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SEVEN BOXED WADE CAMTRAK'S CHILDHOOD FAVOURITES SERIES FIGURES/PLAQUE, comprising Dougal (Magic Roundabout) 1995 no 1 character, (no certificate), Rupert Bear no 2 character 1996 limited edition no 894/2000 (certificate), Paddington Bear no 3 character 1997 limited edition no 1142/2000 (certificate), Display plaque 1997, Rupert and The Snowman no 4 character limited edition no 0421/2000 (certificate), Sooty no 5 character and Sweep no 6 character (both celebrating 50 Golden Years) (7) (Condition report:- all appear ok, five white cardboard boxes and written labels on boxes)
* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004),BRITTANY LANDSCAPEoil on canvas, signed, titled versoimage size 49cm x 74cm, overall size 64cm x 89cmFramed. Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed a prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject-matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, said: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections.Condition report: Condition is very good overall, with no visible signs of restoration, damage, or known issues. Provenance is from a private Scottish collection.
* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004),THE BAPTISMgouache on board, signed and dated '56image size 40cm x 50cm, overall size 56cm x 67cm Framed and under glass.Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed a prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist, he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, said: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.
* ALEXANDER GOUDIE RP RGI (SCOTTISH 1933 - 2004),MONT VEYRIERmixed media on paper, signed, further signed, titled and dated '94 label versoimage size 30cm x 47cm, overall size 43cm x 59cm Framed and under glass.Label verso: Artbank, Glasgow.Note: Alexander Goudie was born in 1933 at Paisley and, as a child, showed prodigious talent for drawing. He studied at Glasgow School of Art when William Armour was head of drawing and painting and David Donaldson was the ubiquitous influence. Goudie, as a student at Glasgow, demonstrated his extraordinary ability. He received the Somerville Shanks Prize for Composition and, later, his draughtsmanship and sense of colour was recognized with the award of the Newbery Medal. As a young artist he grew up admiring three great masters, Sir John Lavery, George Henry and James Guthrie; all artists who had bridged the gap between Glasgow and Paris. It was these artists’ glorious virtuoso control of oil paint that appealed to Goudie, as well as their genre and realist subject-matter. Alexander Goudie was elected a member of the Glasgow Art Club in 1956 and a member of the Royal Society of Portrait Painters in 1970. He painted a portrait of the Queen for the Caledonian Club, London (1992/93), and exhibited widely, showing at Harari and Johns, in London, the Fine Art Society, Glasgow, and the Musee de la Faience, in Quimper. Sir Timothy Clifford, former Director of the National Galleries of Scotland, said: ''At his best, Goudie could draw better than any of his rivals in Scotland. There was magic and vision in his art and, I expect, history will be kind to him.'' Collections: 79 of Goudie's paintings are held in UK public collections including at Glasgow Museums & Galleries, The Hunterian, Rozelle House Galleries, Paisley Museum & Art Galleries and The Fleming Collection (London). Numerous prestigious corporate collections in the UK and France and in private collections around the world.
An oak smokers box with accessories including pipesCondition report: Contents; Dunhill Bruyere x3, Cool & Sweet Merschaum Lined, Hardcastle Drawel, Geniune Block Merschaum, Carey Magic Inch, cased Merschaum of a lady, cased Dunhill gold plated lighter, burr and tortoiseshell snuff box, plated match box case, Corona magic eye cased lighter, Dynamic 2000 cased lighter, three cigarette holders, smokers knife in leather case, Thorens silver plated lighter
Illustrated. GOBLE (Warwick, illustrator). Green Willow and other Japanese Fairy Tales, by Grace James, 1910, small 4to, 40 tipped-in colour plates with captioned guards, light foxing/spotting to text throughout, contemporary gift inscription to first leaf, original blue cloth gilt; RACKHAM (Arthur, illustrator) A Midsummer-Night's Dream, 1914, small 4to, 40 tipped in colour plates, light staining mainly to first and last leaves, original cloth gilt; LONDONDERRY (Marchioness) The Magic Ink-Pot, 1928, colour plates, red cloth gilt; PUSHKIN (A S) Evgeny Onegin. The Pushkin Press 1937, illustrated, no. 212/775, morocco backed boards; VICTOR-HUGO (G) Mon Grand-Pere, Paris 1931, 4to, no.97/125 copies on Velin d'Arches paper, half morocco by Sangorski & Sutcliffe, boards slightly spotted; The Overbrook Press: STEVENSON (R L) An Inland Voyage, 1938, one of 150 copies, pochoir illustrations, slip case; FRANCE (A) L'Affair Crainquebille, 1937, folio, slight foxing, slip case (7)
