We found 13305 price guide item(s) matching your search

A collection of mixed wall and ceiling lighting, to include a quantity of modern gold painted wall sconces, together with a cut glass hanging ceiling light

A German World War II Desk or Motoring Pennant, 9ins x 5ins, SS breast badge marked with enamelled double lighting strike, manufactures name to rear Munchen and the number 9, a silvery metal iron cross ring, an iron cross lapel pin, and small enamelled badge.

A vintage retro mid 20th century circa 1950’s desk lamp / light by Anglepoise Lighting ltd. The goose neck lamp having a conical lamp shade, tubular column raised on rectangular metal base with black switch. Makers mark to the underside. Measures: 40cm tall.

Thomas Fairfax: 'The Complete Sportsman; Or, Country Gentleman's Recreation', London, J. Cooke, [1760], 1st edition, engraved frontis, 240pp, early sporting book covering hunting, shooting, racing, angling, cock-fighting and more, 12mo, old half calf gilt; [Sir Humphry Davy]: 'Salmonia: Or Days of Fly Fishing', London, John Murray, 1828, 1st edition, 3 plates of flies + ills. in text as called for, first edition of a book that "ranks high in the scale of angling literature" (Westwood & Satchell, p.77), 12mo, contemporary half calf gilt; George Hanger: 'Colonel George Hanger, To All Sportsmen, and particularly, to Farmers and Gamekeepers...', London, printed for the author, J.J. Stockdale, 1814, 1st edition, 226pp, lacks leaf between title page and dedication, dedication to Thomas Coke of Holkham Hall, Includes a passage on jack-lighting deer at night in South Carolina, comments on American rifles and riflemen and backwoods lore, and mention of Wild Turkey, and other material, gleaned from Hanger's service as second-in-command to Tarleton during service in the American Revolution, contemporary quarter cloth gilt (worn); Lieut. Col. P. Hawker: 'Instructions to Young Sportsmen in all that relates to Guns and Shooting', 1854, 10th edition, engraved frontis + 8 engraved plates and numerous ills. in text as called for, contemporary half calf gilt; Ian Alan, 8th Duke of Northumberland: 'The Shadow on the Moor', 1931, [2nd printing], original cloth gilt (5)

A SET OF TWO VINTAGE INDUSTRIAL CIRCULAR BULK HEAD LIGHTS BY HEYES LIGHTING, Dia. 29 cm, H 23 cm, together with two other bulk head lights (4)

The Architects Standard Catalogues - 1939 - 1941. To include Volume I: Complete Indexes, Technical Information, Work and Fittings and Building and Decorative Materials, together with Volume II: Iron and Fireproof Construction, Ironmasonery, Joinery, Sanitary and Water Supply, Lighting and Fittings and Heating and  Ventilation. Each book is 9th edition. The catalogues detail architectural and building methods of the era and are suitable for historical archival research due to the listing of contemporary companies. Both are illustrated, some prints in colour. Published London.

00 Gauge Accessories by various makers including Point Motors, Gaugemaster (2), Peco (1), Peco Lineside Fencing, Probe, Level Crossing Gates, Gates and Stiles, Water Cranes (2), Inspection Pit (2), Uncouplers (5 packs), Servicing Cradle, Power Lube, Buffer Stops various (5 packs) and Wheel Cleaner, Model Scene Lamps, Telephone Box, Cases, Gaugemaster Wire (4) and four others, various Expo accessories, Push in Switches (3 packs ), On/Off Switches (3 packs), Wire (6 packs), Maplin Pointer Knob, Model Lighting Switches and some loose Push in switches, Modellers Mate Coal and Cinders, in original pots, Hornby Track, including two Points and Single Track Level Crossing (boxed), DC Rolling Road Active Set, most accessories in original packets, G-E, boxes/packets F-VG (qty)

