SIRIO TOFANARI (ITALIAN, 1885-1969) A LARGE 'GAZELLE' SCULPTURE; CONCEIVED IN 1924; CIRCA 1965 Bronze, variegated green marble plinth base Signed in cast 'S.TOFANARI' (at the tale) and with foundry name 'Fuse Marinalli Firenze' 48cm high, 58.5cm wide, 25.5cm deep This model is the last of four versions of this sculpture originally conceived in 1924, each successive variant becoming more streamlined. Around 1955 Tofanari gave Aldo Marinelli, owner of the Marinalli Foundry in Florence, a number of plaster models to cast into bronze. This particular gazelle was amongst them. The agreement was that Tofanari would detail the waxes and oversee the patination. Tofanari died in 1969 but the foundry still cast with the family permission until 1976 when the foundry was sold and the name of the foundry changed. This cast is before 1976, it is signed on the tail as opposed to the raised leg of the later casts, it also has a quality and finish with fine detail. The modern casts of this subject are marked clearly as posthumous after legal action by the heirs. Condition Report: Some wear and unevenness to the patina of the bronze, there is an area of one shoulder that has discoloured, signs of handlingSignatures clear to the rear of the animal,Standing solidly and firmly to the marble base all joints secure at time of report, it is advisable to not lift by the bronze but a secure 'two-man' lift from the marble base No significant damage detected to the marble plinth Please see additional images for visual reference to condition and appearance Condition Report Disclaimer
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X AFTER DEMETRE CHIPARUS (1886-1947); a 1930s Art Deco bronze figure, ‘The Dancer of Kapurthala’, with ivory face and hands, raised on marble base, marked ‘D H Chiparus’, height 55cm, sold with CITES application reference no. FVKUWEKZ. Footnote: The sculpture is believed to have been inspired by Anita Delgado (1890-1962), a flamenco dancer who captured the heart of the Maharajah of Kapurthala.
Finely crafted antique bronze sculpture of a street urchin, mounted on a polished black marble base. The figure is depicted in a relaxed pose, with tattered clothing and a curious expression, capturing the realism and character often found in 19th-century genre sculptures. The artist has paid meticulous attention to the texture of the fabric and the youthful features of the boy. This charming and expressive piece is a wonderful example of period bronze artistry, ideal for collectors of classical figurative sculptures. Illegibly signed on the back of the base.Issued: 19th centuryDimensions: 9"HCondition: Age related wear.
Finely detailed antique bronze sculpture of a young man holding a palette, mounted on a black marble base. The figure is dressed in traditional attire, including a hat, knee-high socks, and boots, exuding a rustic charm. The sculpture is inscribed "Erster Versuch" (German for "First Attempt") on the base, adding to its significance. The back of the base is signed "Beck," referencing the artist. The piece showcases exceptional craftsmanship, with lifelike facial expressions and intricate textures in the clothing.Artist: Ernst Beck (Austrian, 1879-1941)Issued: 20th centuryDimensions: 7.5"HCondition: Age related wear. Brush is missing.
This limited edition bronze sculpture by renowned marine artist Christian Riese Lassen depicts two dolphins gracefully leaping over coral. Signed Lassen 93 and marked AP 8/75, this Artist's Proof is part of an exclusive edition of 75, showcasing exceptional craftsmanship and attention to detail. The dolphins feature a striking deep blue patina with polished bronze accents, capturing their fluid movement in the ocean. Mounted on a black marble base, this highly collectible piece exemplifies Lassen's passion for marine life and is a stunning addition to any art collection.Artist: Christian Riese Lassen (American, b. 1956)Issued: 1993Dimensions: 11"HCountry of Origin: United StatesCondition: Age related wear.
A striking brass sculpture of a ballet dancer captured in an expressive arabesque pose, exuding grace and balance. The elongated form and minimalist facial details highlight the figure's fluidity and movement. This finely crafted piece is mounted on a solid round marble base, providing stability and contrast to the delicate, extended limbs. A sophisticated addition to any collection, this modernist sculpture is perfect for admirers of dance and fine art.Issued: 20th centuryDimensions: 12"HCondition: Age related wear.
