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Lot 652

*Mary Fedden RA (1915-2012) 'Cat on a Cornish beach' offset lithograph printed in colours, 2000, signed and numbered 258/500 in pencil, after the 1991 painting, published by Bow Art, with their blindstamp, on wove paper, with margins sheet 35 x 49.3cm, unframed; 'Red Sunset' offset lithograph printed in colours, 2000, signed and numbered 213/500 in pencil, after the 1994 painting, published by Bow Art, with their blindstamp, on wove paper, with margins sheet 35.3 x 49.3cm, unframed (2) *Artist's Resale Right may apply to this lot.Condition report: Cat on a Cornish beach: A couple of very light smudges of dirt in the margin, probably fingerprints, very minor and barely noticeable. No other obvious flaws. Red sunset: The corners are a little soft, but very minor. No other obvious flaws.

Lot 742

*Michael Sandle RA (b.1936) Untitled lithograph printed in colours, 1976, signed, dated and numbered 17/100 in pencil, from the 'For John Constable' portfolio, on wove paper, with margins sheet 70.5 x 91.5cm, unframed *Artist's Resale Right may apply to this lot.Condition report: Creasing to top right corner. Some light scattered handling creases elsewhere but mostly minor. Some very light scattered spots of foxing and a few smudges of surface dirt. One or two very light scuffs to the surface of the print.

Lot 747

*John Humphrey Spender (1910-2005) 'Reedy Pool, Essex' lithograph signed in pencil and numbered 47/65 image 43.5 x 64cm *Artist's Resale Right may apply to this lot.

Lot 753

Keith Haring (American, 1958-1990) 'Crack Down!', 1986 lithograph in colours on wove sheet 55.5 x 43.4cm, unframed

Lot 825

*Philip Sutton (b.1928) 'Olga's Flowers' lithograph printed in colours, signed, titled and dated 1976 in pencil, artist's proof sheet 65 x 44cm *Artist's Resale Right may apply to this lot.

Lot 122

PABLO PICASSO Untitled, 1972, lithograph, suite: Kiss at Avignon, 45cm x 60cm, framed and glazed.

Lot 124

FERNAND LEGER, 1950, lithograph, edition: 300, suite: Cirque, 40cm x 30cm, framed and glazed.

Lot 129

PABLO PICASSO 'Femme', lithograph, Suite: Californie, 40cm x 25cm, framed and glazed.

Lot 143

ANDY WARHOL 'Mick Jagger', lithograph, from Leo Castelli gallery, stamped on reverse, edited by G. Israel on Arches paper, numbered edition of 100, 55cm x 38cm, framed. (with faults)

Lot 161

ANDY WARHOL 'Jean Cocteau', lithograph, from Leo Castelli gallery, stamped on reverse, edited by G. Israel on Arches paper, numbered edition of 100, 55cm x 38cm, framed.

Lot 163

ANDY WARHOL 'Mao', lithograph, from Leo Castelli gallery, stamped on reverse, edited by G. Israel on Arches paper, numbered edition of 100, 55cm x 38cm, framed.

Lot 165

ANDY WARHOL 'Sitting Bull', lithograph, from Leo Castelli gallery, stamped on reverse, edited by G. Israel on Arches paper, numbered edition of 100, 55cm x 38cm, framed.

