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Corgi - Dinky - Matchbox - An assortment of unboxed diecast vehicles to include #K-16 Articulated Tanker 'Chemco', 'Magic Roundabout' Mr McHenry's Trike and Zebedee box, #678 Air Sea Rescue and various military themes vehicles. All items show varying conditions; some playworn, some missing parts. (This does not constitute a guarantee) RG
Magic-Beano Book (1943). Big Eggo and Koko win 3-legged race. With the demise of Magic Comic after 80 issues its key characters, Koko, Peter Piper and The Tickler Twins co-starred in the first 'Magic-Beano' Annual. The propaganda back cover features Tootsy McTurk's 'V' for Victory sign in morse code! Spine re-enforced and colour touched-in with original spine illustration overlayed [vg-]
Beano (1944) 222-248. Complete year with first appearance of Jimmy and his Magic Patch and Strang the Terrible, both by Dudley Watkins. The Dandy's Desperate Dan appears with Pansy Potter, who kicks him back into his own comic! Propaganda war issues show Hitler hanged in Save Waste-Paper ad. and 'Pile up Waste Paper by the ton - That's the way to smash the Hun!' All issues complete. No 225 [fr], 228, 234-237, 244, 248 New Year [gd-/gd], Xmas [vg], balance 19 issues [vg-/vg+] (27)
Waterman Edson Boucheron limited edition fountain pen, with box, outer box, papers and original dossier. The Boucheron series was limited to the magic number of 3741 (1311/3741), adding together the founding years of each companies (1883 & 1858). Waterman gold cap and gold filigree barrel and section are set off with deep blue barrel, section and clip inlay, medium 18K nib. This set also comes with special case of six salesman brochures highlighting many of the details of the pen, possibly sent to retailers as the introduction of the model. Length 6†and 6 1/8†posted, filling mechanism is cartridge/converter fill (blue converter present). Overall excellent condition, light use to pen, minor wear to box and outer box.
Collection of 80 x vinyl albums to include Landscape, Ramones, Paul Collins Beat, Quintessence, The Pentangle, Third World War, Buzzcocks, Nina Hagen Band, Tubes Sex Pistols, Cheap Trick, XTC, Simple Minds, Pretenders, The Beat, Ian Hunter, Earth Wind & Fire, Madonna, Yellow Magic, Squeeze, Haircut One Hundred, Psychedelic Furs, Tourists, Human League, Yazoo, Terry Reid, New Order, Kraftwerk, The Clash, Pretty Things, Adam Ant, Colours etc. (80).
Works Sunbeam AlpineTwo time Le Mans competitorFIA HTP papers valid until 2026The Sunbeam Alpine is a plucky little British sports car that was produced by the Rootes Group from 1953 to 1955 and then again from 1959 to 1968. It quickly gained popularity, especially in the United States as it was offered as a two-seater convertible or roadster. It went through several different series and models during its production run, with various engine options and design changes, but importantly, it became a properly impressive competition car. A real David amongst Goliaths.9201 RW is one of the three Sunbeam Alpines built by the Rootes Competition Department for the 1962 24 Hours of Le Mans race. It was the first of the three cars to be completed and took part in the pre-race test day in April 1962, where it was driven by Peter Harper, lapping the Circuit de la Sarthe in just five minutes 8.6 seconds - some 12 seconds per lap faster than had been managed by either of the Alpines in practice for the previous year's race.Both 9201 RW and 9202 RW were equipped with a 1,592cc inline-four-cylinder engine known as the 'Rapier 1725' engine, derived from the standard Sunbeam Rapier engine found in the road-going Sunbeam Alpine. Initially generating approximately 83bhp, this figure proved somewhat conservative, especially after Brabham's team worked their magic in preparation for the 1963 race.9201 RW was a reserve entry for the 1962 race and, whilst it was unable to start, it took part later in the year in the Tourist Trophy at Goodwood, piloted by Peter Harper, where it was the fastest of the three Alpines in the race, finishing in 12th place overall and sixth in class.With competition in motorsport continually evolving and intensifying, the Rootes engineering team realized that more significant modifications were imperative for the Alpine's prospects at Le Mans. In preparation for the 1963 campaign, weight needed to be shed and more power had to be harnessed. The most notable changes revolved around the engine compartment. Jack Brabham's organisation prepared the engines, lightening and polishing crankshafts, lightening pushrods, and replacing Zenith carburettors with 40 DCOE Webers, while increasing the compression ratio to 