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A Victorian mahogany eight day longcase clock by John Hamilton, Glasgow having a brass embossed dial with a silvered chapter ring and two subsidiary dials, with weights and pendulum, 215cm high x 58cm wide

A George III Welsh inlaid mahogany eight-day longcase clock, the painted arched dial signed Wm. Jones, Tredegar

A stained pine longcase clock

A Victorian mahogany drumhead longcase clock named to J N Welsh, Motherwell the hood with a carved pediment above a glazed swing door enclosing a white painted dial with black Roman numerals and two subsidiary dials, above a central door to the trunk, with two weights and pendulum, 201cm high x 49cm wide

A George IV mahogany longcase clock by T. Kennedy, twin train movement striking on a bell, white painted dial bearing Roman numerals, subsidiary second dial, the domed hood with broken arch and flanking quarter pilasters, the case with flame mahogany veneered door flanked by reeded quarter pilasters, cross banded plinth base, with keys, 26 by 39 by 186cm high.

WALTER ARCHER, STOW-ON-THE-WOLD AN EARLY 19TH CENTURY EIGHT DAY OAK LONGCASE CLOCK having plain glazed hood with twin pilaster supports, crossbanded door over stepped box base with probable later feet, having silvered chapter ring with second hand a"" nd date aperture and cast brass corner spandrels, 2.04m high (with 2 weights, pendulum and key)

An early 19th Century oak and mahogany eight-day longcase clock, the hood with swan neck and reeded columns to the sides, the trunk with canted columns and on bracket feet, the arch top painted face with moon phase to the arch and women representing the four seasons to the corners, the convex dial with Roman numerals and subsidiary seconds and date recorder, signed Moore and Mole, Birmingham, 229cm (90") high Condition Report: Lot 195 Scratching to dial, hood door bleached in places bottom panel split in two places, With pendulum and weights.

A thirty-hour longcase clock, the arched painted dial with country houses to the arch and spandrels, signed indistinctly (Tavistock) in a pine case, heavily altered, the dial 30.5cm (12") wide Condition Report: This clock has a 1930’s movement fitted dial second hand missing holes in dial very poor, case in poor condition.

An oak longcase clock, the square brass dial signed W. Burton, Kendal with subsidiary second dial and date aperture, 213.5cm (84") high Condition Report: The case back board is not continuous and the base may have been re-built, certainly the feet are later, door hinges later; weight pulleys are not original; movement restored and with nylon gut; weights pendulum and key present. The dimensions of the dial are 31cm squared.

An oak cased eight-day longcase clock, the painted arch dial with gilt spandrels and signed Edward Stone, Maldon to the arch, the hood with broken swan neck cornice above free standing columns, the trunk with long door centred by an inlaid starburst, on a box base

19th Century oak 30 hour longcase clock, by Thatcher of Cranbrook, brass face with date aperture

18th century carved oak longcase clock with brass dial, eight day movement, twin train, striking on a chime, secondary dial and plaque, Tempus Fugit 92in. (234cm)

AN OAK AND BURR WALNUT BANDED LONGCASE CLOCK signed Thomas Radford, Leeds, the eight day movement with anchor escapement striking on a bell, the arched brass dial with silvered chapter ring having Roman and Arabic numerals, chased centre with signature, calendar aperture and secondary dial, arched painted moonphase with inscription over, the case with moulded arched cornice and turned brass finial on fluted columns, arched door flanked by fluted quarter columns, panel base and bracket feet, 91 1/2"" high (Illustrated)

AN OAK LONGCASE CLOCK signed William Clement Junior, Faversham, mid 18th century, the thirty hour posted movement with anchor escapement and outside count wheel striking on a bell, 11"" square brass dial, the centre chased with foliate scrolls and birds, secondary dial, and calendar aperture and signature, silvered chapter ring with Roman and Arabic numerals, the case with moulded cornice having pierced scroll surmount with three gilt ball finials, turned columns, plain door and panel base on plinth, 84 1/2"" high (Illustrated)

