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After "Braaq" (Brian Shields)A Snowy Christmas in Liverpool,pencil signed to the margin, limited edition offset lithograph, 32/150, 52 x 77cms, in frame.

20th Century European SchoolOn the Prowl, indistinctly pencil signed to the margin,colour lithograph in two states,44 x 53cms, framed back to back in a double-sided frame.

After John Coatsworth "Tall Ships River Tyne",signed limited edition offset lithograph, 26/850, titled to the margin with pencil remarque,39 x 56cms, in frame.

Alphabet cards. The Floral Alphabet, circa 1850s, 25 cards (of 26, lacking M), each with hand-coloured lithographed flower representing a letter of the alphabet, with its name (divided into syllables) printed below, some cards with (generally light) spotting, mainly to blank areas, each card 76 x 113mm, contained together in original decorative card box with lift-off lid, rubbed and dust-soiled, a little wear to edges, all corners neatly repaired, inside lid with contemporary ink manuscript presentation inscription dated 1857, lid outer side with printed title beneath hand-coloured lithograph of a group of wildflowers, lid with dampstaining to upper and left edges (faintly affecting upper corner of illustration), slightly extending to one edge of box baseQTY: (1)NOTE:A scarce example of this hand-coloured set of botanical alphabet cards.

Jigsaw map. A New Map of Europe, London: William Darton, 1829, hand-coloured engraved map, laid on wood and dissected along country boundries, approximately 38 pieces, 4 pieces replaced with blanks (Hungary, Switzerland, Prussia, Adriatic Sea), western Mediterranean Sea piece with tip missing (Straits of Gibralter) and replaced with blank piece, two tabs chipped, generally dust-soiled and faded, few minor marks, some tips a little worn, 28.5 x 23.2 cm, contained in original varnished wooden box, varnish generally rubbed and darkened, some worm holes, box with slip-labels to front and rear sides, sliding lid with engraved decorative label to outer side (worn and soiled), and label with small engraved map of Europe to inner side (lightly soiled, date '1829' in modern blue ink to upper corner), together with: Historical cards, exhibiting the History of England, London: John Wallis, late 18th century, 33 (of 36) cards, without Richard III, Elizabeth I, & Charlotte, each with a full-length hand-coloured lithograph of a monarch of England, titled & dated above, with 4-line descriptive verse below, plain versos, rounded corners, generally dusty, variable soiling and marks, few edge chips, occasional rubbing, 2 cards (Richard I & George Prince of Wales) with surface loss affecting text, 89 x 69mm, with original card case, extremely worn and soiled, outer layer of upper side (with publisher's printed label) detached, plus:Rocque (John), A Plan of Paris &c., reduc'd to the same scale as that of London, London: J. Rocque, 1754, engraved map with some contemporary hand-colouring, title and scale repeated in French, sectionalised on linen, blue/green silk ribbon edging (worn in places), dust-soiled (mainly towards margins), few minor spots, some sections with minor edge creasing and rubbing, linen with several folds split and worn, 51.5 x 72.2 cmQTY: (3)

