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An Art & Crafts oak longcase clock: the eight-day duration weight-driven movement striking the hours on a bell with the rectangular pewter dial having an embossed raised chapter ring with stylised Arabic numerals, mother-of-pearl centre, diamond inset decoration below and spade hands, stamped with the initials F.P at 4 o'clock, the flat-top oak case with canted corners, double corner pillars to the hood, visible copper hinge straps inset with further diamond decoration to the panelled trunk door and a concave moulded base, height 192cm.

Pearson, Blackburn, a mahogany moonphase longcase clock: the eight-day duration movement striking the hours on a bell and having a fourteen-inch break-arch Wilson painted dial with black Roman hour numerals and typical Wilson strawberry decoration to the four corners and birds to the centre, with seconds dial, date aperture and signed Pearson, Blackburn, with decorative brass hands, the arch having a moonphase disc painted with the moon along with a seascape and landscape, the dial rear and date disc both stamped for the dial maker Wilson of Birmingham, having a mahogany case, the trunk with double finned pillars, a triple lancet-shaped moulding to the door, and satinwood panels, the hood with two fluted pillars to each corner with cast-brass Corinthian capitals, a swan-neck pediment with shaped verre-eglise glass panels, the centre being decorated with the figure of a woman, the base with satinwood panels to the edge, canted corners and standing on bracket feet, height 230cm.* Biography William Pearson is recorded as working at 2 Astley Gate, Blackburn, Lancashire until 1828 and then Holme Street circa 1834.* Notes Reference Brian Loomes Lancashire Clocks and Clockmakers Pub. David & Charles 1975For details of Wilson see lot 1303

John Green of Skipton, a carved oak longcase clock: the eight-day duration movement striking the hours on a bell, the 12 inch square brass dial having a raised chapter ring engraved with black Roman numerals and meeting-arrow-head half-hour markings and engraved either side of VI o'clock Green, Skipton, the matted centre having ringed winding holes, a subsidiary seconds dial, date aperture and blued steel hands, with cherub-and-crown cast-brass corner spandrels, the later carved flat-topped oak case having pillars to the hood, a raised panel to the base and standing on bracket feet, height 221cm.* Biography John Green is recorded as working in Skipton, Yorkshire from before 1704 until his death in 1742, following the death of his wife in 1739.* Notes Reference Brian Loomes Yorkshire Clockmakers Pub. Dalesman Books 1972

Geo. Uglow, Stratton, a Regency mahogany longcase clock: the eight-day duration movement striking the hours on a bell with the painted twelve-inch break-arch dial having black Arabic numerals, subsidiary seconds dial and date aperture, cherubs painted to the four corners and decorative brass hands, the mahogany crossbanded case with quartered barley-twist columns to the trunk and oval inlaid panelling to the trunk and base, the hood with barley-twist columns and surmounted by three brass ball-and-spire finials, all standing on bracket feet, height 225cm inc. finial.* Biography George Uglow is recorded as working in Stratton, Cornwall from before 1791 and not after 1841 when it was reported that his widow died.* Notes Reference H. Miles Brown Cornish Clocks & Clockmakers Pub. David & Charles 1980

Halliwell, Warrington, a 19th century moonphase longcase clock: the eight-day duration movement striking the hours on a bell with the fourteen-inch painted arched dial having black Roman hour numerals, Arabic outer five-minute numerals, the corners painted with typical Wilson flowers, the dial centre painted with two exotic birds and signed Halliwell, Warrington, with a subsidiary seconds dial and date aperture, the date disc being signed on the rear for the dialmaker Wilson, Birmingham, the dial set an iron falseplate embossed with a repeat of the dialmaker's name, the arch having a moonphase aperture painted with a sea scape and landscape either side of the moons, with decorative blue steel hands, the mahogany case having fluted quarter columns to the trunk with the hood having a swan-neck pediment with gilt decorated blue glass inset and fluted pillars, the base with canted corners, book-matched veneers and standing on bracket feet, height 242cm.*Notes John & David Halliwell are recorded as working at Bridge Street, Warrington from before circa 1822 until at least circa 1834.James Wilson of Birmingham was a pioneer in the production of white 'painted' dials for longcase clocks having been in partnership with Osborne since 1772 until their split in 1777.

