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A Pair of Italian Maiolica Albarelli, 19th CenturyIn Castel Durante-style with a putto standing over a sea-creature within a central cartouche, reserved against a blue scrollwork sgraffito base with ochre trophies, one cover with similar trophies and apocryphal date 1580, 25cm high (including cover) (one albarello with chip and re-stuck section to foot, the cover missing its finial, the other missing its cover altogether) (3)Footnotes:Provenance: Property of The Mary Duke Biddle Trent Semans FoundationThis lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A Deruta maiolica charger, circa 1530Painted in blue and lustre, the cavetto with a huntsman carrying a game-bird and hare on a stick over his shoulder, set in an abstracted landscape with scrolling foliage, the border with stiff foliate elements alternating with scale patterns, 40cm diam, (tight crack from rim to close to centre)Footnotes:Provenance: Orselli Collection;Private collection, ItalyFor further information on this lot please visit Bonhams.com

A Deruta lustre-decorated maiolica dish or bacile a versatore, early 16th centuryDecorated in blue and yellowish ochre lustre, with the initial 'R' in Gothic script to the centre, a ridge serving to hold a ewer, surrounded by geometric bands of stiff leaves and a band of linking circles to the rim, 25.5cm diam. (minor typical chips)Footnotes:Provenance:Private collection, ItalyAnother dish of the same shape with a Gothic letter is in the collection of the Musée Cluny and illustrated by Jeanne Giacomotti, 'Catalogue des majoliques des Musées Nationaux' (1974), cat.no. 617.For further information on this lot please visit Bonhams.com

A Venice maiolica dish, mid 16th centuryPainted with a bearded figure leaning on his staff by a tree, a building and mountains in the distance, the reverse inscribed in ink with a collection number N=508, 20.5cm diam.Footnotes:Provenance:Private collection, ItalyFor further information on this lot please visit Bonhams.com

A Venice maiolica dish, mid 16th CenturyPainted with a classical figure of a youth flanked by trees with mountains in the distance, the reverse inscribed in ink with old collection number 'No. 454', 19.7cm diam. (minor glaze flaking to edge of rim)Footnotes:Provenance:Private collection, ItalyFor further information on this lot please visit Bonhams.com

An Italian maiolica istoriato footed dish (crespina), probably Urbino, mid 16th centuryPainted with a Biblical scene depicting the High Priest Aaron, inscribed on the reverse 'd'Aron gran sacerdote/ gl'ornamenti vedi qui/ fatti con tanto lavoro', the moulded rim edged in yellow, traces if red wax seal to reverse, 29cm (restuck)Footnotes:A crespina painted in a similar style is in the Detroit Institute of Arts, accession no. 21.184.For further information on this lot please visit Bonhams.com

An Italian maiolica istoriato shallow circular dish, mid 16th centuryPainted with a landscape scene depicting Hercules standing by rockwork over a recumbent figure raising his club, 22.2cm diam. (haircrack to rim)Footnotes:Provenance:Private collection, ItalyFor further information on this lot please visit Bonhams.com

A Deruta maiolica wet-drug jar, circa 1560-70Painted in blue with a stork below a drug label inscribed 'SY PAPAVERIS', enclosed by a fruiting wreath bound with ochre ribbon ending in flourishes at either side, the spout with a ropetwist support, strap handle, 22cm high (minor glaze flaking)Footnotes:Provenance:Anon. sale, Sotheby & Co. London, 22 May 1973, lot 25;Private collection, ItalyFor further information on this lot please visit Bonhams.com

A Montelupo maiolica two-handled vase, circa 1560-70Of ovoid form with blue rope-twist handles, one side painted with a woman seated in a landscape holding fruit, framed by cornucopiae and scrolling foliage and surmounted by a winged mask, against a ground of blue floral scrollwork, the reverse with a cartouche enclosing a large standing bird on a yellow ground, 35.5cm highFootnotes:Provenance:Private collection, ItalyFor further information on this lot please visit Bonhams.com

