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Floris II., Cornelis - nach -- nach. Titelkartusche mit Groteskenonament und Rollwerk. Kupferstich von Joannes und Lucas van Doetecum. 30 x 21 cm. 1557. Hollstein (Floris), aus 14-41, Nalis (New Hollstein, Doetecum) 35 I (von II). Wz. Reichsapfel.Vor der Änderung der Jahreszahl. Prachtvoller, kräftiger Druck mit Rändchen. Geglättete horizontale Mittelfalte, minimal angestaubt und vereinzelte kleine Fleckchen, fachmännisch geschlossener diagonaler Riss vom linken unteren Rand bis zum rechten Rand mittig, sonst sehr schön. Beigegeben von Cornelis Bos der Kupferstich "Grotesken-Kutsche mit Satyrn, gezogen von zwei Ochsen" (Schele 115) sowie von Johannes I und Raphael Sadeler I der Kupferstich "Arma, Pallas Athena" (Hollstein 534). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Floris II., Cornelis -- nach. Groteskenornament mit Flussgott und Wasserlebewesen. Kupferstich von Johannes und Lucas van Doetecum. 30,6 x 20,8 cm. (1557). Hollstein (Floris), aus 14-41, Nalis (New Hollstein, Doetecum) 39. Wz. Reichsapfel.Prachtvoller, kräftiger Frühdruck mit schmalem Rand. Am rechten unteren Rand etwas fleckig, verso oben kleine Montierungsreste, sonst tadellos. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Floris II., Cornelis - nach -- nach. Groteskenornament mit flankierender Pergola, oben mit der Schmiede des Vulkans. Kupferstich von Joannes und Lucas van Doetecum. 30,6 x 20,6 cm. (1557). Hollstein (Floris), aus 14-41, Nalis (New Hollstein, Doetecum) 43. Wz. Reichsapfel.Prachtvoller, gegensatzreicher und toniger Frühdruck mit schmalem Rand. Verso kaum merkliche geglättete horizontale Faltspur, ganz schwach fingerfleckig, im Rand oben zwei zarte Quetschspuren vom Druck, linke untere Ecke mit geglätteter diagonaler Knickspur, links unterhalb der Pergola kleiner geschlossener und hinterfaserter Einriss, sonst sehr schön erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Leyden, Lucas van -- Die Kreuztragung. Kupferstich. 11,5 x 7,5 cm. 1521. B. 51, Hollstein 51, Filedt Kok (New Hollstein) 51 I (von III).Aus der Passionsfolge, vor der Adresse von Petri. Ganz ausgezeichneter, feinzeichnender Druck auf die Plattenkante geschnitten. Minimal gegilbt und stockfleckig, die Ränder gelegentlich dünn und verso partiell fachmännisch verstärkt, winzige Randbestoßung unten, schwach wellig, sonst in schöner Erhaltung. Beigegeben von Jan Hermensz Muller nach van Leyden der Kupferstich "Die Kreuzabnahme" (nach B. 53). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Leyden, Lucas van -- Der Evangelist Lukas; Der Evangelist Johannes. 2 Kupferstiche. Je ca. 11,1 x 7,4 cm. (1510). B. 102, 103, Volbehr 98, 99, Filedt Kok (New Hollstein) 102, 103, je b. Ausgezeichnete Drucke knapp bis an die Plattenkante geschnitten, partiell auf diese. Leicht angestaubt bzw. schwach fleckig, die äußersten Ränder minimal gegilbt und teils leicht bestoßen, verso montiert, sonst schön erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Leyden, Lucas van -- Der hl. Sebastian. Kupferstich. 10,7 x 7,3 cm. Um 1510. B. 115, Volbehr 112, Hollstein 115, Filedt Kok (New Hollstein) 115 b (von c).Ausgezeichneter, zarter Druck mit einzelnen Wischkritzeln und feinem Rändchen um die Plattenkante, teils bis knapp an diese geschnitten. Ganz schwach fleckig, links kleiner hinterlegter Randeinriss, winzige Läsuren im rechten, weißen Rand, dünne Stellen, sonst sehr gut erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Leyden, Lucas van -- Die hl. Magdalena in den Wolken. Kupferstich. 