Rath, Burgess Hill, a rocking ship longcase clock: the eight-day duration movement striking the hours on a bell, the twelve-inch breakarch brass dial having a raised silvered chapter ring engraved with black Roman numerals and Arabic five-minute numerals, the silvered centre engraved with c-scroll decoration and signed Rath, Burgess Hill, with blued-steel decorative hands and cast-brass c-scroll spandrels to the four corners, the arch having a rocking ship moving with the beat of the movement with a seascape behind and arched silvered surround engraved The Royal Oak, the oak case having two brass ball-and-spire finials to the break-arch top and fluted pillars with cast-brass capitals to the hood, height 188cm.

A mahogany longcase clock: the eight-day duration movement striking the hours on a bell and having a twelve-inch break-arch painted dial with strawberry corner spandrels, black Roman hour numerals and blued steel hands, with a 'Strike/Silent' dial within the arch, the mahogany case having a swan-neck pediment and shaped moulding to the trunk door, height 204cm.

Mitchell and Son, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, the fourteen-inch round brass dial engraved with black Roman numerals, subsidiary seconds and date dials and signed Mitchell & Son, Glasgow, with decorative blued steel hands, the arch-top mahogany case with inlaid stringing and crossbanding, with canted corners to the hood and all standing on bracket feet, height 202cm.* Biography The large Mitchell family were well-known Glasgow clockmakers, the makers of this clock being Alexander Mitchell and his son William recorded working circa 1798.* Notes Reference Donald Whyte Clockmakers & Watchmakers of Scotland Pub: Mayfield Books 2005

John Lloyd London, a Georgian mahogany longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell, the twelve-inch arched brass dial having a raised silvered chapter ring engraved with black Roman hour numerals and Arabic five-minute outer numerals, the matted centre having a subsidiary seconds dial, date aperture and applied silvered plaque engraved with the maker's name John Lloyd, London, with cast-brass c-scroll spandrels to the four corners, the arch having a 'Strike/Silent' dial with cast-brass dolphin spandrels, with blued steel hands, the mahogany case having a break-arch moulding to the trunk door, with the hood having fluted pillars and a pagoda-top, the base with a raised panel and standing on bracket feet, height 240cm.* Biography John Lloyd is recorded working in London becoming a liveryman of the Clockmakers Company in 1795.

Henry De La Fueille, London, a walnut panelled marquetry longcase clock: the eight-day duration, five-pillar movement striking the hours on a bell with an internal rack set high within the backplate, the eleven-inch square brass dial having a raised silvered chapter ring engraved with black Roman hour numerals, Arabic five-minute outer numerals and 'meeting arrow-head' half-hour markings, the matted dial centre with ringed winding holes, subsidiary seconds dial and date aperture with decorative engraved surround, with cast-brass cherub-and-crown spandrels to the four corners and blued steel hands, the walnut case with panelled marquetry inlay to the base and trunk door, with a further inlaid panel above and convex throat moulding, the inlaid flat-top hood with three-quarter columns, with brass-cased weights, height 207cm.* Biography Henry de la Fueille, a Hugenot born circa 1670, is recorded as being a clockmaker working in London from circa 1690 before shortly moving to Jersey where he died in 1736. He and his wife Marguerite, a member of the Aubin clockmaking and jeweller family, had a son Henry who was baptised in July 1701 at the French Hugenot Church in Threadneedle Street, London. Another son Abraham was apprenticed to his uncle, the goldsmith Henry Aubin in circa 1716. Marquetry longcase clocks are noted signed for de la Fueille when working in both London & Jersey.

