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** Marc Chagall (1887-1985) after.Le Cheval RougeLithograph printed in colours, 1954, signed in blue pen, numbered from the edition of 300 in pencil, published by Guy Spitzer, Paris, with their blindstamp, on Johannot wove paper, with full margins, sheet 559 x 749mm (22 x 29 1/2in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Martin Creed (b.1968)Work No.2874Lithograph printed in colours, 2018, signed and dated in pencil verso, numbered from the edition of 85, printed and published by The Hepworth Wakefield Museum, Yorkshire, on wove paper, with full margins, sheet 495 x 760mm (19 1/2 x 29 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Edward Bawden (1903 - 1989), peeling potatoes, colour lithograph, published by Curwen Press 1949, image 9cm x 15.5cm, framedGood condition

Gustave Singier (1909 - 1984), abstract, original lithograph, L'Oeuvre Gravee issue, circa 1950s, no. 34/150, signed in pencil, image 48cm x 68cm, framedSlight even paper discolouration

Marc Chagall, circus rider, original lithograph, 1956, from an edition of 2000 copies, Mourlot 153, 38cm x 52cm, framedGood condition

Bernard Cathelin (1919 - 2004), nude figure, lithograph, signed in pencil, no. 45/50, image 17cm x 23cm, mountedEven paper discolouration

Marc Chagall, Jeriamiah, original lithograph, Bible issue 1956, sheet 35cm x 26cm, framedGood condition

Pablo Picasso, original colour lithograph poster, published by Louise Leiris Paris 1957, printed by Mourlot from an edition of 1500 copies (text with Exhibition details removed), sheet 40cm x 54cm, unframedGood condition

Pablo Picasso (1881-1973), lithograph in colours on paper, Exposition Vallauris 1958, poster printed by Mourlot Freres Paris 1959, 21cm x 18cm, mounted, framed and glazed. This lithograph is printed by Mourlot, the original printer of the poster. It is an exact reprint of the original 3 colour linocut poster in all but size

Edward Bawden (1903 - 1989), the Sadler's shop, colour lithograph, published by Curwen Press 1949, image 9cm x 15.5cm, framedGood condition

Edward Ardizzone (1900-1979), colour lithograph on paper, Two illustrations for Great Expectations, each 11cm x 7cm, mounted, framed and glazed together. Printed onBasingwerk Parchment by Shenval Press for Image under the supervision of Robert Harling, 1951

Marc Chagall, Green River, original lithograph published 1975, Mourlot 728, sheet 29cm x 57cm, framedGood condition

Hans Feibusch (1898-1998), lithograph in colours on paper, The Four Horsemen of the Apocalypse, from The Revelation of St John the Divine, 32.5cm x 45.5cm, printedby The Baynard Press, 1946, mounted, framed and glazed

Barnett Freedman (1901-1958), auto-lithograph on four stones, The Sylvan Press, signed in the plate lower left, 24.5cm x 18.5cm, mounted, glazed and framed. FromSignature no. 11, specially printed for Signature by Henderson and Spalding, published by The Curwen Press in 1939

Barnett Freedman, Shakespeare, original lithograph published 1930, an edition of 1950 copies, 32cm x 14cm framedGood condition

William Nicholson (1872-1949), lithograph in colours on paper, The Friendly Hen, from The Square Book of Animals, 1900, 12.7cm x 12.7cm, mounted, framed andglazed.

Joan Miro, lithograph cover for Jacques Prevert, published by Maeght Paris 1956 (Cramer 39), 23cm x 22cm, unframed

Andy Warhol, Joseph Beuys lithograph 1980, sheet 69cm x 49cm, framedGood condition

Elizabeth Frink (1930-1993), lithograph on Antique laid paper, Polyphemus Never Noticed That My Men Were Tied Up Under The Breasts of His Own Woolly Sheep, from The Odyssey, 24 x 15 cm. Frink produced her lithographs for The Odyssey together with the master printers at the Curwen Press in 1974

Edward Bawden (1903-1989), lithograph in colours on paper, Scarborough, signed in the plate lower right, 10cm x 13.5cm, mounted, glazed and framed. Printed forSignature 3 in a limited edition of 1,000 by The Curwen Press in 1936

Kay Sage (1898 - 1961), surrealist composition, original lithograph for 1947 Maeght Surrealist Exhibition, 24cm x 19cm, framedSlight paper discolouration

Edward Bawden, Archy does his part, colour lithograph, circa 1950, signed in the plate, image 19cm x 15cm, mountedGood condition

CECIL ALDIN (1870-1935) - 'The Pytchley - Gone Away from Crick', coloured Lithograph, signed in pencil, publ. 1912-13 Lawrence and Jellicoe, 15 x 26½in, and After Cecil Aldin - 'The Quorn - Away from Billesdon Coplow', 11 x 22in, and 'The First Fence', 16½ x 29in, both colour prints; three (3)

Patek Philippe, Three colour lithographic 'Limited Art Edition' prints, each depicting watch movements: Ref. 5055 - Moon, date and power reserve - Calibre 240 PS IRM C LU (VII/1998); Calibre 315 SQR self-winding, perpetual calendar with fly-back date, moon phases and centre seconds (X/1999); and Annual Calendar, Moon Phases and Power Reserve Indicator - Calibre 315 S QA IRM LU (XII/1998)Very minor handling marks, no major tears, slight crease on the top right of one lithograph. Images added

William Nicholson (British, 1872-1949), 'Sada Yacco', lithograph in colours, image size 23.5 x 23cm, framed and glazed.

