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E** WINKLER (Fl.c.1865), AFTER RAPHAEL (1483-1520) MADONNA DELLA SEDIA Inscribed verso (the inscription acknowledges the generous sponsorship of the artist's visit to Florence by a German aristocrat), oil on canvas 74 x 74cm. * After Raphael's celebrated masterpiece of 1514 in the Palazzo Pitti, Florence ++ Good condition
A Continental gilt metal mounted painted porcelain devotional picture, late 19th century, depicting the Madonna and Child, set into the metal frame and enclosed by twin openwork doors, with crocketed finials above, a strut support behind, 16cm high; and a silvered bronze desk weight cast as a bird, after Jules Moigniez, late 19th century, signed in the maquette to the tail feathers, 11.5cm long
AUTOGRAPHS: A collection of signed photographs, mostly 8x10" photos signed by a variety of singers, actors etc. Some with certificates, others authenticity unknown, including; Tina Turner, Madonna (x2), Dolly Parton, Elton John signed single, Barbara Streisand, Rod Stewart (with candid photograph taken at time of signing), Danni Minogue, Ringo Starr and a fully signed 8x10 photograph of Girls Aloud, signed by all members. Nice collection.
* IAN HUGHES (SCOTTISH 1958 - 2014), CANCRE oil on photograph on board, signed and titled verso 135cm x 122.5cm Framed Note: Ian Hughes, who has died aged 55, was a well known, inspirational artist producing dramatic paintings on serious themes. Glasgow born, he graduated from Dundee College of Art in 1980, and after various travelling scholarships and awards, settled in Edinburgh. He was a courageous painter and a kind man. Throughout his career he tackled the difficult issue of mental instability in a most impressive way, both in his pictures and as a psychiatric nurse, never deviating from his cause, never painting for the market place, never sensationalising his subject. His work was recognised with major exhibitions at the Scottish National Gallery, and in Rostov-on-the-Don. He is also represented in many UK public museums, including The Whitworth Museum Manchester, Talbot Rice Edinburgh, Tate Gallery, Fleming Collection London, Coutts Bank and Shell. Abroad, his work is found in France, the US, Russia and Poland, and Sean Connery, Bob Geldof, Nick Nairn, Madonna, Peter Gabriel and Lord Maclennan MP are among his many collectors. In 1986, Hughes and his friend Phil Braham showed together at Main Fine Art, Glasgow in Double Vision. It was a memorable year. The pair had objected to the lack of Scottish art in the festival programme and decided to stir things up by hanging pictures on the railings of Edinburgh's Royal Scottish Academy. Festival director Frank Dunlop took up the challenge with a show of young emerging Scottish artists, which evolved into two big official festival exhibitions, Artists at Work in 1986, and 1987's The Vigorous Imagination, a seminal exhibition which finally asserted the vitality and diverse potency of contemporary Scottish art. It is an added poignancy that Hughes died on the eve of the opening of Generation, the biggest celebration of Scottish art ever.
A quantity of 7" vinyl singles to include The Jam -Town Called Malice (in original picture sleeve); doug E. Fresh and the Get Fresh Crew; Madonna - Crazy For You; Harold Faltermeyer - Axel F; Wham; Dexys Midnight Runners; Adam and the Ants; Madness - It Must Be Love; the Police; Queen - Flash; John Lennon; Paul Mccartney; ELO; Elton John; (approx 100)
A Compton Pottery plaque, of madonna and child, decorated in green and red egg tempera, the halos picked out in gilt, APC mark verso 16.5cm x 14cm There is a very small chip to the top edge, and to the halo of the Madonna, there is also a more significant chip to the lower edge which has been coloured out.