11,9 x 7,6 cm. 1518. B. 124, Hollstein 124 II, Filedt Kok (New Hollstein) 124 c.Ausgezeichneter Druck an die Plattenkante geschnitten. Geringe Handhabungsspuren, vor allem verso vereinzelt Stockflecken, ebenda Montierungsrestchen, sonst tadellos. Aus der Sammlung Peter Gellatly (Lugt 1185). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Leyden, Lucas van -- Der Chirurg. Kupferstich. 11,6 x 7,5 cm. 1524. B. 156, Hollstein 156, Filedt Kok (New Hollstein) 156 wohl b-c (von c). Ausgezeichneter Druck mit umlaufend feinem Rändchen um die Plattenkante. Unbedeutende Altersspuren und minimale Montierungsretse verso, sonst tadellos. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Leyden, Lucas van -- Junger Mann mit einem Totenschädel. Kupferstich. 18,6 x 14,6 cm. Um 1519. B. 174, Volbehr 158, Hollstein 174, Fildet Kok (New Hollstein) 174 I c (von II). Wz. Nebenmarke mit Initialen. Vor der Verwendung in der Ausgabe von Domenicus Lampsonius. Ausgezeichneter, leicht grauer Abzug bis an die Einfassungslinie bzw. unten bis an die Plattenkante geschnitten. Oben kurzes Randeinrisschen, in der oberen linken Ecke teils ergänzt, minimal fleckig sowie altersspurig, sonst jedoch gut. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Monogrammist PVL -- Drei Männer beim Würfelspiel. Kupferstich im Rund. D. 9,2 cm. B. 1, Nagler, Die Monogrammisten, IV, 3395, 4, Hollstein 7. Der Monogrammist PVL war vermutlich ein Nachfolger Lucas van Leydens und wurde urspünglich fälschlicherweise mit Pieter Cornelisz. Kunst identifiziert. - Ganz ausgezeichneter, klarer und gleichmäßiger Druck an die doppelte Einfassungslinie geschnitten, links minimal knapp. Minimal angestaubt, verso kleine Montierungs- bzw. Klebereste, dünne Stelle unten, sonst in sehr schöner Erhaltung. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Sichem I, Christoffel van -- Phantasiebildnis eines Mannes mit Federbarett und Handschuh. Holzschnitt nach Hendrick Goltzius. 31 x 20,8 cm. 1607. B. 3, Hollstein (Goltzius) 399, Hollstein (Sichem) 135, Leesberg (New Hollstein, Goltzius) 733. Wz. Bekröntes Wappen mit schreitendem Vierfüßler.Mit dem Phantasiebildnis eines Mannes in Tracht des 16. Jahrhunderts, das früher irrtümlicherweise als Portrait Otto Heinrich von Schwarzenbergs galt, übersetzt Christoffel van Sichem auf kongeniale Weise und unter Berücksichtigung der markanten Linienführung eine Federzeichnung von Hendrick Goltzius in das Medium des Holzschnitts. Goltzius hatte in den Jahren zwischen 1599 und 1608 eine Reihe von gezeichneten Phantasieporträts ausgeführt, die in ihrer Manier die archaisierende Stilsprache von Albrecht Dürer und Lucas van Leyden aufnehmen. Van Sichem, Sohn des aus Sichem (Brabant) ausgewanderten Buchhändlers Cornelis Karelsz., schuf mehrere Arbeiten nach Vorlagen von Goltzius. - Ganz ausgezeichneter, in einzelnen Stellen minimal trockener Druck mit der äußeren Einfassung. Geglättete horizontale Mittelfalz verso, leicht angestaubt, von der linken unteren Ecke ausgehend ein geschlossener Randeinriss, rechts kleiner geschlossener Randeinriss, linke obere Ecke wiederangefügt, punktuelle oberflächliche Abreibung auf seiner linken Schulter, sonst sehr schön erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Cranach d. Ä., Lucas -- Der Sündenfall und die Vertreibung aus dem Paradies. Holzschnitt. 