William Nicholson (British, 1872-1949), 'Rt. Hon. Joseph Chamberlain', lithograph in colours, image size 24 x 23cm, framed and glazed.

William Nicholson (British, 1872-1949), portrait of a lady wearing a hat in a landscape, lithograph in colours, image size 25 x 22.5cm, framed and glazed.

Louis Wain lithograph of cats

After Pollard. Doncaster Races, coloured lithograph, 41cm x 66cm.

Christopher Penny (b.1947) Dead Tree, pencil signed framed limited edition coloured lithograph 137/200, together with William Geldart, Manchester Town Hall, pencil signed limited edition print, Violent Bellingham (20th century) Daffodils, still life, watercolour on paper together three other pictures .H.69 W.55cm. (largest)

After Emanuel Oberhauser (1854-1919, Austrian), The Court of Cleopatra, an unframed early 20th century colour lithograph mounted card, published by Louis Wolff. H.34 W.61cm.

John Minton (British, 1917-1957)Landscape, Ocho Rios signed 'John Minton' (upper right); further signed, titled and dated 'Landscape, OCHO Rios/John Minton 1951' (on an artist's label attached to the backboard)pen and ink, watercolour and pastel26 x 37.5 cm. (10 1/4 x 14 3/4 in.)Painted in 1951Footnotes:ProvenanceWith Agnew & Sons, LondonPrivate Collection, U.K.Together with a lithograph printed in colours, on wove, entitled Tropical Scene, by the same hand. From an edition of 50, another is included in the Arts Council Collection, Southbank Centre, London.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Gerahmte Farblithografie mit Kindermotiv + 8 kleinere Bilder Verglast und gerahmt. Darstellung eines uniformierten Kindes mit Waffen als "The Home-Guard"(The Great Altlantic & Pacific Tea Co. New York, Copyrighted 1891). 73,5 x 43 cm. Dazu 8 gerahmte Bilder mit Kindermotiven Framed color lithograph with child motif + 8 smaller images Glazed and framed. Depicting a uniformed child with weapons as "The Home-Guard"(The Great Altlantic & Pacific Tea Co. New York, Copyrighted 1891). 73.5 x 43 cm. In addition, 8 framed pictures with children's motifs .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