12.5:1. These modifications, along with further lightening of the body, had the desired effect as far as speed was concerned, but at the expense of reliability.Two of the 1962 cars were retained by the factory team and entered for the 1963 Le Mans race. 9201 RW was driven by Peter Harper and Peter Procter (race number 33), while Keith Ballisat and 'Tiny' Lewis took the reins of 9202 RW (race number 32). The Harper/Procter car retired after 13 hours with a blown head gasket, whereas the Ballisat/Lewis car made it to hour 19, until it broke its crank while leading the under 2-litre class. As well as the Le Mans races, both 9201 RW and 9202 RW were used on a number of rallies, including the Monte Carlo, RAC, Tulip and Tour de France.During the tenure of its previous owner, from 1988 to 2015, 9201 RW received an extensive yet very careful restoration to then enjoy a second racing career, retaining its original 'Works' colours, registration number and 1963 Le Mans specification, albeit with a milder compression ratio to increase reliability. Unsurprisingly, its second wind of racing was significantly busier than its original career with the Rootes works team, including taking part in several Le Mans Classic races as well as appearances at the Goodwood Revival - on one occasion being driven by former Rootes works driver Peter Procter. When the car was stripped for restoration, numerous period modifications were found still to be intact, and were thankfully retained including the alloy panels, original Microcell seats, dual electrics, and BR front disc brakes.This well-preserved car, accompanied by current FIA HTP papers valid until 2026, is eligible for a wide array of events worldwide. Whether you choose to embark on long-distance HERO rallies or vigorously compete at Le Mans and Goodwood, it offers an underrated but exceptional slice of British racing history, steeped in decades of experience and captured through a multitude of period photos spanning decades. We are informed it not only runs and drives well but races even better, making it an excellent choice for global competition. All these remarkable qualities make this car an enticing addition to the world of historic racing. Consigned by Mathew PriddyFor more information on this lot please email mrp@historics.co.uk THIS IS A RARE THING A WORKS SUNBEAM ALPINEA TWO TIME LE MANS COMPETITOR WIT HA HISROTY FILE WORTH READINGFIA HTP PAPERS ACOCOMPANYING THE CAR VALID UNTIL 2026UNIQUE OPPORTUNITY FOR AN HISTORIC CAR
A collection of three pieces by Bjorn Wiinblad (Danish 1818-2006), one for the Rosenthal Studio Line, blue glazed porcelain candle holder with loop handle with decorated relief of a novelty face, (h-16cm), a Nymolle Flora Vase (h-12.5cm) and a Rosenthal Studio-Line Collector's Plate "The Magic Horse" in original box. (3)
SWAROVSKI CRYSTAL 'MAGIC OF DANCE' TRILOGY including, 2004 annual edition 'Anna', model 627396, together with collectors society plaque, 2002 annual edition 'Isadora', model 279648, 2003 annual edition 'Antonio', model 606441, plus two 291129 Collectors Display stands and one 291130 Turn Display Collectors stand, together with, SWAROVSKI CRYSTAL 'MASQUERADE' TRILOGY including, 1999 annual edition 'Pierrot', model 230586, together with plaque and stand, 2000 annual edition 'Columbine', model 242032, together with plaque and stand, 2001 annual edition 'Harlequin', model 254044, together with plaque and stand (qty.)Provenance: private collection CardiffComments: boxed with paperwork, appear undamaged, inspection advised
Uhren. St Leonhard Zeitinstrumente. “Magic Wrist“. Armbanduhr mit länglichem Gehäuse und Stahlarmband. Produktion aus den 1990er Jahren. Auf der Unterseite mit Firmenemblem. Gehäusedurchmesser (ohne Krone) ca. 25 x 40 mm. Höhe ca. 12 mm. (70) * Futuristische LED Armbanduhr. Zustand: Das Gehäuse und Armband mit altersbedingten Benutzungsspuren (Tragespuren), Abrieben Kratzern und Bestossungen. Originalverpackung und Dokumentation (Papiere) liegen nicht vor. Die technische Funktionsfähigkeit der Uhr ist “nicht geprüft“.
Morphy. Abravanel, C. und Ph. Clère. Magic Morphy. Ohne Ort ca. 1994. 8°. Mit 2 Tafeln und wenigen Diagrammen. 215 Seiten, 1 Bl. Orig. geheftet. (30) * Beiliegen: Shibut, M. Paul Morphy and the evolution of chess theory. Nachdruck. Mineola, Dover, ca. 2004. 8°. Mit Textabb. und Diagrammen. 359 S., 8 Bll. Anzeigen. Orig. geheftet. / Lawson, David. Paul Morphy. The Pride and Sorrow of Chess. Edited by Thomas Aiello. New Edition. Lafayette Press, 2010. 8°. Mit Diagrammen und Textabb. XXVII, 1 Bl., 398 Seiten, 1 Bl. Orig. geheftet. Zustand für alle Teile: Mit wenigen Bleistiftnotizen. Umschläge mit Gebrauchsspuren.