27,9 x 22,1 cm. Schuchardt III, S. 212,1, Hollstein 2.Prachtvoller und klarer, wenngleich später Abzug mit Rändchen um die Einfassungslinie. Verso in der unteren Blatthälfte vereinzelte Flecken, diese schwach nach recto durchschlagend, sorgsam ausgebesserte Randmängel, die rechte Außenkante etwa mit ergänzten Fehlstellen und partiell retuschierter Einfassungslinie, die oberen Ecken wohl montierungsbedingt lädiert, die rechte wieder angesetzt und mit säuberlich retuschierten Ausbesserungen und einem Einrisschen, der Gesamteindruck gleichwohl schön. Selbst späte Abzüge sind sehr selten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Cranach d. Ä., Lucas -- Christus vor Kaiphas. Holzschnitt. 24 x 16 cm. (1509). B. 10, Hollstein 13. Wz. Ochsenkopf mit Stange, Kreuz und Blume (vgl. Meder 66).Aus der Passionsfolge, ohne dem Text. Ausgezeichneter, klar zeichnender Druck links und oben bis in die Einfassung beschnitten, rechts und unten innerhalb derselben mit leichtem Darstellungsverlust. Unauffällig geglättete Falt- und Knickspuren verso, leicht angestaubt und fleckig, zwei unmerkliche Randausbesserungen teils mit säuberlichen Retuschen, verso mit Leimspuren und Hinterfaserungen, dünne Stellen, sonst in gleichwohl guter Erhaltung. Beigegeben von Albrecht Altdorfer der Holzschnitt "Pyramus und Thisbe" (B. 61) mit dem Doublettenstempel des Martin-von-Wagner-Museums der Universität Würzburg (Lugt 2541c). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Cranach d. Ä., Lucas -- Die Beweinung. Holzschnitt. 24,9 x 16,8 cm. (1509). B. 18, Hollstein 21.Ausgezeichneter, minimal trockener Druck mit der Einfassung, links partiell minimal knapp, die Linie in der unteren linken Ecke in schwarzer Feder ergänzt. Sehr schwache geglättete horizontale und vertikale Falzspur verso, die Ecken fachmännisch hinterlegt bzw. hinterfasert, weitere kleine Hinterfaserungen entlang der Ränder, winzige geschlossene Läsur links über den Bergen, geschlossenener Randeinriss links unten, leicht fleckig, verso mit Spuren von altem handschriftl. Text in brauner Feder, sonst in guter Erhaltung. Aus einer unbekannten Sammlung (Lugt 1420b).Errata/Addenda: Aus der Sammlung Friedrich August II. von Sachsen (Lugt 971).- Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Leyden, Lucas van -- Kain erschlägt Abel; Adam und Eva beweinen den toten Abel. 2 Kupferstiche. Je ca. 16,3 x 11,3 cm. 1529. B. 5, 6, Hollstein 4,6, Filedt Kok (New Hollstein) 5 I b (von III), 6 I b (von III). Wz. Gotisches P.Aus der sechs Blatt umfassenden Folge "Die Geschichte von Adam und Eva". Ausgezeichnete Drucke, B. 5 mit der vollen Darstellung, B. 6 oben und unten insg. ca. 6 mm und seitlich minimal knapp in die Darstellung geschnitten. Minimal angestaubt und überwiegend verso leicht stockfleckig, je angerändert und umlaufend auf Fensterpapier montiert, die Darstellung von B. 6 dort dezent in Feder ergänzt, weitere schwache Gebrauchsspuren, der Gesamteindruck sehr gut. Beigegeben aus derselben Folge "Die Vertreibung aus dem Paradies" (B. 11). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Leyden, Lucas van -- Die Vertreibung aus dem Paradies. Kupferstich. 16,2 x 11,8 cm. 1510. B. 11, Hollstein 11, Filedt Kok (New Hollstein) 11. Wz. Gotisches P mit Vierpass (?). Ganz ausgezeichneter Druck mit der Einfassungslinie. Etwas fleckig, im Bereich des Oberkörpers von Eva ein geschlossener vertikal bzw. diagonal verlaufender Schnitt, auf Höhe der Hüften horizontal verlaufende ca. 3 mm breite Ergänzung, hier die Darstellung unauffällig mit der Feder ergänzt, entlang der Ränder weitere kleine ausgebesserte Stellen, verso Reste alter Montierung, sonst im Gesamteindruck noch schön. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Leyden, Lucas van -- Der Triumph des David. Kupferstich. 