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Josef Anton Straßgschwandtner, Vier Jagdszenen1.) Marderjagd mittels Falle, 2.) Jagd von Hirschen 3.) Anpirschen an Vögel und 4.) Jagd auf einem Auerhahn, Farblithographien, um 1860, drei Arbeiten im Stein signiert, teils gebräunt und etwas stockfleckig, zweimal unter Passepartout und hinter Glas gerahmt, Passepartoutausschnitte ca. 31,5 x 41 cm. Künstlerinfo: auch Tony Strassgschwandtner, österr. Maler und Lithograph (1826 Wien bis 1881 Wien), 1843-45 Studium an der Akademie in Wien bei Carl Schindler und August von Pettenkofen, beschäftigte sich hauptsächlich mit Jagd- und Militärszenen, verfiel 1879 der geistigen Umnachtung, Quelle: Thieme-Becker und Wikipedia.

Prof. Hans Thoma, "Feierabend"nachdenklich vorm Haus neben seinem Hund sitzender, Pfeife rauchender Bauer im Licht des zur Neige gehenden Tages, Radierung, unter der Darstellung rechts in Blei signiert "Hans Thoma" (etwas verwischt), in der Platte links unten ligiertes Monogramm und datiert "HT 1901", Blatt gebräunt, leicht wasserrandig und fleckig, unter Passepartout und hinter Glas gerahmt, Darstellungsmaße ca. 32 x 44,5 cm. Künstlerinfo: dt. Maler und Graphiker (1839 Bernau bis 1924 Karlsruhe), zunächst zeitweise Lehre als Lithograph und Stubenmaler in Basel sowie Uhrenschildermacher in Furtwangen, parallel autodidaktische Mal- und Zeichenstudien, studierte 1859-66 an der Kunstschule Karlsruhe bei Ludwig Des Coudres und Johann Wilhelm Schirmer, anschließend kurzzeitig in Basel und Düsseldorf, 1868 Aufenthalt in Paris, hier beeinflusst von Gustave Courbet und der Schule von Barbizon, 1870-76 in München, 1874 erste Italienreise mit Aufenthalt in Rom, ab 1878 tätig in Frankfurt am Main, 1899-1901 in Kronberg und Mitglied der Kronberger Malerkolonie, freundschaftlich verbunden und angeregt durch Arnold Böcklin, Wilhelm Leibl, Wilhelm Steinhausen und Wilhelm Trübner, 1899 zum Professor ernannt, 1899-1920 Direktor der Kunsthalle Karlsruhe, Quelle: Thieme-Becker und Internet.

Prof. Eugen Kampf, Gehöft mit BäuerinBäuerin auf dem Weg zu ihrem von Bäumen umgebenen ziegelgedeckten Bauernhaus unter locker bewölktem Himmel, pastose Malerei in warmer Farbigkeit, Öl auf Sperrholz, um 1920, links unten signiert "E. Kampf.", zwei kleine Fehlstellen in der Malschicht, gerahmt und hierauf Messingschild "Prof. Eugen Kampf", Falzmaße ca. 37,5 x 49,5 cm. Künstlerinfo: eigentlich Karl (Carl) Viktor Eugen Kampf, dt. Landschaftsmaler, Zeichner, Lithograph und Radierer (1861 Aachen bis 1933 Düsseldorf), studierte 1878-80 an der Akademie Antwerpen bei Jacob Jacobs und Jozef van Luppen, 1880-83 Studium an der Akademie Düsseldorf bei Eugen Dücker, 1883-84 Weiterbildung in Brüssel, unternahm Studienreisen in die Niederlande, die Eifel, nach Flandern, Italien und in die Schweiz, ab 1889 in Düsseldorf tätig, betrieb mit Wilhelm Schneider-Didam eine Damenmalschule in Düsseldorf, 1908 Berufung als Prof. an die Akademie Düsseldorf, beschickte 1890-1910 die Ausstellungen im Glaspalast München, 1891-1914 die Große Berliner Kunstausstellung sowie Ausstellungen in Düsseldorf, Dresden, Darmstadt, Leipzig, Wien und Rom sowie die Weltausstellungen Paris (1900) und die Exposition de arte alemán in Buenos Aires (1913), 1889 Mitbegründer des Düsseldorfer "St. Lukasklubs", der 1891 zeitweise in der Freien Vereinigung Düsseldorfer Künstler aufging, Mitglied des Deutschen Künstlerbundes, des Düsseldorfer Künstlerunterstützungsvereins, der Allgemeinen Deutschen Kunstgenossenschaft, Mitglied der Düsseldorfer Künstlervereinigungen "Orient" und "Laetitia" und 1891-1932 Mitglied des Düsseldorfer Künstlervereins "Malkasten", Ehrenmitglied der Akademie Düsseldorf, tätig in Oberkassel bei Düsseldorf, Quelle: Thieme-Becker, Vollmer, Dressler, Boetticher, Müller-Singer, Bruckmann "Lexikon der Düsseldorfer Malerschule", Saur "Bio-Bibliographisches Künstlerlexikon", Bénézit und Wikipedia.