A MAHOGANY LONGCASE CLOCK signed T. Berry, Bolton, mid 19th century, the eight day movement with anchor escapement striking on a bell, arched dial with painted moonphase and allegorical female figures of the Seasons, Arabic numerals and secondary dials, the case with stringing and parquetry banding, scrolled pediment on square reeded columns, arched door flanked by reeded pilasters, canted base and ogee bracket feet, 96"" high (Illustrated)

A SCOTTISH MAHOGANY LONGCASE CLOCK signed Young, Dundee, early 19th century, the eight day movement with anchor escapement striking on a bell, circular brass dial having Arabic and Roman numerals and secondary dials, the case with ebony stringing, arched top with turned brass finials, arched door flanked by fluted quarter columns, panel base and bracket feet, 85 1/4"" high (Illustrated)

An 18th century style oak longcase clock of small proportions with eight day twin fusee movement striking on a single bell, the 7 inch square brass dial with ring of Roman and Arabic numerals the hood with dentil cornice over barley twist front corner hood pilasters over a narrow trunk with arched long front door on a boarded base with short bracket feet (at fault), 168cm high

An early 19th century oak and mahogany eight day longcase clock, the 14 inch arched painted dial with centred subsidiary seconds dial and date aperture within a ring of Roman numerals and spandrels depicting the four continents under a pictorial landscape and figural painted scene to the arch, the hood with swan-neck pediment over turned front corner hood pilasters, over a short trunk door between short turned front corner front pilasters, on a crossbanded box base with canted corners, raised on short bracket feet, 231cm high

An early 19th century oak and mahogany eight day longcase clock, the 11 inch square painted dial with centred subsidiary seconds dial and date aperture within fruit decorated spandrels the hood with swan neck pediment over line inlaid front corner hood pilasters, above short crossbanded trunk door on a single panel box base and later bracket feet, 211cm high

An early 19th century oak thirty hour longcase clock, the 11 ½ inch square painted dial signed 'Wm Wooller, Tong' with centred date aperture within a ring of Roman numerals and stylised spandrels under a swan neck pediment to the hood and gilt ball finials over reeded front corner hood pilasters above and pointed arched crossbanded short trunk door on a boarded crossbanded box base and short bracket feet, 206cm high

A Victorian oak and mahogany 30 hour longcase clock the 14 inch arched enamel dial signed 'Barraclough, Haworth' with centred subsidiary seconds dial (at fault) and subsidiary seconds dial along with painted false winding holes within a ring of Roman numerals and fruit and flower painted spandrels under a landscape painted arch, the 30 hour movement striking on a single bell but lacking seat board, the hood with swan neck pediment over turned front corner hood pilasters, over a short trunk door on a boarded crossbanded base, lacking feet, 225cm high

An 18th century oak eight day longcase clock the associated 10¾ inch square brass dial signed Joseph Smith, Chester to the silvered chapter ring with centred subsidiary seconds dial and date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals and mask moulded pierced corner spandrels, the five pillar eight day movement striking on a single bell, the hood with bell top over three quarter tapering fluted front corner hood pilasters above a long narrow trunk door with glass lenticle on a boarded base and later skirting plinth, 206cm high

An 18th century fruitwood thirty hour longcase clock the 10 inch square brass dial with silvered centre signed 'Tho Dicker, Reading' with single hand and silvered chapter ring of Roman numerals within scrolling Rococo leaf pierced spandrels, the bird cage movement striking on a single bell, the hood with three quarter turned tapering front corner hood pilasters over a plain long trunk door and boarded base and cut-out plinth, 200.5cm high