11 x 8,7 cm. Um 1513. B. 26, Hollstein 26, Fildet Kok (New Hollstein) 26 b (von c). Wz. Wappen mit Sonne (Fragment).Ausgezeichneter, wenngleich etwas grauer Druck überwiegend mit winzigem Rändchen um die Facette. Das Papier vor allem mittig teils dünn, ausgebesserte Randläsuren, diese recto kaum wahrnehmbar, kleine Hinterfaserungen, sonst in sehr guter Erhaltung. Aus der Sammlung Luciana Simonetti (Lugt 3616). Beigegeben von demselben "Der letzte Trunk Christi" (B. 73) aus einer unidentifizierten Sammlung (Lugt 2695). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Leyden, Lucas van -- Salomons Götzendienst. Kupferstich. 17,2 x 13,2 cm. 1514. B. 30, Hollstein 30, Filedt Kok (New Hollstein) 30 b.Ausgezeichneter, wenngleich stellenweise etwas unscharfer Druck mit Rändchen, oben und rechts mit ganz feinem Rändchen. Quetschfalten vom Druck, das Papier gebräunt, vereinzelt etwas braunfleckig bzw. rostfleckig, verso Reste alter Montierung, sonst sehr gut erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Leyden, Lucas van -- Der hl. Christophorus mit dem Jesuskind. Kupferstich. 10,8 x 7,2 cm. Um 1521. B. 109, Hollstein 109, Filedt Kok (New Hollstein) 109 c.Ausgezeichneter, gleichmäßiger Druck, auf die Darstellung geschnitten, teils mit Spuren eines Rändchens um diese. Auf einen Untersatz montiert, sonst sehr gut erhalten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Leyden, Lucas van -- Der hl. Hieronymus in einer Landschaft. Kupferstich. 8,7 x 11 cm. 1513. B. 112, Hollstein 112, Filedt Kok (New Hollstein) 112 b.Ausgezeichneter Druck bis an bzw. auf die Facette beschnitten. Leicht knitterspurig und partiell dünn, ein Fleck im Oberschenkel des Heiligen, Randeinrisschen unten, teils hinterfasert, weitere kleine Handhabungsspuren, sonst in guter Erhaltung. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Leyden, Lucas van -- Der hl. Antonius. Kupferstich. 11,3 x 7,6 cm. Um 1521. B. 116, Hollstein 116, Filedt Kok (New Hollstein) 116 b.Ausgezeichneter, partiell minimal schwacher Druck bis an die Facette beschnitten. Kleine Alters- und Gebrauchsspuren, Rostfleckchen links des Heiligen, unauffällig hinterlegte Fehlstelle unter seiner rechten Hand und im Hals des Schweines, sonst gut. Selten. - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Leyden, Lucas van -- Zwei Paare im Walde. Kupferstich. 10,6 x 7,7 cm. Um 1509. B. 146, Hollstein 146, Filedt Kok (New Hollstein) 146 c.Sehr guter Druck auf die Facette bzw. partiell minimal knapp an die Darstellung geschnitten. Vereinzelt schwache Stockflecken, weitere geringe Handhabungsspuren, sonst sehr gut. Aus der Sammlung Erwin Holzer (Lugt 6024). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Visscher II, Claes Jansz. -- Bauernhöfe in einem Dorf; Dorfstraße; Teich. 3 Radierungen nach dem Meister der kleinen Landschaften. Je ca. 10 x 15,5 cm. Hollstein (Visscher) 299, 303, 309. Wz. Amsterdamer Stadtwappen.Aus der Serie "Regiunculae, et Villae Aliquot Ducatus Brabantiae". Ganz ausgezeichnete, kontrastreiche Drucke mit breitem bzw. schmalem Rand. Minimal gebrauchsspurig, winzige Rostfleckchen, Sammlerstempel im weißen Rand leicht durchschlagend, sonst tadellos. Aus der Sammlung Richard Jung (Lugt 3791). Beigegeben eine Radierung ebenfalls nach dem Meister der kleinen Landschaft von Johannes und Lucas van Doetecum "Schloss mit Zugbrücke" (NH 148), aus der Sammlung Martin Friedrich Oppenheim (Lugt 1999a). - Wir bitten darum, Zustandsberichte zu den Losen zu erfragen, da der Erhaltungszustand nur in Ausnahmefällen im Katalog angegeben ist. - Please ask for condition reports for individual lots, as the condition is usually not mentioned in the catalogue.