An Italian maiolica wet-drug jar, probably Ligurian, early 18th centuryPainted with a scene depicting the Virgin and Child and St. Francis at the front flanked by angels, drapery and buildings, above a drug label inscribed 'A. LATTVGA', the reverse with a view of a sailing ship in a bay flanked by buildings on the shore, the sides applied with double-snake handles above a fleur-de-lys, 32cm high (spout restored)Footnotes:Provenance:Private collection, ItalyFor further information on this lot please visit Bonhams.com

A rare Deruta maiolica deep tazza and cover, mid 17th CenturyModelled with a large finial with concave centre, the interior of the bowl with a mother and her swaddled child seated by a window, the cover and exterior of the bowl with continuous grotesques, the rim and foot with yellow and ochre bands, on a raised foot, 16cm high, paper collectors' label dating to 1918 (cover restored) (2)Footnotes:Provenance:Private collection, ItalyThis kind of feeding cup or posset-pot already appears early in Italian medieval painting, particularly in reference to the Birth of Mary. This pot was also likely used to feed a young mother after childbirth.For further information on this lot please visit Bonhams.com

A pair of Savona maiolica albarelli, Chiodo-Peirano workshop, circa 1720-35Each painted in polychrome enamels with Biblical scenes with large figures, one with a couple in armour seated in a tent attended by a putto, the second with four figures with sheep, the reverse with ruined arches and trailing flowers, 28cm high, lantern marks in blue (some restoration) (2)Footnotes:Provenance:Private collection, ItalyFor further information on this lot please visit Bonhams.com

A Spanish Hispano-Moresque Albarello, Valencia (Manises), circa 1435-75Of cylindrical form, with a tall neck and slanting shoulder, standing on a short footrim, decorated with ten horizontal bands of a stylised flower pattern known as the briony pattern in blue and copper-lustre, 30cm high, various paper collectors' labels to the base (restored)Footnotes:Provenance: Property of The Mary Duke Biddle Trent Semans Foundation The briony motif is - like the ivy motif - one of the most recognisable types of decoration on Hispano-Moresque pottery. According to Anthony Ray (Spanish Pottery 1248-1898 (2000), p. 73) fragments with this motif have been found in the Castell Formós, sacked in 1413, and others in the castle of Llinars, destroyed in 1448. Other pieces can be dated from the heraldry, and Ray goes on to list several rare armorial dishes, all with forms of the briony motif (op.cit., cat. nos. 152-160). This particular stylised flower pattern is continued in Italian pottery; perhaps the most splendid example can be found in the two-handled vase with the arms of Medici-Orsini in the Detroit Institute of Art (37.74). It is discussed in detail by Timothy Wilson, who notes that it is curious that the briony design seems to have come into use on maiolica made in Tuscany about 1480, after it had ceased to be fashionable on imports from Spain. The Detroit vase can, argues Wilson, be seen as a pivotal piece produced at a moment in time when Italian potters, after decades in which wealthy Italian clients had preferred imported lusterware from Valencia to native-made ceramics, conquered the top of their domestic market and began making wares appreciated by the most discriminating and demanding connoisseurs of Renaissance Italy. (see: T. Wilson, The Impact of Hispano-Moresque Imports in Fifteenth-century Florence, Bulletin of the Detroit Institute of Arts (2013), vol 87, pp. 8-13)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A Siena maiolica plate, probably workshop of Bartolomeo Terchi, circa 1730Painted with a man wearing a turban in a partially wooded landscape, holding a sickle in his left hand and a ribbon in the right, blue-edged rim 28.2cm diam.Footnotes:Provenance:Private collection, ItalyFor further information on this lot please visit Bonhams.com

An Castelli maiolica two-handled bowl, late 18th/early 19th centuryOf quatrelobe form, the interior painted with a scene depicting the Mocking of Christ, below an ochre line border and flowers around the inside rim, 13.2cmFootnotes:Provenance:Anon. sale, Sotheby Parke Bernet, Florence, 11-12 May 1982, lot 714;Private collection, ItalyFor further information on this lot please visit Bonhams.com

A Castelli maiolica barber's bowl, second half 17th centuryPainted with birds among fruiting branches, the yellow-ground rim with ochre and black pattern, the reverse with a broad band of blue scrolling foliage between ochre, blue and yellow concentric lines, 34.9cm across (two restored sections to rim)Footnotes:Provenance:The Thomas Dormandy Collection of European FaienceFor further information on this lot please visit Bonhams.com