GEIBEL, Margarete(1876 Weimar - 1955 Weimar) "No. 22 - Aus Thüringen: Ernte"Original-Lithografie. Bleistiftsignatur, Zusatz "Weimar". [19]16.Abbildung: 16 x 19,2 cm, Blatt: 22,5 x 30 cm, im Passepartout: 28 x 33,3 cm. Landschaft mit Strohpuppen Randbereich minimal griffspurig.Deutsche Grafikerin, stammt aus einer Weimarer Künstlerfamilie. GEIBEL, Margarete(1876 Weimar - 1955 Weimar) "No. 22 - From Thuringia: Harvest"Original lithograph. Pencil signature, addition "Weimar". [19]16.Image: 16 x 19.2 cm, sheet: 22.5 x 30 cm, in passepartout: 28 x 33.3 cm.Landscape with straw dolls Marginal area minimally grip-marked.German graphic artist, comes from a Weimar family of artists.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FIDUS, (1868 Lübeck - 1948 Woltersdorf) Großes Jugendstil-Konvolut mit Werken von FidusVerschiedene Drucktechniken. Teils handsigniert. Mappe: 49 x 35 cm. Großes Fidus-Konvolut in Original-Leinwandmappe des Mappenwerkes "Tänze von Fidus", darin: 9 Lichtdrucke und Zinkdrucke zu Polka und Walzer, und 4-seitigem typografischem Textblatt von Fidus, je minimal stockfleckig; 12 (Jugend-)Kunstdrucke: "Kalte Schauer", "Zwielicht", "Der gestiefelte Riese", 2x "Träumerei", 2x "Lenzweben", "Abendschauer", 2x "Eisläuferin", "Zur Brautinsel" und 1x ohne Titel; 7 Lichtdrucke: "Drogoc (Frauenakt mit Schlange)", "Drachenforscher", "Frühlingsodem", "Beethoven", "Prometheus", "Manfred Kyber" und 1x ohne Titel; 6 Heliogravüren: 2x "Frühmesse", "Lauental", "Allumarmung", "Meeresmittagweiten" und 1x ohne Titel, Lithografie "Tanz auf dem Schneeglöckchen", handsignierte Heliogravure "Als ich die weißen Schleier sah [...]" mit Widmung "Martin Haller zum 19. Lenzing 47", 2 handkolorierte Lichtdrucke mit Tuschmonogramm, davon 1 mit Widmung in Tusche "Frau Elsa Heil! Und zur Erinnerung an den 12. Ernting 1917 Fidus", Lichtdruck mit handschriftlichem Titel "Durchbrechender Michael" und Tuschsignatur, Lichtdruck mit Widmung "Frau Elsa zum Jul!1919 Fidus" und Lichtdruck mit Widmung "Der Künstlerin ein Formenspiel! Dem Volke immer Sinn und Ziel! Jul 1919 Fidus" Teils stockfleckig und griffspurig. (Eigentl. Hugo Höppener) - deutscher Maler, Illustrator und bedeutender Vertreter der Lebensreform. FIDUS, (1868 Lübeck - 1948 Woltersdorf) Large Art Nouveau volume with works by FidusVarious printing techniques. Partly signed by hand. Folder: 49 x 35 cm. Large Fidus convolute in original canvas portfolio of the portfolio work "Dances of Fidus", in it: 9 collotype and zinc prints to polka and waltz, and 4-page typographic text sheet by Fidus, each minimally foxed; 12 (youth) art prints: "Kalte Schauer", "Zwielicht", "Der gestiefelte Riese", 2x "Träumerei", 2x "Lenzweben", "Abendschauer", 2x "Eisläuferin", "Zur Brautinsel" and1x untitled; 7 collotype prints: "Drogoc (female nude with snake)", "Drachenforscher", "Frühlingsodem", "Beethoven", "Prometheus", "Manfred Kyber" and 1x untitled; 6 heliogravures: 2x "Frühmesse", "Lauental", "Allumarmung", "Meeresmittagweiten" and 1x untitled, lithograph "Tanz auf dem Schneeglöckchen", signed heliogravure "Als ich die weißen Schleier sah [....]" with dedication "Martin Haller zum 19. Lenzing 47", 2 hand-colored heliogravures with ink monogram, 1 of which with dedication in ink "Frau Elsa Heil!". And in memory of the 12th Ernting 1917 Fidus", collotype with handwritten title "Breaking through Michael" and ink signature, collotype with dedication "Frau Elsa zum Jul!1919 Fidus" and collotype with dedication "Der Künstlerin ein Formenspiel! To the people always sense and goal! Jul 1919 Fidus" Partly foxing and traces of handling. (Eigentl. Hugo Höppener) - German painter, illustrator and important representative of the Lebensreform. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WUNDERLICH, Paul(1927 Eberswalde - 2010 Saint-Pierre-de-Vassols) Ohne TitelFarblithografie. Faksimile-Stempelsignatur, verso Stempel Griffelkunst-Vereinigung. [1970]. Edition Griffelkunst-Vereinigung Hamburg e.V. 1969/1970.Blatt: 64 x 49,6 cm.Unterer Randbereich mit größerer Bereibung.Deutscher Maler, Zeichner, Bildhauer und Grafiker. Obwohl ein Teil seiner Werke 1960 wegen angeblicher "Sittenwidrigkeit" beschlagnahmt wurde, gilt er als einer der wenigen stilbildenden Künstler unserer Zeit und wurde als einziger deutscher Künstler in die Pariser "Académie des Beaux Arts" aufgenommen.Literatur : https://paulwunderlich.de/. WUNDERLICH, Paul(1927 Eberswalde - 2010 Saint-Pierre-de-Vassols) Without titleColor lithograph. Facsimile stamp signature, verso stamp stylus art association. [1970]. Edition Griffelkunst-Vereinigung Hamburg e.V. 1969/1970.Sheet: 64 x 49.6 cm.Lower margin area with larger rubbing.German painter, draftsman, sculptor and graphic artist. Although some of his works were confiscated in 1960 because of alleged "immorality", he is considered one of the few style-forming artists of our time and was the only German artist admitted to the Paris "Académie des Beaux Arts".Literature : https://paulwunderlich.de/.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

