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A collection of Victorian and later jewellery items including a S Mordan & Co dipping pen, oval leather sovereign purse, Egyptian scarab bar brooch, a 15ct yellow gold Edwardian seed pearl and blue sapphire circlet knife-edge bar brooch, pen-knife charm, cabochon stick pin, and two pendants etc
A French Empire-style gilt metal mounted kingwood bureau plat, the inset green leather writing surface over an arrangement of five drawers, flanked by caryatid busts to either side and raised on square tapering fluted legs to cast front sabot feet (note - as found, detached components present including keys) 138 cm w x 72 cm x 66.5 cm hProvenance - transported to Britain from Germany in the late 1930's by the current vendors family original and appears complete, although some gilt metal fitting detached, some timber edge beads detached, front r/h corner detached above cartyad, r/h cast sabot detached (most components appear present in drawers), four keys present, multitude of surface abrasions and areas of dullness commensurate with age/useAll four cast feet present
A Howard deep armchair, Bridgwater model circa 1900, raised on mahogany square tapering supports to original brass castors, with impressed stamp '1663 7313 HOWARD & SONS Ltd BERNERS ST' on rear left support, the castors each similarly stamped, presented in original H&S branded back cover and cotton under-cloth for re-upholstery (see detail images)
Various GB and world used coins, to include silver 3d bits, various Churchill and other commemorative crowns, later two pound coins, 19thC and others, some with original patina mainly 1960's, decimal set, George V South African coins, Victorian and other early 19thC, etc. (a quantity)
Nine Victorian silver Kings pattern table forks, by George Adams, London 1855 x 7 (six being engraved with a Gothic 'S'), and 1854 x 2 (uninscribed) (4), weight approx. 885g (28.45 troy ozs) (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Seven Victorian silver Kings pattern table spoons, by George Adams, London 1855, each engraved with a Gothic 'S'; also four matching dessert spoons (11), weight approx. 948g (30.48 troy ozs) (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Pair of William IV silver Kings pattern table spoons, by William Eaton, London 1832; also five Victorian silver Kings pattern dessert forks, by George Adams, London 1854, and two matching dessert spoons, each engraved with a Gothic 'S' (9), weight approx. 623g (20 troy ozs) (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
CATALOGUE AMENDMENT: WEIGHT IS 482g (15.5 troy zs) NOT 579g AS ORIGINALLY STATED. Six Victorian silver Kings pattern salt spoons, by George Adams, London 1855; also six matching mustard spoons, London 1855; five matching teaspoons, all engraved with a Gothic 'S' (17) (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Diamond and sapphire ring, set in 20ct white gold and centred with a round brilliant cut diamond of approx. 0.75ct, in a rubover setting flanked with two small baguette cut sapphires and two further small round brilliants of approx. 0.1ct each, size S, gross weight approx. 7.9g (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Edwardian 18ct gold and diamond ring, centred with a small old brilliant cut diamond in a cross ribbon setting, size S, gross weight approx. 3.9g (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Walter Frederick Roofe Tyndale (1855-1943), Behind St Peter?s Basilica, Rome, watercolour laid on board, signed, 54.5cm x 36cm, unframed (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
'The Stranger's Companion in Chester', 4th Ed. pocket guide, illustrated and with pull out map, original card covers; also Cooke's 'Bibliotheca Cestriensis', published by Mackie, 1904; Hovell Crickmore 'Old Chester, etched and described', published by Dent, London, 1895; Morris 'Chester in the Plantagenet and Tudor Reigns', printed by the author, 1894; J S Howson (Dean of Chester) 'The River Dee, its aspect and history', illustrated with woodblocks after Alfred Rimmer, published by Virtue, Spalding & Co., London; Romney 'Chester Illustrated', published 1853 (6 Vols) (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Masonic interest: Bro. S G Williams, Westhoughton Lodge, four Masonic enamelled jewels, framed, the set square medal being 9ct gold, two being silver gilt and the fourth base metal; also Bro. A G Williams, St George's Lodge, four Masonic jewels, framed, the set square again being 9ct gold, one being enamelled silver, one silver gilt and the fourth base metal, with accompanying aprons within wallets, and unframed photographs (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
Edwardian silver salver, maker TB&S, London 1906, with raised gadrooned border, supported on four claw and ball feet, 31cm diameter, weight approx. 829g (26.65 troy ozs) (Viewing is by appointment only during published times. Bidding is by commission, telephone or online only. Condition report available on request).
A group of eight medals awarded to K65285 G H Osborne S P O HMS Drake: 1939-45, Atlantic, Africa, Pacific and Italy Stars, War medal with oak leaf, Long Service and Good Conduct medal and Imperial Service medal in box of issue, with a "liberation of Norway 8th May 1945" scroll, Admiralty medal slip, two spare oak leaves and ribbon bands.
A collection of seven 1990's Subbuteo boxed teams including: no.731 Plymouth Argyle (x2), (green & white stripes, green & black stripes), 792 Manchester United 3rd (blue & white), 719 England (new 1993), 410 Brazil 1994, 774 Arsenal 1994, Arsenal 2nd (blue strip) and spare pitch.
A Smiths Industries military issue altimeter, ref 6A 6610, in Bakelite case, with 9cm dial, a Reid and Sigrist Ltd timing indicator Mk 1A, glass damaged, 11.5cm dial, an S.S. & S. Ltd boost gauge and a Junghans Made in Germany stop clock, 21cm diameter, (incomplete).