Hornby Peco Dublo Airfix Acho Jouef Lima GMR Trix and Bachmann 00 Gauge Locomotive and Rolling Stock and Corgi and EFE 00 Gauge Buses, Hornby (Margate) R068 BR Blue Class 25 (boxed), SR coach and McVities, Bolsover and Palethorpes trucks, Hornby (China) ZUV SHARK Guards Van, ED Hopper Wagons (4), NE Van, GMR Siphon G, Lima BR Parcels van and GWR Siphon G, Jouef Bailly Trailer on truck, Hornby Acho 7240 Goods Van and 705 STEF Van, Dapol Flat wagon and container, Bachmann Queen Mary Guards Vans (2) and SR open wagon, Ratio kitbuilt Utility Van (one bogie unattached), all in original boxes, unboxed Trix Well wagon with modern Cable drum load, PECO kitbuilt wagons (8), Airfix kitbuilt wagons (3) two unmarked kitbuilt Vans (2), Dublo Super Detail maroon Full Brake coach, Graham Farish Foromway 0-6-0 Locomotive box only, Hornby Coach Lighting box only, Tri-ang Coach Boxes (3), Hornby Track box, Trackside boxes (2), Corgi Original Omnibus, Trolleybus (2), Q6, Utility Bus, CityBus HK and China, EFE London Country RT, in original boxes and repainted 1950s Dinky Double Deck bus, F-VG, boxes F-G (40+)

Hornby 0 gauge No 2E and No 2 Signals, all with green bases, including two boxed double-arm No 2E signals (one VG-E, the other F), four 2E home signals and one 2E distant, all P-F, two ladders damaged and some lighting components missing, together with a No 2 junction signal (home), two No 2 double-arm signals and two single-arm home signals, F-VG (12)

Early Hornby 00 Gauge RS604 Night Mail Train Set and Accessories, set comprising BR blue Diesel D6830, blue/grey Sleeping Car, Brake/2nd with lighting and Royal Mail Coach, apparatus and oval of track, in original box, R582 Ticket Office, Footbridge, Brick Bridge, Level Crossing, Signal and two points, all in original boxes, together with some loose Track, G-VG, boxes F-G, Set box, one lid side unattached (qty)

Various collectibles to include a Jolly man cast metal moneybox, a Protector Lamp & Lighting Co Eccles miner's lamp, a razor and a Brown & Sharp US Patent Bench Micrometre Model 233 (4). CONDITION REPORT Dimensions of money box: HEIGHt 15.5cm, width 13.5cm, depth 15cm.

ANGLEPOISE LIGHTING LIMITED TRADITIONAL TABLE LAMP on a circular base

A large quantity of lighting products: LED bulbs, tubes, fittings etc.

Wilhelm von Gloeden (1856-1931), collodion photos depicting three young men in the garden with olive trees. Numbered 1096. It has no signature, but published on page 10 of the book Love and Art Wilhelm von Gloeden, and. Avvenire 2000 Messina, Malambri author. Cm 11,8x16,5"Wilhelm Von Gloeden was a German-born photographer who spent most of his life in Sicily, specifically in Taormina, a city that he chose as a second home. It was the youth health issues to take in the peninsula. Specifically, the choice of Taormina is linked dreamy ideal of Sicily that the photographer releases in his pictures through the choice of models dressed as always.He began his career as a hobby, but soon his pictures became famous thanks to the publication in London in 1893 of a snap her.His work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity.In fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed Messina in 1908, the Taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. It was these photos, often used as postcards, to increase the myth of the city and its tourism. The Taormina Von Gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over Europe, but really poor and economically still underdeveloped. It was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of Von Gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities.By the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. This production lasted roughly until the First World War.Today it is widely recognized internationally not only for the issues addressed above all for its technical quality. His photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. In addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. Just think of a lotion that was often used to clear skin blemishes of his photographic subjects. Interesting to see that despite the criticisms against him, his photography has never resulted in really pushed erotic intent and explicit, while remaining faithful to a composition-oriented classical and mythological construction. "

Wilhelm von Gloeden (1856-1931), albumin photos depicting nude guy. Published on page 14 of the book Love and Art Wilhelm von Gloeden, and. Avvenire 2000 Messina, Malambri author. Cm 11,4x15,8"Wilhelm Von Gloeden was a German-born photographer who spent most of his life in Sicily, specifically in Taormina, a city that he chose as a second home. It was the youth health issues to take in the peninsula. Specifically, the choice of Taormina is linked dreamy ideal of Sicily that the photographer releases in his pictures through the choice of models dressed as always.He began his career as a hobby, but soon his pictures became famous thanks to the publication in London in 1893 of a snap her.His work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity.In fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed Messina in 1908, the Taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. It was these photos, often used as postcards, to increase the myth of the city and its tourism. The Taormina Von Gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over Europe, but really poor and economically still underdeveloped. It was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of Von Gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities.By the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. This production lasted roughly until the First World War.Today it is widely recognized internationally not only for the issues addressed above all for its technical quality. His photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. In addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. Just think of a lotion that was often used to clear skin blemishes of his photographic subjects. Interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological "

Wilhelm von Gloeden (1856-1931), depicting nude photos of two boys. Numbered on the back 1117. Cm 20,9x15. Photo Late Original slab of Von Gloeden"Wilhelm Von Gloeden was a German-born photographer who spent much of his life in Sicily, specifically in Taormina, a city that he chose as a second home. It was the youth health issues to take in the peninsula. Specifically, the choice of Taormina is linked dreamy ideal of Sicily that the photographer releases in his pictures through the choice of models dressed as always.He began his career as a hobby, but soon his pictures became famous thanks to the publication in London in 1893 of a snap her.His work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity.In fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed Messina in 1908, the Taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. It was these photos, often used as postcards, to increase the myth of the city and its tourism. The Taormina Von Gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over Europe, but really poor and economically still underdeveloped. It was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of Von Gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities.By the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. This production lasted roughly until the First World War.Today it is widely recognized internationally not only for the issues addressed above all for its technical quality. His photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. In addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. Just think of a lotion that was often used to clear skin blemishes of his photographic subjects. Interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. " ASORstudio

Wilhelm von Gloeden (1856-1931), depicting nude pictures of guy. Numbered on the back 695. Cm 23,3x17. Photo Late Original slab of Von Gloeden "Wilhelm Von Gloeden was a German-born photographer who spent much of his life in Sicily, specifically in Taormina, a city that he chose as a second home. It was the youth health issues to take in the peninsula. Specifically, the choice of Taormina is linked dreamy ideal of Sicily that the photographer releases in his pictures through the choice of models dressed as always. He began his career as a hobby, but soon his pictures became famous thanks to the publication in London in 1893 of a snap her. His work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity. In fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed Messina in 1908, the Taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. It was these photos, often used as postcards, to increase the myth of the city and its tourism. The Taormina Von Gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over Europe, but really poor and economically still underdeveloped. It was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of Von Gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities. By the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. This production lasted roughly until the First World War. Today it is widely recognized internationally not only for the issues addressed above all for its technical quality. His photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. In addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. Just think of a lotion that was often used to clear skin blemishes of his photographic subjects. Interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. " ASORstudio

Wilhelm von Gloeden (1856-1931), albumin photos depicting Capo Taormina with character. Double stamp on the back and numbered 210. Cm 17x22"Wilhelm Von Gloeden was a German-born photographer who spent most of his life in Sicily, specifically in Taormina, a city that he chose as a second home. It was the youth health issues to take in the peninsula. Specifically, the choice of Taormina is linked dreamy ideal of Sicily that the photographer releases in his pictures through the choice of models dressed as always.He began his career as a hobby, but soon his pictures became famous thanks to the publication in London in 1893 of a snap her.His work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity.In fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed Messina in 1908, the Taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. It was these photos, often used as postcards, to increase the myth of the city and its tourism. The Taormina Von Gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over Europe, but really poor and economically still underdeveloped. It was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of Von Gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities.By the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. This production lasted roughly until the First World War.Today it is widely recognized internationally not only for the issues addressed above all for its technical quality. His photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. In addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. Just think of a lotion that was often used to clear skin blemishes of his photographic subjects. Interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. " ASORstudio

Wilhelm von Gloeden (1856-1931), vintage photo print on salted paper depicting "Bimba Gloeden with jar in the backyard", c 1900. Numbered "212" and hallmarked on the back. Cm 39x29,5. Slight foxing stains in verse"Wilhelm Von Gloeden was a German-born photographer who spent most of his life in Sicily, specifically in Taormina, a city that he chose as a second home. It was the youth health issues to take in the peninsula. Specifically, the choice of Taormina is linked dreamy ideal of Sicily that the photographer releases in his pictures through the choice of models dressed as always.He began his career as a hobby, but soon his pictures became famous thanks to the publication in London in 1893 of a snap her.His work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity.In fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed Messina in 1908, the Taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. It was these photos, often used as postcards, to increase the myth of the city and its tourism. The Taormina Von Gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over Europe, but really poor and economically still underdeveloped. It was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of Von Gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities.By the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. This production lasted roughly until the First World War.Today it is widely recognized internationally not only for the issues addressed above all for its technical quality. His photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. In addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. Just think of a lotion that was often used to clear skin blemishes of his photographic subjects. Interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. " ASORstudio