A documentary Castelli maiolica small plate, dated 1737Painted by Francesco Grue in enamels and gilding with a scene from the Gospel of Matthew, chapter XV, depicting Jesus and the Canaanite woman, the yellow-ground rim surmounted by a scroll bracket flanked by fruit and flowers, inscribed 'MATTH. C.XV.', the base with a similar bracket flanked by bound flower bouquets, inscribed 'Dr. FGrue f.a(?). 1737', blue edges to the rims, 17.6cm diam.Footnotes:Provenance:Private collection, ItalyFor further information on this lot please visit Bonhams.com

A Castelli maiolica bowl and cover, circa 1760Painted probably in the Gentili workshop, the bowl with a continuous scene depicting figures in front of buildings and classical columns, with trees and other distant buildings and a view of the sun setting over the ocean, the cover with a similar view of figures in front of overgrown classical ruins, the finial painted with a stylised floral motif, the rims edged in ochre and manganese, 11.9cm across; 10cm high (rim chips, one restored rim chip) (2)Footnotes:Provenance:Anon. sale, Sotheby Parke Bernet, Florence, 11-12 May 1982, lot 737;Private collection, ItalyFor further information on this lot please visit Bonhams.com

A Spanish Hispano-Moresque Albarello, circa 1435-50The cylindrical body with a tall neck and slanting shoulder standing on a short footrim, decorated with eight horizontal bands of stylised ivy leaf pattern in blue and copper-lustre, 28cm high, collectors' marks 1242/12 in black to the baseFootnotes:Provenance: Property of The Mary Duke Biddle Trent Semans FoundationComparable examples of this type of albarello are found in the British Museum 1968,0204.1 and in the Metropolitan Museum of Art, The Cloisters Collection, 1956 (56.171.95). The ivy-leaf pattern is one of the most recognisable patterns in maiolica production in Manises at this time. It was used on a multitude of vessels, including armorial pieces. Much like the Briony motif, this style was particularly popular in Italy. More unusual examples are the drug-jars with this pattern and the arms of Zeeland, almost certainly to be regarded as Valenschenweck imported into Flanders free of duty. As Anthony Ray (2000) describes it, these wares are amongst the masterpieces in ceramic art. Their technical perfection and virtuoso designs must have seemed almost miraculous to contemporaries living in the countries where pottery was still in its infancy. It became a very profitable industry and a vital one for the local economy. Thanks to the dominance of the Kingdom of Aragón the export thrived. The prestige of Valencian lusterwares was such that in 1441 Philip the Good of Burgundy declared that Valenschenweck could be imported into Bruges free of duty. A similar exemption was made in Venice in 1455 for laura da maiorca e da Valenca. Vessels with ivy-leaf decoration appear in paintings, the best known being the drug jar in the Annunciation (or Portinari Altarpiece) by Hugo van der Goes, now in the Uffizi, painted in 1482, and the drug-jar and flower vase in Ghirlandaio's Birth of St John the Baptist (1486-90) in Santa Maria Novella, Florence.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com

A good selection of assorted ceramics and glassware (within three boxes) to include a large 19th century Staffordshire figure, 'Wallace' (44cm), an Edwardian pitcher decorated with flowers, a large oval meat platter, cranberry-glass bells, a claret jug, a maiolica jug and a small Chinese teapot (3 boxes)

A Faenza Maiolica Crespina, circa 1550, of lobed circular form, painted in colours with a recumbent dog in a central roundel on a ground of foliage and strapwork, 27cm diameter For a similar example see V&A, accession no.8958-1863. Large section of rim broken out and with rivetted repair. 3cm chip to foot rim. Some typical glaze loss throughout. 070220

A Maiolica Bella Donna Dish, in 16th century Deruta style, painted in blue and ochre with a bust length portrait of a lady and with script within a broad border of ogee arches, 30cm diameter

An Italian Maiolica Wet Drug Jar, 17th century, of ovoid form, inscribed in blue Syr de iubirio within foliate borders, 19.5cm high. Some chipping to foot. Provenance: with photocopy of original receipt. 050220

A Deruta Maiolica Crespina, mid 16th century, painted in colours with a cherub within a panelled border of Grostesquerie, 25cm diameter; and A North Italian Alberello, 18th century, painted with flowers, 23cm high (2). Crespina with several rim chips and with foot missing. Alberello badly damaged.

