We found 77831 price guide item(s) matching your search

Hulbert (Charles, publisher) The Parlour Book of British Scenery, Architecture and Antiquities, First & Second Series, together 2 vol., 60 engraved plates, wood-engraved vignettes, foxed, original boards with paper label to upper covers, uncut, rubbed, rebacked in cloth, 4to, Shrewsbury, C.Hulbert, 1827-28.*** Interesting and scarce collection of engravings of buildings originally published in The European Magazine and other periodicals and including, with descriptions, the Amicable Assurance Company’s building in Fleet Street, London (designed by Ezekiel Delight); Sir William Curtis’s house at Culland’s Grove, Southgate, Middlesex;  Grocer’s Hall, London, as designed by William Leverton before alterations carried out in the 1830s by Joseph Gwilt; and the Royal Military Academy, Woolwich, as originally designed by James Wyatt. 

Periodicals.- Zodiac: International Magazine of Contemporary Architecture, No. 4-7, 9-10, 12, 18 & 20, illustrations, original pictorial wrappers, rather rubbed and soiled, some with slip-cases, Milan, 1959-70 § Alfieri (Bruno, editor) Lotus: An International Review of Contemporary Architecture, No. 4, 6 & 7, illustrations, nos. 4 & 6 ex-library copies bound in cloth, no.7 original boards with dust-jacket, soiled, Milan, 1967-70; and a small quantity of other modern & contemporary architectural periodicals including odd issues of Daidalos, Perspectiva, Architektura, Moderne Bauformen, some from the library of Sir James Stirling, some duplicates, 4to (4 boxes)

The Rolling Stones Book Monthly Magazine, a full set of 30 magazines, June 1964 to November 1966

CUNARD EXPRESS LINER MAURETANIA - Quarterly Magazine. [N.p.:] November 1907. Vol. II 'Special Number', Colour frontispiece, 4 colour plates, 5 uncoloured folding plans, numerous illustrations together with Swan, Hunter & Wigham Richardson, limited, Wallsend and Walker-on Tyne, complimentary book with 2 plates of Mauretania, fold out coloured map of shipyard and history of shipyard, plates of other ships built and lists of former clients (2)Mauretania - Original cloth cover, head and foot of spine lightly bumped, general good conditionSwan, Hunter, - some cover wear and browning of pages, general good condition

A Scandinavian teak coffee table, raised on tapered legs, and fitted with rattan magazine shelf. 137 x 45 x 48cms.

An Ercol elm and beech model 459 coffee table, with spindle magazine rack, 104 x 45 x 37cms.

EON Productions 1/8th scale Aston Martin DB5 James Bond model by Eaglemoss as built from their home build magazine series. Model features many working features including rotating front and rear number plates, rear bullet proof shield, cutting rear wheel spinners, working steering, spring loaded suspension, key initiated engine sounds, working horn, lights, machine guns etc with finely detailed interior and engine. Model 57cm length, model comes with black Aston Martin slip cover and part ID sheets. All features appear to function as expected. Appears complete and in good order.

A modern oak nest of three graduated tables, the largest with side magazine partition.

Hornby O Gauge No.45 Tank Goods, With How to Plan your Railway Guide magazine (fair used condition): Conditions: Overall Good Plus to Excellent in Fair to Good Box.

Hornby (China) Limited Edition R3001 East Coast Battle of Britain Memorial Flight Class 91 No. 91110: Produced for Model Rail Magazine with certificate No. 558 of 1000 produced. Condition is Mint in Good to Excellent Box with some Crushing to Top edge of box and outer sleeve.

Bachmann Branchline OO 32-979V: GBRF Class 66 No.66720 in Rainbow Competition livery, loco was produced exclusively for Rail Express Magazine, condition Excellent Plus to Near Mint in Excellent box.

Dapol Produced For Model Rail Magazine BR Y3 Sentinel (Early) No.68184 With Instruction Sheet: Conditions Excellent Plus to Near Mint, in Good to Excellent Box.