CHAGALL, Marc(1887 Ljosna - 1985 Saint-Paul-de-Vence) "Eva wird von Gott verdammt"Original-Farblithografie. 1960.Blatt: 35,5 x 26,5 cm. Gerahmt & hinter Glas53,5 x 43,5 cm. 1 von 6500 Exemplaren aus dem 2. Band "Bilder zur Bibel", Éditions de la Revue Verve, Tériade, Paris; verso Lithografie Schlange mit Apfel Ecken minimal bestoßen.Französischer Maler russisch-jüdischer Herkunft. Er zählt zu den bedeutendsten Künstlern des 20. Jh. "Die Beschäftigung mit biblischen Themen hatte von Beginn an als wichtige Voraussetzung Chagalls Erfahrung im Umgang mit der Bibel in jungen Jahren und die Beobachtung eines Lebens aus der Bibel an seinem Vater. Dazu kam, daß in dem Milieu, in dem er aufwuchs, das Wort der Bibel für viele Menschen Licht und Kraft in ihrem schweren Dasein war." (Achim Besgen über MC, www.herder.de).Literatur : Gauss (1998), WVZ Nr. 236, S. 119 und Nr. 259, S. 123. CHAGALL, Marc(1887 Ljosna - 1985 Saint-Paul-de-Vence) "Eve is damned by God"Original color lithograph. 1960.Sheet: 35.5 x 26.5 cm. Framed & behind glass53.5 x 43.5 cm. 1 of 6500 copies from the 2nd volume "Images on the Bible", Éditions de la Revue Verve, Tériade, Paris; verso lithograph snake with apple Corners minimally bumped.French painter of Russian-Jewish origin. He is one of the most important artists of the 20th century. "The preoccupation with biblical themes had from the beginning as an important prerequisite Chagall's experience in dealing with the Bible at a young age and the observation of a life from the Bible at his father. In addition, in the milieu in which he grew up, the word of the Bible was light and strength for many people in their difficult existence." (Achim Besgen on MC, www.herder.de).Literature : Gauss (1998), WVZ No. 236, p. 119 and No. 259, p. 123.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MIRÓ, Joan(1893 Barcelona - 1983 Palma) "Escultor Portugal"Farblithografie. Im Druck signiert. [1974]. 1 von 3000 Exemplaren.Blatt: 20 x 40 cm. Gerahmt & hinter Glas41 x 60 cm. 1 von 7 Motiven aus der Serie "Miró Escultor" (Miró der Bildhauer), die jeweils für ein anderes Land stehen; hier: Portugal Blatt lichtgebräunt.Spanischer Maler, Grafiker und Bildhauer; zählt zu den bedeutendsten Vertretern des Surrealismus; seit 2007 wird zweijährlich der mit 70000 Euro dotierte Joan-Miró-Preis verliehen. "I try to apply colors like words that shape poems, like notes that shape music." (Zitat: JM, in: Joan Miro: Selected Writings and Interviews, M.Rowell, Thames and Hudson, 1987). MIRÓ, Joan(1893 Barcelona - 1983 Palma) "Escultor Portugal"Color lithograph. Signed in print. [1974]. 1 of 3000 copies.Sheet: 20 x 40 cm. Framed & behind glass41 x 60 cm. 1 of 7 motifs from the series "Miró Escultor" (Miró the sculptor), each representing a different country; here: Portugal Sheet light browned.Spanish painter, graphic artist and sculptor; counts among the most important representatives of Surrealism; since 2007, the Joan Miró Prize, endowed with 70000 euros, is awarded biennially. "I try to apply colors like words that shape poems, like notes that shape music." (Quote: JM, in: Joan Miro: Selected Writings and Interviews, M.Rowell, Thames and Hudson, 1987).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MATISSE, Henri(1869 Le Cateau Cambrésis - 1954 Nizza) Vögel vor BlauOriginal-Farblithografie. Editions de la revue Verve.Blatt: 35,3 x 25,9 cm. Blatt aus dem extravaganten Pariser Kunst-Magazin "Verve. Revue artistique et litteraire.", das zwischen 1937 und 1960 vierteljährlich in 38 Ausgaben mit zahlreichen Lithografien der bekanntesten Künstler der Pariser Kunstszene der Zeit herausgegeben wurde; hier Vol. VII, Nr. 27/28, 1952; verso mit weiterer Lithografie und handschriftlichen Bleistiftnotizen Verso etwas lichtgebräunt.Französischer Maler, Grafiker, Zeichner und Bildhauer; Wegbereiter des Fauvismus; zählt neben Pablo Picasso zu den bedeutendsten Künstlern des 20. Jh. "Wer eine Rose malen will, muß zuerst alle Rosen vergessen, die jemals gemalt geworden sind." (Zitat: HM, www.altertuemliches.at). MATISSE, Henri(1869 Le Cateau Cambrésis - 1954 Nice) Birds against blueOriginal color lithograph. Editions de la revue Verve.Sheet: 35.3 x 25.9 cm.Sheet from the extravagant Parisian art magazine "Verve. Revue artistique et litteraire.", which was published quarterly between 1937 and 1960 in 38 issues with numerous lithographs of the most famous artists of the Parisian art scene of the time; here Vol. VII, No. 27/28, 1952; verso with further lithograph and handwritten pencil notes Verso somewhat light browned.French painter, graphic artist, draftsman and sculptor; pioneer of Fauvism; counts alongside Pablo Picasso among the most important artists of the 20th century. "Who wants to paint a rose, must first forget all the roses that have ever been painted." (Quote: HM, www.altertuemliches.at).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

 Undeutlich signiert von 2 Künstlern: JanuskopfFarblithografie. Bleistiftsignatur. Exemplar: 18/25.Blatt: 64 x 46 cm.Randbereich etwas knickspurig. Unclearly signed by 2 artists: Janus headColor lithograph. Pencil signature. Copy: 18/25.Sheet: 64 x 46 cm.Marginal area somewhat creased.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