Gilt glazed frame print, David Lucas Mezzotint, C18th engraving, View in Deconshire, 40 x 52cm approx, some wear; and a Contemporary glazed framed set of 5 in one Cecil Aldin dog prints, A set of Contemporary framed Butterfly prints 27 x 17cm approx, and two decorative framed oil on boards of blue and white oriental china, 19 x 39cm approx

Full title: Adriaan Van Heucke (20th C.): 'Arnolfini', oil on canvasDescription:Work: 180 x 150 cm Frame: 183,2 x 153,2 cm Adriaan Van Heucke was docent at the Ghent Sint-Lucas Instituut (Saint Luke Institute) inspiring a whole generation of artists, such as Hugo De Putter (1938-1990) and Bernard Sercu (1953). The work is his own interpretation of the Arnolfini wedding portrait by Jan van Eyck (ca. 1390-1441). (link)Condition reports and high resolution pictures are available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.comPlease note that external links are available on our website www.coronariauctions.com

7 1930’s Joseph Lucas LTD glass bowls. Largest 22x5cm. 6 measure 16cm

A REGENCY PAINTED FAUX BLONDE TORTOISESHELL WORKBOX EARLY 19TH CENTURY The lid with a painted simulated ivory scene of a smoking Chinese man, vine leaf banding 26cm wide, 12cm high, 17cm deep Provenance: Property from the Phillip Lucas Collection, Spitalfields House

A LATE GEORGE III MAHOGANY WINE BOTTLE TILT OR CRADLE CIRCA 1810 The cradle designed to hold the wine bottle at an angle allowing sediment to settle 33.5cm wide, 11.5cm high, 12cm deep Provenance: Property from the Phillip Lucas Collection, Spitalfields House Condition Report: Wear, marks, knocks and scratches as per modern age, handling, use, and cleaning. Attrition knocks to surface interior from use and slight fracture section to front curved edge- mostly visible to inside. Some shrinkage cracks. Baize to base worn Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.  Condition Report Disclaimer

A GEORGE II MAHOGANY SILVER OR CENTRE TABLE CIRCA 1750 72cm high, 76cm wide, 50cm deepProvenance: Property from the Phillip Lucas Collection, Spitalfields House

A GEORGE III COPPER PLATE BUCKET LATE 18TH OR EARLY 19TH CENTURY 59cm high (handle raised), 35cm diameter Provenance: Property from the Phillip Lucas Collection, Spitalfields House Condition Report: Overall there are some scratches, marks, knocks and abrasions consistent with age and use.There are some restorations and observations including:Slightly mishapen and with a finish of dents, with some re-soldering, some tears and splits, the underside with some verdigris.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

A LARGE FAMILLE VERTE BALUSTER VASE CHINESE, KANGXI (1662-1722) With an associated exotic hardwood lid, possibly Huang huali 36cm high Provenance: Property from the Phillip Lucas Collection, Spitalfields House Condition Report: the neck reduced and with oversprayfoot polishedthe wooden lid missing the knobshallow chips to the foot rimCondition Report Disclaimer

A WILLIAM & MARY OAK CANDLESTAND CIRCA 1690 51cm high, the octagonal top 34cm wide, 34cm deep Provenance: Property from the Phillip Lucas Collection, Spitalfields HousePlease note: The bottle in this image are to illustrate scale only and is not included in the lot Condition Report: Marks, scratches and abrasions comensurate with age and useSome old chips and splits. Some old losses and repairs.Good original surface, depth of colour and patina overall. The table stands solidly. It is of useable structureSome old worm holes as expected for age. This is mainly isolated to some areas of the stem and the block to the underside of the top.Some additional character is present to the stem and appears to have been selected for that purpose, there is a natural paler area to the stem and an area of apparent 'burr' Some associated nails added to secure elements including the top from the centre of it, through the block from the underside of the top and from the underside of the joins of the legs. However all nails visible are hand madePlease refer to additional images available via email for visual reference to condition.Condition Report Disclaimer