Dia Azzawi (Iraq, born 1939)We Are Not Seen, But, Corpses (The Massacre of Sabra and Shatila) etching and lithograph on paper in nine partseach work is signed, dated '1983', titled and numbered, number 10 from an edition of 60, executed in 1983100 x 70 cm eachFootnotes:A rare full set of Dia Azzawi's 'We Are not Seen, But Corpses' in its original presentation caseExhibited:National Council for Art and Culture, Kuwait, 1983Galerie des Arts, Tunis, 1990The British Museum, London, 1991The University of Nevada, USA, 1991Galerie Claude Lemand, Paris, 1995Bibliotheque Nationale, Paris, 1995Qatar Museum Authority, Doha, 2016Institut Du Monde Arabe, 2018 'After the Palestinian fighters left Lebanon, the Phalangists had their opportunity to take revenge on old people, women and children. I have a lot of Palestinian friends, some artists and writers, and I knew those camps. Within two days, up to 3,500 people were killed. So, this work had a moral side: to defend unarmed people with no voice.'- Dia AzzawiDia Al-Azzawi was deeply moved in September 1982 by the massacre of civilian Palestinians in the camps of Sabra and Shatila. The Iraqi artist had first started drawing in his studio in London the polyptych entitled The Sabra and Shatila Massacres, mixed media on paper laid down on canvas, 300 x 750 cm, in the collections of the London Tate Modern since 2012. As often was the case, he took his inspiration from photographs of the massacre published by the media and international newspapers.A few months later, in January 1983, he was inspired by Four hours in Chatila, a report that was written on the spot by the French writer Jean Genet, who has just reached Beirut with Leïla Shahid and who had visited the Palestinian camps the day after the massacres and it would be the source of inspiration for the images of nine original prints (eight etchings and one lithograph, 100 x 75 cm.) that he would publish in a portfolio with a title page and a page taken from Jean Genet's text, in a trilingual edition: We are not seen but Corpses. The Sabra and Shatila Massacres - Lâ nara illa juthathan - Nous ne voyons que des cadavres, London, 1983.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Francis Kelly (1927-2012). Bronte country, artist signed limited edition lithograph, 19/50, with Colin Jellicoe private view card, 41cm x 48cm.

After Normandie. Lithograph, licensed reprint 1979 from the original 1935, ?6cm x 63cm.