Panorama - Queen Victoria. [Fores' Correct Representation of the State Procession on the Occasion of the August Ceremony of Her Majesty's Coronation, June 28th, 1838, Sixty Feet Long, London: 1838], hand-coloured aquatint in sections, heightened with gum arabic, joined and folded concertina style to form a continuous panoramic strip, each scene captioned beneath (first caption 'High Constable', last caption 'Life Guards'), left end of panorama with title printed vertically in French, lacking right end of panorama (with English title), some light dust-soiling, spotting and toning, final folded segment on right end somewhat rubbed, many folds either repaired/strengthened, or with short splits at ends, 3 with longer splits, height 10.3cm (4 ins), length approximately 1723cm (56.5 feet), affixed over original printed title label to front pastedown, also previously affixed over publisher's advert to rear pastedown but sometime lifted away, so publisher's advert is now visible, front pastedown with bookseller's ticket to upper corner, front hinge split (with approximately 2cm loss of panorama), original gilt decorated cloth with brass clasp, front cover with gilt title 'By authority, Fores' Coronation Procession', spotted and soiled with fading, joints cracked, some wear to extremities, oblong 8vo, together with: Robin's Panoramic Representation of the Queen's Royal Progress through the City of London, on the 9th November, 1837, London: Joseph Robins, 1837, hand-coloured lithograph in sections, heightened with gum arabic, joined and folded concertina style to form a continuous panoramic strip, each scene captioned beneath, split into two parts and loose in binding (but apparently complete), most folds with splits, many repaired with adhesive tape (mainly to recto), spotted and dust-soiled with some toning, height 9cm (3.5 ins), length 289.5cm (114 ins), printed front pastedown title and rear pastedown publisher's advert toned, front pastedown with some minor marks, original cloth, front cover with gilt title 'The Queen's Visit to the City', lightly soiled and rubbed, oblong 8vo, plus a defective copy of 'Key to W.E. Lockhart's (R.S.A.) Picture of the Jubilee Ceremony in Westminster Abbey, 21st June 1887 ...'QTY: (3)NOTE:First two items: Abbey, Life, 539 & 534 respectively. Fore's Coronation Procession: This copy is without the final (approximately) 17cm. Although the item describes itself as being 'sixty feet long' (1828 cm), the length of other copies found (those that appear to have been actually measured) varies between 1645-1800cm, with several copies measuring around 1700-1727cm. Therefore our copy, despite lacking the final short portion containing the English title and a very small portion at the front hinge, nevertheless appears to be similar to or only a few centimetres short of the expected length. Comparing to online images, this copy lacks just the final two groups of life guards at the right end, with the English imprint. The small missing portion (approximately 2cm) at the front hinge was likely lost when the left half of the panorama was sometime affixed to the front pastedown, presumably because the strip had split at the front hinge.

Ardizzone (Edward, 1900-1979). Downside Abbey - The Tower, circa 1964, lithograph on wove paper, depicting Downside Abbey school boys huddled and running in the foreground, signed in pencil by artist lower right, 52/100 Downside - The Abbey written in pencil to lower left margin, image size 40.6 x 55 cm (15 3/4 x 21 3/4 ins), mounted, framed and glazed, together withThe Warwick Castle, colour lithograph, depicting two well dressed gentlemen standing outside a public house called The Warwick Castle, image size 21.5 x 14.6 cm (8 1/2 x 5 3/4 ins), mounted, framed and glazed (43.8 x 31.2 cm) QTY: (2)

Nicholson (William, illustrator). An Almanack of Twelve Sports, words by Rudyard Kipling, London: William Heinemann, 1898, colour title vignette, 12 colour lithograph plates, some light offsetting, endpapers a little toned, original cloth-backed pictorial boards, a little toned with small splits to spine, a few small abrasions, 4toQTY: (1)

Richards (J.M. & Ravilious, Eric). High Street, 1st edition, London: Country Life Ltd., 1938, 24 colour lithograph plates, large woodcut vignette to title, light spotting to endpapers, a few minor spots to fore-edges, contents generally in good clean condition, ownership inscription to front pastedown, original colour pictorial boards, very slightly rubbed to extremities, small chip to head of spine with slight loss, original pictorial boards, a little rubbed to extreme foot of spine and board edges, original printed advertising bookmark for high street loosely inserted, 8vo QTY: (1)

After JANET FISHER - 'Rest', hand-coloured lithograph, signed lower left, signed on a loose label (image size 8⅜in x 11⅜in, 21cm x 29cm). Poor condition, superficial blemishes within image, tear in margin, acidic discolouration

A contemporary limited edition (13 of 50) colour lithograph, 'Nude', signed lower right in the margin in pencil by the artist (possibly Kieran Kay James Stiles), glazed silver frame (image size 44.5cm x 43cm)

AFTER SALVADOR DALI (Spanish 1904-1989) "A study of two maidens with other figures and roundels in a landscape" colour lithograph, signed in pencil lower right, 74 cm x 55 cm