Lot 133

The lot features a collection of 25 original circa 1955 lithographs of the Lower (Grand or Great) Falls of the Yellowstone River in the Grand Canyon of the Yellowstone National Park by Carl Tolpo dating to circa 1955. The lot includes 25 new-old-stock originals directly from the artist, handed down by his son, and were printed in 1955 during Carl Tolpo’s lifetime from the original. These litho’s of the original work done from the perspective of the artist in the Yellowstone Grand Canyon – Artist’s Peak. Carl Tolpo was born in Ludington, Michigan in 1901. During the course of his career, he established his reputation as a portrait, genre and landscape painter as well as a portrait and figure sculptor. As a painter, his works in fine oil portraiture particularly include State portraits and landscape oil paintings of the western USA, mostly the Yellowstone Park region. His works are on display in the National Museum of Wildlife Art in Jackson Hole, Wyoming. This lifetime lithograph depicts the Lower Falls and the Grand Canyon it carves out at Yellowstone National Park. An osprey can be seen flying over the falls in the sky. Osprey were often depicted in Tolpo’s work as he was an avid fisherman. The painting was done from “Tolpo Point” which was later named in his honor officially in 1953 and is where he painted his colossal work of the Canyon which is on loan to YNP and on display. Each print measures 25 7/8”x20”. The prints are loose in new-old-stock well preserved condition. They were removed from the original wrappings for the first time since Tolpo’s ordered them back in the 1950’s for the first time to be brought to you on this rare occasion. These prints have regularly sold for as much as $300 a piece, which would value this lot at $7,500. These are truly a wonderful piece of Yellowstone history and would be a fantastic gallery, antique store, tourist store, or collector addition. The piece is marked in the artwork, "1955 (copyright) Carl Tolpo July th Aug 1954 Y.G.C. at Red Rock" and under the artwork, "Lower (Great) Falls of the Yellowstone River Grand Canyon Yellowstone National Park painted by Carl Tolpo.”

Lot 134

The lot features a collection of 25 original circa 1949-1951 lithographs of the Lower (Grand or Great) Falls of the Yellowstone River in the Grand Canyon of the Yellowstone National Park by Carl Tolpo. The lot includes 25 new-old-stock originals directly from the artist, handed down by his son, and were printed in 1951 during Carl Tolpo’s lifetime from the original. These litho’s of the original work done from the perspective of the artist in the Yellowstone Grand Canyon – Artist’s Peak. Carl Tolpo was born in Ludington, Michigan in 1901. During the course of his career, he established his reputation as a portrait, genre and landscape painter as well as a portrait and figure sculptor. As a painter, his works in fine oil portraiture particularly include State portraits and landscape oil paintings of the western USA, mostly the Yellowstone Park region. His works are on display in the National Museum of Wildlife Art in Jackson Hole, Wyoming. This lifetime lithograph depicts the Lower Falls and the Grand Canyon it carves out at Yellowstone National Park. An osprey can be seen flying over the falls in the sky. Osprey were often depicted in Tolpo’s work as he was an avid fisherman. The painting was done from “Artist Point” an overlook point on the edge of a cliff which was named by Frank Jay Haynes in 1883 and was believed to be the place at which painter Thomas Moran Sketched his 1872 depiction of the falls. Each print measures 24”x18.25”. The prints are loose in new-old-stock well preserved condition. They were removed from the original wrappings for the first time since Tolpo’s ordered them back in the 1950’s for the first time to be brought to you on this rare occasion. These prints have regularly sold for as much as $300 a piece, which would value this lot at $7,500. These are truly a wonderful piece of Yellowstone history and would be a fantastic gallery, antique store, tourist store, or collector addition. The piece is marked in the artwork, "Carl Tolpo (copyright) ’51 7-9 1949 Yellowstone Grand Canyon Artist Point Afternoon”.