A pair of Italian maiolica snake-handled vases Late 19th Century Painted with rural and classical scenes within oval panels, the neck and foot with grotesques, 58cm high (one restored)

A Ginori maiolica wine ewer , early 20th century, decorated with a continuous classical scene in a landscape, dolphin scroll handle with demon mask terminal, script and crown mark in blue, numbered 30.7, 46cms high.

AN ITALIAN MAIOLICA GROUP OF ~THE REST ON THE FLIGHT TO EGYPT~, URBINO, LATE 16TH / EARLY 17TH CENTURY Joseph sheltering Mary and the Christ Child flanked by a fruiting tree and a well applied with a winged angel head, a palm tree under which the donkey feeds to the other side 31cm wide ++Repair to Joseph~s left hand. Restoration to Mary~s right hand. Restoration to donkey~s ears.

A Pesaro maiolica istoriato moulded tazza16th CenturyDepicting Marcus Curtius riding his horse into a chasm, 28.6cm diameter For further information on this lot please visit Bonhams.com

A Portuguese maiolica pottery wall mounted fountain and font, with a mask head spout, painted with reserves of birds, flowers and scrolling leaves, painted mark ARCER.AC, Portugal, font 24.5cm W, fountain 19cm H. (2)

A set of thirty one Deruta maiolica plates

A Continental maiolica style wall plate, decorated with fruit filled cornucopia and vase, in yellow and blue on white ground, 35.5cm diameter

A LARGE MAIOLICA VASE, of urn form, moulded with dancing maidens and lions, (a/f). 52cm high

A Renaissance style maiolica dish, possibly 17th century, painted with figures in a landscape, inscribed in Italian to base, 28cm diameter.

AN ITALIAN MAIOLICA CHARGER PAINTED BY G. BATTAGLIA, WITH TWO VENETIAN WOMEN SERENADED BY A GONDOLIER, 61.5CM D, SIGNED G BATTAGLIA FECE AND DATED 1884, PAINTED MARK FECC ITALIA NAPOLI Minor flaking around rim, old wire hanger removed but not cracked or significantly chipped, no restoration

Old continental maiolica charger with stylised floral and birdcage design in aubergine, yellow ochre, blue and green, 35cm diameter Condition ReportNo obvious visible damage

A Caltagirone (Sicily) maiolica bombola, late 17th century, brightly decorated with flowerhead roundels and swirling leafy designs in shades of blue, green, yellow and ochre, some chipping, 22.5cm high.

An unusual Italian maiolica albarello, late 16th century or later, of dumbbell form, painted with a continuous scene of a shipwreck, with sailors huddling under a tent formed from a sail while further survivors swim to shore, 20cm high.

A Continental maiolica storage jar, dated 1742, probably Italian, the baluster form moulded with three panels to the front, painted with buildings within foliate scrolls in blue, yellow and manganese, the reverse inscribed '1742' in blue, some rim chipping, 20cm.

A rare Italian maiolica dish, probably 17th century, boldly decorated in blue, green, yellow and ochre with Pegasus leaping a river spanning a valley, a long, riveted crack, 31cm.

A near pair of maiolica architectural tiles or panels, 19th century, the rectangular forms painted with profile portraits of a nobleman and his wife, and another tile painted with a spotted hyena beneath the name 'Jacobus Philippi', 29.5cm max. (3)

A group of twenty Spanish maiolica tiles, 18th/19th century, including four with formal foliate corners, one similar with a carnation design, four moulded with scrolling designs picked out in blue, the others of differing size and variously decorated with star motifs, flowers and baskets in a palette of blue, green, yellow, ochre and manganese, some damages, 13.5cm max. (20)

Two Savona maiolica plates, 18th century, each painted with a figure in a landscape flanked by trees, 22cm. diameter, (2).