Militaria, including fourteen reference books by Lt.Col. Bob Gardner:- British Propeller Makers of WW1 -part one x 1, part two x 4 and part three x 9; three prints - Airspeed Horsa, and Douglas C-47A, each signed by the crew, and "The Presentation of Freedom of Kingston-upon-Hull to 150 (Northumbrian) Transport Regiment RCT 21s September 1990"; a black and white lithograph by AVP dated (19)99; an Atea black dial telephone; a copper coffee pot; a Pyrene fire extinguisher; a white metal figure of an aviator and a collection of twelve white metal aircraft recognition models (qty)

A Regular Army Recruiting Poster by Charles Wood, showing a Military Policeman standing directing traffic, inscribed 'It's a real man's life, join the REGULAR ARMY', printed for H.M.Stationery Office by Jordison & Co. Ltd., London and Middlesbrough74cm by 49cm, framed and glazed (fold marks); We'll Meet Again, Dame Vera Lynn, a black and white lithograph with lyrics, signed limited edition 151/500, 59cm by 40cm, framed and glazed; the Rt. Hon. John, 3rd Earl of Durham, a black and white lithographic portrait, Proof with facsmile signature to the lower margin, 42cm by 34cm, framed and glazed (3)

An interesting pencil signed limited edition 18/21 lithograph by James Coignard (1925- 2008), frame size 33 x 41cm.

Andy Warhol (American 1928-1987): A clip framed 1989 lithograph of 'Do it Yourself (landscape) 1962 acrylic on canvas' published by teneues publishing company, size 30 x 40cm.

•Graham Sutherland (1903-1980). Sheet of studies, artist signed limited edition lithograph, 185/200, 52cm x 80cm.

A display of forty one lithograph and painted enamel buttons, mostly portrait or figural, some with paste set or enamel borders, largest 3.6cms dia. From the collection of the late Christine Mariner

[Bradshaw, George]. Lengths and Levels to Bradshaw's Maps of Canals, Navigable Rivers, and Railways. From actual survey. Taken from a datum of six feet ten inches under the sill of the Old Dock Gates at Liverpool. Dedicated to Thomas Telford, 1st edition, London: T.G. White and Co., 1832, folding engraved map, bound with at front, Lengths and Levels to Bradshaw's Maps of the Canals, Navigable Rivers, and Railways, in the Principal Part of England. Dedicated to Thomas Telford..., 1st edition, London: Printed by E. Ruff, 1833, bound with, London and Birmingham Railway MDCCCXXXIII Capital £2,500,000 in shares of £100 - Deposit five pounds per share, 1833, folding prospectus plan with text to verso, near-contemporary cloth, light wear to spine, slim 8vo, together with:[Bradshaw, George], Bradshaw's Canals and Navigable Rivers of England and Wales. A Handbook of Inland Navigation for Manufacturers, Merchants, Traders, and others: Compiled, after a Personal Survey of the whole of the Waterways, by Henry Rodolph de Salis, London: Henry Blacklock & Co. Ltd., 1918, folding colour lithograph map contained in rear pocket, original green cloth, 8voQTY: (2)

Cundy (Nicholas Wilcox). Reports on the Grand Ship Canal from London to Arundel Bay and Portsmouth, with an abstract of Messrs Rennie and Giles's report thereon, London: Thomas Egerton [& others], 1827, two hand-coloured folding lithograph maps and one folding lithograph sectional diagram, occasional damp staining mostly to text, edges untrimmed, original boards with recent cloth spine, 8vo,Cundy (N.W.), Imperial Ship Canal from London to Portsmouth. Mr. Cundy's Reply to Anonymous and other Authors of malignant abuse and misrepresentation, on his projected line, furnishing truth for libel; with plan of surveys, &c., London: Sold by Messrs. Rivington, Parbury, Allen, & Co., 1828, folding lithograph map, some browning to text margins, edges untrimmed, original printed wrappers bound-in, modern blue cloth, slim 8vo, plus Prospectus for making the Grand Imperial Ship Canal from London to Portsmouth. In 40,000 shares of £100 each, [1827], 3pp., folded as issued, folio, plus an unused Grand Imperial Ship Canal share certificate receipt for twenty shares, printed on pink paper, approx. 15 x 33.5 cmQTY: (4)NOTE:Nicholas Wilcocks Cundy, a distinguished civil engineer, proposed the ship canal scheme in 1824 when canal fortunes were at their peak. The scheme was to commence at Rotherhithe, with the line passing through Malden, Epsom, Leatherhead, Dorking, Ockley, Newbridge, Amberley, and Arundel, with a branch to Chichester. The 78-mile long canal was to cost £4 million and being 28ft deep and 150ft wide, would have enabled large vessels to sail from end to end in 12 hours.

