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Jean Michel Basquiat offset lithograph plate signed hand numbered

Cy Twombly On Paper Paris 2013 offset lithograph Measures 20.00 X 20.00 Inches

Untitled, Spots, Offset lithograph in colors on glossy paper, 48" x 48" inches

A lithograph printed tin and contents of assorted costume jewellery, to include belt buckle, hat-pin etc; together with an Edwardian card box containing assorted vintage and later costume jewellery (2)

Hans Erni (1909-2015) - Two ballet dancers, lithograph, signed and numbered 83/300 in pencil to the margin, 60 x 49cm

J. Bartholemew - Study of a hare, lithograph, signed and numbered 68/195 in pencil to the margin, 37 x 28cm

Simon Drew (b.1952) - One Tequila, lithograph, signed, 22 x 28cm; together with one other by the artist titled Annie Get Your Gnu (2)

Clare Halifax - Living and Learning in London, lithograph, singed, titled and numbered 2/75 in pencil to the margin, 35 x 35cm; together with three other topographical prints (4)

Mid-18th century topographical engraving of the inside of St Paul's Church in Rome, published in London, 27 x 43cm; together with another of the Royal Exchange in London; and a modern Japanese lithograph (3)

David Shepherd (1931-2017) - Jungle gentleman, limited edition lithograph, numbered 1914/2000, signed in pencil to the margin with studio blindstamp, 44 x 74

E.J. Wilson - Sunset over Westley, lithograph; P. Cambier - The River Seine(?), watercolour; and an African landscape watercolour (3(

Jacques Deperthes (1936-1976) - lithograph, signed and numbered 66/80 in pencil to the margin, 40 x 26cm; together with a companion numbered 9/80; and an artists proof lithograph, 30 x 25cm (3)

An artist proof limited edition lithograph print of "The Justice League of America: Power Beyond Compare" for Warner Bros Studio Store Gallery, signed by artists Bryan Hitch and Paul Neary, limited edition number 4/25, print size 72 x 51cm. Framed in black plastic with plastic glaze and certificate of authenticity.

A 1989 Warner Brothers lithograph commemorating the life of legendary voice actor MEL BLANC, titled "Speechless" featuring several of his famous character mourning his passing, 62cm x 39cm excluding frame. Frame is black plastic with plastic glaze. Mel Blanc, considered by many to be the greatest voice actor of all time, voiced many Looney Tunes characters including Bugs Bunny, Porky Pig, Foghorn Leghorn, Yosemite Sam and characters for later cartoons including Hanna-Barbera productions.

A 1995 Warner Brothers lithograph commemorating the life of legendary cartoonist Isadore 'Friz' Freleng, featuring several of his famous creations mourning his passing, 62cm x 40cm excluding frame. Frame is black plastic with plastic glaze. Isadore 'Friz' Freleng is credited with creating or developing several of the most famous Looney Tuunes characters including Bugs Bunny, Tweety, Sylvester, Porky Pig and many more.

Jean COCTEAU (1889-1963) "Couple" Lithograph numbered 188/220. Signed and dated October 1958. - Weight: 2.25 kg - Shipping unavailable - Region: France - Sizes: H 615MM X L 540MM AVEC CADRE / H 400MM X L 310MM - At first glance: good condition

‡ KYFFIN WILLIAMS RA artist's proof lithograph - Mott the sheepdog, signed in pencil, 30 x 40cmsProvenance: private collection CardiffComments: framed, ready to hang

‡ KIM ATKINSON (Welsh b.1962) colour lithograph - titled 'Siskins, Minsmere', signed, dated 1987, 30 x 85cmsProvenance: private collection West MidlandsComments: framed and glazed, ready to hang

‡ SIR KYFFIN WILLIAMS RA limited edition (206/350) lithograph - 'Sea at Trearddur', signed with initials, 28 x 40cmsProvenance: private collection SwanseaComments: framed and glazed, ready to hang

ARCHIBALD BERTRAM WEBB (English-Australian, 1887-1944) large lithograph poster - Welsh landscape, entitled verso, 'Castell Carreg Cennen, Carmarthenshire', 83 x 118cmsProvenance: private collection GloucestershireAuctioneer's Note: image used for 1935 GWR advertising campaign poster for 'Wales', please see Science Museum CollectionComments: trimmed and laid down, framed and glazed, ready to hang

