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Click here to subscribeGerman WWII S84/98 (K98) Mauser bayonet, maker Friedrich Herder und Sohn, Solingen. Dated 1937 on the spine, wood handles and blued blade, makers mark at the ricasso on one side, it is numbered on the other side 3477d. Non-matching sheath made by S/176 - Paul Weyersberg & Co., Solingen. Frog having Luftwaffe insignia stamped on the inside lip.
Lip Reading by Maureen Lipman, Signed by Maureen Lipman, First Edition, Hardcover. Good condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £10.
A GROUP OF CERAMICS, GLASS AND A CAST IRON HUBLEY RACING CAR, the latter probably a replica, driven by Bibendum - The Michelin Man, red and silver with yellow wheels, stamped Hubley 1934 to underside, together with a ribbed blue and yellow Bretby Pottery vase, a West German pottery vase stamped '104 20' probably by Dumler & Breiden, a light purple and clear wine glass with figural Art Deco style stem, a small Coalport plate with modelled flower details (sd), a Royal Brierley crystal vase engraved with fuchsias (fleabites/tiny chips), a Crown Ducal mid twentieth century 'Petit Pierre' vase, a late nineteenth century whisky flask with silver lip, mount and stopper (handle broken), etc (9) (Condition Report: most pieces appear in good condition, sd and as stated)
EDWARD BARNSLEY WORKSHOPS: A WALNUT CONSOLE TABLE the gently bow-fronted rectangular top with raised lip back, one long and two short drawers, one with fitted cutlery divisions, with boxwood stringing, on square section with twin-stretchers, stamped Barnsley to inside top of leg, 153cm wide x 46cm deep x 85cm highProvenance: Property of a Private CollectorLiterature: 'Edward Barnsley Sixty Years of Furniture Design and Cabinet Making', 1982, page 56, catalogue number 74 for a variation of this design, made in 1967
Pair Japanese Satsuma pottery vases, square form, raised on circular feet, each side with Japanese figures, rich gilt decoration, Meiji period (1868 - 1912) signed to base, height 12.5cm CONDITION REPORTThe pair of vases are in very good condition. However there is some rubbing to the outer edge of the lip to the vases with red colouration showing through.
Early Chinese blue and white porcelain vase, possible Kangxi period baluster form, decorated with a continuous scene of figures in a landscape of rocks and trees, raised on a hardwood stand (Damage to vase lip) height 26cm CONDITION REPORTThe vase is in good all round condition with exception to the obvious damage to the rim of the vase. Approximately 4.5cm x 1.5cm piece missing from the lip of the vase. There is also a small hairline crack to the inside lip but not visible to the exteriorSee additional imagesPROVENANCE: From a private collection.
Royal Worcester twin handled bottle shaped vase, raised on a circular foot, decorated with hand painted spider and autumn leaves, No 1445, Rd No 145756, date coded 1892, height 29cm.CONDITION REPORT:The vase is in good condition however the handle has been restored. Some rubbing and minor gilt loss to lip of vase.
Royal Worcester vase, baluster form, pinched neck with Bacchus mask handles, raised on a circular foot and decorated with hand painted wild roses, gilt enrichments, No 1407 Rd No 141378, height 40cm.CONDITION REPORT:The vase is in very good condition throughout, some rubbing and minor loss to gilt lip of vase, and one of the 'tops' of the right hand scroll finial has been restored, see extra images.
Royal Worcester twin handled vase and cover, baluster form with rectangular handles, decorated with hand painted butterflies amongst wildflowers, model No 1071, Rd No 2321, date coded 1897, height 40cm.CONDITION REPORT:The vase and cover are in excellent condition, some gilt loss to the lip of the vase and to the gilt band at the foot of the vase.
A collection of silver jewellery to include a mother of pearl pendant modelled as a flip flop, rough opal pendant and chain, black lip oyster shell and pearl pendant and chain, rose quartz pendant and chain, together with cubic zirconia set rings, smoky quartz cocktail ring, ball link bracelet, faceted gold stone pendant and chain, along with others, etc 1 bag Further details: good boxed condition
New Moons Sindy vintage boxed dolls x seven: (1) Sindy Ballerina Rainbow Ribbons; (2) Sindy Moves Just Like You; (3) - (6) Set of four Sindy Petite dolls, each with lip gloss- 100% Me with Blueberry lip gloss, 100% Star with Lemon lip gloss, 100% Fun with Grape lip gloss and 100% Lilli Sindy with Cherry lip gloss; (7) Sindy Petite Series One 100% Cool doll, with juicy lip gloss; Near Mint to Mint, within Good Plus to Excellent Plus packaging; (7).