Cundy (Nicholas Wilcox). Inland Transit. The Practicability, Utility, and Benefit of Railroads; The comparative attraction and speed of Steam Engines, on a Railroad, Navigation, and Turnpike Road; Report of a select committee of the House of Commons on Steam Carriages, with an abstract of the evidence taken before Parliament on the Birmingham Railroad Bill; with the preamble; also, the plans, sections, and estimates of the projected Grand Southern and Northern Railroads, 2nd edition, London: G. Herbert, T. Egerton and J. Ridgway, 1834, two large folding lithograph maps, and folding lithograph plate by Day of the locomotives 'Rocket', 'Novelty' and 'Sans Pareil', original cloth-backed boards with original worn printed title label to spine, board corners slightly worn, 8voQTY: (1)

Dashwood (J. Bacon). The Thames to the Solent by Canal and Sea; or, the Log of the Una boat 'Caprice.', London: Longmans, Green, and Co., 1868, half title, wood engraved frontispiece and six plates, folding lithograph plan, occasional early underscoring and marginal annotations, title and pastedowns with ownership Thomas Weeding Weeding, Southampton, 13.12.1875, upper hinge split, original cloth, lightly frayed at head & foot of spine, small 8vo, together with:Smith (George), Canal Adventures by Moonlight, London: Hodder & Stoughton, 1881, wood engraved frontispiece, verso of front free endpaper inscribed by the author, original pictorial cloth, 8vo,Smith (Emma), Maidens' Trip, 1st edition, London: Putnam & Co. Ltd., 1948, original cloth in dust jacket, chipped at head & foot and with adhesive marking to verso of dust jacket at head & foot, 8vo,Thurston (E. Temple), The "Flower of Gloster", 1st edition, London: Williams and Norgate, 1911, colour frontispiece, monochrome plates and illustrations, original green cloth gilt in dust jacket, adhesive tape repairs to some edges of dust jacket with consequent adhesive staining, 8vo, and other canal related, mostly 20th century publications (few ex-lib.), including Canals, Barges and People, written and engraved by John O'Connor, London: Art and Technics, 1950QTY: (20)

Scrope (William). Days and Nights of Salmon Fishing in the Tweed; with a short account of the natural history and habits of the salmon, instructions to sportsmen, anecdotes etc, 1st edition, London: John Murray, 1843, additional lithograph title, 12 tinted and hand-coloured lithographic plates, additional title and plates with circular blindstamp of the Devon and Exeter Institution, their label and bookplate of Alan Thornton at front, occasional light spotting, contemporary marbled boards, modern morocco spine, covers a little rubbed, 8voQTY: (1)NOTE:Westwood & Satchell p. 191.