Mid century teak coffee table with oval glass smoked insert, together with a similar magazine rack

Vintage rustic wooden coffee table with a magazine shelf - 110cm long x 40cm wide x 40cm high

Ernest Howard Shepard (British, 1879 - 1976), 'John stood on a beetle II' (Illustration for Punch magazine), caption in pencil, pencil, 19 x 29.5 cm, framed 37.5 x 48 cmExhibited at The Fine Art Society E.H. Shepard exhibition December 2006 (no. 382) - label verso

Ernest Howard Shepard (British, 1879 - 1976), 'The Bride' (illustration for Punch magazine), monogrammed (lower right), ink and watercolour, 15 x 15.5 cm, framed 33.5 x 34 cm; and 'I knew I must say no more then - the proposal' (Illustration for Drawn from Life, E.H.Shepherd, 1961, Published by Methuen), pen and ink, 21 x 15.5 cm, framed 39.5 x 34 cmQty: 2Both exhibited at The Fine Art Society E.H. Shepard exhibition December 2006 (nos.117 and 360) - labels verso

Dirck van Baburen, um 1594 Utrecht – 1624 ebenda, zug.PORTRAIT DES APOSTEL JACOBUS DER ÄLTEREÖl auf Leinwand.77 x 63,5 cm.In ornamental reliefiertem Rahmen.Das hier angebotene Gemälde wird beim RKD Den Haag als „Dirck van Baburen zugeschrieben“ unter Nummer 292950 geführt.Vor unbestimmtem Hintergrund das nach links gerichtete Profilbildnis eines älteren Herren mit Pilgerstab. Auf seiner Schulter prangt eine Jacobsmuschel, sein Haupt umspielt ein raumgreifender Nimbus. Van Baburen, der zusammen mit Hendrick ter Brugghen und Geritt van Honthorst zum Kreis der niederländischen Caravaggisten gehörte, war zwar noch 1611 in Utrecht als Schüler des Paulus Moreelse (1571-1638) verzeichnet, reiste aber alsbald nach Italien, wo er bis 1621 blieb und nach seiner Rückkehr nach Utrecht 1624 starb. 1615 führte er in Parma das Altarbild der Kirche Santa Maria die Servi aus. In Rom, wo Baburen bis 1621 blieb, wird auch das vorliegende Gemälde entstanden sein, das die klassischen Züge Baburens zeigt, der auch vom Einfluss des Jusepe de Ribera (1591-1656) zeugt, der sich sowohl in Parma als auch in Rom aufhielt.Provenienz:Finarte, Mailand, 20. November 1955, Lot 537 (als Dirck van Baburen).Privatsammlung, Italien.Als zugeschrieben an Dirck van Baburen am 23.10.2018 im Dorotheum Wien angeboten. Die Zuschreibung geht zurück auf Paul Huys Janssen, der das Werk in die italienische Frühzeit des Künstlers datierte. Die damalige Beschreibung umfasste folgende Einschränkung: Wayne Franits hat die Zuschreibung an Dirck van Baburen auf Grundlage einer hochaufgelösten Digitalfotografie nicht anerkannt.Literatur:Vgl. X. F. Salomon, The Young Ribera, in: The Burlington Magazine, Nr. 153, 2011, S. 475-478.Vgl. Wayne E. Franits, The Paintings of Dirck van Baburen, Amsterdam/ Philadelphia 2013. (1390111) (13) (†)Dirck van Baburen,ca. 1594 Utrecht – 1624 ibid., attributedPORTRAIT OF THE APOSTLE SAINT JAMES THE ELDER Oil on canvas.77 x 63.5 cm.The painting on offer for sale in this lot is listed at the RKD in The Hague under no. 292950 as attributed to Dirck van Baburen.

