We found 17330 price guide item(s) matching your search

Spanje, processie pop, Madonna en Kind, 19e eeuw Polychroom geschilderd met brokaten kleding, beide met kroon. H. 92 cm. Uit de nalatenschap van Clemens Merkelbach van Enkhuizen (1)

Frankrijk, eikenhouten en polychroom geschilderd sculptuur, madonna met kind, 17e eeuw; Uitgevoerd met vlak gestoken achterzijde. figuur gezeten op bank. h. 44 cm, b. 24 cm, d. 15 cm [1]

Noord Frankrijk, eikenhouten gestoken sculptuur voorstellende Madonna met kind, 15e eeuw; Uitgevoerd in staande pose met kroon. (beschadigingen, resten van polychromie). h. 62,5 cm [1]

Spanje, gestoken houten madonna op de maansikkel, 17e/18e eeuw. Met latoenkoperen kroon, geheel staande op met rood fluweel beklede voet. h. 71 cm. [1]

Spanje, Papier-maché sculptuur van de Madonna, circa 1800 Uitgevoerd met polychrome beschildering en glazen ogen (beschadigingen) h. 81 cm. Uit de nalatenschap van Clemens Merkelbach van Enkhuizen (1)

Griekenland, ikoon, ca. 1900; Madonna met kind en vier Heiligen op de vier hoeken. h. 45,5 en br. 33,5 cm. [1]

Italie, gestoken notenhouten sculptuur voorstellende Madonna, 18e eeuw. met resten van polychromie, glazen ogen. Met resten van polychromie, glazen ogen. Hierbij een gestoken houten sculptuur van Maria. h. 27-38 cm. [2]

Italienischer Maler18. JahrhundertMadonnaÖl auf Leinwand auf Holz34,5 x 25,5 cm, mit Rahmen 42 x 33,5 cm

Ida Schwetz-LehmannWien 1883 - 1971 WienMadonnaAugarten PorzellanHöhe 20,5 cmAm Boden gemarkt