The Magic Circle - collection of ephemera, show programmes, dinner menus, tickets, a flyer for Ming Chow 'The Pickpocket', and Prince Hara, the jubilee souvenir brochure, John Nevil Maskelyne memorial order of service, a magical conference and seance menu 1927 with multiple autographs and much more.
Burne-Jones (Sir Edward) The Flower Book. Reproductions of Thirty Eight Watercolour Designs, first edition, number 164 of 300 copies, 38 colour plates after Burne-Jones, text printed in red and green, 4-page facsimile list of flower names at end, very light browning to free endpapers, handsome contemporary green morocco, gilt, by the W.H.Smith bindery, spine gilt in compartments, t.e.g., others uncut, preserved in the original velvet-lined drop-front green cloth box with metal catch (slightly rubbed at edges), 4to, Henry Piazza et Cie., for the Fine Art Society, 1905.*** An excellent copy of these typically Arthurian-themed Pre-Raphaelite designs executed by Burne-Jones as a form of relaxation from other projects. "The pictures in this book are not of flowers themselves, but of subjects suggested by their names...All the pictures take the same form, a circle about six inches in diameter - a kind of magic mirror in which the vision appears - and he wished them not to be separated, because, wide as is their scope, one spirit, that of pure fantasy, unites them." (Georgiana Burne-Jones in preface).
Dulac (Edmund) Sinbad the Sailor and other Stories from the Arabian Nights, 23 tipped-in colour plates, captioned tissue guards, all leaves withing decorative gold border, modern royal blue morocco by Bayntun-Riviere, upper cover with a gilt floral border round a sunken panel with a depiction of a Prince on a flying horse in red, pink, burgundy, tan, green and grey morocco onlays, lower cover with gilt fillet rules, spine gilt in compartments, inner gilt dentelles with pale blue watered silk endpapers (slightly foxed), g.e., cloth slip-case, 4to, 1914.*** The design on the upper cover is taken from the illustration facing p.176 "The Prince is taken back to the Golden Palace by the Magic Black Horse" from The Story of the Three Calenders.
Cardanus (Hieronymus) Offenbarung der Natur und natürlicher Dingen auch mancherley wunderbarlichen und subtilen Wurckungen, second German edition, collation: ):(8 ):( ):(8 a-z6 A-Z6 Aa-Yy6 Zz8, title printed in red and black and with a woodcut portrait of the author within an ornate border verso, woodcut illustrations and diagrams within text, woodcut decorative initials and tail-pieces, colophon f. with woodcut printer's device verso, ):( ):(8 and final f. blank, title with small marginal repairs, the odd very small wormhole and some creasing, some water-staining to lower margins at start (including title where just touching the odd letter of printer's name), E3 short tear at head, just within text, but without loss, some spotting (including occasional ink) or foxing and staining, mostly lightly browned (occasionally darker in places, including title), later vellum, ink manuscript title to head of spine, lacking ties, spine chipped but solid, marked, lightly soiled, folio (312 x 210mm.), Basel, Sebastian Henricpetri, 1591.*** Rare second German edition of this important encyclopedia by the polymath Girolamo Cardano (1501-1576), who was one of the most influential mathematicians of the Renaissance. The present work includes, astronomy, astrology, alchemy, magic, geology, anthropology, geography, natural history, and technology.Literature: VD16 C 938; Ferguson I, 142; Wellcome I, 1303.
Amulet or Prayer Roll against Disease and Demons.- Incipient nomine sancta Jhesu Christi, manuscript in Latin, on vellum, in a neat cursive hand, 86 lines, title in red, 11 2-line and 1-line initials in red and blue, cross signs in red, dark stain affecting 17 lines but still legible, slightly creased, small tears at tail not affecting text, E.P. Goldsmidt & Co. bookseller's description accompanying, 390 x 105mm., [France], [?late 14th or early 15th century]. *** An extremely rare Amulet, or Prayer Roll, worn wrapped around the arm as protection against the dangers of childbirth, maladies, sorcery and any other sorts of danger. This specimen begins "Incipient nomina sancta Jhesu Christi", followed by a string of names: "Messiahs"; "Sother";"Emmanuel"; "Saboath" etc. There follow eight further sections, some with headings specifying the disease against which help is sought ("contra fluxum sanguinis, Oratio Sci Sigismundi regis et martyris contra febresi...). The fourth section is to protect a woman in childbirth ("Si mulier laboret in partu", she is to put this "Breve" under right breast "et illico deo auxilliante liberabit se"). In section five the names of the "Seven Sleepers" are given as a magic formula, perhaps to induce sleep. For more on our roll and late medieval amulet rolls in general see Don C. Skemer (Curator of Manuscripts, Princeton University Library) 'Amulet Rolls and female devotion in the late Middle Ages' in Scriptorium, Vol.55, No.2, 2001, pp.197-227. Provenance: E.P. Goldschmidt & Co., of 45 New Bond Street, [c.1938-1940]; Private American collection.