Lot 135

The lot features a collection of 25 original circa 1953 lithographs of Grand Canyon and Lower Falls of the Yellowstone by Carl Tolpo dating to circa 1953. The lot includes 25 new-old-stock originals directly from the artist, handed down by his son, and were printed in 1953 during Carl Tolpo’s lifetime from the original. These litho’s of the original work done from the perspective of the artist in the Yellowstone Grand Canyon – Artist’s Peak. Carl Tolpo was born in Ludington, Michigan in 1901. During the course of his career, he established his reputation as a portrait, genre and landscape painter as well as a portrait and figure sculptor. As a painter, his works in fine oil portraiture particularly include State portraits and landscape oil paintings of the western USA, mostly the Yellowstone Park region. His works are on display in the National Museum of Wildlife Art in Jackson Hole, Wyoming. This lifetime lithograph depicts the Lower Falls and the Grand Canyon it carves out at Yellowstone National Park. An osprey can be seen flying over the falls in the sky. Osprey were often depicted in Tolpo’s work as he was an avid fisherman. The painting was done from “Tolpo Point” which was later named in his honor officially in 1953 and is where he painted his colossal work of the Canyon which is on loan to YNP and on display. Each print measures 25.5”x35”. The prints are loose in new-old-stock well preserved condition. They were removed from the original wrappings for the first time since Tolpo’s ordered them back in the 1950’s for the first time to be brought to you on this rare occasion. These prints have regularly sold for as much as $300 a piece, which would value this lot at $7,500. These are truly a wonderful piece of Yellowstone history and would be a fantastic gallery, antique store, tourist store, or collector addition. The piece is marked in the artwork, "Carl Tolpo Yel Gr Canyon T. Pt. July th Aug 1953 (copyright)" and under the artwork, "Grand Canyon and Lower Falls of the Yellowstone by Carl Tolpo Contemporary American Artist."

Lot 232

For your consideration is this Frederic Remington chromo lithograph called "The Cossack Post." Frederic Sackrider Remington (October 4, 1861 – December 26, 1909) was an American painter, illustrator, sculptor and writer who specialized in depictions of the American Old West. The chromo lithograph shows a mounted cavalryman weathering the night with another cavalryman posted on the hill. The condition of this chromolithograph is good with no obvious signs of damage to the artwork, and shows some wear and age marks to the board its mounted on.The measurements of the prints range from

Lot 246

For your consideration is an original J.J. Audubon drawing titled "Common Star Nose Mole" printed and colored by J.T. Bowen, Philad.a. This is an expertly framed original work of art from the mid 19th century, that comes with a certificate of authenticity from the Buffalo Bill Historical Center; Cody, Wyoming. The certificate indicated that this lithograph, which is hand printed and hand water-colored, is from Audubon's firsts octavo edition of The Quadrupeds of North America, and is over 140 years old. John James Audubon was an American artist, naturalist, and ornithologist The art shows excellent attention to detail and wonderful coloration. The lithograph is marked "No. 14" and "Plate LXIX" across the top. It is marked across the bottom reading "Common Star Nose Mole - Drawn from Nature by J.J. Audubon F.R.S.F.L.S. - On stone by W.E. Hitchcock - Lith. Printed & Col.d by J.T. Bowen Philad.a." This is an original lithograph, published between the years 1849 and 1854 by master printers. The artwork is set in a beautiful wooden frame by the Frame Hut Gallery in Billings, Montana. The visible art measures 9"x6" and the frame measures 17" x 14.5"

Lot 247

For your consideration is an original J.J. Audubon lithograph titled "Douglasses Spermophile" printed and colored by J.T. Bown, Philad. This is an expertly framed original work of art from the mid 19th century. This lithograph, which is hand printed and hand water-colored, is from Audubon's firsts octavo edition of The Quadrupeds of North America, and is over 140 years old. John J Audubon was an American artist, naturalist, and ornithologist. The art shows excellent attention to detail and wonderful coloration. The lithograph is marked "No. 10" and "Plate XLIX" across the top. It is marked across the bottom reading "Douglasse's Spermophile - Drawn from Nature by J.J. Audubon FRSFLS. - On stone by W.E. Hitchcock - Lith. Printed & Col.d by J.T. Bowen Philad.a." This is an original lithograph, published between the years 1849 and 1854 by master printers. The artwork is set in a beautiful wooden frame by the Frame Hut Gallery in Billings, Montana. The visible art measures 9"x6" and the frame measures 17" x 14.5"