MARINI, Marino(1901 Pistoia - 1980 Viareggio) TanzendeFarblithografie. Im Druck signiert. Nr. 36.Blatt: 38,5 x 28 cm. Gerahmt & hinter Glas46 x 37 cm.Blatt etwas stockfleckig.Italienischer Bildhauer und Grafiker. MARINI, Marino(1901 Pistoia - 1980 Viareggio) DancingColor lithograph. Signed in print. No. 36.Sheet: 38.5 x 28 cm. Framed & behind glass46 x 37 cm.Sheet somewhat foxed.Italian sculptor and graphic artist.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Reineke Fuchs: Der Pilger"Lithografie auf Bütten. Im Druck signiert, roter Stempel "Clan-Presse". [1974].Gerahmt & hinter Glas75 x 56,5 cm. Nach einer Zeichnung von 1935 Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : vgl. Dorsch WVZ 2037. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Reineke Fuchs: Der Pilger"Lithograph on laid paper. Signed in print, red stamp "Clan Press". [1974].Framed & behind glass75 x 56.5 cm.After a drawing from 1935 German lithographer, draftsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "audience" in his honor as part of the series "German painting of the 20th century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : cf. Dorsch WVZ 2037.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Hitler - ein deutsches Verhängnis: Auftakt"Lithografie auf Bütten. Im Druck signiert, roter Stempel "Clan-Presse". [1965].Passepartoutausschnitt: 28 x 39,5 cm. Gerahmt & hinter Glas54 x 69 cm. Nach einer Zeichnung von 1931/32 Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : vgl. Dorsch WVZ 1072. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Hitler - ein deutsches Verhängnis: Auftakt"Lithograph on laid paper. Signed in print, red stamp "Clan Press". [1965].Passepartout cutout: 28 x 39.5 cm. Framed & behind glass54 x 69 cm.After a drawing from 1931/32 German lithographer, draftsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "audience" in his honor as part of the series "German painting of the 20th century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : cf. Dorsch WVZ 1072.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "König Nobel und Reineke Fuchs"Lithografie auf Bütten. Im Druck signiert, roter Stempel "Clan-Presse". [1977].Blatt: 42 x 59,5 cm. Gerahmt & hinter Glas49,5 x 67 cm. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : vgl. Dorsch WVZ 1387. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "King Nobel and Reineke Fuchs"Lithograph on laid paper. Signed in print, red stamp "Clan Press". [1977].Sheet: 42 x 59.5 cm. Framed & behind glass49.5 x 67 cm. German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : cf. Dorsch WVZ 1387.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) 2 Werke: "Schaukelnde Igelkinder" und "Geteilter Meinung"   "Schaukelnde Igelkinder", Lithografie, im Druck signiert, roter Stempel "Clan-Presse", verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", [1980], Blatt: 65 x 50,8 cm, vgl. Dorsch WVZ 276 | "Geteilter Meinung", Lithografie, roter Stempel "Clan-Presse", Bleistiftsignatur, [1978], Blatt: 65,2 x 50 cm, vgl. Dorsch WVZ 858 Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : Vgl. Dorsch. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) 2 works: "Rocking Hedgehog Children" and "Divided Opinion"  "Rocking Hedgehog Children", lithograph, signed in print, red stamp "Clan Press", verso purple stamp "Estate A Paul Weber" with pencil signature "Christian Weber", [1980], sheet: 65 x 50.8 cm, cf. Dorsch WVZ 276 | "Divided Opinion", lithograph, red stamp "Clan Press", pencil signature, [1978], sheet: 65.2 x 50 cm, cf. Dorsch WVZ 858 German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "audience" in his honor as part of the series "German painting of the 20th century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : Cf. Dorsch.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Noch eine Frage, meine Herren?"Lithografie. Bleistiftsignatur, roter Stempel "Clan-Presse", Bleistiftzeichen. [1962].Blatt: 64 x 76 cm. Handschriftlich betitelt Etwas griff- und knickspurig, Randbereich leicht gebräunt.Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : vgl. Dorsch WVZ 1810. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Another question, gentlemen?"Lithograph. Pencil signature, red stamp "Clan Press", pencil mark. [1962].Sheet: 64 x 76 cm. Handwritten titled Somewhat grip- and crease-marked, marginal area slightly browned.German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : cf. Dorsch WVZ 1810.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Die tönende Schelle"Lithografie. Bleistiftsignatur, roter Stempel "Clan-Presse", Bleistiftzeichen, verso handschriftlich betitelt. [1971].Blatt: 64,3 x 76,5 cm.Randbereich knickspurig, minimal stockfleckig.Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : vgl. Dorsch WVZ 2411. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Die tönende Schelle"Lithograph. Pencil signature, red stamp "Clan Press", pencil mark, handwritten title on verso. [1971].Sheet: 64.3 x 76.5 cm.Marginal crease, minimal foxing.German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : cf. Dorsch WVZ 2411.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) 2 Werke: "Lokaltermin" und "Das Gerücht"   "Lokaltermin", Lithografie, im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse", Blatt: 64 x 76,3 cm, Bleistiftzeichen "B XXXIII aw, handschriftlich betitelt "Lokaltermin", vgl. WVZ Dorsch Nr. 1566 | "Das Gerücht", Faksimiledruck, im Druck signiert, Blatt: 52 x 72 cm, WVZ Dorsch Nr. 837, etwas stockfleckig Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html). WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) 2 works: "Lokaltermin" and "Das Gerücht"  "Lokaltermin", lithograph, signed in print, verso purple stamp "Nachlass A Paul Weber" with pencil signature "Christian Weber", red stamp "Clan-Presse", sheet: 64 x 76.3 cm, pencil mark "B XXXIII aw, handwritten titled "Lokaltermin", cf. WVZ Dorsch No. 1566 | "The rumor", facsimile print, signed in print, sheet: 52 x 72 cm, WVZ Dorsch No. 837, some foxing German lithographer, draftsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "audience" in his honor as part of the series "German painting of the 20th century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Spekulant auf Heldentod"Lithografie auf Bütten. Im Druck signiert, verso violetter Stempel "Nachlass A Paul Weber" mit Bleistiftsignatur "Christian Weber", roter Stempel "Clan-Presse". 