FENDI. Sac Magic Top Handle en velours rayé noir, taupe et cuir noir embossé façon crocodile.Année 2005. Directeur artistique : Karl Lagerfeld.Fermoir pivotant siglé sur rabat, poignée.Condition d'état: B +.N.B.: Modèle identique porté par Meryl Streep jouant le rôle de Miranda Priestly dans le film ' Le diable s'habille en Prada'.40 x 26 x 12 cm.Footnotes:Year 2005. Magic Top Handle bag in black and taupe striped velvet, and black embossed crocodile leather. Artistic director: Karl Lagerfeld.Swivel clasp signed on flap, handle.Condition grade: B+.N.B.: Identical model worn by Meryl Streep playing the role of Miranda Priestly in the film 'The Devil Wears Prada'.For further information on this lot please visit Bonhams.com
Full title is Magic in the Glass: The Paperweight Artistry of Charles Kaziun, Jr. This 197-page book highlights the intricate craftsmanship of paperweight artist Charles Kaziun, Jr and features over 400 color images. ISBN: 0-933756-9Artist: Bernard A. DrabeckIssued: 2002Dimensions: 11.25"L x 9"W x 1"DCondition: Good.
Allen Jones R.A. (British, born 1937)Oh! La! La! oil on canvas243.5 x 365.5 cm. (95 7/8 x 143 7/8 in.)Painted in 1970(unframed)Footnotes:ProvenanceDame Mary Quant (1930-2023), thence by family descentPrivate Collection, U.K.ExhibitedProbably London, Arthur Tooth & Sons (details untraced)Allen Jones made his first trip to the USA in 1964 after being captivated by American Pop Art from the early 1960s. In describing the profound and immediate effect the movement had on him, the artist commented 'American Pop imagery was much more heraldic and flat than the British, which still tended to be illusionistic. New York City was the centre of the art world. I went to America, in the way I would have gone to Paris if I had been living in 1905 or 1910, determined to experience it first hand, not knowing whether I was going to kill myself artistically or not. One just had to leap in' (Allen Jones quoted in Andrew Lambirth, Allen Jones Works, Royal Academy of Arts, London, 2005, p.52). The imagery in Jones' work was quick to become more focused following this visit and his style harder-edged and more graphic. Jones met several of the leading American painters of the time, including Robert Motherwell and Helen Frankenthaler (on the introduction of Bryan Robertson), Mark Rothko, Roy Lichtenstein, Tom Wesselmann and Mel Ramos from whose first show in New York the artist bought a painting in 1964. Jones admired the 'virtuosity and lushness of paint' in Ramos's large oils and there are clear similarities between the two artists imagery. Upon his return to London in 1965, Jones began to push the boundaries of his work and created a group of radical leg paintings including First Step (1966) and Sheer Magic (1967) demonstrating his interest in both figuration and long held belief in using the erotic as means of communicating with the widest possible audience. The human figure was of the utmost importance to Jones and the exploration of the relationship between male and female. Jones began to specialise in the centrally placed figure as can be seen in Oh! La! La! (1970), where the acrobatic female performer is perfectly balanced against a varied colour field. She is clad in vivid colour herself with opposing shades on her high heels, legs and arms and is brimming with energy. The almost perfect symmetry of the composition is broken by the inclusion of another set of legs dressed in red on the right-hand side of the canvas, which gives a sense of audience to what have been described as 'stage' paintings. As the viewer, we also form part of the crowd and there is a sense of the artist inviting the painted figure to step out of the canvas and perform in reality. Oh! La! La! is accompanied by outstanding provenance from the collection of Dame Mary Quant, a true icon of fashion and designer of both the miniskirt and hotpants. She was at the forefront of the Swinging Sixties, revolutionising clothing through her designs and playing a central role in the cultural explosion of the period. Her significance was made clear by leading women's fashion writer Ernestine Carter who wrote, 'It is given to a fortunate few to be born at the right time, in the right place, with the right talents. In recent fashion there are three: Chanel, Dior, and Mary Quant'. We are grateful to the Artist for his assistance in cataloguing this lot.This lot is subject to the following lot symbols: * AR TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
From the Magic of Dance Trilogy. Stunning depiction in clear and yellow crystal of the famous ballerina Anna Pavlova. Swarovski backstamp. 627396. This item has its original box. 9.75''L x 9.5''W x 5''H. Certificate of Authenticity included. This item has a base included with its original box: 5.75''L x 3''W x 1.5''H. Artist: Anton HirzingerIssued: 2004Dimensions: 7.5''L x 2.5''W x 7''HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Isadora is the first of the Magic of Dance trilogy, and the first-time designs had been produced to represent real people. This clear and blue crystal figurine represents Isadora Duncan with movable bracelets on her wrists. This item has its original box. Box measures 6.75"L x 11"W x 6"H. Swarovski etched backstamp. Artist: Adi StockerIssued: 2002Dimensions: 4.5"L x 3.25"W x 7.75"HManufacturer: SwarovskiCountry of Origin: AustriaCondition: Age related wear.