Lot 249

For your consideration is an original J.W. Audubon drawing titled "Yellow-Bellied Marmot" printed and colored by J.T. Bowen, Philad. This is an expertly framed original work of art from the mid 19th century, that comes with a certificate of authenticity from the Buffalo Bill Historical Center; Cody, Wyoming. The certificate indicates that this lithograph, which is hand printed and hand water-colored, is from Audubon's firsts octavo edition of The Quadrupeds of North America, and is over 140 years old. John Woodhouse Audubon (1812-1862) was an American artist and naturalist, and the second son of the well known ornithologist and painter, John James Audubon. The art shows excellent attention to detail and wonderful coloration. The lithograph is marked "No. 27" and "Plate CXXXIV" across the top. It is marked across the bottom reading "Yellow-Bellied Marmot - Drawn from Nature by J.W. Audubon. - On stone by W.E. Hitchcock - Lith. Printed & Col.d by J.T. Bowen Philad.a." This is an original lithograph, published between the years 1849 and 1854 by master printers. The artwork is set in a beautiful wooden frame by the Frame Hut Gallery in Billings, Montana. The visible art measures 9"x6" and the frame measures 17" x 14.5"

Lot 678

For your consideration is this Capper's Farmers Protective Service tin lithograph sign circa 1940's. The sign reads: This Farm is Protected; Capper's Farmer Protective Service Thieves Beware; Arthur Capper Publisher division of Capper's National Protective Service Association Topeka, Kansas; Cash Rewards All Property Marked. The sign shows a black border with a red background with a white spread eagle decoration.The condition of this sign is good with some chipping to the paint and slight oxidation to exposed areas of metal but otherwise in good overall condition. The measurements of this sign are 8" x 13 3/4".

Lot 118

"Dorward Caps" a 1920's/30's advertising lithograph, printed by George Waterston & Sons Ltd, Edinburgh, framed. 36.5cm by 56.5cm

Lot 120

After Cathinca Amyot, "Tit-Bits" an advertising chromo-lithograph for Pears' Soap, framed. Image 63cm by 44cm

Lot 702

Constantin TERECHKOVITCH (Russian 1902-1978) Colour Lithograph, signed in pencil to margin and dated 54', 35cms x 27cms, framed and glazed

Lot 135

Sizaire & Naudin booklets, catalogues, prints and photographs,comprising and 1906-07 Victoire leaflet, an 1906-07-08 Victoire leaflet, 1910, 1911 and 1914 sales catalogues, a 1920 leaflet, all French text; an E Vicart Fils Sizaire & Naudin sales booklet 1911, and other ephemera and reprinted photographs; a hand-coloured lithograph after E Montaut 'Coupe de Voiturettes 1908', 37 x 81cm, mounted, framed and glazed (cracked); two smaller lithographs for 1906 and 1907 after Montaut from 'Dix ans de course', 15 x 28.5cm, each mounted with title plate, framed and glazed; and three Edwardian photographs, each framed and glazed, and loose issues of La Vie au Grand Air with articles or covers featuring the marque. (Qty)For further information on this lot please visit Bonhams.com

Lot 140

Ernest Montaut (French 1878-1909), 'Targa Florio 1907' an original pencil design for a lithographic print,signed, pencil on paper, outline design for No.F lithograph from the series printed by Mabileau & Cie. and depicting eventual winner Nazzaro in the Fiat, 17 x 30cm, mounted, framed and glazed. This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

Lot 330

Henry Constantine Richter (British 1821-1902) after John Gould (British 1804-1881): 'Platycercus Icterotis' - Western Rosella, colour lithograph pub. Hullmandel & Walton 41cm x 29cm - Condition Report

Lot 331

Henry Constantine Richter (British 1821-1902) after John Gould (British 1804-1881): 'Platycercus Pennantii' - Crimson Rosella, colour lithograph pub. Hullmandel & Walton 41cm x 29cm - Condition Report

Lot 408

Pair of Baxter prints, Charles Copeland 1832 pencil of a river landscape, lithograph of Brooklyn bridge after Pennell and other unframed pictures - Condition Report

Lot 361

Warwick Higgs (act. XX-XXI) British, "The runners", signed, dedicated and dated '97, lithograph, glazed and framed (64x23 cm).