Ackermann & Co. (publishers). By Permission of the Patentees, This Engraving of the First Carriage, the "Aeriel" is respectfully inscribed to the Directors of the Aerial Transit Company, March 28th, 1843, hand-coloured lithograph, trimmed to image with the title in a separate mount aperture, image size 225 x 300 mm, mounted, framed and glazed, together with Fairburn (J. publisher). Gurney's New Steam Carriage, December 12th, 1827, etching with contemporary hand-colouring, some creasing and staining, trimmed to the neatline and laid on a canvas album page, with a chromolithographic portrait on the verso, 240 x 355 mm, mountedQTY: (2)NOTE:The first print described is a scarce depiction of William Henson's patented Aerial Steam Carriage. The design was one of the first to conceive of what a 'modern' aeroplane would look like and although plausible on paper - and several models were made - the finished machine never flew because the steam-powered engine proved too heavy. The prints were produced to encourage investors and there are several variants showing the plane flying over various parts of the world.The second item illustrates two examples of Gurney's steam carriages on the road, with a panel of explanations below the image. Influenced by meeting Richard Trevithick, the pioneer of steam propulsion, Cornishman Sir Goldsworthy Gurney (1793-1875) built a steam-powered road vehicle himself in 1823. In 1829, he successfully travelled from Bath to London and back at a sustained speed of 15 mph in his steam carriage, and encouraged by this he envisaged a regular passenger service using steam-driven road vehicles as opposed to a horse-drawn coach. It never materialised, because the influential operators of the mail coaches and associated passenger transport, joined forces to ensure that Gurney was forced out of business.

Dodd (Charles Tattersall, after). The Cricket Match at Tonbridge School [1851 or slightly later], hand-coloured lithograph, some spotting, some worming to the title and the lower left of the image, title in separate mount aperture, trimmed to image, 480 x 800 mm, mountedQTY: (1)

Jamaica. Kidd (Joseph Bartholomew). Morant Bay, circa 1837, hand-coloured lithograph. trimmed to the image with the title tipped onto the verso, 250 x 435 mm, together with Duperly (Adolphe). A View of the Ordnance Yard (taken from the Wharf) & Methodist Chapel, circa 1840, two uncoloured tinted lithographs originally published in 'Daguerian Excursions in Jamaica', the Methodist Chapel with thread margins and the title excised and tipped onto the verso, mount stained, laid on later card, 170 x 245 mm, 'A View of the Ordnance Yard', trimmed to image but retaining the title, mount stained, 195 x 250 mmQTY: (3)NOTE:Between 1835 and 1843, Kidd visited Jamaica three times. In 1837, he published Part I of his West Indian Scenery: Illustrations of Jamaica, in a series of views comprising the Principal Towns, Public Buildings, Estates and most picturesque scenery of the Island...., The success of the five plates in this series, led to a total of fifty drawings and paintings over the following four years.

[Combe, Willam]. The History of Johnny Quae Genus The Little Foundling of the Late Doctor Syntax. A Poem by the Author of the Three Tours, London: R. Ackermann, 1822, 24 hand-coloured lithograph plates including frontispiece, very light offsetting from plates to text, all edges gilt, armorial bookplate of Baron de Spon to upper pastedown, 20th century terracotta morocco by Riviere & Son, rebacked preserving gilt decorated spine, 8voQTY: (1)

Loudon (John Claudius). Cottage, Farm, and Villa Architecture and Furniture. With analytical and critical remarks and the designs, new edition, edited by Mrs Loudon, London: Frederick Warne and Co., [1846], wood engraved illustrations throughout, contemporary burgundy red half sheep, joints cracked and extremities worn, thick 8vo, together with:Audsley (William), Cottage, Lodge, and Villa Architecture, London; Glasgow; Edinburgh: W. Mackenzie, [1868], title in red & black, numerous engraved plates and plans, light toning and scattered spotting, contemporary cloth with recent calf spine and corners, gilt decorated spine, 4to,Kerr (Robert), The Gentleman's House; or, how to plan English residences, from the parsonage to the palace; with tables of accommodation and cost, and a series of selected plans, 2nd edition, revised, London: John Murray, 1865, wood engraved vignette to title, numerous folding lithograph plans, original cloth, chipped at head & foot of spine, 8vo,Fagan (Louis), The Reform Club: its founders and architect, 1836-1886, London: Bernard Quaritch, 1887, photogravure frontispiece and two portrait plates, illustrations to text, top edge gilt, original cloth gilt, scuffed and marked, slim folio, plus three others including The Builder's Practical Director or buildings for all classes..., Leipzig & Dresden: A. H. Payne; London: J. Hagger, [1855-57]; The New Guide to Carpentry, General Framing, and Joinery..., edited Robert Scott Burn, [1868-72]; and Decoration & Furniture of Town House, by Robert W. Edis, 2nd edition, 1881QTY: (7)

3 boxes of misc ceramics, old bible, American Rifleman magazines, 2 gun bags, brass footed dish, canteen of cutlery, barometer, a lithograph, etc.