Keith Vaughan (British, 1912-1977)Second Study for Walled Garden signed 'Keith Vaughan.' (lower right); titled and dated 'Second Study for Walled Garden 1946' (on label attached to backboard)watercolour, gouache, ink, pen and ink and wax crayon on paper8.5 x 13cm (3 3/8 x 5 1/8in).Footnotes:ProvenanceWith The Redfern Gallery, London, where acquired by the family of the present owner, 5 November 1973, and thence by descentPrivate Collection, U.K.ExhibitedLondon, Olympia Fine Art and Antiques Fair, Keith Vaughan 1912-1977: An Exhibition of Paintings and Drawings, 26 February-3 March 2002, no. KV 095Vaughan made several jewel-like studies for Walled Garden. Despite this, he produced no oil painting with that title in 1946. Five years later he returned to the theme and made a lithograph with similar imagery and the same title. The motif of a felled tree, loosely resembling a human figure, can be traced back to the early 1940s when he made around a dozen studies for a symbolic painting, representing the fallen youth of the war. At the time he was serving in the non-combatant corps, clearing the grounds of an estate with a large walled garden. Vaughan was unable to make easel paintings while serving in the army and adopted, what he called his 'volatile' medium, consisting of ink, gouache and wax crayons. We are grateful to Gerard Hastings for his assistance in cataloguing this lot.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Thurston Magic Poster c' 1926 American Howard Thurston (1869-1936) was one of the foremost magicians of the early 20th century. This poster presents the impressive gent staring intently while two devils whisper into his ears. A striking piece of poster illustration. Poster printed by The Otis Lithograph Co. Cleveland.... Poster conservation paper-backed, with old foldlines, a few light scuffs, several closed edge tears (longest 1 3/4" to left upper), small mark bottom left corner & several small infills to paper loss on rim (left corners), overall in good condition, poster 27" x 41"

George Magic Poster c' 1924-25 Striking poster illustration of the American illusionist George (George Grover 1887-1958) hailing his American Tour & heralding him as the "Supreme Master Of Magic". The poster shows the illusionist with an owl whispering in his ear, red devilish figures in the tree above & flying bats to the left. Poster printed by The Otis Lithograph Co. Cleveland.... Poster conservation paper-backed, unfolded with small tear to paper-backing rim (does not affect poster), in excellent condition, poster 26 1/8" x 40 1/2"

George Magic Poster c' 1928 Dramatic poster illustration showing "The Supreme Master Of Magic" with cards flowing from his hand while an eclectic group of western girls in geisha dress & red devilish creatures gather around him. Poster printed by The Otis Lithograph Co. Cleveland.... Poster conservation paper-backed, with damage to top right including closed tears & some paper loss to rim, touch-ins to other small areas of rim paper loss elsewhere, poster 26 1/2" x 40 1/2"

Carter The Great Magic Poster c' 1930 The American magician shown riding a camel, a Sphinx top left, a terrified Arab bottom left & to the right an array of devilish, demonic creatures. A striking piece of commercial graphic design & not a common Carter poster to see. Printed by "The Otis Lithograph Co." Poster conservation paper-backed, with some old scuffs/creases, several small closed tears mostly to rim, longest 4" to left side, overall very good condition, 26 1/4" x 40 1/4"

C.B. HOYO (1995) 'Stand in front and pretend you're into art' a lithograph, 2022.Numbered bottom leftSigned bottom rightProvenance: Acquired directly from the artist by the present owner (W: 40 x H: 60 cm)

CORNEILLE (1922-2010) 'No title'A lithograph, 84/100. 1975. Light foxing.  (W: 39 x H: 50 cm)

Henri Victor WOLVENS (1896-1977) 'Beach Cabins' a lithograph.Signed. 4/50. (W: 72 x H: 54 cm)

Jef VAN TUERENHOUT (1926-2006) 'Lady with a cat'A lithograph, numbered 70/150 (W: 52 x H: 75 cm)

Ceri Richards The Bee KeeperLimited edition lithograph in colours, No. 3/30Signed in pencil59 x 43cm***Artists Resale Rights may apply to this lot***

After Emily J Harrington (British, b.1877), A pair of lithograph prints titled 'The Angel of Pity" and "Until We Meet Again", dated 1913/4. 22x11ins.Qty: 2

John Piper (British, 1903-1992), Long Melford Church, limited edition colour lithograph, numbed 212/275, signed in the margin by the artist. 18x24ins, framed and glazed. Literature: Orde Levinson, The Prints of John Piper: A Catalogue Raisonné 1923-1991, London: Lund Humphries, 2010, p.148, No.336Qty: 1

A set of twelve lithograph waistcoat buttons, each with variant head and shoulder study of a young woman, gilt rims, 1.4cms dia.