Dame Lucie Rie - A bottle vase circa 1978 to 1980, with flaring lip, the cylindrical shouldered body rising to a narrow collar neck with wide flared rim in white porcelain with pink spiral to the exterior and matched tonal mottled pink to the interior of the rim with graded white to the rim, impressed artists seal to the base, height 22cm. Provenance - Private collection
A 19th century Chinese cloisonné bowl of good quality: the interior decorated with a iron oxide red scaly open-mouthed five-clawed dragon enveloping a blue flaming sacred pearl, the copper lip with ruyi band below and two further five-clawed dragons contesting a further blue flaming sacred pearl of wisdom against a sky blue ground and lappet style border below, raised on circular copper foot (in good condition) (20cm diameter).
A large white metal bowl: two hinged floral cast handles and the outer-edge lip marked 'Patarca 925', (37.5cm diameter not including handles, approx. 1503g). Emilio George Patarca was born in Buenos Aires in 1956. At the age of fourteen, while still at High School, he started learning his craft and from 1973-1978 he studied with Master Edgard Michaelsen, graduating with Honours. Patarca has participated in 57 exhibitions (collective and individual) including Argentina and the International Silverwork Exhibitions worldwide.
An interesting George II pewter communion cup, dated 1758 Having an unusually tall cup, with a high band of paired incised lines, atop the engraved inscription ‘A Gift to the Church of Christ’s Meeting in Hog Lane, Woolwich 1758’, on a comparatively short knopped stem, and domed foot again with incised lines, apparently unmarked, height 21.8cm The straight sides of the bowl have a seam 9.5cm below the lip where it joins the cup-shaped base, the capacity of the cup base is 6 fl.oz, the body above 18.5 fl.oz. Provenance: Hog Lane Chapel, Woolwich. Former Rowland J. A. Shelly, C. Buckmaster and Kenneth Barkin Collections. Sold Bonhams, Chester, 14 May 2009 Literature: Illustrated ‘Apollo’, R. J. A. Shelly, ‘Inscriptions on Church Pewter Plate’, November 1945, fig. V. And, Antonio De Navarro, ‘Causeries on English Pewter’, p. 100, plate iii See also W. T. Vincent, ‘Record of the Woolwich District’ (1890), where it is noted a small ‘meeting house’, built in Hog Lane, Woolwich, opened 10 October 1756. The ‘meeting house’ was soon found to be of insufficient size and in 1761 a new chapel was built on a site now occupied by Enon Chapel, High Street, Woolwich
A George II/III pewter mug, circa 1740-70 Of squat, straight-sided form, with lip and reeded footrim, the tongued and hollow handle with hooded ball terminal, ownership initials ‘E C’ to rim. 18 fl.oz., height 9.3cm Provenance: Former Sandy Law Collection. Sold Phillips, Chester, 25 September 1997, Lot 117 Literature: Illustrated (twice) P. Hornsby, ‘Pewter of the Western World, 1600-1850’ (1983), p. 281, pl. 947, and referred to ‘of Winchester wine standard, circa 1720’ and pl. 951, referred to as late 18th century
A pair of George II pewter communion cups, circa 1750 Each having a deep bowl, with mid-fillet and flared single-reeded lip, the discoid knop stem atop a broader fillet centred stem, on domed foot, typically unmarked, 29 fl.oz, 21cm, (2) Literature: See P. Hornsby, ‘Pewter of the Western World 1600-1850’ (1983), p. 90, pl. 174, for a comparable English communion cup dated to mid-18th century. And, a pair of communion cups in the Colonial Williamsburg Collection, Virginia, USA, illustrated J. D. Davis, ‘Pewter at Colonial Williamsburg’ (2003), p. 301, pl. 397. The chalices have an identical cup and stem, although interestingly the stem has been inverted