‡ JOHN ELWYN (Welsh 1916-1997) lithograph - entitled 'Laugharne Estuary from Dylan Thomas' Boathouse', numbered 190/300, signed in pencil, from 1988, 35 x 52cmsProvenance: private collection CeredigionAuctioneer's Note: following a visit to Thomas's boat house at Laugharne, Elwyn made a series of watercolour paintings of the Taff estuary and the Gower beyond. This limited edition print was produced at the same timeComments: unframed, excellent condition

‡ PAUL PETER PIECH (American-Welsh 1920-1996) two lithographs - exhibition poster from 'The Old Fire Station, George Street, Oxford', supporting threatened tribal people, entitled 'Injustice Around the World', signed and dated 1987, 76 x 51cms, together with another two-colour lithograph relating to Aboriginal land rights, signed and dated 1988, 64 x 45cms (2)Provenance: private collection overseas-based vendor, vendor met Piech during the 1980s through Tony Evora (creator of the iconic Che Guevara posters) and when studying at Oxford Polytechnic. In 1987, the vendor and the artist organised an exhibition to raise awareness for Survival International with a focus on Aboriginal land rights, held successfully at the Old Fire Station, Oxford. This was followed by an exhibition at Oxford Polytechnic focusing on Piech's work for Amnesty InternationalComments: unframed, the old fire station print with water stain, sl. creasing to both

‡ ELERI MILLS (Welsh b.1955) limited edition (9/10) hand coloured lithograph - entitled verso, 'Sycharth' on Martin Tinney Gallery label, signed, 27 x 34cmsProvenance: private collection CardiffComments: framed and glazed, ready to hang

‡ PAUL PETER PIECH (American-Welsh 1920-1996) two colour lithograph - poem by English novelist Doreen Wallace entitled 'Felis Cattus' signed and dated 1991, 64 x 45cmsProvenance: private collection OxfordshireComments: unframed

‡ SIR KYFFIN WILLIAMS RA artist's proof lithograph - Penrhyn Du Farm, Ynys Mon (Anglesey) with Welsh Black cattle, fully signed in pencil, 59 x 74cmsProvenance: private collection CaernarfonshireComments: sl foxing to margin, mount dirty, framed

‡ JOHN PIPER (1903-1992) lithograph - entitled verso, 'Bethesda Baptist Chapel, Swansea', dated verso 1966, 53 x 69cmsProvenance: the Welsh art collection of award-winning television producer, the late Pat Llewellyn (1962-2017), by descentComments: framed and glazed, ready to hang

‡ JOHN PIPER (1903-1992) lithograph - entitled verso, 'Swansea Chapel', dated verso 1964Provenance: the Welsh art collection of award-winning television producer, the late Pat Llewellyn (1962-2017), by descentComments: framed and glazed, ready to hang

‡ KING CHARLES III (b.1948) limited edition (16/100) lithograph - entitled, 'Cwm Berwyn', signed and dated 2008, 26 x 38.5cmsProvenance: private collection CeredigionComments: with COA and carry case, framed, ready to hang

‡ PAUL PETER PIECH (American-Welsh 1920-1996) limited edition (25/25) three colour lithograph - verse from American poet Walt Whitman, 'Not Until the Sun Excludes You, Will I Exclude You', signed and dated 1991, 64 x 45cmsProvenance: private collection OxfordshireComments: unframed

‡ SIR KYFFIN WILLIAMS RA limited edition (64/250) lithograph - 'Farmer Below Snowdon', signed fully in pencil, 56 x 56cmsProvenance: private collection CheshireComments: unframed, in cellophane sleeve

‡ PAUL PETER PIECH (American-Welsh 1920-1996) three colour lithograph - quote from Welsh literary figure and politician Saunders Lewis (1893 - 1985) 'There is no hope for Wales until the young generation study the past of Wales', 60 x 44cmsProvenance: the Welsh art collection of award-winning television producer, the late Pat Llewellyn (1962-2017), by descentComments: framed and glazed, ready to hang

‡ CERI RICHARDS (Welsh 1903-1971) portfolio of seven limited edition (90/100) colour lithographs - to illustrate the text by the artist's associate Roberto Sanesi, entitled 'Viaggio Verso Il Nord', numbered (90/100), signed, 43 x 30cmsProvenance: the Welsh art collection of award-winning television producer, the late Pat Llewellyn (1962-2017), by descentComments: shelf wear to the box and damaged sides, each lithograph later framed and glazed, ready to hang