A GRAND TOUR STYLE MODEL OF THE TEMPLE OF VESPASIAN AND TITUS ITALIAN, LATE 19TH CENTURY In stained and variegated alabaster, inscribed to plinth Tempio Di Vespasiano 33cm high Provenance: Property from the Phillip Lucas Collection, Spitalfields House

A JAPANESE IMARI VASE AND COVER EDO PERIOD, LATE 17TH OR EARLY 18TH CENTURY 67cm high Provenance: Property from the Phillip Lucas Collection, Spitalfields House Condition Report: the entire vase including the lid cracked and glued Condition Report Disclaimer

A GRAND TOUR PORPHYRY PORTRAIT CAMEO, PROBABLY ANTINOUS IN THE LATE 18TH CENTURY MANNER The head mounted on chalcedony base, gilt bronze frame 13cm high, 9.5cm wide Provenance: Property from the Phillip Lucas Collection, Spitalfields House

A GEORGE III OAK AND BRASS BOUND BUCKET OR PLANTER LATE 18TH CENTURY 20.5cm high, 43cm wide, 32.5cm deep Provenance: Property from the Phillip Lucas Collection, Spitalfields House Condition Report: Overall there are scratches, marks, knocks, cracks and abrasions consistent with age and use.There are some restorations and observations including:The later metal liner has a lacquered finish that does not sit quite squarely in the recess probably due to movement of the coopered wood sides.There is some evidence of old worm.The brass bands have some dents, tears and various brass nails and pins.The base has some filled circular holes and is inscribed in pencil '5797'.Please see the additional condition report photographs as a visual reference of condition. Condition Report Disclaimer

AFTER THE ANTIQUE, AN ITALIAN BRONZE FIGURE OF NARCISSUS BY A RÖHRICH 19TH CENTURY The figure with caramel brown patina, plinth base with turning handle, engraved 'A.RÖHRICH ROMA' 60cm high, base 19.5cm diameter Provenance: Property from the Phillip Lucas Collection, Spitalfields House

A WUCAI JAR AND HARDWOOD COVER CHINESE, TRANSITIONAL PERIOD, MID 17TH CENTURY 23cm high Provenance: Property from the Phillip Lucas Collection, Spitalfields House Condition Report: one chip and associated hair crack to the rim, another chip to the rimextensive wear to the enamelCondition Report Disclaimer

A GEORGE II CARVED PINE FIRE SURROUND CIRCA 1740 External approximately 151.5cm high, 168.5cm wide, 16cm deep Internal approximately 132cm wide, 117cm high Provenance: Property from the Phillip Lucas Collection, Spitalfields House Condition Report: In three sections- the whole looks to have been possibly painted. No residue immediately visible, various old screw holes and mount marks from previous fixings/mounting. Edge wear and rubbing- notably to lowest margins, carving generally in good condition- one small section of leaf detached but present. Lower frieze of lintel with diagonal splice repair to lower right hand corner. Some old paint splashes and surface dirt External approximately 151.5cm high, 168.5cm wide, 16cm deep Internal approximately 132cm wide, 117cm highWear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

TWO CARVED MARBLE ARCHITECTURAL ELEMENTS 18TH OR 19TH CENTURY First of scrolling floral cartouche form 42cm high, 35cm wide Second possibly a cresting or surmount, 35cm wide, 29cm high Provenance: Property from the Phillip Lucas Collection, Spitalfields House

AFTER GIOVANNI ANTONIO CANAL, CALLED CANALETTO ROWING SCENE ON THE THAMES Oil on canvas 40.5 x 64cm (15¾ x 25 in.) Provenance: Property from the Phillip Lucas Collection, Spitalfields House This south-facing view of the Thames depicts the old York Water Gate and the York House water pump spire in the foreground, with Westminster Bridge, the old Houses of Parliament and Westminster Abbey in the distance. A similar view can be seen in the 1746-1755 painting by Canaletto, now at Penrhyn Castle, Gwynedd (NT 1420346). Condition Report: The canvas has been lined and cleaned. Rubbing and abrasions to the framing edges. Surface cracking throughout, particularly to the sky. Some of this cracking has been in-filled and this over paint can be seen in natural light. Inspection under UV reveals scattered retouching throughout, including to the aforementioned areas, as well as traces of an old varnish.Condition Report Disclaimer