ÆŸ BONATTI, Walter (1930 - 2011). Four Works: first English editions, three volumes SIGNED. 1964-2001. comprises: On the Heights, SIGNED. Rupert Hart-Davis, 1964. 8vo., (225 x 150mm), publisher's black cloth, gilt lettering to spine, dustwrapper unclipped, half-title, SIGNED by the author to title page, b/w. photo. illustrations, translated from the Italian by Lovett F. Edwards, 248pp: The Great Days. SIGNED. London: Victor Gollancz Ltd., 1974. 8vo. (220 x 145mm), publisher's blue cloth, gilt lettering to spine, dustwrapper unclipped, luminous yellow e/ps., half-title, SIGNED by the author to title page, b/w. photo. illustrations, translated by Geoffrey Sutton, 189pp: The Mountains of My Life. SIGNED. The Modern Library, New York, 2001. paperback, 8vo., (230 x 130mm), SIGNED by Walter Bonatti and Robert Marshall to title page, 442pp: Magic of Mont Blanc. London: Victor Gollancz Ltd., 1985. folio., (350 x 255mm), publisher's grey cloth, white lettering to spine, dustwrapper unclipped, b/w. and colour photo. illustrations throughout, translated by Geoffrey Byrne-Sutton, 208pp. each volume within removeable clear wrapper. Walter Bonatti was an Italian mountaineer, explorer and journalist, who pioneered difficult and little known climbs in the Himalayas, Alps and Patagonia. He was one of three survivors of the disasters on the Central Pillar of Frêney in 1961. (4) Condition Report: 1. On the Heights - some toning to leaf edges, o/w. a clean copy. 2. The Great Days - boards marked, corners a little scuffed, spine bumped head/tail, a clean copy. 3. The Mountains of My Life - a clean copy. 4. Magic of Mont Blanc - (unsigned) dustwrapper with some crinkling, o/w. a clean copy. Condition Report Disclaimer
JOAN BROSSA CUERVO (Barcelona, 1919 - 1998) and ANTONI TÀPIES PUIG (Barcelona, 1923 - 2012)."The King of Magic", 1986.Etching and reprography on paper.With three etchings by Antoni Tapies.Ediciones Tristany, Figurres.Copy for collaborators hand signed by the authors. Numbered copy VII/X.Measurements: 46,5 x 68,5 cm; 46,5 x 34,5 cm and 46,5 x 34,5 cm (etchings) / 58 x 224 cm and 53 x 224 cm (frames).This work is dedicated to the centenary Barcelona establishment "El Rey de la Magia", located at Carrer de la Princesa, 11.The edition contains two visual poems by Joan Brossa and three etchings by Antoni Tapies, on paper handmade by Toni Sarda in his mill in Banyoles (Girona). Edition of 75 copies numbered from 1 to 75 and 10 units for collaborators numbered from I to X. Of which this is the VII / X copy. The poems and etchings are framed. It is accompanied by the original box, containing some pages of the book.
Late 19th Century Magic Lantern and Portable Stand, mahogany and brass mahogany magic lantern, 1890s F-G, illuminant replaced with electric version in 1910, lacks condenser, and oak and steel portable folding stand, with eight mahogany-mounted religious slides, photographs of prints, faded; used by Stanwick Band of Hope Temperance Group
A late 19th Century Archer lacquered brass and Russian iron Magic Lantern, with maker's brass label 'W F Archer & Sons, Manufacturers & Importers, 43 & 49 Lord Street, Liverpool', with original Archer & Sons oxy-hydrogen limelight, with wooden slide changer, in original wooden case/stand, VG, probably little used
A Houghton Holborn-Ilex Plate Camera, a falling plate magazine box camera for 12 plates 3¼ x 4¼in, fixed focus f/8 lens with three rotating close-up lenses, shutter 1 to 1/100s working, body G together with 12 plate holders stored inside, together with an Emil Busch Aplanat 7in f/7 lens and a Wray Platystigmat 4in f/8 lens with missing iris mounted on a common lens board, another Platystigmat mounted on a sliding board and brass enlarger or magic lantern lens
An unusual 19th Century French gold-lined black-painted tinplate Demonstrational Magic Lantern, with nickel-plated rack and pinion len, adjustable to two positions, with associated light cap, mounted on mirror box, with brass patent plate to front, with slide changer aperture, cover and hinged mirror to base, and illuminant housing with circular chimney, possibly by Laverne & Cie, circa 1880, F, lacks illuminant, incomplete
3¼in sq Magic Lantern Slides, photographic - amateur, probably lecture series - Canada, 1905-1909 - Niagara (9), general (16), same photographer, mainly Ireland (10), with lecture series (?) in same hand on titles, Captain Scott's expedition (10), Titanic (4), with various (13), with UK topographical and churches by C H Leighton, with colour slides of Lake District, some possibly Dufaycolor (7), late 1930s (apx. 110), P-G, some tapes missing, with a large quantity of coloured photographic slides, mainly of Far East, including Singapore, including motorised water cart, circa 1910, Borneo and others, with modern copy images of some slides, P, cover glasses missing or refixed (qty)
Magic Lantern Slides, mahogany or wood-mounted - hand coloured printed views, including day and night views (7), hand-coloured topographical photographs, including old Hammersmith Bridge, and Kensington Gardens, by Hughes, Newton, Baker and others (8), hand-coloured story sets - Jack the giant-killer (5), elephant's revenge (6), tiger and the tub (5), comic fishermen (3), others (6), slipping slides (7), hand coloured printed sliders or long slides (3) and parts, with 3¼in sq slides - story sets various and lecture series on early bicycle lamps; overall P-G, some damaged or incomplete; and small grisaille watercolour of lantern lecture (qty)
A BOX OF VARIOUS WOOLS AND YARNS, to include Magic Aran Shade 1307 (one large ball), Patons Fairytale 4376 (two balls), Sindar Wash and Wear Crepe 4 ply 041 (one), Tivoli Weave 682 (one), Happy Days Bin Ends pink (five), James C Brett DK 8411 (two), Premier Value DK 140 (one), Robin DK 093 (one), Robin 4 ply 079 (two) and an iron on hemming tape kit, etc (one box)
A cased magic lantern with brass adjustable lens and ten boxes of various glass slides to include Boy Scouts, British express trains, etc. IMPORTANT: Online viewing and bidding only. Collection by appointment via our website or arrange with Mailboxes Etc couriers ONLY. Restrictions apply to ensure social distancing.

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30045 item(s)/page