A signed coloured lithograph, buildings in landscape, possibly Hann Mollen, 49 cm x 64 cm, framed, indistinctly signed.

Richard Wood, watercolour and lithograph "Dungeon Ghyll", signed lower right and dated 1984. 1/6. 20 x 15 cm (SH).

2 x JOHN CLEESE ( Actor ) Comedian - Signed limited edition Lithographs with cert - The Germans. Number 192and another Lithograph signed limited edition with cert `Gourmet Night`. No 162Each measures approx 16.5 inches wide. Rolled in tube.

CARRY ON CAMPING - Signed Limited Edition Lithograph - Signed by Dame Barbara Windsor - Number 4 of 500. with certificate it measures approx 16.5 inches wide rolled in tube.

THE TWO RONNIES - Signed Limited Edition Numbered Lithograph with certificate and rolled in a tube. Fork Handles Number 275 of 900 signed in person by both Ronnie Barker and Ronnie Corbett. It measures approx 16.5 inches wide.

DADS ARMY - Ian Lavender Limited Edition signed and numbered Lithograph with certificate rolled in a tube. Entitles `Don`t tell him Pike ! ` it measures approx 10.5 inches wide. Number 67.

MARIA HELENA VIEIRA DA SILVA (1908-1992)LisbonLithograph, 31 x 26cmSigned and numbered 64/99

DOROTHEA BRABY 1909-1987: 'SEVENTH DIMENSION', LITHOGRAPH 2/14, signed and dated '54; Braby was a significant illustrator, particularly for The Golden Cockerel Press 37 x 52cm (some discolouring due to old framing materials)

SUE MACARTNEY-SNAPE Glynebourne, lithograph, 309 of 750, 78 x 69 cms

EMILE LASSALLE (1813-1871) hand coloured lithograph, 1850s, 46 x 59 cms, with a pastel of a market scene and a watercolour with collage of poppies

(Marc Chagall, Joan Miro), 'Verve. An Artistic and Literary Quarterly', Volume 1, No.3, Paris, June 1938, 4 coloured lithograph plates by Marc Chagall, Joan Miro, Rattner & Paul Klee, plus 8 full page coloured lithograph ills. on 6 plates 'The Indian Pantheon', depicting Vishnu, Demons of Ceylon etc, plus coloured plates by Henri Matisse, Pierre Bonnard etc, plus numerous other plates including heliogravure photographs etc as called for, folio, original pictorial colour wraps by Pierre Bonnard

Two folders containing a good quantity of Norfolk & Suffolk engravings and prints, including Samuel & Nathaniel Buck views of Walsingham Priory (2), Castle Acre, Creake Priory; plus others Henry Davy; Blickling Hall lithograph by Day & Son, etc etc (2)

Heinrich Vogeler (1872-1942). Die versunkene Glocke. Von Gerhard Hauptmann. In Bildern von Heinrich Vogeler Worpswede. Verlegt bei Fischer & Franke, Berlin 1898, erste von Vogeler ill. Ausgabe in der seltenen Vorzugsausgabe mit dem von Vogeler sign. u. (65) num. Titelblatt, 1 lithograph. Textblatt (Inhalt) und 10 Farblithographien von H. Vogeler, 37 x 28 cm, diese jew. am o. Blattrand auf Untersatz mont. 42 x 32 cm, lose in O.-Leinwandflügelmappe mit mont. farbig lithographierter Deckelillustration, Mappe 43 x 33 cm mit Alters- und Gebrauchssp.

After David Roberts (1796-1864) 'Triumphal Arch crossing the Ravine leading to Petra'. Plate 95 as part of Volume III of 'The Holy Land'. Lithograph reproduction. Framed and glazed. Measures 49cm x 38cm. 