A group of portrait miniatures after masterpieces: After George Romsey, Portrait of Lady Hamilton (as a Bacchante), in a very pretty decorated frame with floral design, 5 x 4 cm; After Filippo Lippi, Study of the Madonna, 6 cm x 6 cm; After Jean-Baptiste Perronneau, A Girl with a Kitten, signed indistinctly centre right, 10 cm, in an elaborate frame; After Quido Reni, Reclining Venus with Cupid, 6.5 x 8 cm, oval, inscribed lower right "n. Guido Reni'; After Jean-Marc Nattier, Young Girl holding a basket of flowers, inscribed 'n. Nattier', 7 x 5.5 cm; and study of a nude maiden reclining, in a carved composit frame, 7 cm, watercolour on ivory (6)
*Attributed to Alonso Cano (1601-1667). Study of female figures including one praying, pen, brown ink and brown wash on grey paper, heightened with white bodycolour, 108 x 168 mm (4.25 x 6.6ins), framed and glazed, with 20th century previous owner's handwritten attribution to verso, together with a badly damaged engraving of The Virgin with Child on the Crescent (1523) by Lucas van Leyden, and a late re-issue of The Madonna of Einsiedeln by Master E.S., on laid paper with Fortune watermark (later 18th or early 19th century) (3)
A magnificent, elegant and unique 18ct gold Figure of "The Madonna," in a custom made leather case by Cartier, London, Paris & New York, approx. 10.5cms high, & 138grms. * Together with this lot is the carved wooden Maquette Figure from which the above was cast. (2) Provenance: By repute- privately commissioned in the 1930's for Barbara Hutton , the heiress/socialite of Woolworth and Hutton family fame, during a short illness , by a close friend. Purchased from Asprey, London direct to the present vendor.
Vergilius Maro Publius. I sei primi libri dell'Eneide... tradotti a piu illustre et honorate donne. Et tra l'altre à la nobilissima et divina madonna Aurelia Tolomei de Borghesi.. . (Al colophon:) In Vinegia: per Giovanni Padovano ad instantia e spesa del nobile homo, m. Federico Torresano d'Asola, 1544. In-8° (mm 150x98). Carte 24, 23 (manca carta C8 bianca), 20, 19, [1], 27, [1], 25, [7]. Segnatura: A-C8, A-C8, Aa-Bb8 C4, A-B8 C4,  Aaa-Ccc8 Ddd4, AA-DD8. Presenti le carte bianche C4 e DD4. Primo frontespizio con cornice xilografica, ritratto xilografico dell'Autore all'inizio di ogni libro, illustrazioni incise su legno nel testo. Arrossature, lievi bruniture e aloni sulle carte. Nota, forse di possesso, sbiadita a c. A2v. LEGATO CON: Id. Il settimo di Vergilio fedelmente dal vero senso in versi sciolti tradotto per m. Giuseppe Betussi...In Vinegia: al segno di san Bernardino (Al colophon:) In Vinegia: per Comin da Trino di Monferato, 1546. Carte 26 [i.e. 29], [3]. Segnatura: A-D8. Marca xilografica con stemma al frontespizio e in fine, capilettera incisi su legno. Fori di tarlo alle ultime 3 carte, restaurati in quella finale, lievi arrossature. Nota manoscritta a c. A3v. Legatura moderna in pelle, cornici a secco e in oro ai piatti, nome dell'Autore in oro al piatto anteriore, dorso a 3 nervi decorato a secco.  I opera: Traduzione di Alessandro Sansedoni, Ippolito de' Medici, Bernardino Borghese, Bartolomeo Piccolomini Carli, Aldobrando Cerretani e Alessandro Piccolomini. A cura di Vincenzo di Pers, il cui nome appare nella prefazione. Edizione copiata da quella di Zoppino del 1540, da cui il colophon del libro secondo In Vinegia: per Nicolo d'Aristotile detto Zopino, 1544, usando le stesse illustrazioni. Renouard, 130.4: "très rare". II opera: Contiene anche, da carta D4r i Versi di Ottaviano Ces. Augusto sopra l'Eneida di Vergilio tradotti dal Betussi. Â
Film Stills - Movies: Lawrence of Arabia (8), Last Tango in Paris (8), press releases (2), Little Fauss and Big Halsy (Robert Redford) (8), The Last American Hero (2), Love Story (1) transparencies (7), Lord Jim (3), Live and Let Die (3), The Last of the Red Hot Lovers (4), medium format transparency (1), Lady Sings The Blues (7), The Lolly-Madonna War (9), Loot (4), The Lion in Winter (3) and 17 other films See foreword before lot x for explanation about this collection

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17338 item(s)/page