‡ PAUL PETER PIECH (American-Welsh 1920-1996) two colour lithograph - poem by William Blake entitled 'Tyger, Tyger', signed and dated 1991, 64 x 45cmsProvenance: private collection OxfordshireComments: unframed

‡ ISLWYN WATKINS (Welsh 1938-2018) limited edition (7/8) monochrome lithograph - abstract, signed and dated 1984, 38 x 55cmsProvenance: private collection PowysComments: framed, glazed, ready to hang

‡ CERI RICHARDS (Welsh 1903-1971) two colour limited edition (48/100) lithograph - 'The Story Lost in the Snow' 1971, from Journey Towards the North by Robert Sanesi, signed fully in pencil, printed by Stanley Jones at Curwen Studios, 43 x 32cmsProvenance: private collection CeredigionComments: framed and glazed, ready to hang

‡ JOHN PIPER (1903-1992) limited edition (20/70) lithograph - Malmesbury Abbey, signed and numbered in pencil, 61 x 52cmsProvenance: Goldmark Gallery, Rutland; private collection CardiffComments: framed ready to hang, minor creases

‡ PAUL PETER PIECH (American-Welsh 1920-1996) two colour limited edition (1/25) lithograph - opening verse from Dafydd Iwan's 1979 track 'Bod yn Rhydd' (to be free), above rampant Welsh dragon, signed by both artist and the musician, dated 1988, 63 x 44cmsProvenance: the Welsh art collection of award-winning television producer, the late Pat Llewellyn (1962-2017), by descentComments: framed and glazed, ready to hang

‡ SIR KYFFIN WILLIAMS RA limited edition (artists proof) lithograph - cottages and chapel at Aberffraw, signed with initials, 40 x 50cmsProvenance: the Welsh art collection of award-winning television producer, the late Pat Llewellyn (1962-2017), by descentComments: framed and glazed, ready to hang

‡ PAUL PETER PIECH (American-Welsh 1920-1996) limited edition (8/20) five colour lithograph - Aneurin Bevan with the accompanying Welsh language slogan, 'Tad y Cynllun' (The Father of the Plan), signed and dated 1990, 64 x 45cmsProvenance: private collection OxfordshireComments: unframed

‡ PAUL PETER PIECH (American-Welsh 1920-1996) two lithographs - two colour lithograph, Australian First Nations land rights poem by Bill Day, 'Australian Crucifixion', signed and dated 1988, 76 x 51cms, together with a three colour lithograph - stark image of figure with neck in noose and Christian cross suspended, with words from Australian Aboriginal Jack Davis' poem 'Aboriginal Australia', signed and dated 1988, 51 x 75cms (2)Provenance: private collection overseas-based vendor, vendor met Piech during the 1980s through Tony Evora (creator of the iconic Che Guevara posters) and when studying at Oxford Polytechnic. In 1987, the vendor and the artist organised an exhibition to raise awareness for Survival International with a focus on Aboriginal land rights, held successfully at the Old Fire Station, Oxford. This was followed by an exhibition at Oxford Polytechnic focusing on Piech's work for Amnesty InternationalComments: unframed, sl. creasing to both

‡ PAUL PETER PIECH (American-Welsh 1920-1996) four colour lithograph - poster for a production of Dylan Thomas's 'Under Milk Wood' at the Bridgend College Hall, signed and dated 1991, 64 x 95cmsProvenance: private collection OxfordshireComments: unframed

‡ JOHN PIPER (1903-1992) numbered artist's proof lithograph - entitled verso, 'Foliate Head', signed, dated verso 1976, 44 x 30cmsProvenance: private collection BridgendComments: framed and glazed, ready to hang