A pair of 19th century hand coloured lithograph prints depicting hunting scenes. Each scene capturing a particular phase in the hunt. In the manner of John Frederick Herring. Framed and glaze. Some damage to frames. Measures 62cm x 32cm. 

Jamie Wyeth - (American b. 1946) - Rudolf Nureyev - A signed limited edition colour lithograph by Jamie Wyeth depicting New York company Russian ballet dancer Rudolf Nureyev as part of his series 'Capturing Nureyev', 1978, New York. Nureyev is captured mid grand jeté. Original painting in the media of pencil and pastel. Signed in pencil by the artist. No. 32/300.  Framed and glazed. Measures102cm x 77cm. 

ROBERT SAVARY (French, b.1920) 'Cannes', lithograph, hand signed and numbered, 50cm x 60cm, in a vintage French frame. (Subject to ARR - see Buyers Conditions)

MARC CHAGALL (Belarusian-French, 1887 ? 1985) 'Lovers', trial proof with unique colourway, original lithograph, printed by Mourlot 1960, 32cm x 25cm, in a vintage French frame.

PABLO PICASSO (1881-1973) 'Sylvette, verse 1954', lithograph, 35cm x 25cm, framed.

YVES BRAYER (French, 1907 ? 1990) 'Provence', 1972, lithograph, printed by Mourlot, 60cm x 50cm, in a vintage French frame.

PABLO PICASSO (1881-1973) 'Couple NU, No IV, 1972', lithograph, 30cm x 40cm on arches paper, bears stamp for Mourlot Spadem, framed.

PABLO PICASSO (1881-1973) 'Painter and Model II, 1972', lithograph, 50cm x 40cm on arches paper bears stamp for Mourlot/Spadem, framed.

MARC CHAGALL, 'Paysage Au Coq' (Landscape with Rooster), published Derriere le Miroir, 107-108,1958, lithograph, 37cm x 54cm, Ref Mourlot 208, framed.

Eric Ravilious (1903-1942), lithograph, ‘E. Smith, Saddlers & Harness Makers, from the 1938 'High Street' series, 22.5 x 14cm, unframed

Charles West Cope (1811-1890), pencil drawing, Lakeland Fells, initialled and dated 1849, 13 x 20cm and a hand coloured lithograph, 'The Fortress of the Alhambra', after David Roberts, 40 x 28cm.

Sir Frank Brangwyn (1867-1956), photo-lithograph, Print from The Steilen Portfolio, 29 x 35cm

* DAVID SHRIGLEY OBE (SCOTTISH b. 1968), DO NOT EAT HIM limited edition lithograph printed on 200g Munken Lynx paper by Narayana Press in Denmark, from an edition of 250 image size 70cm x 50cm, overall size 73cm x 43cm Framed and under glass.

* DAVID SHRIGLEY OBE (SCOTTISH b. 1968), DO NOT FUCK ABOUT WITH IT limited edition lithograph printed on 200g Munken Lynx paper by Narayana Press in Denmark, from an edition of 250 image size 70cm x 50cm, overall size 73cm x 43cm Framed and under glass.

* DAVID SHRIGLEY OBE (SCOTTISH b. 1968), ANY DIRECTION IS FINE limited edition lithograph printed on 200g Munken Lynx paper by Narayana Press in Denmark, from an edition of 250 image size 70cm x 50cm, overall size 73cm x 43cm Framed and under glass.

* BANKSY (BRITISH b. 1974), VISIT HISTORIC PALESTINE, 2018 offset lithograph on paper image size 57cm x 40cm, sheet size 70cm x 50cm overall size 79cm x 60cm Mounted, framed and under glass.

* STIK (BRITISH b. 1979), STANDING FIGURE (BOOK) (GREY) 2015 offset lithograph on wove paper image size 74cm x 22cm, overall size 95cm x 41cm Mounted, framed and under glass. Note: A Korean copy of the book 'STIK' is included with this lot.