Madonna18./19. JahrhundertCartapesta bunt bemaltHöhe 50 cm

Madonna19. JahrhundertHöhe 9,5 cmAuf Holzsockel montiert, 16 cmKein Export

MadonnaIm Weichen Stil von 1420Nussholz geschnitztHöhe 42 cm Krone restauriert

Madonna im gotischen Stil des 15. JahrhundertsSteingussHöhe 52 cm

Hans MultscherLeutkirch 1400 - 1467 Ulm, UmkreisMadonna2. Hälfte 15. JahrhundertHolz geschnitzt und polychrom gefasst (gehöhlt)Höhe mit Sockel 113 cm, Höhe Figur 104 cmBreite Sockel 38 cm, Tiefe Sockel 25,5 cmBreite Figur 29 cm, Tiefe Figur 21,5 cmDer Bildhauer und Maler Hans Multscher gilt als einer der größten Meister seiner Zeit und unterhielt bis 1467 eine renommierte Werkstatt. Als früher Vertreter der berühmten Ulmer Schule zeigt er Figuren in spannungsvollen Bewegungen: Maria ist in einer dynamischen S-Haltung positioniert; in ihrer linken Hand balanciert sie das nackte Jesuskind, dessen spielerisch gebeugter Körper mit ausgestreckten Zehen einen naturalistischen Eindruck vermittelt. Der Junge präsentiert dem Betrachter eine Kugel, entweder einen Apfel als Symbol der Fruchtbarkeit oder einen Reichsapfel, der Christus als Herrscher der Welt ausweist. Im Gegensatz zu Marias Schönheitsideal mit langem gelocktem Haar, einer hohen, elegant gewölbten Stirn, schmaler Nase und kleinem Mund hat das Kind einen fast frechen Ausdruck: Tief liegende Augen mit schmalen Augenbrauengraten verbinden sich mit einer Stupsnase und einem kleinen, verschmitzt lächelnden Mund mit stark gekerbten Mundwinkeln. Umrahmt wird das Gesicht Jesu von den für die Gotik typischen kurzen Löckchen.Das eindrucksvollste spätgotische Merkmal dieser Madonnenfigur ist jedoch der Faltenwurf von Marias Gewand, der nach unten hin zunehmend scharfkantigere Formen annimmt. Das Schleiertuch um Marias Haupt fällt voluminös herab, wobei dieser Schwung von den langen Haarsträhnen aufgenommen wird, die über Marias Brust fallen. Der reich gefältelte Mantel zeigt Kombinationen aus weich wirkenden Schüsselfalten und Knickfaltenfigurationen, wobei der Stoff am Oberkörper noch anschmiegsamer aufscheint und dessen Draperie darunter in eckig-gebrochener Manier durchstrukturiert ist. Besonders auffallend sind die tiefen Faltenbahnen am roten Kleid Marias, das zu ihren Füßen zum Vorschein kommt und bewegt gebauscht auf der Bodenfläche aufliegt. Ein Vergleichsbeispiel ist die Bihlafinger Madonna um 1455-60, die heute im Ulmer Museum zu sehen ist und ähnliche Merkmale wie die hier präsentierte Figur aufweist. Jedoch liegt hier ein höheres Maß an Verspieltheit durch die kecke Haltung des Jesuskindes vor, sowie eine intimere Beziehung zwischen Mutter und Kind, da Maria auch mit der rechten Hand den Fuß ihres Sohnes sanft berührt. Der Bildschnitzer erreichte hier eine fast hyperrealistische Unmittelbarkeit und suggerierte damit eine körperliche sowie geistige Nähe der Betrachter zu den dargestellten Figuren, wobei dies die menschliche Seite Christi sowie die Fürbitterrolle Marias betont.

A Coalport Figure, The Madonna, 32cm high

A LARGE YELLOW METAL CAMEO BROOCH, molded plastic, painted cameo possibly depicting Madonna, collet setting with a rope twist surround, stamped 9ct, fitted with brooch pin and clasp, with additional safety chain, approximate dimensions length 63.2mm x width 50.1mm, approximate gross weight 17.8 grams (condition report: general light wear, worn colouring to the cameo, would benefit from a gentle clean and polish)

After Pietro Lorenzetti (1280 - 1348), the Madonna and Child; a gilt heightened print on panel, set into a tabernacle style frame with Gothic arched top; after the original altarpiece at Santa Maria della Pieve, Arezzo; 62cm high, 34cm wide

19th Cent. Russian icon || Negentiende eeuwse Russische icoon met Madonna omringd door heiligen - 35 x 30

'antique' sculpture in wood with a baroque shrine with a "Mary and Child" || 'Antieke' houtsculptuur met een "Madonna met kind" in een barok schrijntje - hoogte : 68 cm

20th Cent. Belgian mixed media (with pastel) - signed Albert Servaes and dated 1956 || SERVAES ALBERT (1883 - 1966) werk in gemengde techniek (met pastel) : "Madonna met kind" - 75 x 65 getekend en gedateerd 1956

antique quite big "Mary and Child" sculpture in wood || Antieke vrij grote hout sculptuur : "Madonna met kind" - hoogte : 127 cm

16th Cent. "Crowned Madonna with book" sculpture in polychromed wood || Mooie zestiende eeuwse sculptuur in gepolychromeerd hout : "Gekroonde Madonna met boek" - hoogte : 101 cm - op sokkel

framed 19th Cent. Russian icon with rizza || Ingekaderde negentiende eeuwse Russische icoon met rizza : "Madonna met kind" - 17 x 13,5

framed 19th Cent. Russian icon with rizza || Ingekaderde negentiende eeuwse Russische icoon met rizza : "Madonna met kind" - 17 x 14