A continental maiolica style charger decorated with a young couple within a foliate border, 37cms (14.5ins) diameter; together with a Portuguese panel depicting a galleon, 17cms (6.75ins) wide (2).

An Italian maiolica wall bracket, 18cms (7ins) high.

Pottery, a Studio Pottery bowl by Jean Hinckley 1964 —10½in. (26.5cm.) wide; a Continental Maiolica vase decorated with a deer (smashed and glued) and a Continental Art Nouveau vase with incised decoration

A 17th / 18th Century Sicilian maiolica albarello , bearing coat of arms to front, approx 25.5 cm high CONDITION REPORTS There does not appear to be any cracks but the glaze has several areas of chipping and or firing faults - see images for examples

An 18th / 19th Century Sicilian maiolica albarello decorated with flowers, approx 16.5 cm high CONDITION REPORTS Two large cracks joining in a U-shape from the neck downwards - see images. Fritting/chipping to the rim and large chip to base rim. Scratch marks to base see images for further detail.

A 17th century Sicilian maiolica jar, probably Caltagirone, with folded rim above twin lug handles and ovoid body painted with floral sprays, height 27cm.Additional InformationSome losses to the glaze, fritting throughout and cracks to the body and glaze throughout. 

MOLARONI PESARO; an Italian maiolica comport, the bowl interior painted with classical type scene, including satyr playing the lyre in Italianate landscape, the exterior with foliate detail and three female busts, raised on column modelled as three griffins to shaped base and paw feet, signed to base, 21 x 23cm.Additional InformationMinor glaze chipping throughout, one foot has been broken off and crudely glued, chipping to nose on each relief figurehead on outside of bowl. There are some small chips to the rim, resulting in glaze loss, some small losses of decoration, but bowl section does ring true, however, there have been chips to all the noses of the masks decorating the bowl to the exterior and further abrasions resulting in glaze loss, particularly to the three feet. Some scratches to bowl interior.

Two late 19th/early 20th century Continental maiolica chargers, with painted figural detail to recessed centres, the borders featuring grotesques and floral sprays on blue grounds, both with impressed marks featuring eagle and two turrets within shield to reverse, diameter of each 33cm (2).Additional InformationOne with old chip to foot rim, both with small glazed chips, pitting, dirt and general wear.

An Italian maiolica forty piece dinner service decorated in polychrome enamels featuring floral scrolls, grotesques and the armorial of the ancient Pacca family of Benevento and Naples, with unrecorded AMF mark to bases (40). The Pacca family are recorded from the late 13th centuries and boasted numerous prominent noblemen, courtiers, papal officials and academics throughout their history having been raised to the nobility in the 16th century and are responsible for the construction of the Church of Santa Maria del Popolo in Benevento.