Blues CDs, approximately one hundred and twenty albums and Box Sets of mainly Blues with artists including Paul Butterfield, Robert Johnson, B B King, John Lee Hooker, Albert Lee, Slim Lightfoot, John Fahey, Buddy Guy, Leadbelly, Blind Willie Johnson, Lightnin Hopkins, Scrapper Blackwell, Professor Longhair, Etta James, Freddie King, Willie Dixon, Alexis Korner Mississippi John Hurt, Lee Dorsey, Screaming Jay Hawkins, Bukka White, Bo Diddley, Jimmy Reed, Big Bill Broonzy, Magic Sam and more - mainly all appear in very good condition
One Sheet Film posters / Children / Cartoons, approximately twenty-three UK One Sheet Film Posters of mainly Children's and Cartoons including Ice Age, Dragonheart, Shrek the Third, Rugrats, The Flintstones, Antz, The Land Before Time, Rollercoaster Rabbit, Free Willy 2, Mulan, The Wizard of Oz, Pokemon, The Magic Sword and more - some duplicates - all rolled measuring 27" by 40" and mainly all in very good condition
PSYCH - LP COLLECTION. An extensive collection of around 44 psych LPs. Artists/ titles include Haystacks Balboa - S/T, The Happenings - Piece Of Mind, The Gainsborough Gallery - Life Is A Song, Saddhu Brand - Whole Earth Rhythm, The Rubber Band - Cream Songbook, West - S/T, Whitney - Sunday, The Glitterhouse Color Band, Teddy & The Pandas - Basic Magnetism, The Wheel, Windsor Tunnel, Magic Sand, Boffa Longo, Curt Boetcher - There's An Innocent Face, Springfield Rifle, The Moon, Wizard Of Oz, The Rugbys, The ID, The Weight, Sweetwater, Willie And The Red Rubber Band, The National Gallery, Michel Polnareff, Harpers Bizarre, THe Good The Bad And The Ugly. Records are generally VG+ to Ex+, sleeves generally VG to Ex.
CLASSIC ROCK - LPs. A collection of approx 28 x (mostly) LPs. Artists/ Titles include Tyrannosaurus Rex - A Beard Of Stars, King Crimson inc Lizard and Beat, Captan Beefheart And His Magic Band inc Safe As Milk, The Legendary A&M Sessions, Ice Cream For Crow, Doc At The Radar Session, Top Secret (picture disc), The Beatles inc White Album (PMC 7067, 'An EMI Recording', top loading, black inners, VG/VG), Sgt Peppers (PMC 7027, -1/-1, red inner, G+/VG), Abbey Road (aligned Apple), Rubber Soul (-4/-4), A Collection Of Beatles Oldies and Revolver, Jethro Tull and Captain Beefheart. The condition is generally VG to VG+. Please note some records grade below VG.
BLUES/ R&B/ JAZZ - LP COLLECTION. A smashing collection of around 48 LPs. Artists/ titles include Various - American Folk Blues Festival (x18) inc the years 1962, 1963, 1964, 1965, 1966, 1967, 1970 (x2), 1972, 1980, 1981, 1982 (x3), 1983 (x2), 1985 (x2). Blues To Save The Trees, Magic Sam's Blues Band - The Late Great Magic Sam, Sunnyland Slim Blues Band - Decoration Day, Eunice Davis - Sings The Classic Blues, Willie Mabon - Chicago Blues Session, Eddie Boyd inc Five Long Years, My Heart Is Bleeding, JB Lenoir - Down In Mississippi. Emil Jazz, Various - Up The Country, Dr Feelgood - The Original Piano Red, Laurrie Bell & Billy Branch. Condition is generally VG to Ex+.

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30032 item(s)/page