â–´ John Nash RA (1893-1977) 'The Stour at Bures'lithograph in colours, 1937, signed 'John Nash' in pencil l.r. (obscured by mount), published by Contemporary Lithographs Ltd., Londonimage 49 x 74cm, visibleProvenance: With William Weston Gallery Ltd., London.Condition ReportFramed: 75 x 99cmSheet: 57 x 81cmLight cockling. Some small creases to the sky and a further light crease to the bottom right corner. There is some faint time staining and slight discolouration to the sky on the right hand side, please see images. The pencil signature is obscured by the mount. Examined out of the frame there is some time staining and discolouration to the edges and the print appears to have been trimmed unevenly. There colours underneath the mount appear slightly brighter which suggests that some fading has occurred to the rest of the print.The work has been attached to the mount with a strip of tape applied to the reverse of the top edge.
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â–´ Robert Adams (1917-1984) Untitled (from IAA Portfolio)lithograph in colours, signed 'Robert Adams' in pencil l.r., and numbered '68/75', from the 'Portfolio of Prints by British Artists', published by the United Kingdom National Committee of the International Association of Art, 1975image 48.5 x 35cm, unframedCondition ReportSheet: 68 x 48cmThe printed area appears to be in good condition and the colours are bright and vibrant There are a couple of very light handling creases to the margins which are only visible on close inspection, and in our opinion do not affect overall enjoyment of the work.The top left corner of the sheet is slightly dog-eared and there is an extremely tiny faint dirty spot to the unprinted area in the centre of the left edge.
â–´ Sir Grayson Perry RA (b.1960) 'A Show For Normal People'offset lithograph in colours, 2021, signed 'Grayson Perry' in marker c.l., with a sketch by the artist c.r.sheet 59.5 x 42cm, unframedCondition ReportA very light handling crease to the upper right corner and a further slight crease to the lower left corner. This does not affect enjoyment of the print which is in otherwise good condition.
â–´ Kees Van Dongen (Dutch-French, 1877-1968) 'Cavalier Arabe'lithograph in colours on Arches wove, c.1930s, signed 'Van Dongen' in pencil l.c., numbered '90/95'image 37 x 30cmCondition ReportFramed: 73 x 54cmTimes staining with patchy discolouration to the margins, please refer to images. Small spots and speckles of foxing starting to emerge. Not examined out of glazed frame.
â–´ Graham Sutherland OM (1903-1980) 'Beetle'lithograph in colours, 1968, signed 'Sutherland' in pencil l.r., and numbered '116/300'image 59 x 29cm, unframedCondition ReportMount: 80 x 53.5cmThere is some slight discolouration to the edges of the work where the print has been previously framed with a smaller mount but the printed area does not appear to be affected. Slight cockling to the top edge. Two small creases 2cm in length to the centre of the right side. The colours appear bright. Not viewed out of mount.
David Hockney OM CH RA (b.1937) 'Olympische Spiele München 1972'offset lithograph in colours, from an open editionsheet 101 x 64cm, unframedCondition ReportPreviously rolled with light handling creases to the bottom. On the back there is a very small crease to the top in the centre. On close inspection in raking light this is visible from the front of the print, but in our opinion this does not detract from overall enjoyment of the work. Some extremely faint time staining to the white area at the bottom of the print, please see condition images. The full sheet is printed to the edges which are in good condition. The print is crisp and the colours are bright.
Paul Klee (Swiss-German, 1879-1940) 'Seaside Resort in the South of France', 1927offset lithograph in colours, signed in the platesheet 39 x 49cm (visible)Condition ReportFramed: 41 x 51cmCockling and time staining with some creasing to the white area of the sky. Some small spots and specks of dust and dirt are trapped behind the glazing. The print is on laid paper. Not viewed out of glazed frame.