Wilhelm von Gloeden (1856-1931), albumin photo depicting a bust of young Taormina. hallmarked on the back and named as Pancrazio Dall'Ura. Cm 17x22"Wilhelm Von Gloeden was a German-born photographer who spent most of his life in Sicily, specifically in Taormina, a city that he chose as a second home. It was the youth health issues to take in the peninsula. Specifically, the choice of Taormina is linked dreamy ideal of Sicily that the photographer releases in his pictures through the choice of models dressed as always.He began his career as a hobby, but soon his pictures became famous thanks to the publication in London in 1893 of a snap her.His work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity.In fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed Messina in 1908, the Taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. It was these photos, often used as postcards, to increase the myth of the city and its tourism. The Taormina Von Gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over Europe, but really poor and economically still underdeveloped. It was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of Von Gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities.By the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. This production lasted roughly until the First World War.Today it is widely recognized internationally not only for the issues addressed above all for its technical quality. His photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. In addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. Just think of a lotion that was often used to clear skin blemishes of his photographic subjects. Interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. " ASORstudio

Wilhelm von Gloeden (1856-1931), albumin photos depicting couple of kids in costume Sicilian villa. hallmarked on the back. Cm 17x22"Wilhelm Von Gloeden was a German-born photographer who spent most of his life in Sicily, specifically in Taormina, a city that he chose as a second home. It was the youth health issues to take in the peninsula. Specifically, the choice of Taormina is linked dreamy ideal of Sicily that the photographer releases in his pictures through the choice of models dressed as always.He began his career as a hobby, but soon his pictures became famous thanks to the publication in London in 1893 of a snap her.His work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity.In fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed Messina in 1908, the Taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. It was these photos, often used as postcards, to increase the myth of the city and its tourism. The Taormina Von Gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over Europe, but really poor and economically still underdeveloped. It was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of Von Gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities.By the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. This production lasted roughly until the First World War.Today it is widely recognized internationally not only for the issues addressed above all for its technical quality. His photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. In addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. Just think of a lotion that was often used to clear skin blemishes of his photographic subjects. Interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. " ASORstudio

Wilhelm von Gloeden (1856-1931), albumin photos depicting child crouching with dog. Numbered 1258 and hallmarked on the back. Published on page 15 of the book Love and Art Wilhelm von Gloeden, and. Avvenire 2000 Messina, Malambri author. Cm 11,5x16"Wilhelm Von Gloeden was a German-born photographer who spent most of his life in Sicily, specifically in Taormina, a city that he chose as a second home. It was the youth health issues to take in the peninsula. Specifically, the choice of Taormina is linked dreamy ideal of Sicily that the photographer releases in his pictures through the choice of models dressed as always.He began his career as a hobby, but soon his pictures became famous thanks to the publication in London in 1893 of a snap her.His work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity.In fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed Messina in 1908, the Taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. It was these photos, often used as postcards, to increase the myth of the city and its tourism. The Taormina Von Gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over Europe, but really poor and economically still underdeveloped. It was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of Von Gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities.By the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. This production lasted roughly until the First World War.Today it is widely recognized internationally not only for the issues addressed above all for its technical quality. His photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. In addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. Just think of a lotion that was often used to clear skin blemishes of his photographic subjects. Interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. " ASORstudio

Wilhelm von Gloeden (1856-1931), albumin photos depicting the young Sicilian face. Numbered 1015 and hallmarked on the back. Cm 11x16"Wilhelm Von Gloeden was a German-born photographer who spent most of his life in Sicily, specifically in Taormina, a city that he chose as a second home. It was the youth health issues to take in the peninsula. Specifically, the choice of Taormina is linked dreamy ideal of Sicily that the photographer releases in his pictures through the choice of models dressed as always.He began his career as a hobby, but soon his pictures became famous thanks to the publication in London in 1893 of a snap her.His work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity.In fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed Messina in 1908, the Taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. It was these photos, often used as postcards, to increase the myth of the city and its tourism. The Taormina Von Gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over Europe, but really poor and economically still underdeveloped. It was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of Von Gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities.By the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. This production lasted roughly until the First World War.Today it is widely recognized internationally not only for the issues addressed above all for its technical quality. His photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. In addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. Just think of a lotion that was often used to clear skin blemishes of his photographic subjects. Interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. " ASORstudio