Eight press photographs c1930's, including Malcolm Campbell's Bluebird ready for shipment to Daytona 1932; the "Fred H Stewart Enterprise" - land speed record attempt car 1931, a "Super-Streamlined American Wonder-Car" at the Paris show, some in poor condition, (8).
Nicolas de Largilliθre (French 1656-1746) Portrait of Monsieur Aubert, General Director of the Bridges and Roads of France, three-quarter-length, by a writing table Inscribed A Monsieur/M*nsi*** Aubert/Controlle* gιnιral des Ponts/ Chaussιe de france Oil on canvas laid on panel 134.5 x 103cm; 53 x 40½in Provenance: Arnold S. Kirkeby (1901-1962); By whom given to Los Angeles County Museum of Art in 1955; By whom sold, Sotheby's, New York, 10 January 1991, lot 82; Christie's, London, 7 July 2010, lot 186, where purchased after the sale by the executors of the late Edmund de Rothschild (1916-2009); The Trustees of Exbury House Literature: R. Brown, Bulletin of the Art Division, Los Angeles County Museum, VIII, 1957, pp.8-9, no. 4; S. Schaefer and P. Husco, European Paintings and Sculpture in the Los Angeles County Museum of Art (Los Angeles, 1987), p. 53, illustrated, as dated c. 1735; To be included in the forthcoming Catalogue raisonnι de l'Oeuve de Nicolas de Largilliθre, by Dr Dominique Brκme, as a work of c.1725-1730
William Collins RA (1788-1847) Cromer Sands Oil on panel 25 x 31.7cm; 9ÎŽ x 12½ Provenance: James Vine Esq; His sale, Christie & Manson, 23-26 April 1838, lot 773 (£21); Where purchased by John Proctor Anderdon; James Hughes Anderdon by 1877; His sale, Christie's, 20 May 1879, lot 106, where purchased by C. S. Bale Esq.; His sale, Christie's, 14 May 1881, lot 216, where purchased by Agnews; James Price Esq., his sale, Christie's, 15 June 1895, lot 15, where purchased by Mclean; Richard Manley Foster Esq., by whom sold Christie, Manson & Woods 30 April 1909, where purchased by Alfred de Rothschild (1842-1918); By whom given to Constance Rothschild, Lady Battersea (1843-1931); Lionel de Rothschild (1882-1942); Edmund de Rothschild (1916-2009); The Trustees of Exbury House Exhibited: London, Royal Academy, Winter Exhibition, no. 26
A pair of copper and brass hanging lights,probably designed by W A S Benson, each with petal-type mounts and vaseline glass shades, one broken, 9cm diameter17cm high, anda pair of copper and brass mounts,each modelled as flowers with scrolled leaves, 23cm high (4)Condition report: One shade broken, chipped to the edge. The other has a ground nipple. Mounts in good overall condition. Both have one different screw clasp.
An embroidered panel,'Maids of Honour', designed by May Morris in 1880-92, the verse reads 'Welcome maids of honour - You do bring in the spring and wait upon her', inset into a mahogany firescreen, 62cm wide90cm highProvenance: From a descendant of the Trevelyan Family of Wallington Hall, Northumberland.May Morris, William’s youngest daughter, was an important figure in the Arts and Crafts Movement. The verse is the opening of 'To Violets' by Robert Herrick, a 17th century poet. May helped transform embroidery from a domestic pastime - undervalued because it was mostly done by women - into a serious art form. Her work was exhibited widely and pieces like this showed what could be achieved by imaginative and inventive free-hand stitching, as opposed to the more plodding woolwork dominating much amateur production.May had become the head of Morris and Co.’s embroidery department by the time she was twenty-three, but she was concerned by the lack of professional organisations open to women and tried to redress this by founding the Women’s Guild of Arts in 1907.Wallington Hall is now owned by the National Trust. The interiors were remodelled with Pre-Raphaeliate art, sculpture and decoration. The artist William Bell Scott was commissioned to paint the walls with a series of vivid Pre-Raphaelite scenes depicting great moments in the history of Northumberland. Bell carried out most of the painting and one panel was painted by John Ruskin. Another Pre-Raphaelite friend of the Trevelyan family was sculptor Thomas Woolner, who created sculptures in the entrance hall. Lady Mary Terevelyan (1881-1966) was keen on the arts and there are a series of tapestries woven by her at Wallington Hall – it may be that she used the May Morris design from a pattern which was known to have been published in the ‘Day Book’.Condition report: See additional images.Fading to the colours of the embroidery. Blue ground with stains throughout. The right leg has had damage and the spindle support is no longer present.
A Tudric pewter twin-handled bowl, designed by David Veasey for Liberty & Co., with a band of stylised trees and with the verse 'And the mask of the rose is blown and the woodbine spices are wafted abroad', raised on a low foot, stamped '011',31cm diameterCondition report: Some pitting to the inside of the bowl. Rim and base slightly misshapen and scratched.
An Arts and Crafts brass and copper-mounted standard lamp,in the style of W A S Benson, mounted with copper-embossed acanthus leaves, the shaft with spiral wirework, raised on a shaped tripod stand, adjustable,145cm high overallCondition report: Converted from gas, now rewired, light fixings replaced, top of the globe at the top missing. Most pieces firm, usual wear.

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974075 item(s)/page