Jugendstil - Art Nouveau - - M. u.a Bauwens. Les affiches étrangères illustrées. Mit 67 farbigen Lithographien, davon 2 doppelblattgr., 1 doppelblattgr. Lithographie und zahlr., teils farb. u. ganzseitigen Textillustrationen. Paris, Boudet & Tallandier, 1897. 2 Bll., III, 206 S., 1 Bl. 4°. Ill. OUmschlag eingebunden in etwas späterer HLwd. mit goldgepr. RTitel und Marmordeckeln, goldgesprenkelte Marmorvorsätze (etwas berieben, Rücken leicht verfärbt, eingebundener OUmschlag fleckig). Carteret IV, 260. - Eines von 1000 nummerierten Exemplaren "sur papier vélin". - Wundervolle und farbkräftige Wiedergaben nach den Originalplakaten der besten Künstler aus Deutschland, England, Österreich, Belgien, den USA und Japan. Darunter Werke von u.a. Beardsley, Dudley-Hardy, Toulouse-Lautrec, Orlik, Meunier, und van Rysselberghe. - Innen teils leicht gebräunt, sonst gut erhalten. With 67 coloured lithographs, incl. 2 double-page, 1 double-page lithograph and numerous, partly coloured and full-page text illustrations. Ill. orig. wrappers bound in later half cloth with gilt title on spine and marbled boards, marbled endpapers (somewhat rubbed, spine slightly discoloured, bound in orig. cover spotted). - One of 1000 numbered copies "sur papier vélin". - Wonderful and colourful reproductions after the original posters of the best artists from Germany, England, Austria, Belgium, the USA and Japan. Among them works by Beardsley, Dudley-Hardy, Toulouse-Lautrec, Orlik, Meunier, and van Rysselberghe. - Inside partly slightly browned, otherwise well preserved.

Fernand Léger (nach). La Noce 1910-1911. 1966. Farblithographie auf Vélin. 38,5 x 31 cm (56 x 46 cm). Eines von 350 nummerierten Exemplaren. Herausgegeben von Maeght Éditeur, Paris. Im unteren Rand mit entsprechender typographischer Bezeichnung. - Etwas lichtrandig. Im oberen Rand mit kleinen Spuren früherer Montierung. Farbkräftiger Abzug. Fernand Léger (after). Colour lithograph on wove paper. - One of 350 numbered copies. Published by Maeght Éditeur, Paris. With corresponding typographic inscription in lower margin. - A little bit lightstained. In upper margin with small traces of former mounting. Colourful print.

Fritz Kahn. Das Leben des Menschen. 5 Bde. Mit zahlr. tls. farb. Tafeln, zahlr. Abb. im Text und dem dazugehörigen Faltplakat. Stuttgart, Franckh'sche Verlagshandlung, 1922-1931. 4°. Blaue HLwd. d. Zt. mit goldgepr. RTitel u. DTitel (teils etwas berieben). Erste Ausgabe. - Mit dem berühmten Plakat "Der Mensch als Industriepalast". Farblithographie. Blattgröße: 94 x 46 cm. - Debschitz, Man Machine (mit Abbildung auf dem Umschlag): "Eine Pionierleistung des modernen Informationsdesigns, die bis heute durch Themen- und Stilvielfalt, Humor und originelle Analogien fasziniert." - Der Arzt und Autor Fritz Kahn (1888-1968) emigrierte 1933 nach Palästina und zog 1937 nach Paris, wo er 1940 in einem französischen Lager interniert wurde. Dank der Hilfe von Albert Einstein konnte er in die USA emigrieren. Seine Bücher wurden von den Nazis auf die "Liste des schädlichen und unerwünschten Schrifttums" gesetzt. 5 vols. With numerous partially col. plates and illustr. in the text. Contemp. half cloth with gilt stamped title to spine and title to front (partially slightly rubbed). - First edition. - With the famous poster "Man as a palace of industry". Color lithograph. Sheet size: 94 x 46 cm. - Debschitz, Man Machine (with illustration on cover): "A pioneering achievement of modern information design that continues to fascinate today with its variety of themes and styles, humor and original analogies." - Physician and author Fritz Kahn (1888-1968) emigrated to Palestine in 1933 and moved to Paris in 1937, where he was interned in a French camp in 1940. Thanks to the help of Albert Einstein, he was able to emigrate to the United States. His books were put on the "list of harmful and undesirable literature" by the Nazis.

Zoologica Specifica - - John Gould. Sammlung von fünf ornithologischen Graphiken. Um 1862. Je kolorierte Lithographie auf Vélin. Blattmaße von 46,5 x 31 cm bis 38 x 55,5 cm. Aus John Goulds "Birds of Great Britain", erschienen 1862-1873. Ein Blatt aus "Birds of Australia". - Teils mit kurzen (hinterlegten) Randeinrissen. 1 bl. etwas braunfleckig und unregelmäßig beschnitten. Leicht gebräunt. Farben sehr schön erhalten. Ornithology - Collection of five ornithological prints. Each coloured lithograph on wove paper. - From John Gould's "Birds of Great Britain", published 1862-1873. One sheet from "Birds of Australia". - Partly with short (backed) marginal tears. 1 leaf somewhat brownstained and irregularly trimmed. Slightly browned. Colours very well preserved.