A REGENCY BRONZE AND ORMOLU INKWELL EARLY 19TH CENTURY With twin glass wells, removable candleholder, lion mask decorated frieze with paw feet 11cm high, base 16.5 cm wide Provenance: Property from the Phillip Lucas Collection, Spitalfields House

ATTRIBUTED TO JACOBUS LINTHORST (DUTCH 1745 - 1815) EXTENSIVE STILL LIFE WITH FLOWERS IN AN URN AND A BIRD'S NEST Oil on canvas 124.5 x 96.5cm (49 x 37 in.)Provenance: Purchased from a Mr Wilson in the late 1960s, as part of a property purchase in St. Peter Port, Guernsey Property from the Phillip Lucas Collection, Spitalfields House Condition Report: The canvas has been lined and cleaned. Rubbing and abrasions to the framing edges. Some surface cracking throughout, some of which is just starting to lift - most noticeably to the lower left quadrant. Inspection under UV reveals evidence of scattered retouching and infilling throughout, however the extent to which this has been applied is unclear as a very heavy masking varnish has been applied.Condition Report Disclaimer

A PAIR OF BRONZE NEOCLASSICAL FIGURES OF GODDESSES CERES AND VESTA 19TH CENTURY Ceres being the goddess of the harvest and Vesta the goddess of the hearth and home, on Giallo marble bases 22.5cm high, the bases 6.5cm wide Provenance: Property from the Phillip Lucas Collection, Spitalfields House

A GEORGE III YEW WOOD COCKPEN ARMCHAIR CIRCA 1760 85cm high, 60cm wide, 46cm deep overallProvenance: Property from the Phillip Lucas Collection, Spitalfields House

A SET OF THREE GEORGE III STEEL FIRETOOLS ON ORIGINAL STAND CIRCA 1780-1800 tripod stand 84cm high Provenance: Property from the Phillip Lucas Collection, Spitalfields House Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. There is rust notably to joints and to shovel blade. The stand slightly cruder in manufacture than tools, the finial and stem to top duller in colour- which may be from manufacture rather than replacement as the urn finial seems to be a good match for the tools. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

A GIALLO ANTICO MARBLE COLUMN WITH BUST OF CAESAR AFTER VALADIER LATE 19TH CENTURY With carved Porta Santa and white marble bust of Caesar, on a Corinthian order fluted column, marble pedestal base inset with porphyry panels 52cm high, base 8.5cm wide Provenance: Property from the Phillip Lucas Collection, Spitalfields House

A GRAND TOUR ALABASTRO A PECORELLA ROMAN BATH 20TH CENTURY On gilt metal paw feet and polished black marble base 17cm wide, 6.3cm high Provenance: Property from the Phillip Lucas Collection, Spitalfields House

A BRONZE HEAD OF ZEUS SERAPIS ITALIAN OR FRENCH, 18TH OR EARLY 19TH CENTURY On a polished deep green marble socle base 20.5cm high overall, base 10cm diameter Provenance: Property from the Phillip Lucas Collection, Spitalfields House

A LARGE IMARI VASE JAPANESE, EDO PERIOD, LATE 17TH CENTURY 40cm high Provenance: Property from the Phillip Lucas Collection, Spitalfields House Condition Report: cracked and riveted Condition Report Disclaimer

A WILLIAM & MARY WALNUT AND CROSSBANDED WRITING BUREAU CIRCA 1695 The fall front opening to a baize writing surface below and arrangement of pigeon holes, drawers and further storage 93cm high, 54.5cm wide, 39cm deep Provenance: Property from the Phillip Lucas Collection, Spitalfields House Condition Report: Marks, knocks, scratches and abrasions commensurate with age and use Some old chips, splits, losses and repairs A key is present and it operates the lock, which is a later replacement The replacement baize surface in good clean condition. Some evidence of old worm Some elements of the stand and the legs are associated. The hinges to the fall front are later replacements Some old repairs throughout, with some use of filler and replacement veneer in places (see images) Both sides of the bureau, close to the hinged fall front, there are two matching doweled repairs (see images) Some minor lifting to mouldings to the top The feet to the stand are likely later - one of them with a glide attached. Some wobble to the piece overall, but it remains structurally stable Please see all additional images for a visual reference to condition.  Condition Report Disclaimer