"Antiche ceramiche italiane tra le due sponde dell'Adriatico. Dal palazzo di Diocleziano a Spalato alla fortezza di Pescara. Catalogo della mostra (Italian) Paperback – January 1, 2001 by aa vv (Author)Vasi da Farmacia in Maiolica Dal XVI AL XIX Secolo, Giovanni CiarrocchiIpicchimaiolicari Da casteldurante a roma, Corrado Leonardi & Massimo MorettiMaioliche Rinascimentali Dello Stato Di Urbino, Accademia RaffaelloImmagini, personaggi ed emblemi cavallereschi sulla maiolica italiana, Carmen Ravanelli GuidottiMaioliche del '700 tra Urbania e Pesaro: catalogo della mostra, Urbania, Palazzo ducale, luglio-agosto 1987, Banca Popolari Pesarese, 1987 - Majolica, Italian - 125 pagesItaalia majoolika kuldajastud, Meistriteosed Rooma Riiklikust Antiikkunsti Galeriist Capolavori dalla Galleria Nazionale d'Arte Antica di Roma Tallinn, Rüütelkonna hoone, 20 aprile - 23 maggio 2004Museo Comunale di Gubbio, Ceramiche. FIOCCO C., GHERARDI G., Published by Electa Editori Umbri Città di Castello 1995, 1995Mostra della Maiolica Toscana le Imitazioni Ottocentesche, Giovanni ContiLa Farmacia Storica Fiorentina, Fausto Berti1909 Tra Collezionismo E Tutela, Connoisseur, antiquari e la ceramica medievale orvietana, Lucio RiccettiIl ""Rinascimento"" nella maiolica Ginori dell 'Ottocento (Italian) Paperback – January 1, 1994 by Giuseppe e Gabriella Mancini CantelliL'arte della Maiocalica in Italia, Giovanni ContiLa Ceramica dell' Ottocento nel Venero e in Emilia Romagna 1998, Raffaella Ausenda & Gian Carlo BojaniCeramiche del Medioevo e Del Rinascimento, Guiliana GardelliCapolavori della maiolica rinascimentale, Montelupo ""fabbrica"" de Firenze 1400 - 1630, Masterpieces of Renaissance CeramicsDelle Gentili Donne Di Faenza, Stidio del ""ritratto"" sulla ceramica faentina del Rinascimento, Carmen Ravanelli GuidottiLa maiolica napoletana dagli Aragonesi al Cinquecento, Donatone, Guido, Published by Edizioni Paparo (2012)Ceramiche Di Puglia, Guido DonatoneMaioliche del Quattrocento a Pesaro. Frammenti di storia dell'arte ceramica dalla bottega dei fedeli (Italian) Paperback – January 1, 2004 by CIARONI (A.)Il sole in casa. La vita quotidiana nella ceramica popolare italiana dal secolo XVI al XXI. Catalogo della mostra (Firenze, 13 giugno-12 ottobre 2015) (Italian) Paperback – January 1, 2015 by Borsook E. (cur.); Proto Pisani R. C. (cur.); Teodori B (cur.) (Author)Speziali e Spezierie a Viterbo Nel '400, Various, Published by Edizioni Libri D'arte Viterb, 1988La maiolica antica veneta, Giuseppe MorazzoniLa ceramica a Siena dalle origini all'Ottocento (Italian) Paperback – January 1, 2013 by Torriti P. Anselmi Zondadari M. (Author)Forme e Della Maiolica Italiana, La Collezione delle maoiliche del Petit Palais della Città de ParigiLa Maiolica Italiana di Stile Comprendiario I Bianchi a cura di Vincenzo de PompeisLa Maiolica del Rinascimento in Casteldurante, Urbino e Pesaro: da Pellipario ed i Fontana ai Patanazzi, Giuseppe PapagniMaioliche settecentesche dell'Emilia Romagna., LIVERANI Francesco, Publication Date: 1981Italian Majolica XV-XVIII Centuries, Alʹfred Nikolaevich Kube, Gosudarstvennyĭ Ėrmitazh (Russia) Iskusstvo, 1976 - Majolica - 166 pagesMaiolica decorativa e popolare di Campania e Puglia, Napoli Ischia Cerreto Vietri Ariano Laterza Grottaglie, Guido Donatone"