Wilhelm von Gloeden (1856-1931), albumin photos depicting young Sicilian boy who plays the flute. Numbered in pencil on the back 434B and hallmarked. Cm 12x16"Wilhelm Von Gloeden was a German-born photographer who spent most of his life in Sicily, specifically in Taormina, a city that he chose as a second home. It was the youth health issues to take in the peninsula. Specifically, the choice of Taormina is linked dreamy ideal of Sicily that the photographer releases in his pictures through the choice of models dressed as always.He began his career as a hobby, but soon his pictures became famous thanks to the publication in London in 1893 of a snap her.His work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity.In fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed Messina in 1908, the Taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. It was these photos, often used as postcards, to increase the myth of the city and its tourism. The Taormina Von Gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over Europe, but really poor and economically still underdeveloped. It was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of Von Gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities.By the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. This production lasted roughly until the First World War.Today it is widely recognized internationally not only for the issues addressed above all for its technical quality. His photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. In addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. Just think of a lotion that was often used to clear skin blemishes of his photographic subjects. Interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. " ASORstudio

Wilhelm von Gloeden (1856-1931), photos depicting young man with flute in the villa. Numbered 168 and hallmarked on the back. Cm 10,5x15"Wilhelm Von Gloeden was a German-born photographer who spent most of his life in Sicily, specifically in Taormina, a city that he chose as a second home. It was the youth health issues to take in the peninsula. Specifically, the choice of Taormina is linked dreamy ideal of Sicily that the photographer releases in his pictures through the choice of models dressed as always.He began his career as a hobby, but soon his pictures became famous thanks to the publication in London in 1893 of a snap her.His work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity.In fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed Messina in 1908, the Taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. It was these photos, often used as postcards, to increase the myth of the city and its tourism. The Taormina Von Gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over Europe, but really poor and economically still underdeveloped. It was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of Von Gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities.By the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. This production lasted roughly until the First World War.Today it is widely recognized internationally not only for the issues addressed above all for its technical quality. His photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. In addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. Just think of a lotion that was often used to clear skin blemishes of his photographic subjects. Interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. " ASORstudio

Wilhelm von Gloeden (1856-1931), albumin photos depicting young Sicilian with palm tree. Numbered in pencil on the back and hallmarked 404. Cm 12x16"Wilhelm Von Gloeden was a German-born photographer who spent most of his life in Sicily, specifically in Taormina, a city that he chose as a second home. It was the youth health issues to take in the peninsula. Specifically, the choice of Taormina is linked dreamy ideal of Sicily that the photographer releases in his pictures through the choice of models dressed as always.He began his career as a hobby, but soon his pictures became famous thanks to the publication in London in 1893 of a snap her.His work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity.In fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed Messina in 1908, the Taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. It was these photos, often used as postcards, to increase the myth of the city and its tourism. The Taormina Von Gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over Europe, but really poor and economically still underdeveloped. It was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of Von Gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities.By the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. This production lasted roughly until the First World War.Today it is widely recognized internationally not only for the issues addressed above all for its technical quality. His photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. In addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. Just think of a lotion that was often used to clear skin blemishes of his photographic subjects. Interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. " ASORstudio

Wilhelm von Gloeden (1856-1931), albumin photos depicting the Sicilian girl first floor. Numbered and hallmarked on the back three. Cm 11x16"Wilhelm Von Gloeden was a German-born photographer who spent most of his life in Sicily, specifically in Taormina, a city that he chose as a second home. It was the youth health issues to take in the peninsula. Specifically, the choice of Taormina is linked dreamy ideal of Sicily that the photographer releases in his pictures through the choice of models dressed as always.He began his career as a hobby, but soon his pictures became famous thanks to the publication in London in 1893 of a snap her.His work is now recognized internationally and is mainly related to nude photos featuring young subjects and clothes that go back to classical antiquity.In fact its production is far more extensive and characterized by a wide range of photos devoted to news reports, such as those dedicated to the earthquake that destroyed Messina in 1908, the Taorminese landscape and its ancient ruins, but also to local people, such as farmers, in traditional robes. It was these photos, often used as postcards, to increase the myth of the city and its tourism. The Taormina Von Gloeden is indeed the late nineteenth century a fascinating and mysterious city that attracts intellectuals and artists from all over Europe, but really poor and economically still underdeveloped. It was precisely the reason that often drove young taorminesi to agree to pose nude for the goal of Von Gloeden, who because of his erotic vein initially was not well received by the local population and the ecclesiastical authorities.By the time the photographer was accepted by the local community and continued its production made based on photos of young taorminesi portraits such deities with ornaments classic taste. This production lasted roughly until the First World War.Today it is widely recognized internationally not only for the issues addressed above all for its technical quality. His photos are in fact cleverly balanced and studied with al'uso lighting and the installation of the subjects. In addition to its innovation lies in the experimentation in the field of photographic filters and precautions taken in respect of its models. Just think of a lotion that was often used to clear skin blemishes of his photographic subjects. Interesting to see that despite the criticisms against him, his photography has never resulted in really pushed and explicit erotic intent, always remaining true to a composition-oriented classical construction and mythological. " ASORstudio