Geologie - Bergbau u. Hüttenwesen - - View of the property oh the New York & Idaho Gold Mining Co. Um 1890. Orig. Lithographie auf leichtem Karton. 12 x 16,5 (21 x 27,5 cm). Unter Passepartout montiert. Äußerst selten, für uns bibliographisch nicht nachweisbar sowie derzeit im internationalen Handel nicht nachweisbar. - Die Idaho Consolidated Gold & Silver Mining wurde um 1880 gegründet, das Office befand sich in New York. - Im weißen Rand u. verso etw. fleckig, vereinzelt leicht knickspurig, die Kanten etw. bestoßen. Insgesamt sehr gut erhalten. Kreidiger, nuancenreicher Druck. Selten. Geology - Mining and metallurgy . Orig. lithograph on light wove card. Mounted under mat. - Exceptionally rare, bibliographically not detectable for us and currently not verifiable in international trade. - The Idaho Consolidated Gold & Silver Mining was founded around 1880, the office was located in New York. - Slightly soiled in the white margin a. on verso. Occasionally slightly creased, the edges somewhat bumped. Overall in very good condition. Chalky, nuanced impression. Rare.

Marc Chagall. Original-Farblithographie für das Diner de l'Indépendance de l'État d'Isra�l. 1961. Auf Vélin. 37 x 26 cm. Im Stein signiert. Äußerst selten, wohl in kleinster Auflage gedruckt. Nicht bei Mourlot. - Auf einen Doppelbogen als Umschlag gedruckt. Innenliegend mit der Einladungskarte des am 25. Mai 1961 in Paris abgehaltenen Dinners zur Feier des 13. Jubiläums der Unabhängigkeit Israels. Diese mit Druck des Menüs und Spendenformular. Des Weiteren mit 2 maschinenschriftlichen Blättern die einen Auszug der Rede von Isra�l Goldstein enthalten. - Obere rechte Ecke mit kleiner Anschmutzung und Stauchung. In den Rändern etwas gebräunt. Farben frisch. Original colour lithograph for the Diner de l'Indépendance de l'État d'Isra�l. Signed in the stone. - Extremely rare, probably printed in a very small edition. Not with Mourlot. - Printed on a double sheet as an envelope. Inside with the invitation card for the dinner held in Paris on 25 May 1961 to celebrate the 13th anniversary of Israel's independence. This with printed menu and donation form. Also with 2 typewritten sheets containing an extract from Isra�l Goldstein's speech. - Upper right corner with small soiling and bump. Some light browning in the margins. Colours fresh.

Lucio Saffaro. Aglares. Mit insgesamt 11 signierten OLithographien. Darmstadt, Errato-Presse, 1971. 15 Doppelbögen, lose eingelegt in 4° OLwd. Kassette mit Titel auf VDeckel u. Rücken (etw. angeschmutzt). Eines von 35 Exemplaren der röm. nummerierten Vorzugsausgabe. - 7. Druck der Errato-Presse. - Mit zusätzlich beiliegender OLithographie. - Abgezogen auf handgeschöpftem Richard de Bas Bütten. - Jede Lithographie vom Künstler sowie im Druckvermerk von Künstler und Übersetzer signiert. - Nur vereinzelt mit kl. und sehr blassbraunen Fleckchen. Insgesamt sehr gut erhalten, die Lithographien satt im Druck. With 11 orig. lithographs. 15 double sheets, loosely inserted in orig. cloth cassette with title on front cover and spine (somewhat soiled). - One of 35 roman numbered copies of the special edition. - Every lithograph signed by the artist, additionally signed by the artist a. translator in the imprint. - Only sporadically with small a. pale brown spots. Altogether very well preserved copy.