"Fayencen von Gert NagelMuseo De Ceramica - Palacio De Pedralbes Barcelona Paperback – January 1, 1993 by Trinidad Sanchez-Pacheco (Author), M. Antonia Casanovas (Author), Maria Dolors Giral (Author)B.C. Koekkoek 1803-1862, Friedrich GorissenKlášterecký porcelán, 1794-1994, Dagmar Hejdová, Jan MerglUna farmacia preindustriale in Valdelsa, Citta di San GimignanoI Ceramisti, Artisti Botteghe Simboli dal Medioevo al Novecento, Aurelio MinghettiCeramiche Orientali A Firenze Nel Rinascimento, Cassa Di Risparmio di FirenzeLa Ceramica a Bassano e Nove dal XIII al XXI secolo, Katia Brugnolo e Giuliana EricaniKeramikmuseum Schloß Obernzell bei Passau an der Donau, Zweigmuseum des Bayerischen NationalmuseumsLe Ceramics, SillabeLe Zuppiere dal XVIII al XX secolo, Collezione Paolo ZuccariSammlergluck, Fayencen der Sammlung Wolf-D. AmelungFaïence de Bordeaux, Catalogue des Faïences Stanniferes Du XVIIIe Siecle par Jacqueline du PasquierCeramiche Rinascimentali di Castelfiorentino, L'ingobbiata e graffita in Toscana, Anna Moore ValeriKeramik Vom Historismus Bis Zur GegenwartIl Design della Ceramica in Italia 1850-2000, Elena DellapianaSchweizer Biedermeier - Fayenen, Rudolf SchnyderMuseo della Ceramica di Bassano del Grappa, Giuliana EricaniMostra Della Maiolica Toscana, Le Imitazioni Ottocentesche, Giovani ContiFalsi E Copie Nella Maiolica Medievale e Moderna, Luca PesanteCeramiche e Porcellane del Belgio, Faenza - Palazzo delle Esposizioni 27 Luglio - 5 ottobre 1980Modern Ceramics, the J.W.N. van Achterbergh Collection, Gavelers AuctioneersCeramiche verso il XXI secolo, Arnoldo Mondadori Arte150 Wittem Keramische DierenCeramica, Manifatture Fiorentine 1880-1920, Bruno Caini CollezioneMajolika, Christoph GerlingRomantiek Rond de Familie Koekkoek, Simonis & BuunkBarend Cornelis Koekkoek (1803-1862)Barend Cornelis Koekkoek, seine Familie, seine Schule und das Haus Koekkoek in KleveLes Faiences de Nevers et du centre de la France, CH. MassinEskaf, Eerste Steenwijker Kunst-Aardewerk Fabriek, Princessehof LeeuwardenEskaf, Eerste Steenwijker Kunst-Aardewerk Fabriek, Princessehof LeeuwardenPortugal and Porcelain, the Metropolitan Museum of ArtJan van der Vaart, Multipels, 1967-1997, Allaard HiddingCeramiche, Le Guide del Museo Poldi Pezzoli Di Milano, Maria Teresa Balboni BrizzaTerre Cuite et Porcelaine, Etienne HajduGesellschaft der Keramikfreunde e.V. Grassi Museum fur angewandte kunst leipzig, Richard Bampi, Preis 2013Winterthurer Keramik, Robert L. WyssLes Faiences Anciennes, Maurice AllinneIranian Ceramics, Charles K. WilkinsonLes Faiences Anciennes, Collection D'un Amateur LilloisBlue Delftware, 1680-1720, Salomon Stodel AntiquitesFaience de Delft, meubels, bronzes, etc., Collection L..... A AmsterdamPorzellane, Sammlung Dr. Paul von OstermannSammlungen Rüttgers, München und Sönksen, London, Plön, Hugo Helbing, MünchenSammlung Gieldzinski Danzig. - Berlin, Rudolph Lepke's Kunst-Auctions-Haus 1912Fayencen-Sammlung, E. de Terra, Zollikon, Grosse Auktionen 8-22 November und 2 December 1967, Galerie Jurg Stuker BernSammlung Tony Straus - NegbaurSammlung W. Von DirksenLa maiolica italiana del Cinquecento. Capolavori di maiolica della collezione Strozzi Sacrati. Atti del Convegno di studi, Museo internazionale delle Ceramiche... (Italien) Broché – 1 janvier 2001de G. C. Bojani (Sous la direction de)Vitalità perenne del lustro, CATALOGHI Centro Di, A cura di G.C. BojaniCeramica nell'architettura in Persia (Album Cantini) (Italian Edition) (Italian) Paperback – January 1, 1992 by Fatteneh Naraghi Mirfendereski (Author)Fábrica de Louça de Miragaia, Museu Nacional de Soares dos Reis de 2009Faianças Portuguesas – Colecção António Espírito SantoCeramiche Museo Nazionale di CapodimonteLa Terraglia Napoletana (1782-1860), Guido DonatoneMaioliche settecentesche: Milano e altre fabbriche (Ceramiche della Collezione Gianetti), Museo Giuseppe Gianetti (Author)Ceramica del' 600 e Farmacia, Guiliani S.p.A.La ceramica dell' Ottocento nel Veneto e in Emilia RomagnaCeramiche nel Ducato Estense dal XVI al XIX secoloDa Guiseppe a Leopoldo Finck, Maioliche Bolognesi del SettecentoCeramica Pesarese nel XVIII secolo, La Manifattura Casali e Callegari (1763-1816), Claudio GiardiniStampe del XV e del XVI secolo, Umberto Allemandi & C.250 Jahre Friedberger Fayencen (1754-1768), Museum im Wittelsbacher Schloss FriedbergRakouské malíérstvi 19. StoletíCatálogo de Cerámica Granadina, Castillo Amaro, Miguel Ángel ; Castillo Dominguez, Blanca DelPorcelaine e Maioliche Dell' Ottocento a Torino e Milano, Valentino BrosioLa Ceramica Medievale a Siena e Nella Toscana Meridionale (Secc. XIV-XV), Ricerche di Archeologia Altomedievale e MedievaleCeramica e Farmacia di San San Salvatoer a Gerusalemme, Guido Farris & Albert StormeAromatari, Speziali, e Farmacisti, Le antiche farmacie di Siena e della sua provincia, Letizia Galli e Laura VigniAromatari, Speziali, e Farmacisti, Le antiche farmacie di Siena e della sua provincia, Letizia Galli e Laura VigniAlfred Breslauer, Ausgefuhrte Bauten (1897-1927), Julius Bard VerlagKunstgewerbemuseum Zurich, Sammlungs - Katalog 3 KeramikFliesen, Sammlung Johann Keller & Munchen, Altonaer Museum in Hamburg 1965Fliesen, Sammlung Johann Keller & Munchen, Altonaer Museum in Hamburg 1965Immagini, personaggi ed Emblemi Cavallereschi Sulla Maiolica Italiana, Faenza EditriceSchatze in Fayence, HusumWinterthurer Keramik, Schweizerisches LandesmuseumAmstelhoek (1897-1910), Museum het Princesshof-LeeuwardenMuseo Stibbert Firenzem No.10 Polistampa, Il Salone Delle FesteMuseo Stibbert Firenzem Polistampa No. 2Museo Stibbert Firenzem Polistampa No. 4Loza Dorada a Palazzo Venzia, Le ceramiche ispano-moresche della collezione Corvisieri, Maria Selene Sconci e Paola TorreDe 20 eeuw Keramiek als Spiegel van de tijd, Museum het PrincesshofGeschirr fur Stadt und Land, Glandzlichter aus dem Bernischen Historischen MuseumSecesni KeramiksKeramik + email aus ItalienJunge Kunstszene Finnland, Keramische Skulpteren und Installationen, Hetjens - Museum, Deutsches Keramikmuseum"