After Roy Lichtenstein 'Kiss III', 1962offset lithograph in colours, 1996, numbered '20/150' in pencil l.l., bears printed signature with Styria Studio blind stamp, and Castelli Graphics stamp versosheet 50 x 35cm, unframedCondition ReportPreviously rolled. There is a small diagonal fold in the bottom right corner. The printed area is unaffected and the work appears to be in otherwise good condition.
Original Victorian color lithograph entitled The Block Printed Table Cover from Sir Matthew Digby Wyatt's publication The Industrial Arts of the Nineteenth Century, Plate 120. Published by lithographers to the Queen Day & Son, the group Evans & Co of London designed this exuberant flower arrangement. Below the design: A. Aglio Del., M. Bigly Wyatt Direx., F. Bedford, Lith. Housed in a gilded frame with an ecru mat. Sight size: 12"L x 17"H. Frame size: 19"L x 24"H x 0.75"W. Artist: Matthew Digby Wyatt (British 1820-1877)Issued: 1852Country of Origin: EnglandCondition: Age related wear.
Original chromolithograph on paper by French painter and botanical artist Louise-Cecile Descamps-Sabouret who contributed illustrations for La Revue Horticole at the turn of the 19th century. This velvety lithograph in greens and yellows entitled Iochroma Flavum (Mini Angel Trumpet) is made with delicate details and great accuracy. On the lower part: L. Descamps-Sabouret, del. Chromolith. J.L Goffard, Bruxelles. Housed in a gilded wood frame. Sight size: 6.50"L x 9.75"H.Frame size: 14.25"L x 17.25"H x 1"W. Artist: Louise-Cecile Descamps-Sabouret (French b.1855-?)Issued: c. 1891Country of Origin: FranceCondition: Age related wear. Glass is missing from frame.
Harry Bingham Neilson (1861-1941), "Mr Fox's Hunt Breakfast on Xmas Day", lithograph in colours, 33.5 x 67cm; John Rattenbury Skeaping (1901-1980), Study of a resting doe, signed, lithograph, 40 x 31cm; After Warwick Goble (1862-1943), 5 scenes with fairies/nymphs, and 2 scenes with figures, offset lithograph, (in 3 frames); After Paul Henry (1876-1958), "Launching the Currach", print on board, 39.3 x 59.8cm; Chinese watercolour of caterpillars on a branch, and 2 on silk. (9)
![Stella AuckinleckUntitled mixed media lithograph print, signed and dated 1981.[72x82cm]](https://cdn.globalauctionplatform.com/d1a416cc-0318-41e8-befa-b11100ddbaae/43758892-11d5-4882-ac51-b11101051b83/468x382.jpg)
Benoît DELIÈGE (XX-XXI), lithograph Ma plus grande course, signed in pencil by Jacky Ickx, numbered 204/400 and dated 98Benoît DELIÈGE (XX-XXI), lithografie Ma plus grande course, getekend in potlood door Jacky Ickx, genummerd 204/400 en gedateerd 9835 x 56 cm With certificate d'authenticité, met certificaat d'authenticité
René Magritte (1898-1967), colour lithograph after Magritte's work Le plagiat (1940), numbered 17/300 and bearing the dry stamp of the 'Succession Magritte' and a paraf by Charly Herscovici fondation Rene MagritteRené Magritte (1898-1967), kleurenlithografie naar Magrittes werk Le plagiat (1940), genummerd 17/300 en voorzien van de droogstempel van de 'Succession Magritte' en een paraf van Charly Herscovici fondation Rene Magritte24.5 x 29.5 cm
René Magritte (1898-1967), colour lithograph after Magritte's work L'Empire des lumières (1961), numbered 143/275 and bearing the dry stamp of the 'Succession Magritte' and a paraf by Charly Herscovici fondation Rene MagritteRené Magritte (1898-1967), kleurenlithografie naar Magrittes werk L'Empire des lumières (1961), genummerd 143/275 en voorzien van de droogstempel van de 'Succession Magritte' en een paraf van Charly Herscovici fondation Rene Magritte37.5 x 48 cm
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