Giovanni Battista Tiepolo, 1696 Venedig – 1770 Madrid, Kreis desVARIANTE ZUM GASTMAHL DER CLEOPATRAÖl auf Leinwand. Doubliert.91 x 123 cm.Ungerahmt.Dem Fresko Tiepolos im Palazzo Labbia entweder vorausgehend oder folgend, zeigt die hier angebotene Darstellung hinter einer à jour gearbeiteten und reliefierten Brüstung mehrere Musikanten beim Spiel ihrer Instrumente. Hinter ihnen werden Pilastervorlagen einer architektonischen Struktur gezeigt, die auch im Palazzo Labbia gezeigt werden, bei der Version in der National Gallery in Melbourne jedoch fehlen.Literatur:Vgl. Roger Fry, Cleopatra´s Feast by G. B. Tiepolo, The Burlington Magazine, Bd. 63, Nr. 366.Vgl. Everett Fahy, Tiepolo´s Meeting of Antony and Cleopatra, The Burlington Magazine, Bd. 113, Nr. 825, Venetian Painting.Vgl. Keith Christiansen, Giambattista Tiepolo 1696-1770, Museo Del Settecento Veneziano, Ausstellungskatalog, 5. September - 9. Dezember 1996 und im Metropolitan Museum of Art, New York, 22. Januar - 27. April 1997, New York 1996. (1411291) (3) (13))

Meister von Lyon,tätig in Venedig, Mitte des 18. JahrhundertsDER CAMPO SANTA MARIA FORMOSA IN VENEDIGÖl auf Leinwand.29 x 47,5 cm.Beigegeben ein Zertifikat von Bozena Anna Kowalczyk sowie Zuweisung an den Lyoneser Meister mündlich bestätigt durch Charles Beddington.Der weite Vorplatz der Kirche scheint in schattenbildende Abendstimmung getaucht. Der nebenstehende Campanile, die Palazzofront in der rechten Bildseite und der runde Marmorbrunnen kommen dadurch weißleuchtend zur Geltung, beleuchtet durch das Licht der hinter den Dächern links untergehenden Sonne. Entsprechend sind auch die Figurenstaffage und die Platzabgrenzungen ins Helldunkel gesetzt. Der ernste Charakter der Lichtstimmung und die feingratige Malweise entsprechen bereits dem Stil des ausgehenden Jahrhunderts.Anmerkung:Erstmals hat Charles Beddington das Gemälde dem Meister von Lyon zugewiesen, aufgrund eines Werkes im Museum Lyon („Canal Grande a nord da Palazzo Rezzonico a Palazzo Balbi“), das früher als Werk des Bellotto galt. Dario Succi stellte den Maler Pietro Bellotti (aktiv ca. 1749-ca.1818) zur Diskussion. In der beiliegenden Dokumentation werden Werke von Bellotto erwähnt, u. a. bei Sotheby´s New York, 14. Oktober 2020, Lot 26.Literatur: Vgl. Charles Beddington, Bernardo Bellotto and his Circle in Italy, Part II. The Lyon Master and Pietro Bellotti, in: Burlington Magazine, CXLVII, Nr. 1222, Januar 2005. (1410806) (11)Master of Lyon,active in Venice, mid 18th century THE CAMPO SANTA MARIA FORMOSA IN VENICEOil on panel.24 x 47.5 cm. Accompanied by a certificate by Bozena Anna Kowalczyk and attribution orally confirmed by Charles Beddington.Notes:Charles Beddington first attributed the painting to the Master of Lyon on the basis of a work in the Lyon Museum (‘Canal Grande a nord da Palazzo Rezzonico a Palazzo Balbi’), which was previously thought to be the work of Bellotto. Dario Succi presented the painter Pietro Bellotti (active ca. 1749-ca.1818) for discussion. Works by Bellotto are mentioned in the accompanying documentation, including at Sotheby’s New York, 14 October 2020, lot 26.Literature: cf. Charles Beddington, Bernardo Bellotto and his Circle in Italy, Part II. The Lyon Master and Pietro Bellotti, in: Burlington Magazine, CXLVII, no. 1222, January 2005.