A George III oak high dresser, South Wales, circa 1760 The boarded rack with two shelves, the open pot-board base with rear shallow platform, and three lip-moulded drawers, each over a flattened arched apron, on chamfered rectangular legs joined by a boarded undertier, height 186cm, width 146.5cm, depth 44cm
A documented George II pewter OEWS quart straight-sided mug, with low single fillet, Bristol, circa 1730-40 Having an ownership triad below rim lip, hollow single-curve handle with thumbrest and fishtail terminal, touchmark inside base of Richard Going II, Bristol, (fl.1715-1764), (PS32) height 15.9cm Provenance: Former Ronald F. Michaelis Collection Exhibited: ‘British Pewterware’, Reading Museum, 20 September - 31 October 1969 (item no. 169a)
A rare pair of 18th century pewter communion cups, Irish, circa 1770-90 Each with a deep and tapering straight-sided bowl, with flared lip and fillet to edge of the flat base, the bowl engraved with the initials ‘DKC’, the addorsed waisted stem centred by a discoid knop, on a stepped domed base, apparently unmarked, but very possibly by John Heaney, Dublin, (fl.1767-1807), (PS4536), Howard Cotterell ‘Genuine’ labels to the underside, numbered 1292 & 1293, 16 fl.oz., 21.8cm (2) Provenance: Sold Bonhams, Chester, 12 January 2011, Lot 154. The preceding Lot being an Irish communion flagon, also engraved ‘DKC’ and bearing the maker’s mark of John Heaney Literature: See David Hall, ‘Types of Irish Pewter’ (2005), p.4, for an illustration of a very similar communion cup, in the collection of the National Museum of Ireland. Further comparable examples are illustrated page 19
A mid -to late 18th century ceremonial burr birch peg-tankard, Norwegian, circa 1750-1800 The well-figured drum with moulded lip and footrim, the domed lid carved with a stylized lion amongst foliage, the bold and floral-carved handle with a recumbent lion thumbpiece and flowerhead carved hinge lug, on three shallow lion-carved supports, underside stamped with the initials ‘PTS’, height 23cm, overall width 21.5cm, lid diameter 15.3cm This type of tankard was traditionally communally used at weddings and other family celebrations. The term ‘peg’ refers to marks historically placed inside the drum to indicate a volume of drink to be consumed by an individual as the tankard was passed around. For a comparable example see the Victoria & Albert Museum collection, London, acc. no. 577-1891
A rare George I pewter quart high single-fillet straight-sided tavern pot, circa 1715 Having a truncated cone body with high single-fillet and simple lip, S-curve handle with tongue-thumbrest engraved with the ownership triad ‘ALE’, and with boot-heel terminal, the drum engraved ‘Anthony Leonard att y Kentifh Hoy att Bear Key’, crowned ‘WR’ mark to collar, touchmark in base of John Donne, London (fl.1683-1727), (PS35), capacity 40 fl.oz., height 16.5cm Provenance: Former Michael Boorer Collection. Sold Bonhams, Chester Literature: Illustrated and discussed C. Ricketts, ‘Early English Pewter Drinking Mugs’, p. 37, no.83 Bear Quay (here spelt ‘Key’) is in Southwark. Records from St Dunstans-in-the-East, City of London, record an Anthony Leonard dying in 1719.
A William & Mary pewter OEAS pint flat-lid and double-banded flagon, circa 1690 The lid with underside rim locator, twin-cusp thumbpiece, and truncated cone body with lip and two evenly spaced narrow bands, apparently unmarked, height 15.8cm Provenance: Former Walter Allen Collection Illustrated: Peter Hornsby, ‘Pewter of the Western World, 1600-1850’ (1983), p. 257, pl. 871, where the piece is referred to as a ’thurendel’.