Buttons - three card displays, comprising a card of forty five enamel buttons, largest 3.5cms dia., a card of thirty porcelain buttons, including eight in metal mounts, largest 3.5cms, and a card of fifty seven metal and lithograph buttons, largest 3.7cms. (3) Ê

A 19th century coloured lithograph, a print of dogs after Nigel Hemming and a print after Auguste Toulbouche.

Full title: Roger Somville (1923-2014): A head, lithograph, ed. XIII/XXV, dated 1974Description:Work: ca. 70 x 50 cm Frame: 100 x 80 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Issachar Ryback (1897-1935): The dance, lithograph in colours, ed. E.A.Description:Work: ca. 56 x 42 cm Frame: 79 x 63,2 cm The Ukrainian born Jewish artist Issachar Ryback (Elisabethgrad, 1897 - Paris, 1935) is part of the Ukrainian school and one of the famous students of the School of Paris: "Ryback was born into a Hassidic family and left his parents' home at a young age. He took drawing classes in his hometown and studied at the Academy of Kiev between 1911 and 1916. When the revolution broke out in 1917, the central committee for Jewish culture in Kiev ordered propaganda posters and street decorations from him. At that time, he met El Lissitzky. Together with the latter, he participated in an expedition to Ukrainian villages, financed by the Jewish Society of Ethnography and History, whose purpose was to produce a series of paintings on Jewish cemeteries and synagogues. In 1918, he lived in Moscow where he taught painting. In 1921, he left for Berlin. In collaboration with the Yiddish poet Leib Kvitko, he published stories for children (USSR state editions) and an album of thirty lithographs entitled Shtetl (1923). In 1924, he published the Jewish Types of Ukraine, an album reminiscent of Cubism and Expressionism that recounts the threatening atmosphere of a pogrom. In Berlin, he became a member of the Novembergruppe and exhibited his work at the Secession. At that time, he produced supremacist engravings for the Yiddish avant-garde journal Albatros. In 1925, he was invited to return to Russia by the Jewish Theater in Moscow, and designed sets and costumes for I.L. Peretz's play In Folisch Oyf Der Keit. The same year, he spent time in the Jewish agricultural colonies in Ukraine, where he produced drawings representing everyday life. These drawing were published when he arrived in Paris in 1926. Between 1928 and 1934, Ryback exhibited his work in Paris, The Hague, Amsterdam, Brussels, Rotterdam, Antwerp, and Philadelphia. His last exhibition took place at the Wildenstein gallery in Paris. His works are a.o. in the Issachar Ryback museum in Bat Yam, Israel." (link) This lithograph in colours is part of the 16-part series 'Mon village'. The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Antoni Tàpies Puig (1923-2012): 'A Cortázar', lithograph in colours, ed. HC, [1979]Description:Work: 58 x 39,5 cm Paper: 70,6 x 53,7 cm Ref.: - Galfetti, 730. The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Christian Dotremont (1922-1979): Logograms, lithograph, dated 1973Description:Work: 69 x 49,5 cm Frame: 97 x 77 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: René Magritte (1898-1967, after): 'La Géante', lithograph in colours, ed. 14/150Description:Work: ca. 63,5 x 52 cm Paper: ca. 70,5 x 55,2 cm Frame: 78,4 x 63,2 cm In the lower left corner with the following text: "Lithographie d'apres le tableau original de mon mari Rene Magritte "La Geante" tiree en 150 exemplaires numerotes et signes de ma main. Georgette Magritte" (Lithograph after the original painting by my husband Rene Magritte 'La Geante', printed in 150 copies, numbered and signed by my hand. Georgette Magritte). The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Pierre Alechinsky (1927): 'L'inconditionnement humain', lithograph in colours, ed. E.A., [1970]Description:Work: ca. 100 x 63,8 cm Frame: 