An early 19th century mahogany longcase clock, the 13 1/2 inch square brass dial signed 'Jn Alker, Wigan' with centred subsidiary seconds dial and date aperture within a ring of Roman numerals, outer ring of Arabic numerals and scrolling leaf corner spandrels, the hood with swan neck pediment, over half reeded square front corner hood pilasters over a Gothic arch flame veneered short trunk door and a crossbanded box base on ogee shaped bracket feet, 221cm high

A Victorian mahogany eight day longcase clock the 13 inch arch painted dial identically signed 'G ****' Wigan' the centred subsidiary seconds dial at fault, over a subsidiary centred date dial within a ring of Roman numerals and floral spandrels under a rolling moon to the arch, the hood with swan neck pediment over baluster turned front corner hood pilasters over a short flame veneered trunk door between front corner trunk pilasters on a crossbanded box base with canted front corners, lacking feet, 231cm high

An early 19th century oak and mahogany thirty hour longcase clock the 11 ½ inch arched brass dial with centred subsidiary seconds dial (at fault) and date aperture with false winding holes within a ring of Roman numerals and tulip painted spandrels with a figure of a sleeping child painted to the arch the hood with swan neck pediment over turned front corner hood pilasters and a crossbanded short trunk door on a boarded crossbanded base and short bracket feet, 221cm high

A George III oak eight day longcase clock, the 12 inch arched brass dial with centred subsidiary seconds dial and date aperture, within a ring of Roman and Arabic numerals, signed Bridge, Fecit to the arch, the hood with turned and tapering front corner hood pilasters, over a crossbanded arched star inlaid long trunk door, on a box base lacking feet, 193cm high

A William III scarlet japanned longcase clock the movement circa 1700 the case associated and later decorated, the 11 inch square brass dial signed T H O Bridge, London, with centred subsidiary seconds dial and date aperture within a ring of Arabic and Roman numerals with cherub moulded pieced spandrels, the eight day five pillar movement striking on a single bell, the case later scarlet japanned depicting figures and pagodas highlighted in gilt, the hood with three quarter tapering turned front corner hood pilasters, over a long trunk door on a box base and short bracket feet, 190.5cm high

An early 19th century oak thirty hour longcase clock, the 11 ½ square painted dial signed 'Mathews, Bishops Castle', with centred date aperture within a ring of Roman numerals and architectural painted spandrels the hood with swan neck pediment over turned front corner hood pilasters over a crossbanded short trunk door on a boarded box base lacking feet, 201 cm high

A 20thC oak longcase clock, the arched dial with silvered chapter ring and cast spandrels, playing various chimes to include St Michael, Westminster and Whittington, with a panel door, on bun feet.

An early 19thC longcase clock, the painted square dial bearing the name J Oram of Somerton, with a 30 hour movement in an oak case, with swan neck pediment.

A 20thC oak cased longcase clock, the circular silver dial with a brass bezel, striking Westminister chimes with a gong on a glazed door.

Annie Gertrude Houle, Interior with Longcase Clock, signed with initials and dated 19.5, watercolour, 26 x 31cm

A 19th century oak longcase clock, the painted square dial with date inscribed `Steel - Saxmundham`

A collection of crested ware, to include longcase clock, chicken and egg, boat shaped cruet, toby jugs etc.

EIGHTEENTH CENTURY OAK LONGCASE CLOCK WITH SQUARE BRASS DIAL SIGNED JOHN TAYLOR, the 10 ¼"" roman dial with date apeture to the matted centre and pierced cherub and crown spandrels, powered by a twin weight movement striking on a bell, housed in a case with moulded top, and pair of split turned fore columns, above a long trunk door with bull`s eye glass (cracked) and raised on a short base with shaped plinth, 85 ½"" (217.2cm) high

A French walnut cased miniature longcase clock with a 7.5cm white enamel dial with Roman and Arabic numerals, the singe train movement with lever escapement with outer gilt metal hinged dust cover, contained within a shaped rococo case with a gilt metal leaf and cabochon cresting, gilt metal leafy dolphin angles, the waisted case with leaf and shell mounts, raised upon a plinth base with gilt metal scroll feet, 49.5cm (illustrated)