A CARVED GILTWOOD LAMP BASE 19TH CENTURY With all-over carved scrolling acanthus and stiff leaf design 70cm high to top of existing shade, base 49cm high Provenance: Property from the Phillip Lucas Collection, Spitalfields House Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Possibly formerly slightly taller before conversion for electrical use. Surface dirt- some shrinkage around stem and base, small edge wear and losses ELECTRICAL GOODS. These are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

A VENETIAN BRONZE DOOR KNOCKER LATE 16TH CENTURY With dolphins supported by a mermaid, three mascarons above 23cm wide, 21cm high Provenance: Property from the Phillip Lucas Collection, Spitalfields House Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Verdigris and surface dirt to crevices with large paint splash to underside by hole. Varying levels of verdigris and greenish surface as per age and handling/cleaning. Some wear to detailing of central mermaid head. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

A LARGE PORCELAIN BLUE AND WHITE JAR AND COVER CHINESE, 18TH CENTURY 35cm high Provenance: Property from the Phillip Lucas Collection, Spitalfields House Condition Report: lid restored rim and body restored and with cracklid might not be originalCondition Report Disclaimer

AN ITALIAN BRONZE GROUP OF PLUTO AND PROSERPINA EARLY 19TH CENTURY On a shaped Giallo Antico marble plinth 36cm high overall, plinth 18cm wideProvenance: Property from the Phillip Lucas Collection, Spitalfields House Condition Report: Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Surface wear from handling with varying levels of patina- some scuffing to exposed anatomy such as knees and hands. Her left hand possibly with some old remedial work, stress cracks to both his ankles, her left elbow and left knee. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.   Condition Report Disclaimer

A SIMULATED TORTOISESHELL AND JAPANNED DESK BOX EARLY 18TH CENTURY Domed lid with chinoiserie pavilions, compartmented interior 30.5cm wide, 11.2cm high, 24cm deep Provenance: Property from the Phillip Lucas Collection, Spitalfields HouseThe 'Japanned' decoration being in the manner of designs included in Stalker and Parker's Treatise on Japanning and Varnishing, 1688.

AFTER GIAMBOLOGNA, A BRONZE MODEL OF A PACING BULL ITALIAN OR FRENCH, LATE 19TH CENTURY 10.5cm high, base 8cm wide Provenance: Property from the Phillip Lucas Collection, Spitalfields House

AFTER THE ANTIQUE, A LARGE GRAND TOUR BRONZE OF THE FURIETTI CENTAUR ITALIAN, 19TH OR 20TH CENTURY On shaped plinth base 54cm high overall, the base 29cm wideProvenance: Property from the Phillip Lucas Collection, Spitalfields House Please note, the dating for this lot has been revised to '19TH OR 20TH CENTURY' and not '19TH CENTURY' as stated in the printed catalogue Condition Report: Please note date has been revised from information originally in printed catalogue to AFTER THE ANTIQUE, A LARGE GRAND TOUR BRONZE OF THE FURIETTI CENTAUR ITALIAN, 19TH/20TH CENTURY Under strong light the definition and wash effect patina would suggest a later date than initially suggested. Some wear to raised patina, edge is filled with baize covering and has a white hardish filling. Wear, marks, knocks and scratches as per age, handling, use, and cleaning. Please see additional images for visual references to condition which form part of this condition report. ELECTRICAL GOODS. These are sold as decorative items only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician before use. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection. Condition Report Disclaimer

AFTER FRANCESCO FANELLI, A PAIR OF BRONZE PRANCING HORSES PROBABLY ITALIAN, LATE 17TH OR 18TH CENTURY On rectangular plinths and later variegated marble bases 11cm high overall, bases 10cm wide Provenance: Property from the Phillip Lucas Collection, Spitalfields House 

A LARGE PORCELAIN BLUE AND WHITE JAR AND COVER CHINESE, KANGXI, EARLY 18TH CENTURY 38cm high Provenance: Property from the Phillip Lucas Collection, Spitalfields House  Condition Report: chips to the lidone crack of 15cm long over the shoulderwear to the glazeCondition Report Disclaimer