A late nineteenth century Maiolica wall plaque, circa 1880. It is decorated with an eagle holding a shield and a banner. It is well-decorated with a yellow ground and has provision for wall hanging. 31 cm wide. From the estate of the late Norman Walmsley. Condition: In generally good condition bar some minor chipping to the rim in places.  

A large late 19th to early 20th Century hand painted maiolica charger decorated with a young farm girl feeding a goat within a countryside landscape with a church in the distance, unsigned and unmarked, diameter 40cm S/D

An Italian maiolica charger, probably Castelli, Abruzzo, late 17th/early 18th century, painted in shades of blue, manganese and ochre and green with a central horse boss within two bands of horses and stylised foliage, 42cm diameter

CALTAGIRONE MAIOLICA VASES, a set of two, in the form of a Moorish man and woman, signed at base, 34cm H. (2)

CALTAGIRONE MAIOLICA VASES, a set of two, in the form of a Moorish man and woman, signed at base, 50cm H. (2)

A LATE 19TH CENTURY CONTINENTAL HAND PAINTED MAIOLICA LUSTRE CHARGER, the circular rim decorated with a border of interlinked ovals containing cherub masks, foliate scrolls and flowerheads, the centre with three young men reading/singing from a long scroll, a fourth young man looking pensive, buff glazed underside, unmarked, diameter approximately 39.5cm (condition: there is a sizeable patch of glaze fault on the inner pink border of the rim near the fist of one of the figures, there is a small glaze fault on the wing of a cherub positioned at 9 o'clock, there are wide crazing lines in a number of places)

An Italian maiolica albarello with an emperor's portrait, Palermo, 17th C.--H 18,5 cm -- Please request condition reports by e-mail on info@coronariauctions.com. They're being made on demand and added to the description on our website. High resolution pictures are also available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com