An early Victorian mahogany longcase clock with a 33cm white arched dial signed R. Noone, Nottingham with subsidiary seconds and date aperture, Roman numerals, spandrels painted with a pheasant and other rural subjects, the arch painted with a maiden reading to a child, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting above turned hood columns, shaped door flanked by turned quarter columns, raised upon a panel plinth base and splay feet, 227cm (illustrated)

A Victorian oak and mahogany crossbanded longcase clock with a 13in white enamel arched dial, signed 'Yates, Penrith', the spandrels painted with windmills, the arch a maiden crossing a bridge, the single train movement with outside countwheel striking on a bell, the case with swan neck cresting with brass finials, the trunk with a crossbanded door, canted angles, raised upon a plinth base and bracket feet, 223cm (illustrated)

An early 19th century oak and mahogany crossbanded longcase clock with a14in white enamel arched dial with subsidiary seconds and date dials, Roman numerals, painted with a gentleman resting in a woody landscape, the spandrels painted with ladies emblematic of the four seasons, the two train eight day movement with anchor escapement rack striking on a bell, the case with a swan neck cresting and eagle finial, brass capped fluted columns, crossbanded trunk flanked by reeded columns, raised upon a panel plinth base, with two weights and a pendulum, height 212cm (illustrated)

An 18th century oak thirty hour longcase clock with an 11in brass dial, signed Hampson, Wrexham with date aperture, mask spandrels, the single train movement with outside countwheel striking on a bell, the case with a cavetto cornice above a carved frieze, panelled door raised upon a plinth base and bracket feet, with one weight and a pendulum, 209cm (illustrated)

A George III oak and mahogany crossbanded longcase clock with a 13in brass and silvered dial with subsidiary seconds and date aperture, the centre engraved with an eagle, leaves and flowers, cast mask spandrels with a lunar calendar in the arch, signed 'John Smith, Chester', the two train eight day movement with anchor escapement, rack striking on a bell, the case with swan neck cresting above reeded hood columns, shaped crossbanded door, reeded quarter columns, raised upon a panel plinth base and bracket feet, with two weights to pendulum, height 230cm (illustrated)

A George III and later longcase clock with a 12in brass and silvered dial, Thomas Pace, London, subsidiary seconds lacking pointer, cast mask rococo leafy spandrels with a strike silent in the arch flanked by dolphin spandrels, the two train eight day movement with anchor escapement rack striking on a bell, the case with a pagoda top inset with a metal rococo panel, stop fluted hood columns, the case crossbanded with satinwood inlaid with boxwood and ebony stringing, raised upon a panel plinth base and shaped bracket feet, with two weights and a pendulum, 242cm (the case possibly associated) (illustrated)

Westminster mahogany longcase clock

Antique Mahogany eight day longcase clock having painted arched dial, Wm Hill, Whitby (in need of restoration)

A longcase clock in mahogany trunk with Bentima face and quartz movement. 182cms high

A 19th century painted faced longcase clock by Robert Hancocks of Glastonbury. The face with painted borders having subsiduary seconds dial. The 8 day movement striking on a bell being complete with weights and pendulum. The mahogany case with inlaid detail having broken swan neck pediment atop. 208cms high x 47cms wide x 24cms depth

A VICTORIAN MAHOGANY LONGCASE CLOCK with arch painted dial, seconds and date dials with eight day movement and a square painted enamel dial, 218cm high

A George III oak longcase by Harris of Wellington, with swans neck pediment above the arched glazed door enclosing the 13 inch arched silvered brass dial with Roman numerals, subsidiary seconds and date dials and with moon phase to the arch, with long trunk door, quarter column corners and conforming base raised on bracket feet. Height 90 ins (see illustration). CONDITION REPORT: In our opinion the dial the movement, pendulum and weights are original to the case. The seatboard is original and does not appear to have been altered. The cheeks have not been altered either. The case does not appear to have any woodworm and is in generally good condition. The clock has come to us from a local property and is currently ticking away. The movement is missing its bell.