Ssiljwestr F. Schtschedrin, 1791 – 1830NAPOLI, RIVIERA DI CHIAIAÖl auf Leinwand.45,5 x 67 cm.Beigegebene eine Expertise von Dr. Ermanno Bellucci, Ehreninspektor des Ministeriums für Kultur, in Kopie.Das äußerst fein und detailreich gestaltete Gemälde stellt, wie die Expertise bestätigt, vermutlich eine von mehreren Wiederholungen des Originals dar, das in der renommierten Tretyakov-Galerie zu finden ist, abgebildet im Katalog bzw. im Tretyakov-Magazine, Ausgabe 4, 2009 sowie 2011.Die Ansicht von Norden auf den Golf, mit dem Vesuv im Hintergrund, sehr reicher und akribisch wiedergegebener Figurenstaffage ist identisch mit der Fassung in Moskau. In der Expertise werden einige wenige Abweichungen genannt. Die Abmessungen der beiden Bilder sind identisch. Der Malstil und die Feinheit in der Behandlung der Gegenstände ist auch mit sämtlichen weiteren Werken von Schtschedrin durchaus vergleichbar. Der Maler war Sohn eines Bildhauers, der den Posten eines Rektors an der Akademie von St. Petersburg innehatte. Auch sein Onkel war Landschaftsmaler, bei dem er auch Unterricht nahm. 1800 wurde er Akademiemitglied, dann ausgezeichnet mit einer Großen Goldmedaille. Nach 1818 ging er im großfürstlichen Auftrag Romanows nach Neapel und Rom, wo er etliche äußerst qualitätvolle Landschaften und Stadtansichten schuf, so auch eine weitere Ansicht der Bucht von Chiaia in Neapel, 1819, während das vorliegende Motiv 1826 entstand.Literatur:L.A. Markina, O dolce Napoli, Ausstellungskatalog, Moskau 2011, S. 32-33. (1410311) (11)Ssiljwestr F. Schtschedrin,1791 – 1830RIVIERA DI CHIAIA IN NAPLESOil on canvas.45.5 x 67 cm.Accompanied by an expert’s report by Dr Ermanno Bellucci, Honorary Inspector of the Ministry of Culture, in copy. According to the expert´s report, the very fine and detailed painting is one of several repetitions of a painting held at the Tretyakov Gallery, shown in the catalogue and in the Tretyakov Magazine, Issue 4, 2009 and 2011.Literature:L. A. Markina, O dolce Napoli, exhibition catalogue, Moscow 2011, pp. 32-33.

Leo Oculi (The Lion of Eye). Artist: Sharon Teague.Artist Info: Sharon lives in the centre of Eye and has lived in Suffolk all her life. As a child she was inspired to create art after watching her grandfather paint oil landscapes. She has a 30 year career as a professional graphic designer and enjoys experimenting with various art techniques and mediums.Artist website: outflux.co.ukArtist Facebook: OutfluxArtist Instagram: Outflux Sponsor: Eye Magazine.A local magazine especially for the people of Eye and the surrounding district. Full of news, information and local stories.Sponsor Facebook: https://www.facebook.com/EyeMagazineSuffolk Approx animal weight (Kg): 10.3.Approx animal size (cm): 53 x 34 x 70.

