing 19th June, by appointment only. Postage / courier service available as usual.
Stranger Things - Caleb McLaughlin (Lucas) - autographed 8x12" colour promotional photograph from the first series. Signed neatly in blue ink to a lighter portion of the image. Early-type autograph from McLaughlin, obtained in person at a promotional event in London when the series was launched. With certificate from an AFTAL registered dealer.
An Edwardian Wedgwood Deep Blue Dip Jar and Cover with silver rim (full hallmarks). Decorated with classical scenes. Very good condition. Measuring 19 cms in height. Together with - Wedgwood Blue Jasper/Ronson Table Lighter - Silver Jubilee 1952 - 1977 with box and instruction manual. Also - A Wedgwood Blue Jasper HM The Queen Silver Jubilee Plate, 1952 - 1977. In original box. Together with Wedgwood Green Jasper Oblong Dishes ( 4 ) In Total. All with Original Boxes. All In As New Condition. Also Wedgwood Pair of Jasper Plates. Comprises 1/ White on Pale Blue Jubilee Plate. 2/ Pale Blue on White Coronation of the Silver Jubilee 1953 - 1978. Both With Original Boxes.
Two gold signet rings, WW2 medals, RAF badge and patch, and Dunhill lighter, a 9 carat yellow gold hematite signet ring, the oval head intaglio carved with a Roman centurion's profile, 12x9mm, with bright cut surround, ring size P1/2; a 9 carat yellow gold signet ring, plain oval head, distorted shank; WW2 War Medal and Defence Medal, both with ribbons; an RAF cap badge; an RAF embroidered patch; and a gold-plated Dunhill lighter, engine turned design; total gross weight of rings 6.6g.Qty: 7
A collection of silver and costume jewellery in a large jewellery box, to include a Silver Jubilee ingot; a silver identity bracelet, engraved names and date; costume jewellery necklace and earrings suites; pendants; necklaces; earrings with post and butterfly fittings; lighter, engraved name; butterfly brooches, magnetic fasteners, boxed; and a magnifying glass with floral decorated handle and large butterfly motif, boxed; in a large multi-compartment jewellery box.Qty: 3
A Lichfield leather and stainless steel hip flask; an Aston Brown leather and stainless hip flask; and another hipflask; a steampunk style lighter; four silver-plated napkin rings; a plated caddy spoon; two pairs of folding spectacles, both cased; a George VI coronation New Testament, boxed; three pairs of folding opera glasses; and another pair of opera glasses.Qty: 1 box

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44441 item(s)/page