1986. Auflage der Nachlassblätter für die Griffelkunst-Vereinigung.Blatt: 64 x 52 cm. Nach einer Zeichnung von 1934 Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : Vgl. Dorsch WVZ 2266. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Speculator on Heroic Death"Lithograph on laid paper. Signed in print, purple stamp on verso "Estate A Paul Weber" with pencil signature "Christian Weber", red stamp "Clan Press". 1986th edition of the estate sheets for the stylus art association.Sheet: 64 x 52 cm.After a drawing from 1934 German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "audience" in his honor as part of the series "German painting of the 20th century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : Cf. Dorsch WVZ 2266.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Und sie sprechen wieder miteinander"Lithografie auf Bütten. Bleistiftsignatur, roter Stempel "Clan-Presse", Bleistiftzeichen. [1956].Blatt: 54 x 65,5 cm. Nach Zeichnungen von 1945 und 1953, mit Bleistift betitelt Fleck am unteren Rand.Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : Vgl. Dorsch WVZ 2489. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "And they speak again with each other"Lithograph on laid paper. Pencil signature, red stamp "Clan Press", pencil mark. [1956].Sheet: 54 x 65.5 cm.After drawings from 1945 and 1953, titled in pencil Stain at bottom margin.German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "audience" in his honor as part of the series "German painting of the 20th century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : Cf. Dorsch WVZ 2489.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Wir sind übern Berg"Lithografie auf Bütten, Wasserzeichen Griffelkunst-Vereinigung. Bleistiftsignatur, roter Stempel "Clan-Presse". [1943].Blatt: 49,5 x 64,2 cm.Oberer Randbereich verschmutzt.Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : Vgl. Dorsch WVZ 2718. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Wir sind übern Berg"Lithograph on laid paper, watermark Griffelkunst-Vereinigung. Pencil signature, red stamp "Clan Press." [1943].Sheet: 49.5 x 64.2 cm.Upper margin area soiled.German lithographer, draftsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : Cf. Dorsch WVZ 2718.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Schluß"Lithografie auf Bütten, Wasserzeichen "Clan-Presse". Bleistiftsignatur, roter Stempel "Clan-Presse". [1960].Blatt: 49,6 x 63 cm. Illustration für das Fuchsbuch Etwas knickspurig.Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : Vgl. Dorsch WVZ 2174. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Conclusion"Lithograph on laid paper, watermark "Clan Press". Pencil signature, red stamp "Clan Press". [1960].Sheet: 49.6 x 63 cm. Illustration for the fox book. Somewhat creased.German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German painting of the 20th century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : Cf. Dorsch WVZ 2174.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Der stolze Kasper"Lithografie auf BFK Rives-Bütten. Bleistiftsignatur, roter Stempel "Clan-Presse". [1978].Blatt: 65,5 x 50,2 cm. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : Vgl. Dorsch WVZ 2341. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Der stolzze Kasper"Lithograph on BFK Rives laid paper. Pencil signature, red stamp "Clan Press." [1978].Sheet: 65.5 x 50.2 cm. German lithographer, draftsman and painter, he received the Grand Cross of the Order of Merit of the Federal Republic of Germany in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : Cf. Dorsch WVZ 2341.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "Was war das?"Lithografie auf Bütten. Bleistiftsignatur, roter Stempel "Clan-Presse". [1966].Blatt: 65,5 x 53,5 cm. Deutscher Lithograf, Zeichner und Maler, er erhielt 1971 das Große Bundesverdienstkreuz. 1993 brachte die Deutsche Bundespost im Rahmen der Serie „Deutsche Malerei des 20. Jahrhunderts“ eine 100-Pfennig-Sonderbriefmarke mit dem Motiv "Publikum" zu seinen Ehren heraus. "Ich folge einem Drang und empfinde es als meine Aufgabe, daß ich das, was mich bewegt, bedrückt, mit Sorge erfüllt oder auch amüsiert und belustigt, sichtbar mache, es gestalte. Zumeist kann ich mich wie ein Chronist an die Tatsachen halten. Das aber ist die Gabe: in Bildern zu denken." (Zitat: APW, 1967, gesehen auf https://www.weber-museum.de/html).Literatur : Vgl. Dorsch WVZ 2662. WEBER, Andreas Paul(1893 Arnstadt - 1980 Schretstaken) "What was that?"Lithograph on laid paper. Pencil signature, red stamp "Clan Press." [1966].Sheet: 65.5 x 53.5 cm. German lithographer, draftsman and painter, he received the Grand Federal Cross of Merit in 1971. In 1993, the German Federal Post Office issued a 100-penny special stamp with the motif "Audience" in his honor as part of the series "German Painting of the 20th Century". "I follow an urge and feel it as my task that I make visible what moves me, depresses me, fills me with concern or also amuses and amuses me, create it. For the most part, I can stick to the facts like a chronicler. But that is the gift: to think in pictures." (Quote: APW, 1967, seen on https://www.weber-museum.de/html).Literature : Cf. Dorsch WVZ 2662.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