Edwin Harris, RBSA (British, 1855-1906)Not Forgotten signed and dated 'Edwin Harris 1884' (lower right)oil on canvas121.9 x 86.3cm (48 x 34in).Footnotes:ProvenancePrivate collection, UK. ExhibitedBirmingham, Birmingham Art Circle Autumn Exhibition, 1884.The simple theme is rendered with fine feeling, and the painting of the face and hands, with all the subtle modelling, is at once delicate and striking. The pathos and the poetry of humble life are here a visible poem.The much-quoted letter in the Magazine of Art of 1898, that 'it was Birmingham that first discovered Newlyn' attests to the influence that a group of Midlands artists had on the development of an artistic colony. Of these artists, Edwin Harris was among the first to discover the corner of West Cornwall that became synonymous with British Impressionism. Harris may in fact have discovered Newlyn before his great friend Walter Langley, Harris's biographer noting that while 'Langley is generally regarded as the 'artistic father' of this small Cornish fishing village ... Mr. Edwin Harris was before him in the field, and is undoubtedly one of the very first pioneers among the Newlynites'1.Born in Birmingham in 1855, Harris attended Birmingham School of Art, before attending Verlat's Academy in Antwerp with fellow artist William Wainwright in 1880; he later travelled to Brittany with William Breakspeare. Although he had already had works accepted at the Royal Birmingham Society of Artists, Harris and his contemporaries sought an alternative outlet to the more established and mainstream Academies, and co-founded the Birmingham Art Circle in 1880, intent on offering a forum for emerging artists; other founding members included Langley and Wainwright, the artists initially showing their work in their own studios, before being offered a space to exhibit by Birmingham art dealer Edward Chamberlain. Harris was mostly working in Newlyn by 1881, and in 1883, having married Chamberlain's niece Sarah, the couple settled in Newlyn. By now the colony of artists was expanding to include, as well as Langley, Ralph Todd, Fred Hall, Frank Bramley and T. C. Gotch. Harris seems to have been at times an aloof member of the colony- perhaps not aided by his regularly returning to Birmingham during his tenure in Newlyn. Stanhope Forbes, arriving in 1884, notes in his letters that 'Everybody likes them but no one seems really intimate'; Forbes does, however, also refer to a number of pleasant evenings with the Harrises, at one of which he met his future wife, Elizabeth Armstrong2. The extent of Harris's financial success seems unclear, although he remained a regular exhibitor at the RBSA, the Birmingham Art Circle and the Royal Academy, his exhibited works attracting positive reviews. The present lot is an exceptional example of Newlyn painting during its prime period of the 1880s. Painted in 1884, the work sits alongside the best of Harris's work, and arguably matches in quality the interiors painted by Langley. In a dimly lit interior, an elderly sitter, perhaps the same model used for A Pinch of snuff (Penlee House Gallery and Museum), pauses for a moment of reflection, having received a package and a letter. As Edgbastonia notes, this was a period in which, having just welcomed a son, Harris 'worked indefatigably ... his subjects were almost entirely confined to the lives and homes of the humble fisher folk around his studio, who he painted in the hours of happiness and in their hours of trouble, joyous and pathetic idylls'3. Rendered in exquisite detail, the work was exhibited at the Birmingham Art Circle, alongside Maidenhood and A fisherboy. A contemporary reviewer noted that 'these pictures show a healthy development of artistic power... good, solid, earnest work, without trick or artifice ... Not Forgotten... is a bit of homely pathos: an old woman, seated in her poor cottage, where her thoughts are often enough, no doubt, sad and anxious, had just received from some distant son a hamper ... and a letter that tells her her bairn, though far away, cherishes the good mother in his heart. The letter is outspread on her lap, as she polishes her spectacles to read it. The simple theme is rendered with fine feeling, and the painting of the face and hands, with all the subtle modelling, is at once delicate and striking. The pathos and the poetry of humble life are here a visible poem'.Recognition by the RBSA came later to Harris than to his contemporaries, Harris not being elected until 1886, some five years after Langley, Wainwright and Breakspeare. As Roger Langley notes, 'it may be that his apparent preference for exhibiting at the Art Circle rather than the RBSA caused some delay in the promotion of his cause.'4. Given the supreme quality of the present work, it is hard to argue that his loyalty to the Art Circle may indeed have slowed his Academic recognition. 1 Edgbastonia, Vol XIX, 1899, quoted in Caroline Fox & Francis Greenacre, Painting in Newlyn 1880-1930, London, 1985, pp.66-7). 2 Ibid, p.65.3Edgbastonia, quoted in Roger Langley, Edwin Harris 1855-1906, An Introduction to His Life and Art, Truro, 2008, p. 24.4 Roger Langley, Edwin Harris 1855-1906, An Introduction to His Life and Art, Truro, 2008, p. 24.For further information on this lot please visit Bonhams.com

A mid century dark wood magazine rack, together with bobbin turned stool and a brass and an oil lamp with amber coloured shadeLocation:If there is no condition report shown, please request

2 Nests of tables, magazine rack and footstool etc 

Collection of 14 .177 air rifle pellet boxes, two safety glasses, quantity of ear protection and one .177 magazine