131,2 x 96,3 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Antonio Saura (1930-1998): 'Abierta 10', lithograph in colours, ed. 21/99, [1989]Description:Work: ca. 89,5 x 59,5 cm Paper: ca. 98,5 x 71,5 cm Frame: 112,7 x 87,7 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Bengt Lindström (1925-2008): Untitled, lithograph in colours, ed. 19/80Description:Work: 65 x 49,2 cm Paper: ca. 89 x 69,5 cm Frame: 117 x 98 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Bengt Lindström (1925-2008): Untitled, lithograph in colours, ed. 79/80Description:Work: ca. 76,5 x 57,2 cm Paper: ca. 83 x 62,8 cm Frame: 100 x 78,8 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Lucebert (1924-1994): Untitled, lithograph, ed. 42/100Description:Work: ca. 67,2 x 46,5 cm Paper: ca. 70 x 50 cm Frame: 105,3 x 83,3 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Philippe Cognée (1957): Untitled, lithograph in colours, ed. E.A. 22/37, dated 2001Description:68,5 x 48,7 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Alain Bonnefoit (1937): Reclining nude, lithograph in colours, ed. H.C. 12/20, dated (19)90Description:Work: ca. 55,5 x 37,8 cm Frame: 78,8 x 60,7 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Guillaume Corneille van Beverloo (Corneille, 1922-2010): 'La belle peul', lithograph in colours, ed. E.A. VIII/X, dated (19)97Description:Work: ca. 113,5 x 70 cm Frame: 132,5 x 89,5 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Pierre Alechinsky (1927): 'In octavo', lithograph in colours, ed. 77/80, dated 1978Description:Work: ca. 82 x 57 cm Paper: ca. 86 x 60 cm Frame: 102,4 x 76,9 cm The work goes together with a certificate of authenticity by Svenson Art (Sint-Niklaas, 2 May 2017). The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Pierre Alechinsky (1927): 'Mais où sont-ils', lithograph in colours, ed. VI/VIII, dated 1963Description:Work: ca. 76,5 x 64 cm Paper: ca. 78 x 65,5 cm Frame: 108 x 92 cm The lithograph with the 'Permild and Rosengreen' stamp. A similar lithograph is part of the collection of the Art Institute Chicago, No.1965.853 (link). Ref.: - Yves Riviere, 211. The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Francis Bacon (1909-1992): 'Hommage à Vincent Van Gogh' (Vincent Van Gogh, Arles, 1888-1988), lithograph in colours, ed. 82/100, [1989]Description:Work: ca. 70 x 52 cm Frame: 128 x 108 cm The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: James Ensor (1860-1949): 'Puérila (Puérilla) and Tollen', lithograph in colours, [1929]Description:Work: 32,5 x 24,8 cm Frame: 81,3 x 73,5 cm Puerilla and Tollen are characters in 'La Gamme d'Amour', a ballet composed in 1907 by James Ensor who was responsible for the text, the music, the costumes and the sets. The absence of a condition report does not imply that a lot is in perfect condition. Please contact us to let us know which lots are of interest, so we can make the requested reports for you.Once complete, they will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Henry Moore O.M., C.H. (British, 1898-1986)Figures in Settings signed and dated 'Moore 49.' (lower right) and inscribed 'lithograph' (upper centre)watercolour, wax crayon, coloured crayon, pen and ink and pencil (two designs squared for transfer)29.3 x 24.1 cm. (11 1/2 x 9 1/2 in.)HMF2445Footnotes:ProvenanceWith Leicester Galleries, LondonLady WalstonThe Trustees of Lord Walston's Family TrustWith Hokin Gallery, FloridaPrivate Collection, U.K.ExhibitedLondon, Leicester Galleries, New Bronzes and Drawings by Henry Moore, 1951, cat.no.35LiteratureAnn Garrould, Henry Moore Drawings, Thames and Hudson, London, 1988, pl.139 (ill.)Ann Garrould (ed.), Henry Moore: Complete Drawings 1940-49, Volume 3, The Henry Moore Foundation in association with Lund Humphries, Much Hadham and London, 2001, p.271, cat.no.AG47-49.57 (ill.b&w)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