KRESSEL, Diether(1925 Düsseldorf - 2015 Hamburg) 3 mystisch-fantasievolle Werke mit Akten2 Farbradierungen auf Bütten, 1 handkolorierte Lithografie. Je mit Bleistiftsignatur.Max. 80 x 60 cm. Weiblicher Akt mit Fuchspelz, Exemplar: 34/100, [19]76, Druckplatte: 59,3 x 39,3 cm, Blatt: 73,6 x 53 cm, oberer Randbereich etwas verschmutzt | "Das Aktfoto", Exemplar: 2/100, [19]87, Druckplatte: 54 x 31,5 cm, Blatt: 76 x 50,5 cm | Weiblicher Akt im Spiegel, kolorierte Lithografie, Exemplar: 87/200, Blatt: 52 x 68 cm, Randbereich minimal knickspurig Deutscher Maler, Illustrator und Grafiker. "[...] Dafür erzählen seine Bilder Geschichten, die im Kopf des Betrachters entstehen. Es sind Erzählungen mit offenem Ausgang, in dem auch Alltägliches eine eigentümliche Magie entfaltet und mitunter subtile erotische Elemente auftauchen, die nie eindeutig, sondern vielmehr beiläufig sind, aber gerade deshalb Wirkung zeigen: elegante Damenschuhe etwa, oder auch ein herumliegender Slip" (Zitat aus Hamburger Abendblatt, 08.01.2015). KRESSEL, Diether(1925 Düsseldorf - 2015 Hamburg) 3 mystical-fantasy works with nudes2 color etchings on laid paper, 1 hand-colored lithograph. Each with pencil signature.Max. 80 x 60 cm. Female Nude with Fox Fur, copy: 34/100, [19]76, printing plate: 59,3 x 39,3 cm, sheet: 73,6 x 53 cm, upper margin somewhat soiled | "The Nude Photo", copy: 2/100, [19]87, printing plate: 54 x 31.5 cm, sheet: 76 x 50.5 cm | Female Nude in a Mirror, colored lithograph, copy: 87/200, sheet: 52 x 68 cm, marginal area minimally creased German painter, illustrator and graphic artist. "[...] For this, his pictures tell stories that arise in the mind of the viewer. They are open-ended narratives, in which even everyday things unfold a peculiar magic and sometimes subtle erotic elements emerge, which are never explicit, but rather incidental, but just therefore show effect: elegant women's shoes, for example, or even a slip lying around" (quote from Hamburger Abendblatt, 08.01.2015).*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