A finely crafted Italian marble composite sculpture attributed to A. Santini, inspired by Antonio Canova's classical work "Bather" or "Venus After the Bath." This elegant neoclassical sculpture portrays a standing nude female figure with one arm shielding her eyes while delicately holding a draped cloth in the other hand. The piece is signed A. Santini and retains its original "Classic Figural" label, marked Made in Italy. The sculpture is set on a circular gray marble base, enhancing its display appeal. A. Santini is well known for producing high-quality reproductions of classical sculptures, and this piece exemplifies the refinement of his works, with smooth sculptural detailing and a lifelike presence.Artist: A. SantiniIssued: 20th centuryDimensions: 47"H (inc. base height)Country of Origin: ItalyCondition: Age related wear.
A finely crafted Theodore Alexander bronze sculpture depicting a monkey joyfully playing the accordion. The figure is seated on a textured rock-like base, with detailed fur texture and expressive facial features. The sculpture is mounted on a polished marble base, complementing its artistic design. The underside bears a Theodore Alexander label, indicating its high-quality craftsmanship and origin in India.Issued: 2021Dimensions: 13"HCountry of Origin: IndiaCondition: Age related wear.
A finely crafted Theodore Alexander bronze sculpture depicting a monkey playing a trumpet. The figure is seated on a rock-like base, with intricate detailing in the fur texture and drapery. The sculpture is mounted on a polished marble base, adding to its elegant presentation. The underside bears a Theodore Alexander label, indicating its origin as a high-quality decorative piece made in India.Issued: 2019Dimensions: 12.75"HCountry of Origin: IndiaCondition: Age related wear.
TWO LARGE CAST BRONZE STAG FIGURES, after Jules Moigniez (French 1835 - 1894), pair of hollow cast bronze stag figures, signed J Moigniez on the sculpture, mounted on a black and white marble plinth, height of each stag is approximately 74cm, (2), (Condition Report: no signs of damage, signs of cleaning residue would benefit from a clean)
Late Republican Period, Ca. 50 BC. A marble head of Marcus Crassus Licinio with austere, well-defined features, including a high forehead framed by neatly cropped hair and deep horizontal furrows extending above his deeply set eyes, which lack carved pupils. His subtly arched eyebrows lead down to a straight, slightly elongated nose with a well-defined bridge and flared nostrils. The thin, tightly pressed lips have gently downturned corners, complementing the strong jawline and prominent chin. His proportionate ears are carved with naturalistic folds, while the long neck features visible tendons and skin folds, leading down to the irregular, broken lower edge of the bust.For similar see: Copenhagen, New Carlsberg Glyptotek, Inv. No. 749; The Vatican Museum, Ritratto di Giulio Cesare, Cat. 713; Christie's, Live Auction 18836, Faces of the Past: Ancient Sculpture from the Collection of the Dr. Pestalozzi - Part 2, Lot 302. Size: 430mm x 210mm; Weight: 22.5kggProvenance: Private UK collection, acquired on the French art market in 2021; Ex. Charlos Ratton & Guy Ladriere collection. A copy of original invoice available. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a French Export license and passport. This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Ca. AD 1800.A marble sculpture portraying a recumbent lion resting on a rectangular, integral base. The head is turned to the side, with the mouth slightly open, revealing carved teeth. The eyes are deeply recessed, and the brows are pronounced. The mane consists of thick, wavy locks cascading down the neck and shoulders, with individual strands rendered in relief. One front leg is bent beneath the head, serving as a support, while the other hangs loosely over the edge. The hind legs are folded beneath the body, and the tail curves around the left side, extending along the base.Size: 150mm x 310mm; Weight: 5.1kgProvenance: Private UK collection; acquired on the French market in the 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Albert Bartholomé (French, 1848 - 1928) La fontaine (The Fountain) Bronze, silvered patina Signed 'Bartholomé' Albert Bartholomé was a self-taught sculptor and painting. His most famous artwork is the Monument to the Dead at Père Lachaise cemetery in Paris, 1899. He is considered to be one of the great symbolist sculptors and won the Grand Prize for sculpture at the Exposition Universelle in 1900. 'La Fontaine,' was created in plaster by the sculptor in 1896 as a preparatory study for a marble to be exhibited at the Salon de la Société nationale des Beaux-Arts. His widow's collection includes one of the later recasts from 1928, and the Imperial Collection in Japan includes a marble version of this sculpture. Literature: P. Kjellberg, Bronzes of the 19th Century: Dictionary of Sculptors, London, 1994, pp. 52-53; T. Burollet, Bartholomé: La redécouverte d’un grand sculpteur, Paris, 2017, pp. 245-247, no. S.28 Property of a nobleman Dimensions: 33 in. (H) x 13.5 in. (W)
A mixed lot To include: [a] Nine amber (?) objects and an amethyst geode Some with fossilised animals inside [b] Ludovico De Luigi (Italian, b. 1933), An amber coloured glass horse sculpture, signed to base. (As found) [c] A bronze horse half rearing On a marble base With gilded mane and tail Property of a nobleman To be sold without reserve
Jacques Marin (1877-1950): 'Genie du progrès', brown patinated bronze on a marble base, foundry mark 'H. Luppens & Cie'H 96,5 cm Provenance: - Ex collection Victor Crespel, Brussels.He received this sculpture as a token of recognition for his twenty-year vice-presidency of the Brussels Commercial Court (1890-1910).