Lot 112

Harry Becker (1865-1928), Heavy horses, 1914, black and white lithograph, 15 x 24cm

Lot 113

Harry Becker (1865-1928), "Sheep shearing 1915", black and white lithograph, 26 x 34cm

Lot 114

Harry Becker (1865-1928), Farm workers with scythes, black and white lithograph, 31 x 41cm

Lot 21

After C J W Winter, "Grand Review of Volunteers at Great Yarmouth, June 19th, 1862", coloured lithograph by Ashbee & Dangerfield, drawn and published by C J W Winter, Gorleston, Gt Yarmouth, August 1862, 28 x 42cm

Lot 22

After C J W Winter, "Falling of the suspension bridge, Gt Yarmouth on Friday evening, May 2, 1845, and upwards of 100 persons drowned", hand coloured lithograph, drawn and litho by C J W Winter, 25 x 35cm

Lot 3

After Thomas J Barker, "Nelson on board The San Joseph", hand coloured lithograph, 45 x 63cm

Lot 7

After Thomas Tegg, "Lord Viscount Nelson", black and white lithograph, 33 x 23cm, together with two further Nelson related engravings (3)

Lot 35

William Russell Flint framed and glazed lithograph of The Shower, signed bottom right, blind stamped bottom left, 42 x 55.5cm

Lot 36

William Russell Flint framed and glazed lithograph of a reclining nude, signed bottom right, blind stamped bottom left, 31.5 x 58cm

Lot 1400

A GROUP OF FIVE 19TH CENTURY HAND-COLOURED ENGRAVINGS OF GREYHOUNDS, including "Waterloo Cup 1884", engraved by Hunt, after Powell, published 1884; "Donald", after Hunt, lithograph, published by George Rees; etc., in oak frames. (5)The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Appear to be c. 1877 in date.

Lot 1483

~ THOMAS SIDNEY COOPER (1803-1902), PORTRAIT OF A MAN HOLDING AN AXE, signed and dated 1833 lower left, pencil, framed, 35.5cm by 26cm; together with A PORTRAIT LITHOGRAPH OF A GENTLEMAN, by M & N Hanhart and T.H. Maguire; and A PORTRAIT ENGRAVING OF A GENTLEMAN, framed. (3)

Lot 1510

PETER MAX (AMERICAN, BORN 1937), GANESHA, signed in acrylic, acrylic and lithograph, framed. 31cm by 25.5cm

Lot 677

*KRISTJANA S WILLIAMS (1984), an ebonised box-framed and glazed limited edition (40/50) colour lithograph, multi-coloured butterfly made up from other butterflies etc. signed in pencil lower right (lithograph size 42cm square)

Lot 7053

Rev. Alfred Suckling: 'The History and Antiquities of the County of Suffolk: with Genealogical and Architectural Notices of Its Several Towns and Villages', London, John Weale, 1846-1848, 1st edition, large paper copy, 2 volumes, 43 lithograph plates (of which 5 chromo/coloured litho and many others tinted) + 1 engraved portrait plate, 1 engraved plan & 1 folding pedigree, + numerous other pedigrees, vignettes, seals etc as called for, large 4to, half tan morocco gilt, spines gilt in compartments, top edges gilt, H. Sotheran & Co. booksellers stamp on front free end paper, "Conservative Club" labels to marbled paper covered boards (2)

Lot 7056

Francis Stone: 'Picturesque Views of the Norfolk Bridges', 1830-1831, in four original parts as issued, engraved title page + 84 lithograph plates as called for, author's inscribed presentation copy to John Rogerson Esq on upper cover of part 4, oblong 4to, original roan backed card covers, printed labels to upper covers, bookplates of R.W. Lamb of Lowestoft. Scarce in the original parts (4)

Lot 7072

James Sillett (Norwich School), scarce lithograph of St Mary's Chapel, Norwich, 1828, printed area approx 17 x 23cm, mounted

Lot 7111

A folder and three packets of Norfolk and Suffolk drawings, prints, lithographs, etchings etc., including Norwich gates drawings by W.H. Watson, Holmes Winter, Robert Dixon etc; Framlingham, Earsham prints, Loddon drawings etc.; Needham church lithograph, Stones bridges, Orford & Blythburgh numerous etchings etc.; Castle Acre by Robert Dixon, and Norwich, Thetford, Yarmouth engravings etc (4)