A complete EFE London Underground Bakerloo Line 1938 Four Car Set together with full motorising, trailer wheel and lighting kits - unused - VG/E in G/VG boxes and packets (8)

Two Protector Lamp & Lighting Co Ltd Type 6 safety lamps, approximately 25 cm (h) not including handle. [2]

Box of light fittings includes wall lights, dar lighting etc

Box of disco lights, mirror ball + other stage lighting. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.

Quantity of mid 20th century lighting etc. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.

3 framed car prints/posters, chrome lighting, 2 other framed prints etc. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.

Selection of lighting & lampshades. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.

Studio 6G and Harvey Guzzini Clan floor lamp, designed in 1968 chrome plated, plastic and perspex 53cm high. Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

Luigi Massoni (1930-2013) for Harvey Guzzini Brumbury table lamp, circa 1970 orange acrylic shade 44cm high. Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

Maurice Burke (1921-2013) for Arkana A pair of Safari chairs striped fabric seats on chrome supports 65cm high, 65cm wide, 54cm deep (2). Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

Studio 6G and Harvey Guzzini Flash floor lamp, circa 1970 version 4508, with acrylic orange shade on chrome stand 181cm high. Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

Harvey Guzzini Mushroom table lamp orange acrylic shade on white base 41cm high. Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

Harvey Guzzini Table lamp opaline shade on chrome 50cm high. Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

 Harvey Guzzini Table lampGuzzini label to shadeopaline shade on circular chrome base. Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

Eero Saarinen (1910-1961) for Arkana A pair of Tulip end tables white laminate and enamelled metal 38cm high, 45cm wide (2). Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

Arkana Coffee table, 1974 black lacquered oak with square inset mirrored top 31cm high, 86cm wide, 86cm deep. Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

Arkana Coffee table, 1974 black lacquered oak with square inset mirrored top 30cm high, 64.5cm wide, 64.5cm deep. Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

Simon Henningsen for Lyfa Two Tivoli pendant lights, 1962 with coloured metal shards 32cm high (2). Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

Crayonne A collection of eight storage containers coloured acrylic moulded marks (8). Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

John Piper (1903-1992) Eye and Camera: Blue to Yellow, 1967 stamped signature (lower right) screenprint 49 x 67cm. Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

Eero Saarinen (1910-1961) for Arkana Dining table extending black ash top over white enamelled base 74cm high, 121cm wide, 160cm (extended). Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

1960s School A pair of UFO uplighters chrome 33cm across (2). Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

Maurice Burke (1921-2013) for Arkana Mushroom dining table and five chairs white laminate and enamelled metal table 73cm high, 121cm wide chairs 82cm high, 44cm deep. Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

Maurice Burke (1921-2013) for Arkana Tulip coffee table white laminate and enamelled metal 42cm high, 92cm diameter. Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

1960s School Coffee table chrome and smoked glass 35cm high, 140cm long, 65cm wide. Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

After Le Corbusier LC4 chaise chrome and leather 79cm high, 156cm long, 56cm wide. Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

Sergio Mazza (b.1931) for Artemide Milano Bacco table bar moulded fibreglass with glass top 42cm high, 61cm wide. Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

Giotto Stoppino for Kartell Magazine rack white acrylic 45cm high, 40cm wide, 30cm deep. Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

Manner of Alvar Aalto (1898-1976) Six stacking stools laminated birch45cm high, 43cm wide (6). Provenance: Solar House, Oxfordshire. Solar House was designed by architect Jack Bonnington (1928-2020) in the 1960s. The furniture and lighting were purchased new when the house was built, with a focus on the most innovative designers of the period to compliment the cutting-edge look of the house.

Vintage lighting to include a pair of wrought iron ceiling lights with glass shades and a glass vaseLocation: RWM

Lighting - a gilt metal mounted domed glass ceiling light, flush fitting, 26cm diameter; another similar; a Victorian style electric wall sconce; a set of four brass wall sconces; a picture wall light, etc

Lighting - a set of four Christopher Wray red glass shades; a cut glass vase (5)

Six boxes of Christmas lights and box of 10 meter flexible lighting rope