19th Cent. oil on canvas (on canvas) with the depiction of Mary and Child || Negentiende eeuws olieverfschilderij op doek (herdoekt) : "Madonna met kind" - 107 x 74 ongeveer 50 jaar geleden aangekocht bij Sotheby's

Selection of 45's to include Madonna, Stray Cats, Stevie Wonder etc

Four Dutch silver spoons with decorative finials (possibly earlier bowls with later handles) with import marks for London 1890, comprising: Madonna and child finial, 19cm long, 1.79toz, bowl inscribed verso “is geb: deng: van Herfstmaand anno 1665 J. Norfia”; Putti and grapes finial, 934 fineness mark to bowl, 20cm, inscribed “Fouke Sjoerds is geb: den 3” van grannaand anno 1710, 1.96 ozt, both spoons B H Joseph & Co (Barnet Henry Joseph), London 1890, plus Dutch mark of lion rampant plus key for 934 fine silver, together with two silver spoons with Windmill and ship finial, Samuel Boyce (or Boaz) Landeck, London 1891, indistinct old marks to bowl of ship spoon, total weight 6.7toz (4)

An 18th century style group of the Madonna and Child, with silver coloured metal crowns and silk embroidered clothing, wrapped in a lace shawl, 34.5 cm high overallSome discolouration, fading as you would expect

A 19th century hand painted porcelain panel brooch, depicting Madonna and Child, in unmarked yellow metal framed, 53.7mm, 32.2g1 large edge chip in top left corner, and general surface abrasions, brooch fitting working, unmarked

Bernhard Kleinhans(1926 Sendenhorst - 2004 ebenda) Mutter mit KindBronze, dunkelbraun patiniert, 1977. Monogr. u. dat.; Expressive, zeitgenössisch moderne Interpretation einer Madonna, die Mutter mit hoher Haube und in bodenlangem Rock, in den Proportionen stark überlängt, mit ihren beiden Händen das rege, unbekleidete Kind haltend. H. 75,5 cm.Provenienz: aus der Auflösung einer bedeutenden nordrhein-westfälischen Privatsammlung.Dark brown patinated bronze, 1977. Monogrammed and dated.

Deutscher Bildschnitzer(Tätig 2. Hälfte 19. Jh.) MadonnaElfenbein, vollplastisch geschnitzt. Fein ausgeführte Darstellung der jungen, anmutigen bekrönten Muttergottes mit andächtig gesenkten Lidern und lang herabfallendem, gelocktem Haar in bodenlangem Kleid, das Kind in ihrer rechten Armbeuge haltend. Die fein geschnitzte Statuette ist voller tiefer Sinnbezüge, inspiriert durch die Schönen Madonnen der Spätgotik. Minim. best.; H. 13,5 cm.CITES-Bescheinigung liegt vor.German sculptor active second half 19th C.; Carved ivory sculpture of Madonna and Child. Minor chips. CITES included.

Praying Madonna bust figure with eyes closed wearing a lacy blue coat in gloss finish. Artist's makers mark backstamp Italy 1496/357 in black. Artist: Ugo ZaccagniniIssued: 20th centuryDimensions: 7.25"L x 4.5"W x 12"HManufacturer: Richard-Ginori Ceramic CompanyCountry of Origin: ItalyCondition: Age related wear and minor crazing.

After Raphael 'Madonna with Pomegranate' monochrome print and a similar head and shoulder portrait of a lady, 40cm x 29cm max (2) (Victor Brox collection)

Collection of religious wooden, polychrome and stone carvings, of varying ages and styles. To include three wooden and one stone carving of the Madonna and Child, and three wooden carvings of the Virgin Mary. (Victor Brox collection)

Large plaster cast sculpture of the Madonna and Child (Victor Brox collection)

Giovanni Dalessi (geb. 1964) Madonna met kind doek, niet ingelijst, 2012, 40 x 45 cm. [1]

Noordelijke Nederlanden, 17e/18e eeuw, Madonna paneel, 34 x 26 cm. [1]