Lot 7116

A lithograph view of Redenhall church, 1833, by George Fitt, plus 17 Redenhall church screen pencil drawings by Cornelius Winter (one of which pencil and watercolour)

Lot 7186

MacDonald 'Max' Gill (1884-1947): 'Map of Central London, Clash of Arms', lithograph in colours, 1932 printed by Waterlow & Sons Ltd, London, backed onto linen and trimmed, lacking the decorative borders containing coats of arms, text, printers imprint etc, faded and worn, several areas of damage and small chips/part losses of surface paper, sold as found with all faults and not subject to return, approx size 89x94cm (if complete size approx 102x126cm)

Lot 1109

PAT DOUTHWAITE Top Knot, signed, lithograph, 4 of 20, 76 x 56cm Condition Report: Available upon request

Lot 1142

MUIRHEAD BONE Fitting Out Basin, signed, lithograph, 48 x 36cm Condition Report: Available upon request

Lot 5823

W.F. **ll* (20th century), by and after, Dancer in the Spotlight, lithograph, [n.d., c. 1950], 34.5cm x 23.5cm, the sheet mounted, inscribed Park Lane Gallery label to verso, [1]

Lot 5832

Manchester and Lancashire - No. 43, London: Published by G. & J. Cary, January 1st, 1832, hand-coloured engraving over twelve folds, linen-backed, 56cm x 67.5cm, marbled covers, (1); Isaac Slater (1803-1883), A New Plan of the Boroughs of Manchester and Salford, and of the Townships and Country Round, Extending there Miles from the Exchange, [Manchester: n.d., c. 1860?], hand-coloured steel engravings over twenty-four folds laid on linen, 112cm x 124cm, one contemporary cloth board and marbled endpaper only, (1); I. Slater's Plan of Manchester and Salford, Manchester: 1876, lithograph over eighteen-folds, laid on canvas, 59cm x 73cm, (1); A New Plan of Manchester & Salford, frontispiece from Aston's Picture of Manchester, third edition, Manchester: [n.d., c. 1830], title-page attached, 37.5cm x 45cm, (1); A Table of the Reciprocal Distances of the Principal Towns of England, Including all the Market Towns of Lancashire [...], Liverpool: Wales and Co., [n.d., 1824/5], 41cm x 52.5cm, tartan-type cloth to verso, (1); Lancashire, from Cox's Magna Britannia et Hibernia, 1272-1337pp and illustrated with fold-out map and distance table, paper wrappers, (1), [6]

Lot 5833

Miscellaneous UK - James Wyld (1812-1887), by and after, Wyld's New Plan of London and its Vicinity, London: Published by James Wyld, Geographer to the Queen [...], 1867, hand-coloured lithograph, 84cm x 108cm, (faults), (1); Yorkshire, Ordnance Survey, Sheet 93, Knaresborough [...], London: 1858, 67cm x 100cm, marbled endpapers, buckram boards, (1); John Bartholomew Junior (1831-1893), Map of Derbyshire, Manchester: Abel Heywood & Son, [n.d.], 28cm x 39.5cm, cloth over board covers, (1); a later map of Derbyshire, (1); Philips' Handy Volume Atlas of London, A Series of Fifty-Five Sectional Maps [...], sixth edition, London: George Philip & Son, Ltd., [n.d., 1910], contemporary red cloth (taped), 8vo, (1), [5]