A 19th century oak thirty hour longcase clock with brass dial signed Donaldson of Wigton CONDITION REPORT: Glass in hood cracked. No weights. Pendulum only

An early 20th century painted cased longcase clock with circular dial

An Artime Tempus Fugit longcase clock with pendulum and weights

A contemporary longcase clock with brass moonphase dial

An early 20th century painted longcase clock with painted dial, dated 1903

EARLY 19TH CENTURY OAK CASED LONGCASE CLOCK, THE FACE WITH GILT ROMAN CHAPTER RING INSCRIBED "ROB BROWN BOTTESDALE"

AN EARLY 20TH CENTURY OAK LONGCASE CLOCK, with an 11 inch dial, height 212cm (trunk key, two weights and pendulum)

A MAHOGANY LONGCASE CLOCK, the hood with a swan neck pediment above a glazed arch door enclosing a 9ins dial, chime/silent dial to arch, surrounded by spandrels, plain trunk on a square plinth, height 192cm (pendulum, winding key and trunk key)

An early 19th century mahogany eight day longcase clock by T. Morgan of Minehead, height 214cm

An early 19th century inlaid oak eight day longcase clock with painted dial marked William Bellman of Broughton, height 224cm

A Victorian oak eight day longcase clock, marked John Richmond of Bradford, height 219cm

A George III inlaid mahogany 30-hour longcase clock, the painted arched moonphase dial signed Flather, Halifax

A George III oak 30-hour longcase clock, the painted circular dial signed Sam Hill, Sheffield

Early 19th century oak and mahogany longcase clock, the case with reeded pilasters, raised on ogee bracket supports, with enamel dial with Arabic chapter ring, inscribed Theo Clark, Kirkby Lonsdale' 30 hour movement striking the hours hammer on bell H203cm

19th century oak and mahogany banded longcase clock, swan neck pediment over arched hood and turned pilasters, white enamel dial with Roman chapter ring, subsidiary seconds ring and date aperture, eight day movement striking hours on bell

Early 19th century oak country 30 hour longcase clock, swan neck pediment over mahogany banded frieze and square glass, white enamel dial with Arabic chapter ring, painted spandrels and date aperture inscribed 'Jn Bishop, Redmire' H203cm

Peter 'Rabbitman' Heap of Wetwang - Yorkshire oak longcase clock, square hood with dentil cornice over trunk door with three glazed panels, panelled door to base, brass dial with silvered Roman chapter ring, inscribed 'Schmeckembecher, Western Germany,' eight day movement striking the hours and halves, signed with Rabbit signature H199cm

Mid 19th century walnut, rosewood and marquetry eight day longcase clock, the painted white enamel dial with subsidiary seconds ring, Roman chapter ring, inscribed 'S Moses, B. Auckland' striking hammer on bell H230cm

Late Georgian figured mahogany longcase clock, the hood with swan neck pediment surmounted by brass ball finial over case with boxwood and ebonised inlay, white enamel dial with moon phase and Roman chapter ring, inscribed 'Blakeborough Burnley' eight day movement H222

Early 19th century inlaid mahogany longcase clock, the brass dial with Roman and Arabic chapter ring, moon phase and subsidiary date and seconds hand, inscribed 'Westmoreland, Leeds' eight day movement striking on bell, H231cm

A Dixon & Austin Sunderland pink lustre watch stand, circa 1820, in the form of a longcase clock flanked by a classically draped boy and girl standing beside a plinth, impressed maker's mark, 28.5cm high

Thomas Stripling, Barwell, Leicestershire, an 18th Century oak longcase clock, dentil cornice with marquetry inlaid frieze, square brass dial with bright cut engraved birds and sun motif to the centre, scroll spandrels, silvered chapter ring with Roman numerals, bell striking mechanism, parquetry strung arched trunk door, height 212cm, (pendulum, weight and door key). Note: Thomas Stripling, baptised 1707 appears to have been the first clockmaker in Barwell. It is not thought the Barwell Stripling's are related to the famous Lichfield clockmaking family of the same name.