HEGENBARTH, Josef(1884 Böhmisch Kamnitz - 1962 Dresden) "Die sieben Schwaben"Lithografie. Bleistiftsignatur. Edition Griffelkunst-Vereinigung Hamburg.Blatt: 48,5 x 31,6 cm. Illustration zu dem bekannten Märchen der Brüder Grimm Deutscher Grafiker, Zeichner, Maler und Illustrator.Literatur : https://www.josef-hegenbarth.de/web2/start/index.php. HEGENBARTH, Josef(1884 Bohemian Kamnitz - 1962 Dresden) "The Seven Swabians"Lithograph. Pencil signature. Edition stylus art association Hamburg.Sheet: 48.5 x 31.6 cm.Illustration to the well-known fairy tale of the Brothers Grimm German graphic artist, draftsman, painter and illustrator.Literature : https://www.josef-hegenbarth.de/web2/start/index.php.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

FRIEDRICH, Hilmar(*1938 Stühlingen) 6 Werke mit verschiedenen Sujets2 Holzschnitte, 2 Radierungen, 2 Lithografien. Je mit Bleistiftsignatur. 1961/1962. Max. 60 x 45 cm. "3 Frauen", Holzschnitt, Bleistiftsignatur, 1962, Exemplar: 98/100, Druckstock: 50 x 32,7 cm, Blatt: 59,5 x 42 cm, minimal griff- und knickspurig | "Oberbayrischer Hofbarockjäger", Radierung, Bleistiftsignatur, 1962, Druckplatte: 24,6 x 16,7 cm, Blatt: 53,5 x 40 cm, etwas knickspurig | "Die Familie", Radierung, Bleistiftsignatur, 1962, Druckplatte: 16,3 x 24,6 cm, Blatt: 39,5 x 53 cm | "Kreuzabnahme", Holzschnitt, Bleistiftsignatur, 1962, Exemplar: 99/100, Druckstock: 49,5 x 35 cm, Blatt: 59 x 41,8 cm, minimal griff- und knickspurig | "Ecce Homo", Lithografie, Bleistiftsignatur, 1962, Exemplar: 20/100, Abbildung: 52 x 33 cm, Blatt: 59 x 42 cm, minimal knickspurig | "Pferd", Lithografie, Bleistiftsignatur, 1961, Exemplar: 95/100, Abbildung: 39 x 46 cm, Blatt: 42 x 59 cm, minimal knickspurig, Randbereich leicht lichtgebräunt Deutscher, Maler, Grafiker und Bildhauer. In Wacken und Neumünster stehen in unterschiedlicher Ausführung die von ihm gefertigte Bronzen "Der kleine Prinz", die zentrale Figur der gleichnamigen Erzählung von Antoine de Saint-Exupéry. FRIEDRICH, Hilmar(*1938 Stühlingen) 6 works with various subjects2 woodcuts, 2 etchings, 2 lithographs. Each with pencil signature. 1961/1962. Max. 60 x 45 cm. "3 Women", woodcut, pencil signature, 1962, copy: 98/100, printing block: 50 x 32,7 cm, sheet: 59,5 x 42 cm, minimal handling and crease marks | "Oberbayrischer Hofbarockjäger", etching, pencil signature, 1962, printing plate: 24.6 x 16.7 cm, sheet: 53.5 x 40 cm, some creasing | "Die Familie", etching, pencil signature, 1962, printing plate: 16.3 x 24.6 cm, sheet: 39.5 x 53 cm | "Deposition from the Cross", woodcut, pencil signature, 1962, copy: 99/100, printing block: 49.5 x 35 cm, sheet: 59 x 41.8 cm, minimal handling and crease marks | "Ecce Homo", lithograph, pencil signature, 1962, copy: 20/100, image: 52 x 33 cm, sheet: 59 x 42 cm, minimal creases | "Horse", lithograph, pencil signature, 1961, copy: 95/100, image: 39 x 46 cm, sheet: 42 x 59 cm, minimal creases, margins slightly light browned German, painter, graphic artist and sculptor. In Wacken and Neumünster are in different versions of the bronzes he made "The Little Prince", the central character of the eponymous story by Antoine de Saint-Exupéry. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

RECK, Albert Christoph(1922 Krappitz - 2019 Hamburg) "Die Alsterquelle"Farblithografie. Farbstiftsignatur. Oktober 1961. Blatt: 79 x 54,5 cm. Blatt knickspurig. RECK, Albert Christoph(1922 Krappitz - 2019 Hamburg) "Die Alsterquelle"Color lithograph. Color pencil signature. October 1961. Sheet: 79 x 54.5 cm. Sheet creased. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

THOMKINS, André(1930 Luzern - 1985 West-Berlin) "Burgunder"Lithografie. Bleistiftsignatur. Edition Griffelkunst-Vereinigung Hamburg e.V. 1971. Abbildung: 18,5 x 19,4 cm, Blatt: 64 x 50 cm. Rechter Rand etwas knickspurig, kleiner Fleck am oberen Rand. Schweizer Maler, Zeichner und Dichter; 1971 bis 1973 Professor an der Kunstakademie Düsseldorf. Literatur : https://thomkins.de/fr_museum.html. THOMKINS, André(1930 Lucerne - 1985 West Berlin) "Burgundy"Lithograph. Pencil signature. Edition Griffelkunst-Vereinigung Hamburg e.V. 1971. Image: 18.5 x 19.4 cm, sheet: 64 x 50 cm. Right margin somewhat creased, small stain on the upper edge. Swiss painter, draftsman and poet; 1971 to 1973 professor at the Düsseldorf Art Academy. Literature : https://thomkins.de/fr_museum.html. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.

Undeutlich signiert: "Istanbul"Lithografie. Bleistiftsignatur. 1973. Blatt: 38 x 53 cm. Mit Widmung "Für Familie Müller" Wasserflecken am oberen Rand, etwas griffspurig, verso mit Klebespuren. Indistinctly signed: "Istanbul"Lithograph. Pencil signature. 1973. Sheet: 38 x 53 cm. With dedication "For family Müller" Water stains on upper margin, some traces of grip, verso with traces of glue. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.