▴ Spike Milligan (1918-2002)The Dancerlithograph, signed 'Spike Milligan' and numbered 4/25050 x 26cmCondition ReportFramed size 75.5 x 49.5cmNot viewed out of glazed frame. Signature looks faded. Print appears to be in good condition.

▴ Alan Davie (1920-2014)'The Celtic Dreamboat I'lithograph printed in colours, signed and dated 'Alan Davie, 65' in pencil l.r.image 52 x 76cmProvenance: The Jan Finch CollectionCondition ReportNot viewed out of glazed frame. Light creases to upper right corner. No signs of an edition number. Some minor marks visible beneath the glazing. Please see the additional images.

A Carette O gauge electric Tram car in cream blue and green, lithograph printed decals with 'GC & Co' to side panels, three pole electric motor visible to interior, 17cm long

Four early 20th century lithograph advertising boards for 'Ferris & Son, Maltsters. Dawlish' by James Dilkes & Co Nottingham: 44.5 x 56.5cm.

A late 1950s lithograph film poster for The Wayward Girl, published in America, 100 x 66cm, framed.

A Chinese tinplate Chevrolet Corvette C1 red with white interior, friction drive and lithograph hubs, together with a tinplate Cadillac saloon, pink with plated fixtures, boxed (2)

Trade Mark (Japan) . A tinplate battery operated 'Mystery Police Car', lithograph decorated driver, white chassis and black rubber wheels, in original box

A late 20th century reproduction 'Pollock's Toy Theatre', the balsa frame with lithograph orchestra and scenery, together with a collection of five books with scenery and characters including 'Children in The Wood', 'Cinderella', 'Aladdin' and others.

An original silver foil lithograph poster, David Vaughan's famous 'Single Head', as published by Big O 'BOP30' circa 1967. Measures approx 20 x 30".

Co Westerik (1924-2018)Composition with figures, lithograph 25/190, 31x41 cm

Old English color lithograph in classic frame with blackened glass passe partout, outer size is 70x78 cm

Helmut Sundhaussen (1935-2018)Seb 3, color lithograph dated 1971, 17/100, 50x50 cm

Jan Toorop (1858-1928)In the valley of the roses, lithograph from 1914, 20x13 cm

Edzard Koning (1869-1954)Children playing at a farm, lithograph 35x46 cm

Attributed to May Hammes, the music lesson, lithograph 43x111 cm

Klaas Gubbels (1934-)Table and coffee pot in the shape of a heart, color lithograph dated 2005, 106/200, 22x30 cm, outer size 41x51 cm

Old color lithograph in frame Camélias Chrysentemes et Oranges, outer size 69x82 cm

Jan Cremer (1940-)Tulipfield, triptych, color lithograph from 1976, 8/20, each 103x72 cm, total outer size 122x272 cm

Jan Cremer (1940-)Sheaves of wheat, color lithograph from 2001, 146/250, 50x68 cm (glass missing)

Box of Wedgwood Queens Shap earthenware crockery, cut glasses and crystal and box with 2 parts French books LÁrt des origines a nos jours from 1933, 3 parts Le Décaméron by Boccace from 1890 and color lithograph

Unclearly signed, modern composition, lithograph 78x59 cm