John Roberts, Dartmouth, a late 18th Century shuttlecock automata longcase clock: the eight-day duration movement striking the hours on a bell, with the thirteen-inch painted break-arch dial having black Roman hour numerals with the centre having a subsidiary seconds dial and signed for the maker John Roberts, Dartmouth and painted to each corner with a depiction of a flint house with tower, the arch having a painted scene of a couple playing badminton within a garden, the shuttlecock moving between each player's racket with each beat of the clock, the mahogany case with canted corners to the trunk, a curved moulding to the trunk door, boxwood stringing to the base and trunk, the hood having an architectural pediment with a brass eagle-and-ball finial between and columns with cast-brass capitals, all standing on bracket feet, height 226cm. (two weights, key and pendulum). Biography: John Roberts is recorded as working as a watch & clockmaker in Dartmouth in 1793.

An oak thirty hour longcase clock, circa. 1800, 12'' square painted dial signed Jno Hudson, Nottingham

A mahogany eight day longcase clock, 13'' arch painted dial, signed R Heitzman, Cardiff, circa. 1830

An oak eight day longcase clock, dial inscribed J Day, later movement

A mahogany eight day longcase clock, 13'' arch painted dial, circa. 1820

A mahogany thirty hour longcase clock with 12'' square painted dial

A silver plate mounted oak desk stand, circa 1900, surmounted by a miniature longcase clock, with timepiece perpetual calendar and barometer flanked by two glass inkwells, the plateau with pen recess and frieze drawer, 45cm wide. Wear to the silver plating. Glass inkwells chipped, one badly cracked. Calendar complete and functioning. Lost shard of oak to the top rim of the hood. Clock not running. Barometer not tested. Feet lacking.

Blackbourn Oakham early 19th-century longcase clock, 8-day movement striking on a single bell, brass ten-inch dial supported in oak case of plain design.height 198cm (78")Condition report: Case of later construction to movement.

Late 18th-century longcase clock, James Topham, Nantwich, 8-day movement striking on a single bell, painted dial with Roman numerals, date aperture and minute secondary dial, painted pictorial spandrels, arch with hunting scene, case with mahogany cross-banding decorative veneers, canopy swan-neck pediment, reeded columns, box base with chamfered corners, original bracket feet.width 54cm (21"), height 124cm (88")Condition report: Paint to dial peeling and cracked.

Nickisson, Newcastle longcase clock, 8-day movement striking on a single bell, painted arched dial with minute and date aperture, the oak case with mahogany cross-banding, canopy with swan neck pediment, brass finials, short door to trunk, weights, pendulum and key present, box base with incorrect bracket feet.width 52cm (20.5"), depth 24cm (9"), height 229cm (90") (including finial)Condition report: Dial with crazed paintwork, incorrect feet.

A 19th century mahogany longcase clock, the domed 11 3/4inch gilt dial with silverised chapter ring, secondary dial and date aperture, with gilt spandrels of pierced scrolling form with musical instrument design, by John James, Petersfield, striking on a gong, with two brass and two lead weights, missing key and pendulum, (a/f) 222cm high

A George III mahogany longcase clock, the 12inch domed brass dial with phases of the moon, the silverised chapter ring with Roman and Arabic numerals, secondary dial and date aperture, the gilt spandrels of pierced floral scrolling form, by John Baker of Hull, the eight day movement striking on a bell, (a/f) with pendulum, keys and two weights, 225cm high

A Victorian oak and mahogany cased 8 day longcase clock with moon phase and in the Scottish style with pendulum and two weights, 230 cm high

A 19th century oak cased 30 hour longcase clock by William Snow, signed Will Snow to the brass dial, Serial No. 749, 206 cm high, with one weight and pendulum

Oak Longcase clock with Mahogany crossbanding by Bramall Stockport: Painted arch dial, the case measuring 223cm high x 41cm across the trunk approx. Weights and pendulum, sold as not working.

18th or 19th century brass faced Longcase clock: With brass arched dial, Thomas Brewer Darlestone, height 214cm.