Picasso - Braque - - Regards sur Paris. Mit 30 (von 33) tls. doppelblgr. OLithographien auf Arches Velin (mit Wz) u. der Suite auf Velin mit 25 (von 33) OLithographien. Paris, Sauret, 1962. 272 S. Fol. Meist Doppelbögen, lose eingelegt in OUmschlag in roter OLwd. Kassette mit goldgepr. RTitel u. goldgepr. DVignette (Kassette etw. berieben u. fleckig, der Umschlag etw. gebräunt), die Suite auf Arches in OLwd. Chemise in OSchuber. Vallier S. 298. - Juffermanns JB 21 - Bloch I 1034-1036. - Cramer 120. - Eines der ersten 10 Exemplare mit 30 (von 33) Lithographien, (hier jedoch ohne die Suite auf Japan, die Suite auf Arches mit 25 (von 33) Lithographien (Chagall u. Picasso fehlend). - Im Impressum nummeriert sowie folgend im Doppelbogen von allen Künstlern und Autoren signiert. Zusätzlich die Lithographie des Titels signiert (Beaudin). - Mit orig. Lithographien von André Beaudin, Georges Braque, Maurice Brianchon, Jean Carzou, Kees Van Dongen, André Masson, Pablo Picasso, André Dunoyer de Segonzac und Jacques Villon sowie Texten von: Alexandre Arnoux, Gérard Bauer, Hervé Bazin, André Billy, Roland Dorgelés, Jean Giono, Philippe Hériat, Pierre Mac Orlan, Raymond Queneau und Armand Salacrou. - Die OLithographien von Chagall entnommen (fehlend 2 Doppelbl., S. 45-48 u. S. 53-56). Nur vereinzelt mit kleinen blassbraunen Fleckchen im Blattrand. Die Lithographien der Suite tls. u. Passepartout montiert, verso tls. mit Spuren vorheriger Montierung. Insgesamt sehr gut erhalten, die Lithographien durchweg farbsatt im Druck, das Kolorit leuchtend. With 30 (of 33) partly double-page orig. lithographs on Arches wove paper (with watermark) and the suite on wove paper with 25 (of 33) orig. lithographs. Double-sheets loosely inserted in orig. wrapper in orig cloth case with gilt title on spine a. gilt vignette on cover (case slighty rubbed a. soiled, wrapper somewhat browned). The suite on wove paper in orig. chloth chemise in orig cloth slipcase. - One of the first 10 copies with 30 (of 33) lithographs, (here, however, without the suite on Japan, the suite on Arches with 25 (of 33) lithographs (Chagall and Picasso missing). - Numbered in the imprint and signed by all artists and authors in the following double sheet. Additionally the lithograph of the title signed (Beaudin). - With orig. lithographs by André Beaudin, Georges Braque, Maurice Brianchon, Jean Carzou, Kees Van Dongen, André Masson, Pablo Picasso, André Dunoyer de Segonzac and Jacques Villon as well as texts by: Alexandre Arnoux, Gérard Bauer, Hervé Bazin, André Billy, Roland Dorgelés, Jean Giono, Philippe Hériat, Pierre Mac Orlan, Raymond Queneau and Armand Salacrou. - The lithographs by Chagall missing (2 double sheets, pp. 45-48 and pp. 53-56). Only a few small pale brown spots in the margins. Overall in very good condition, the lithographs in rich impression throughout, the colours vibrant.

Jahrhundertwende - - Ludwig Hohlwein. (1874 Wiesbaden - 1949 Berchtesgaden). Zwei Reiter, aus: Turf. Zwölf Rennsportbilder von Ludwig Hohlwein. 1909. Farblithographie auf Velin. 37,5 x 38,8 cm (48,5 x 49 cm). Signiert, im Stein mit Künstlersignet. Unter Glas gerahmt. - Unten mittig wenige leichte Griffspuren, sehr vereinzelt winziger Braunfleck, verso leicht gedunkelt, vereinzelte kleine Braunflecken, am linken Rand leicht unregelmäßig beschnitten, in Ecken und mittig Spuren eh. Montierung, insgesamt gut. Ausgezeichneter Druck mit breitem Rand. Blatt des berühmten Portfolios "Turf, Zwölf Rennsportbilder". - Hrsg.v. Kunst & Verlagsanstalt Graphia-München. Colour lithograph on wove paper. Signed, additionally signed in the stone with artist's signet. Framed under glass. - Few slight grip traces in lower middle, very isolated tiny brown stain, slightly darkened on the verso, isolated small brown stain, slightly irregularly cut on left margin, traces from previous mounting in corners and middle, all in all good. Superb impression with wide margin. - From the portfolio "Turf. Zwölf Rennsportbilder von Ludwig Hohlwein". - Publ. by Kunst & Verlagsanstalt Graphia-München.