A camel seat and a magazine rack 

Jack Charlton signed 10x8 inch colour magazine photo pictured while training for England. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Bobby Moore signed 12x8 inch vintage colour magazine photo pictured while playing for England. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Lauren Bacall signed stunning 12 x 8 inch colour magazine photo. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Alan Ball signed 10x8 inch colour magazine photo pictured in action for England. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Maureen O'Hara signed 10x8inch colour magazine photo. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Roger Hunt signed 12x8 inch magazine photo pictured in action for Liverpool. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Alec Guinness signed 12x8inch colour magazine montage photo. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Billy Wright signed 10x8 inch vintage black and white magazine photo pictured leading England out. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Bobby Charlton signed 12x8 inch colour vintage magazine photo pictured while playing for Manchester United. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

George Best signed 10x8 inch black and white pencil drawing magazine illustration. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Alan Ball signed 10x8 inch colour magazine photo pictured during his time with Blackpool. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Bobby Moore and Gordon Banks signed 10x8 inch vintage colour magazine photo on duty for England. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Peter Bonetti signed 12x8 inch colour vintage magazine photo pictured with the FA Cup during his playing days with Chelsea. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

Alf Ramsey signed 7x5 inch approx vintage black and white magazine photo. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99

The Dublin University Magazine, 1838, pt 1, 785 pps; 1842, pt 1, 812 pps, both half leather with gilt spins; lovely and valuable vols with much contemporary Irish history, literature and culture, (2)

Gentleman’s Magazine and Historical Chronicle, for January to Dec 1743; in original half leather spine intact but lacking covers, intact text. 706 pps plus index. volume thirteen. Contains description of Greenland; Irish Cattle; America; news from Sweden; register of books; Samuel Johnson's 'Debates in the Senate of Lilliput' and poems by Samuel Boyse and William Dunkin; Spanish Ships captured. and much more in its 706 pages; missing covers but spine and text intact. Gentleman’s Magazine and Historical Chronicle: 1755 January to December (including Index and Supplement), [4], 595 pages, [25], 23 engraved plates with titles (including frontispiece, 5 folding plates, Map of British and French Settlements in North America, Map of the World on Mercators Projection, Plan of the Intended New Road from Padington to Islington), folding page of shells, colour page of coach whipsnake, and much more; title page with central illustration (including engraving in text to first page of each monthly edition, tables and illustrations in text throughout), variety of subject matter (including Music, Meteorlogical Diary, Price of Corn, Poetry, Sketches, Country News, Obituaries, Taxes), covers missing but spine and text intact. Two rare issues full of interest. (2)

Gentleman’s Magazine, 1794, July to December (including Index and Supplement), [1], 587-1212 pages, [16], 21 engraved plates with titles (including Dovedale, The French Telegraphe), title page with central illustration (including engraving in text to first page of each monthly edition with tables throughout), variety of subject matter (including Meteorlogical Diary, two months tour in Scotland, original letters of Dean Swift to Dr Windsor, China, the richest cobalt mine in Europe found in Cork, Price of Corn, Poetry, Sketches, Country News, Obituaries, Taxes), The first report published in Europe on the so-called Indian or Hindu method of rhinoplasty using a forehead flap, accompanied by an engraving of the patient, Cowasjee, with a restored nose and showing the stages of the operation. Truly unique volume. Front cover missing, spine and rear board detached (1)

1798] Young, R. M. Ulster in ‘98. Episodes and Anecdotes now first printed, Belfast: 1893, boards; The Gentleman’s Magazine and Historical Chronicle for 1798 [July-December], 1798, original half calf. Front board detached else very good. [2 items]

WW2 Skeleton Assault Jerkinbrown canvas, chest magazine pouches.  Top flaps secured by wooden toggles.  Webbing chest straps.  Shoulder Y strap and lower belt, both with adjustable lace panels.  Interior maker's stamp dated 1945.  Clean condition.