A George II pewter pint U-shaped mug, attributed to Wigan, circa 1740 Having a simple lip above a narrow pair of incised lines and crowned ownership initials ‘R” and ‘P’, the hollow double C-scroll handle with a boot-heel terminal, touchmark inside base of ‘RB’ (PS16082), very probably Robert Bolton I, Wigan, (fl. ?-1741), (PS13899), or his widow Isobel, (fl. 1741-?), (PS13900), 20.2 fl.oz., height 12.2cm
A rare early 17th century small pewter porringer, possibly for a child, English, circa 1635-50 Having a steep straight-sided bowl with lip, a flat base with small boss, and an open three-lobed ear, centred by a pierced-heart, flanked by the crowned initials 'T' and 'W', and with a broad under wedge, maker's touch of '? W' to underside, (PS18455) 4 fl.oz., height 2.6cm, bowl diameter 9.1cm Provenance: With Richard Mundey. Former Kenneth Bradshaw Collection. Sold Sotheby's, Billingshurst, 13 September 1997, Lot 381. Former David Little Collection. Sold Christie's, London, 1 May 2007, Lot 16. Christie’s dated the porringer to circa 1600, however, there appears no evidence to support such early dating. See Journal of the Pewter Society, Autumn 2015, p. 13 & Spring 2016, p. 14, (P109)
A George III large pewter communion cup, Scottish, dated 1772 Having a particularly large bowl, with flared lip and low broad fillet, on a ball-knop stem, and sunken domed base, the cup engraved ‘Associate Congregation Dunse / Andrew Davidson Minr. 1772’, apparently unmarked, 31 fl.oz., height 22.4cm See the Fitzwilliam Museum, Cambridge, for a Scottish flat-lid flagon with identical inscription, by William Hunter, Edinburgh, (fl.1749-1794), (PS4911), acc. no. NAV.222-1933
A rare and documented Charles II pewter wrigglework footed ‘wine' cup, circa 1680 The conical egg-shaped bowl designed with scrolling flora, on a waisted stem and gently domed foot with dog-tooth decoration in the form of a six-petal flower, dated touchmark to underside of ‘II’, (fl.1668-?), (PS5394) height 8.4cm, lip diameter 5.3cm, foot diameter 6.1cm Provenance: Former Kenneth Barkin Collection Only two further wrigglework wine cups are recorded, both in the Worshipful Company of Pewterers of London Collection, and neither have a maker’s mark Literature: Illustrated K. Barkin, ‘Wriggle Work Decoration on British & European Pewter 1600-1880’ (2002), p. 76. See also ‘ The Worshipful Company of Pewterers of London Supplementary Catalogue of Pewterware, 1979’, items S3/310 & S3/311. S3/310, illustrated p. 48, is particularly similar to this Lot. In an article written by R. F. Michaelis, for ’The Antique Collector’ entitled ‘Wrigglework Decoration on Pewter’, October 1963, pp.198-199, item S3/310 is referred to as having the maker’s mark ‘CR’ in a lozenge, (PS8167). It is also noted the wine cup was excavated from Strutton Ground, Westminster, in 1925, the former site of Stourton House, an early 17th century women and children's' hospital, built by Lady Anne Dacre, sister of Thomas Sackville, 1st Baron Buckhurst
A pair of George III pewter communion cups, circa 1815 Each having a deep and straight-sided flared bowl, (from a truncated cone tankard mould), with single-reed to lip, the stem centred by paired narrow fillets, on a reeded and shallow domed base, unmarked, 24 fl.oz., height 20.3cm An identical pair with hallmarks of Robert Stanton II, London, (fl.1810-1842), (PS8889), are recorded
A Victorian silver-gilt claret jugHenry William Curry, London 1872 Ovoid form, in polished gilt, the entrance with a removable stopper surmounted by a baluster finial, the high flaring pouring lip with an applied mask beneath surrounded by chased vine leaves and grapes, swagged beading and acanthus leaves, the handle modelled as a Bacchante feeding grapes to a putto, neoclassical motifs to the body featuring masks, strapwork and three ovoid vacant cartouches surrounded by chased vine leaves and plump grapes, the whole supported by a seated putto with arms raised, resting on a circular pedestal foot with masks and interlaced moulded borders, supplied with a bespoke purple velvet case, height 40cm, weight 34.5oz.For further information on this lot please visit Bonhams.com
A silver commemorative rose bowlAlgernon Asprey, London 1977, limited edition numbered Circular form with overturned lip, engraved band with an embossed flowering rose between leaves, on a spread circular foot, underside of base engraved 'Designed for The Year of The Rose by Algernon Asprey', 'Algernon Asprey, Bruton Street, London', height 12.3cm, diameter 18.8cm, weight 18.8oz.Footnotes:This bowl was created to celebrate the centenary of The Royal National Rose Society and was offered to members of the society together with Fellows of The Royal Horticultural Society.For further information on this lot please visit Bonhams.com