An oak cased longcase clock by George Hewett, Marlborough, 194cm high

Amsterdam burr walnut Warmink longcase clock with moon phase, date, half hour striking, quarter striking, Westminster. Second half of the 20th century. Dimensions: H 228 cm.

18th century English oak longcase clock with hour striking. By Henri Body to Battel. Daywalker. Dimensions: H 197 cm. In very good condition.

An 18th century pine 30-hour longcase clock, by Jones of Chalford, brass dial with Roman numeral hour markers with movement striking on a bell, with pendulum and weight, dial width 25cm, foot width 43cm, overall height 185cm

An 18th century 30-hour mahogany longcase clock, by Samuel Bowra of Sevenoaks, brass dial with Roman numeral hour markers and cherub spandrels and movement striking on a bell, dial width 27cm, foot width 48cm, overall height 191cm, with pendulum and weight

A contemporary Art Deco style longcase clock by Kieninger with eight day movement, pendulum and three weights. H.190 W.40 D.21cm

A 19th century oak longcase clock, with an arched hood and ionic columns and a long trunk door, box base and plinth, the 30cm silvered dial inscribed Nat Hedge, Colchester, with Roman numerals, a seconds subsidiary dial and calendar aperture, the eight day movement striking on a bell, 230cm high

A 19th century mahogany longcase clock, the hood with a broken swan neck pediment and ionic columns, above a long trunk door and box base, the 33cm dial painted with a Hare coursing scene to the top, with a brass dial and Roman numerals, and a calendar aperture inscribed Wm Palethorp, Liverpool, 240cm high

A 19th century mahogany longcase clock, the hood with a central fan spandrel and broken swan neck pediment and turned columns above a short trunk door and box base, the dial painted with a shepherdess and collie to the arch and churches to the corners, painted with Roman numerals with a seconds subsidiary dial and calendar aperture inscribed J Moses..., 225cm high

A 19th century mahogany longcase clock, the hood with a broken swan neck pediment and fluted columns above a long trunk door, box base and bracket feet, the 30.5cm dial painted with fruit to the arch, with Arabic numerals and a 30 hour movement

An 18th century oak, 30-hour longcase clock, by ‘W.Marston, Bps Caftle’ (sic), with an 11” signed brass dial, with Roman numerals and pierced and moulded ‘C’ and foliate scroll spandrels, above a long door, some damage, losses, with pendulum and weight 190cm high (5)Condition report: Case - Lacking elements, including 5cm section of front top right edge of cornice and 1cm vertical strip along back right edge of base, wall facing. Movement – rusty and not operational in vendor’s home. Pendulum – lacking upper section strip that slots into movement.

A George III mahogany, 8-day longcase clock by ‘Harrison, Liverpool’, the hood with a broken swan-neck pediment and fluted columns, enclosing a 13” brass dial, with relief moulded ‘C’ and foliate scroll spandrels, signed and with a rising moon-phase in the arch, engraved ‘On time uncertain date eternal hours depend’, with a subsidiary dial for seconds below and a silvered chapter ring with Roman numerals, Arabic 5 minute markers and on the inside circumference the date, the trunk with a long, flame figured trunk door, the base with a raised, razor blade shaped panel, the 8-day movement with anchor escapement, striking on a bell, minor damage and restoration, lacking elements, 228cm high, with associated winder, later pendulum and two weightsFootnote: Probably Thomas Harrison (1777-1805), Fetter Lane. Clock and watch maker. Apprenticed to his father in 1777 and granted freedom of the company on the 6th of March, 1786. At 68 Fetter Lane from 1795-1804.Condition report: Chips, including two 1cm sections on the right side of the hood, each at the end of a crack from front to back. Also, 5cm x 0.5cm section of return bead on left side of hood. Lacking one entablature on 2nd pillar from the left. Pillars chipped, including base of same pillar lacking left corner. Bottom left corner of trunk door chipped. Lacking return moulds left and right of base and feet and finials. Some water marks on base. Restorations, including right return of hood re-stuck at the back.Movement/dial – lacking seconds and minute hands and connection for former to the movement. Not operational in vendor’s home.