Scarce Deactivated Femaru P Mod 37 Hungarian Auto Pistol7.65 mm, 4 inch, hidden barrel.  Top slide with front blade sight and rear V sight.  Left side marked "P. MOD 37 KAL 7.65" with maker "JhV.43".  Blued lower body and grip frame with rear grip safety.  Rear exposed hammer.  Grooved wooden slab grips.  Removable magazine.  Current deactivation cert.  Contract of 35,000 made for the Luftwaffe in 1943.

Two Bren Magazine Transit Satchelsdark green canvas pouch.  Fold over top flap.  Interior compartments to hold 6 Bren magazines.  Canvas carrying handles.( removed to one)  Both dated 1944.

WW2 Third Reich Automatic Pistol Holsterblack leather, pebbledash holster.  Front mounted magazine pouch.  Side opening flap and top flap secured by leather straps and steel stud.  Rear with two belt loops.  Interior of flap with stripping tool pouch.  Now with Luger magazine with alloy end toggle.

Canadian Browning Hi-Power Auto Pistol Holsterkhaki canvas body.  Top flap secured by loop and strap fixing.  Internal box housing to hold a spare magazine and leather tube for the cleaning rod.  Canadian stamp dated 1944.  Some service wear.

Four Various Holstersconsisting pre war dated, brown leather, auto pistol holster.  The front with magazine pouch.  Top flap secured by leather strap and brass stud.  Rear belt loop.  Internal date stamp 1938. ... Post war, dark brown leather holster.  Front magazine pouch complete with magazine.  Rear with two belt loops ... Leather, open top, pistol holster ... Similar example in black nylon webbing.  4 items.

Rare Australian Austen SMG Magazine Fillercase body with side release button.  Blackened, cast brass top filler handle.  Body marked "Austen 9mm Magazine Filler'.  Maker "DC".

Two Sten SMG Magazine Loadersconsisting blackened steel body with rear release spring.  Top, cast brass filler handle.  Together with the later pattern with steel rear frame with steel hinged handle.  2 items.

Pair Of WW2 Vickers K Magazine Poucheskhaki webbing, circular pouch with top, half circular flaps secured by loop and strap.  Lower padded panel.  Front joining strap.  Rear with brass belt hook and wide shoulder straps joining to the rear and sides.  Interior maker stamps dated 1944.  Clean condition.

British WW1 Lewis MG Magazine Chestgreen painted, steel chest.  The front with press release lid catch.  Leather carrying handle.  Interior with central division panel.  Some paint loss.

Post War Thompson Sub Machine Gun Transit Baglight khaki, canvas bag.  The top flap with pull the dot stud. Front mount set of four magazine pouches.  Lower, spare parts pouch.  Side mounted pocket for the detachable stock.  Rear stamped "US".  Complete with stripping tool, brass cleaning rod, 20 round magazine.  Together with a post war, M1 carbine transit bag in tan canvas.  Side opening zip.  Front stamped "US".  2 items.

WW2 Third Reich Luger Holster black leather, hard shell holster.  Side mounted magazine pouch.  Top flap secured by leather strap and steel buckle.  Rear with two belt loops.  Maker's stamp dated 1936.  Interior tool pouch containing steel stripping tool.  Post war Luger magazine with composite end toggle.

Deactivated Webley & Scott Automatic Pocket Pistol6.35mm, 2 inch, part exposed barrel.  Top slide with W & S logo and "Webley & Scott Ltd London & Birmingham".  Blued trigger guard and grip frame.  Black composite checkered slab grips.  Lower removable magazine.  Complete in a black leather holster.  Current deactivation cert.

Eaglemoss, a boxed group of James Bond Car Collection Magazine. Includes 133 Cars with a quantity of matching Magazines. Condition appears Excellent to Near Mint some still sealed within plastic packaging. See Photos.

DeAGostini Star Wars Helmet Collection assortment, mostly sealed without magazines. Condition good to good plusJek Porkins 79 is sealed with magazine. 

Quantity of Star Wars replica ships and vehicles, to include Galoob Action Fleet, magazine issue, and similar. Good to Excellent, unchecked for completeness, some within Good rigid plastic display cases. See photo.