Geologie - Bergbau u. Hüttenwesen - - Sammlung von 15 Orignal-Graphiken mit Industriedarstellungen. Überwiegend frühes 20. Jh. Versch. Techniken, darunter Lithographie, Radierung, Holzstich, je auf tls. chamoisfarbenem Velin. Blattmaße von 25,5 x 21 cm bis 40 x 75 cm. Überwiegend signiert u. nummeriert, tls. datiert u. bezeichnet. Meist unter Passepartout montiert, eine Arbeit fest auf Platte kaschiert u. unter Glas gerahmt. Mit Arbeiten von Paul Winkler-Leers, Pierre Gustave, Anton Schütz, Helmut Krommer, Hans Anker u.a. - Tls. mit kl. Einrissen sowie etw. knickspurig im weißen Rand, nur vereinzelt etw. fleckig bzw. mit blassbraunen Fleckchen. Insgesamt sehr gut erhaltene und umfassende Sammlung an Original-Graphiken. Geology - Mining and metallurgy - Collection of 15 original graphics with depictions of industrial scenes. Various techniques, including lithograph, etching, wood engraving, each on partly buff wove paper. Mostly signed and numbered, some dated and inscribed. Mostly mounted under mat, one work firmly mounted on board a. framed under glass. - With works by Paul Winkler-Leers, Pierre Gustave, Anton Schütz, Helmut Krommer, Hans Anker and others - Partly with small tears and some creasing in white margins, only occasionally somewhat stained or with pale brown spots. Overall very well-preserved and wide-ranging collection of original prints.

Jahrhundertwende - - Ludwig Hohlwein. (1874 Wiesbaden - 1949 Berchtesgaden). Jockey in Gelb, aus: Turf. Zwölf Rennsportbilder von Ludwig Hohlwein. 1909. Farblithographie auf Velin. 37,5 x 38 cm (48,5 x 49 cm). Signiert, im Stein mit Künstlersignet. Unter Glas gerahmt. - Kaum sichtbar gebräunt in Außenrändern, punktueller Braunfleck, verso leicht gedunkelt, sehr vereinzelt winziger Braunfleck und blasser, kleiner, dunkler Fleck, mittig Spur eh. Montierung, insgesamt gut. Ausgezeichneter Druck mit breitem Rand. Blatt des berühmten Portfolios "Turf, Zwölf Rennsportbilder". - Hrsg.v. Kunst & Verlagsanstalt Graphia-München. Colour lithograph on wove paper. Signed, additionally signed in the stone with artist's signet. Framed under glass. - Hardly browned in outer margins, isolated brown stain, verso slightly darkened, very isolated tiny brown stain and faint, small, dark stain, trace from previous mounting in middle, all in all good. Superb impression with wide margin. - From the portfolio "Turf. Zwölf Rennsportbilder von Ludwig Hohlwein". - Publ. by Kunst & Verlagsanstalt Graphia-München.

Joan Miró. Sammlung von 3 Publikationen mit insgesamt 7 Original-Lithographien des Künstlers. Enthält: Joan Miró. Oeuvre gravé et lithographié. Mit einer Original-Fabrlithographie auf dem Einband und einigen mont. Abb. Genf, Galerie Gérald Cramer, 1969. Quer-4°. OBroschur in ill. OUmschlag (Ecken leicht bestoßen, minimal knickspurig). Eines von 1650 numm. Ex. - Miró. Peintures, Gouaches, Dessins. Mit drei Original-Farblithographien, davon eine auf dem Umschlag. Maeght, Zürich, 1972. 4°. Lose Lagen in ill. OUmschlag (dieser minimal bestoßen und knitterig, leicht gebräunt). - Miró. (Ausstellungskatalog). Mit drei Original-Lithographien, davon eine auf dem Umschlag. Saint-Paul-de-Vence, Fondation Maeght, 1968. Gr.-8°. Ill. OBroschur (minimal gebräunt und bestoßen). Collection of 3 publications with a total of 7 original lithographs by the artist. - Contains: Joan Miró. Oeuvre gravé et lithographié. With an original lithograph on wrappers and some mounted illustrations. Orig. brochure in orig. ill. wrappers (corners slightly bumped, minimal creases). One of 1650 numb. copies. - Miró. Peintures, Gouaches, Dessins. With three original colour lithographs, one of them on wrappers. Loose quires in ill. orig. wrappers (minimally bumped and creased, slightly browned). - Miró. (Exhibition catalogue). With three original lithographs, one of them on the covers. Orig. ill. paperback (minimally browned and bumped).