A continental silver jug and matching platestamped 'DA' over '900' standard in diamond punch Baluster form, with flaring lip and s-scroll handle, the whole embossed in a criss-cross decorative foliate motif, with a black patina finish, the plate below matching, height together 24cm, diameter plate 24cm, weight total 30.5oz. (2)For further information on this lot please visit Bonhams.com
A Victorian silver-mounted glass decanterWilliam Comyns, London 1895The cylindrical collar profusely embossed with acanthus scrolls, vacant cartouche on one side flanked by a bearded mask, the lip modelled as a female mask, hinged cover and foliate embellished handle, the cut glass body of globular form, height 21cm.For further information on this lot please visit Bonhams.com
A collection of four silver claret jugsComprising: a silver-mounted Bohemian glass decanter, Robinson, Edkins & Aston, Birmingham 1847, with amber translucent glass heightened in opaque white lines, collar, foot and girdle with bead rims, hinged cover with flower finial, height 36cm, a silver claret jug, Martin, Hall & Co, London 1874, slender elongated collar and bulbous body with engraved scrolls and bands, monogrammed, height 30cm, a silver-mounted glass decanter, J A Campbell, London 1983, plain waisted silver collar, the urn shaped glass body with etched fruiting vine band, height 27.5cm, and another silver-mounted glass decanter, David Shaw Silverware Ltd, London 1981, plain collar with bacchanalian mask lip, height 31.5cm. (4)For further information on this lot please visit Bonhams.com
A George III silver Old English pattern basting spoonPaul Storr, London 1816 length 31.3cm, together with a George III silver Old English pattern basting spoon, William Sumner, London 1790, and a silver Old English pattern soup ladle, Mappin & Webb, Sheffield 1904, a toddy ladle, Hester Bateman, London 1782, oval bowl with pouring lip and bead rim, with turned wood handle, and two other ladles with whalebone twist handles, weight of silver 17oz. (6)Footnotes:From the collection of the late John HiltonFor further information on this lot please visit Bonhams.com
A cased liquor set with silver-mounted decanter and twelve 'mether' tot cupsdecanter John Thomas Heath & John Hartshorne Middleton, Birmingham 1906, the cups, James Woods & Sons, Birmingham 1908The decanter silver collar with double pouring lip, the glass with faceted neck, and teardrop stopper, the 'mether' cups of conventional form, in a fitted case with two door front, height of decanter 29.5cm and cups 4.6cm.For further information on this lot please visit Bonhams.com
A set of three 20th century Danish silver and parcel-gilt graduated Margrethe Cups and one otherSvend Toxvaerd, Copenhagen circa 1940, incuse stamped STERLING 925S DENMARK Shaped-octagonal lobed vase, flared lip, consisting of eight fluted tapering panels with vertical rope-twists in between, three bands of embossed floral and foliate decoration, exterior with parcel-gilt, the interior gilded, in diminishing sizes, also included a matching Danish silver and parcel-gilt Margrethe Cup by Edvard Anderson, Copenhagen circa 1950, height tallest 12.5cm, weight 28oz. (4)Footnotes:It is claimed that, fearful of being poisoned, Queen Margrethe of Scandinavia devised a multi section cup such that the contents could be tested by courtiers before she drank herself.For further information on this lot please visit Bonhams.com
LESLIE GORDON DURBIN: a modern silver bowlLondon 1963Plain hemispherical form with a delicate all-over spot hammered finish, the lip slightly out-turned, on a collet foot, diameter 26cm, weight 44.4oz.Footnotes:LESLIE GORDON DURBIN MVO CBE (1913 - 2005)Born in Fulham in 1913, Leslie Gordon Durbin secured a London County Council Trade scholarship at the age of 13. He went on to study at the Central School of Arts & Crafts, and was later recommended by the Head of the Silversmithing Department to Omar Ramsden who took him on as an apprentice. One of Durbin's duties was to engrave the words 'OMAR RAMSDEN ME FECIT' on finished objects. In 1938 he won a Worshipful Company of Goldsmiths' scholarship for a full-time place at the Central School.At the outbreak of war Durbin was aged 26. He was not called up until 1941, and in 1943 he was given leave from the Royal Air Force to work on the Stalingrad Sword for which he was made an MVO.Reference: John Andrew and Derek Styles, 'Designer British Silver', 2015, pp.186-193.For further information on this lot please visit Bonhams.com
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