A table clock "Venus", black marble, bronze and brass, according to the original sculpture by Antoine Coysevox (1640-1720) located in the garden of the Palace of Versailles, black dial with gold Roman numerals, 8-day autonomy, striking hour and half-hour, pendulum and key, French, 19th C. (3rd quarter), minor faults, mechanism marked S. MARTI ET Cie. MÉDAILLE DE BRONZE, Dim. - 64,5 x 47 x 25 cm
An antique, possibly Italian, carved marble bust Of a young boy, indistinctly signed on the back and mounted on a turned socle; together with a column plinth or sculpture stand.The bust 29cm wide x 44cm high; the base 74cm high overallQty: 2Weathered condition, with weathering to features of the boy and plinth overall.
A finely crafted marble and alabaster bust depicting Emperor Augustus, the first Emperor of Rome (27 BCE-14 CE). This neoclassical interpretation of Augustus is sculpted with remarkable detail, featuring a serene yet authoritative expression, stylized short hair, and a toga draped over his shoulders. The bust is composed of multiple types of stone, with the head rendered in white marble, the drapery in a reddish alabaster, and additional decorative elements in dark stone, adding to its visual depth and realism. This piece is inspired by ancient Roman portraiture, which emphasized Augustus' idealized yet approachable features, reinforcing his image as a benevolent and powerful ruler. Such busts were common in public and private spaces of the Roman Empire, symbolizing the authority and divinity of the emperor. A highly decorative and historically significant sculpture, this bust is an excellent addition to any collection of classical art, historical artifacts, or fine decor. Dimensions with rotating marble base: 18"L x 11"W x 24"H.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.
French bronze sculpture of a Puma, seated on haunches, after Milo, on a black marble base, height 31.5cm (Please note condition does not form part of the catalogue description. We strongly advise viewing to satisfy yourself as to condition. If you are unable to view and a condition report is not already available, please request one and it will be provided in writing).
Professor Pappini,Beatricean alabaster figure, white and veined alabaster with carved detail to the dress, on marble baseincised Professor Pappini, Gallery Bazzanti, applied title label, finger restuck79cm. high Catalogue notesIt has been suggested by the Bazzanti Gallery that the sculpture is probably by Giacomo Papini.
THREE LARGE FISH SCULPTURES, comprising a bronze double tarpon fish sculpture by SPI Gallery, mounted on a branch, finished with a green marble base, the bronze has an antique look finish, height 40cm, makers label on the base, a David Hughes bronze large pike, with a captured fish, over rock and reed base, individual makers mark and signed David Hughes No.22, LE29 carved into the model near the base, mounted on a light wood plinth, length approximately 63cm (one reed has detached but is present, some details on the fins are a little rubbed, and the wooden plinth could use some attention), a carved wooden pike, mounted on a wood log, carved scale detail and naturalistically hand painted, length approximately 112cm, the back of the sculpture is flat, possibly could be wall mounted or from a display (3) (Condition Report: overall all items are in fair condition, see main description for specific item damage)
A finely detailed bronze lizard sculpture mounted on a polished marble base. The lizard is depicted in a lifelike pose, with textured scales and expressive facial features, highlighting the craftsmanship of the piece. The marble base has a striking veined pattern, complementing the bronze's patina. The bottom of the base is lined with black felt for surface protection. This decorative piece exudes a naturalistic aesthetic, making it an excellent addition to any collection or interior display.Issued: 21st centuryDimensions: 10.5"LCondition: Age related wear.

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6633 item(s)/page