Andy Warhol u. Jean-Michel Basquiat. Collaborations: Andy Warhol, Jean-Michel Basquiat, 12 November 1988-21 January 1989. Mit 18 Offsetlithographien und 1 Farblithographie (17 eingebundene Tafeln, eine Umschlagslithographie). London, David Grob Limited, The Mayor Gallery u. Mayor Rowan Gallery, 1988. Quer-4° OBrosch.(Kanten und Ecken des Umschlages minimal berieben). (Blattmaße ca. 21 x 29,5 cm). - Erschienen anlässlich der gleichnamigen Ausstellung. - Sehr seltener und wichtiger Katalog mit Graphiken der Zusammenarbeit von Andy Warhol und Jean Michael Basquiat, die bereits 1985 in der Tony Shafrazi Gallery Street Art und Pop Art verbunden hatten. - Mit einem Essay von Keith Haring unter dem Titel "Painting the third mind". - Insgesamt sehr gut erhaltenes und sauberes Exemplar mit farbkräftigen Offsetlithographien. With 18 offset lithographs and 1 colour lithograph (17 plates bound in, one cover lithograph as well as a loosely inserted exhibition announcement card). Orig. wrappers (minimally rubbed and bumped). - Very rare and important catalogue of the collaboration between Andy Warhol and Jean Michael Basquiat, who had already combined Street Art and Pop Art at the Tony Shafrazi Gallery in 1985. The essay by the artist Keith Haring under the title "Painting the third mind". -Altogether a very well preserved and clean copy with offset lithographs in vivid colours.

Pückler-Muskau - - Wilhelm Devrient. (1799 - 1866). Fürst Pückler-Muskau, Verfasser der Briefe eines Verstorbenen. Lithographie auf unbeschnittenem Velin. Berlin, Verlag George Gropius, um 1838. Gedruckt bei Helmlehner. 20 x 23 cm (48,5 x 32 cm). Auf Unterlage u. unter Passepartout montiert. Mit dem Trockenstempel des Verlegers. - Zart braunfleckig. Verso mit Spuren alter Montierung. Tintenspur im oberen Blattrand. Kräftiger Abzug. Lithograph on untrimmed wove paper. Mounted on backing a. under mat. - With the dry stamp of the publisher. - Gently brown spotted. With traces of old mounting on verso. Ink trace at upper margin. Strong impression.

Shuji Wako(Geb. 1953 Sendai/Japan)StilllebenFarblithographie/Velin. Sign., bez. und nummeriert 26/30. Darstellung 60 cm x 79 cm. Passepartoutausschnitt 62,7 cm x 81,3 cm. Rahmen. Lithograph in colours on wove paper. Hand-signed, inscribed and numbered 26/30.

Jerry Zeniuk(Geb. 1945 in Bardowick)Sammlung von sechs abstrakten KompositionenFünf Farblithographien und eine Lithographie/Velin, 1996. Jeweils sign. u. dat. (19)96. Blatt 42 cm x 59 cm bzw. 59 cm x 42 cm. Rahmen.Der deutsch-amerikanische Künstler war 1993-2011 Professor für Malerei und Graphik an der Akademie der bildenden Künste München.A collection of five lithographs in colours and one lithograph on wove paper, 1996. Each hand-signed and dated.

Pablo Picasso(1881 Màlaga - 1973 Mougins) nach"Côte d’Azur". OriginaltitelFarblithographie/Papier, 1962. Im Stein sign. u. betitelt sowie mit typografischen Angaben. Lithographie von Henri Dechamps. Druck bei Mourlot, Paris. Hrsg. Ministerium für Öffentliche Arbeiten und Transportwesen sowie dem Generalkommissariat für Tourismus, Paris. Eines von 15.000 Expl. mit Texteindruck. Wvz. Czwiklitzer 177 (Plakate, 1970). Darstellung 78,2 cm x 63,2 cm. Blatt ca. 99 cm x 65,8 cm. Rahmen. Lithograph in colours on paper, 1962. Signed in the stone. Lithograph by Henri Dechamps, printed by Mourlot Paris, published by the French Ministry of Public Works and Transport as well as the French General Commission for Tourism.

Giuseppe Santomaso(1907 Venedig - 1990 ebenda)Ohne TitelFarblithographie/Fabriano-Bütten (Wasserzeichen), 1965. Sign., dat., italienisch bez. sowie nummeriert 42/50. Wvz. Calderoni 39. Darstellung ca. 56,5 cm x 38 cm. Blatt 69,5 cm x 52,5 cm. Lithograph in colours on Fabriano laid paper, 1965. Hand-signed, dated, inscribed in Italian and numbered 42/50.