Lot 6000

Travel and Cartography - Salmon [Thomas], The Modern Gazetteer: or, A Short View of the Several Nations of the World [...], The Sixth Edition, with great Additions, and A New Set of Maps [...], London: Printed for S. and E. Ballard [...], 1759, 7 fold-out maps, contemporary calf (worn), slightly later ink MS ownership inscription: John Owen's Book Anno Domini 1778, 12mo, (1); Galignani's Traveller's Guide through Switzerland [...], sixth edition, Paris: Published by A. and W. Galignani, 1822, contemporary calf, 12mo, (1); Charnock (Dr), Bradshaw's Illustrated Hand-Book to Spain and Portugal: A Complete Guide for Travellers in the Peninsula, With Maps, Town Plans, and Steel Illustrations, London: W.J. Adams, 1866, contemporary red cloth gilt (worn), contemporary Parisian bookseller's ticket, 12mo, (1); American Imprint, Richards (T. Addison), Appleton's Illustrated Hand-Book of American Travel, A Full and Reliable Guide by Railway, Steamboat, and Stage, [...] in the United States and the British Provinces, New York: D. Appleton & Co., 1857, fold-out map (repaired), contemporary covers (worn), 8vo, (1); New Pocket-Panorama of the Rhine, from Mayence to Cologne with Description, 16-fold lithograph, contemporary printed boards, (1); etc., [7]

Lot 314

Travels to Mesopotamia. London: H. Colburn 1827, 4to, folding map and 2 lithograph plates with slight dust staining and spotting, illustrations to chapter headings, text generally clean, with half title, half morocco

Lot 321

Travels in Africa, Egypt and Syria, from the year 1792 to 1798. London 1806, 4to, frontispiece, plate, 3 folding maps/plans, somewhat toned, some light spotting and offsetting, repaired calf; HODGKIN (Thomas) Narrative of a Journey to Morocco in 1864 and 1864. London 1866, large 8vo, lithograph and plates, catalogue list at end, original green cloth gilt , a.e.g.;

Lot 340

Journal of a Visit to some parts of Ethiopia. London: John Murray 1822, 4to, lithograph frontispiece, 2 folding engraved maps, 15 lithograph plates (one folding), some foxing and slight staining/toning, association inscriptions to first leaf and title, handsome green morocco gilt, a.e.g.

Lot 358

FERRIER (J P) Caravan Journeys and Wanderings in Persia, Afganistan, Turkistan and Beloochistan, 2nd edition London 1857, 8vo, folding map and 3 plates as called for, some light foxing, original cloth with hinges repaired; BUDGE (E A Wallis) The Egyptian Sudan, in 2 vols., London 1907, cloth gilt; The Gods of the Egyptians, in 2 vols., Methuen 1904, some foxing and spotting, red cloth, BARTH (H) Travels and Discoveries in North and Central Africa, 5 vols., 1857-58, 8vo, folding maps (some damaged), ex lib. stamps to titles, lithograph plates, half morocco; CASATI (Major G) Ten Years in Equatoria and the Return with Emin Pasha, 2nd edition in 2 vols. 1891, 8vo, 4 folding maps, illustrations, original pictorial cloth gilt with chipped head bands; ASHMEAD-BARTLETT (E) The Passing of the Shereefian Empire, 1910; and 7 others, mainly early 20th century (22)

Lot 369

MIGNAN (Capt. R) Travels in Chaldea London 1829, 8vo, map and plates as called for, title slightly soiled, diced calf; RICH (C J) Narrative of a Journey through the Site of Babylon in 1811. London 1839, 8vo, plans and plates as called for, half calf; FORSTER (Rev. C) The Historical Geography of Arabia, in 2 vols, 1844, 8vo, a little toned, rebacked half calf; PALGRAVE ((W G) Narrative of Year's Journey through Central and Eastern Arabia, in 2 vols., 1865, 8vo, folding map, a little toned, later half calf; LOFTUS (W K) Travels and Researches in Chaldaea and Susiana, London 1857, 8vo, folding maps/plans, later half calf (rubbed); LONGWORTH (J A) A Year among the Circassians, in 2 vols, London 1840, 8vo, 4 lithograph plates only (of 7), half calf; various others, all in varying condition (17)

Lot 55

Great Room House of H B M Consul Damascus, lithograph, 35 x 28cm Aden with paddle steamer, lithograph by W A Delamotte, 25 x 30cm Gebel Mousa - Summit of Mt Sinai, lithograph, 29 x 41cm The City of Algiers from the Sea, aquatint by R. Havell (faded) 28 x 38cm

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