A George III oak longcase clock by W. Hutchenson of Retford, with swans neck pediment above the later carved hood and case, with circular dial and eight day striking movement with date aperture and subsidiary seconds dial. Height 86 ins.

A George III oak longcase clock by J. Simpson of Wigton, with thirty hour movement and brass dial.

A George III oak longcase clock, with swans neck pediment above the arched glazed door enclosing the brass dial with Roman numerals, strike and silent to arch, subsidiary date and seconds dials and inscribed "Francis Mee Higham Ferrers", flanked by fluted columns, with shaped trunk door and conforming base. Height excluding brass finial 88 ins.

A Scottish mahogany longcase clock, William Logan, Catrine, with moulded cornice above an arched glazed door enclosing the arched painted dial, subsidiary seconds and date dials, spandrels emblematic of The Ages of Man. Height 84 ins.

A George III longcase clock, mahogany, with eight day striking movement by Lott Barwise, Cockermouth, with swans neck pediment, arched glazed door, 13 inch dial, long trunk door, quarter column corners and raised on bracket feet. Height 90 ins. CONDITION REPORT: The case is in generally very good condition with no significant problems. The hood has only very minor old veneer cracks as one would expect. The trunk door is not warped and again there is a veneer crack at the bottom centre of this which is insignificant. The feet are original and in good order. The dial is in generally good untouched original unrestored condition although it looks as if the name and town have been over written at some point. We have the pendulum and weights but have not had the clock operating as there is no catgut on the drive train. The seatboard is clearly original however the cheeks of the clock have old inner supports. We do not think that these have been added but it is possible. The mask around the dial does fit very well.

A 19th century walnut cased regulator longcase clock, by James Forrest of Glasgow, with circular dial with Arabic numerals, subsidiary seconds dial, two-train regulator movement and in well figured walnut case. Height 87 ins (see illustration). CONDITION REPORT: The general appearance of this clock is very good indeed. There do not appear to be any losses to the carving around the hood, the veneers to the case are well figured and there is practically no damage to the main body or hood of the clock. There are some minor scuffs around the base. There is however no significant damage to the case. We have had the clock ticking away. The movement seems to be in good order and we have the correct weights and pendulum. The dial is clean with only minor scuffs around the winding apertures. The backboard is nicely veneered and original. There is a board beneath the weights which does not look original but it is not veneered.

An Edwardian mahogany longcase clock, with steeple and ball finial between the swans neck and above the arched glazed door enclosing the 10.5 inch arched silvered brass dial with Roman numerals and subsidiary seconds dial, with strike and silent to the arch, with long trunk door flanked by fluted quarter column corners and raised on ogee bracket feet. Height to top of swans neck 78 ins (see illustration). CONDITION REPORT: This clock is in generally extremely good order. It is ticking away and appears to keep good time. We cannot see any problems with the case other than very minor scuffs around the feet. The movement is in good condition. The door is not warped we have the original weights and heavy pendulum.

A George III oak cased longcase clock, the brass dial signed Biglands, Wigton, with 30 hour movement

An early 19th century oak and mahogany longcase clock, the pagoda top hood with Sheraton inlay, brass finials and turned reeded pillars, the trunk with arched crossbanded full length door and canted reeded sides, with arched painted dial and 8 day movement by G. Nawman, Beverley

An Art Deco period arch top walnut longcase clock with triple weight driven movement

An early 19th century mahogany longcase clock with boxwood and ebony line inlay, the hood with moulded cornice and turned reeded side pillars, arched three quarter length door, canted base and bracket feet, square painted dial with inset moonphase by Jas M?, Macclesfield, with 8 day striking movement, height 90"