⊕ ‡ AFIFA ALEIBY (IRAQI B.1952) CAPELLO BIANCO (WHITE HAT)signed in Arabic and dated 03 upper rightoil on canvas50 x 40cm; 19 3/4 x 15 3/4in 55.5 x 45.5cm; 20 3/4 x 18in (framed)Property of a Private Collector, The NetherlandsProvenanceDe Twee Pauwen, The HagueAcquired from the above in 2004 by the present owner ExhibitedThe Hague, De Twee Pauwen Gallery, Afifa Aleiby, 2004Born in Basra, Iraq, Aleiby studied at the Institute of Fine Arts in Baghdad whilst working as an illustrator. In 1974, the artist left Iraq for Moscow to further her studies in monumental art on a scholarship at the Surikov Institute. She remained there for six years, where her artistic endeavours were fostered by a community of Iraqi intellectuals. In the wake of political conflict, Aleiby was unable to return to her homeland and instead relocated to Italy where she was inspired by the Renaissance masters. The work of Sandro Botticelli, for example, has HAD a noticeable influence on Aleiby's practice. Her serene female figures, such as in Capello Bianco (White Hat), often resemble European court society portraiture or formal ecclesiastical iconography (notably the Madonna). Aleiby uses these female figures to reflect beauty, taste, politics and society and to emphasise the significance of women in society. Aleiby lives and works in the Netherlands, and has participated in numerous exhibitions throughout her career, from Baghdad and Moscow to Yemen, Italy, Syria, Lebanon, England and the United States. Her paintings are held in important international public and private collections, such as Azman Museum’s collection, Farjam Foundation, Rana Sadik Collection, Beth Rudin de Woody Collection and Barjeel Foundation.

AFTER RAPHAEL: A gilt framed oil on canvas depicting the face and torso of the Madonna of the Goldfinch. Labelled verso 'La Madonna del Cardellino - A celebrated painting by Raphael at Florence from Miss Le Mesurier of Ancona August 1849'. Approx. 21 cms x 27 cms (ss). Est. £200 - £300.

Artist Unknown - oils on wood panelsA study of the Madonna and child and bust portrait of Jesus 8½" x 7" (a pair)

A Victorian Staffordshire pottery figure of the Madonna and Child, 14" high; a Victorian Staffordshire pottery figure "Faith, Hope and Charity - the Good Templars Motto", 15½" high (slight damage) and one other Staffordshire pottery figure of the Crucifixion (af) (3)

A selection of religious plaques and figures including a large plaster bust figure of the Virgin Mary, 14" high; a china relief decorated wall plaque depicting the Madonna and Child, 16" high, 19th century pottery circular bread plate depicting Jesus and the Disciples, three various plaster and pottery figures and others etc.

An old leaded stained glass oval window panel, originally from a Cornish church depicting the Madonna and child, 17½" x 30½" in gilt frame

An unusual large plaster figure of the Madonna and Child, 76" high, originally from a Cornish church

A 19th century Berlin ceramic plaque painted with a head and shoulders portrait of the Madonna, oval 11 x 9cm, mounted in a needlework border, framed and glazed.Condition Report: Can only inspect what you can also see in the photos as the back is sealed but what we can see looks goodFrame has minor damage, needlework surround and gilt mount appear later then the picture

† ARTHUR DOOLEY (1929-1994); a bronze statue, 'Madonna with Pearl', inscribed verso 'A Dooley no. 69 1990', mounted on a marble base, height 20cm. Condition Report: † This lot may qualify for Artist Resale Rights. For further information, please visit https://www.dacs.org.uk or https://artistscollectingsociety.orgThere are some water stains and wax drips to the marble base, no chips. It looks as though these will rub off and the base will clean up.From the estate of actor Dean Sullivan, most known for playing Jimmy Corkhill in the TV series Brookside. 

Vinyl records, circa 43. See photos for a selection of albums, Various albums to include Madonna, REM, Deacon Blue etc. See photos for Album covers. Condition varying, sold as found.

An Orthodox wooden icon, painted with the Madonna and child, 23.5cm x 18cm.

‡ KIT WILLIAMS (b. 1946) oil on canvas laid on panel - 'Madonna of the Snails', signed with monogram and dated '91, 182 x 58cms Provenance: deceased estate Ynys Mon (Anglesey), with Portal Gallery, London and Bonhams, to accompany a photograph of the model with the finished picture, 'Preview' numbered '9/25', by the same hand Comments: framed

19th Century Italian School, Madonna and Child, oil on canvas, in a Florentine Carved frame, 12" x 9.5" (30 x 24cm), a/f.

A 19th century Italian oval oil on board, 'Madonna in Prayer', inscribed and dated 1882 verso, 21 x 16.5cm, in gilt frame.

Continental School, 19th century, Madonna in Prayer,oil on canvas, laid on board, unsigned,30x21.5cm.

A 20th century Italian ceramic model of the Madonna & child by W. Ruscoe, inscribed “Ave Maria Gratia Plena”, 20cm high x 14cm wide.

Madonna Sex book with outer sleeve.

Madonna with Child - Oil painting on canvas, 20th century, Italian school, depicting Madonna with Child.Dimensions: 40x50 cm.By an anonymous artist.

Mid 19th century Italian oil on canvas, Madonna and child, indistinctly signed and dated 1839 lower left, 51 x 36cm, with associated gilt frame Substantially re-touched in many areas; three tears repaired, as shown; considerable cracquelure; canvas edges worn.  Moulded gilt frame fair; some small chips.

Manner of Francesco Solimena (Italian, 1657-1747), old master sanguine chalk, Madonna and child, collectors stamp lower right, mounted, 34 x 27cm, unframed

Herb Ritts (1952-2002) was an American fashion photographer and director, best known for his black and white portraits of celebrities, models, and musicians. He was born and raised in Los Angeles, California and began his career as a photographer in the late 1970s. Ritts is considered one of the most influential photographers of his time, and his images have become iconic in the world of fashion and popular culture.Ritts was known for his minimalist approach to photography, often using stark lighting and simple compositions to create powerful and striking images. He was especially skilled at capturing the beauty of the human form, and his images of models such as Cindy Crawford and Naomi Campbell helped to define the supermodel era of the 1980s and 1990s.In addition to his work as a photographer, Ritts was also a successful director and created music videos for artists such as Madonna, Janet Jackson, and Michael Jackson. He also directed several commercials and documentaries during his career.Tragically, Ritts passed away in 2002 at the age of 50 due to complications from pneumonia. However, his legacy continues to live on through his iconic images and the influence he had on fashion and photography.Measures 14.75 x 11.5.Printed circa 1990's.

MARTIN HUGO SCHREIBER - Madonna Like A Sphinx, 1976 Photo Litho Measures 7.85 X 8.80 Inches

Herb Ritts (1952-2002) was an American fashion photographer and director, best known for his black and white portraits of celebrities, models, and musicians. He was born and raised in Los Angeles, California and began his career as a photographer in the late 1970s. Ritts is considered one of the most influential photographers of his time, and his images have become iconic in the world of fashion and popular culture.Ritts was known for his minimalist approach to photography, often using stark lighting and simple compositions to create powerful and striking images. He was especially skilled at capturing the beauty of the human form, and his images of models such as Cindy Crawford and Naomi Campbell helped to define the supermodel era of the 1980s and 1990s.In addition to his work as a photographer, Ritts was also a successful director and created music videos for artists such as Madonna, Janet Jackson, and Michael Jackson. He also directed several commercials and documentaries during his career.Tragically, Ritts passed away in 2002 at the age of 50 due to complications from pneumonia. However, his legacy continues to live on through his iconic images and the influence he had on fashion and photography.Measures 14.75 x 11.5.Printed circa 1990's.