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Lot 182
Statuette napolitaine, Real Fabbrica Ferdinandea, représentant 'Pulcinella mangiamaccheroni', circa 1790A Naples, Real Fabbrica Ferdinandea, figure of 'Pulcinella mangiamaccheroni', circa 1790Modelled by Aniello Ingaldi, wearing a black mask, pale-yellow conical hat and dotted hair-scarf, white costume and brown shoes, raising a handful of pasta to his mouth from a green basket in his left hand, on a rockwork base with tree-stump support, 14cm high, (minor chips)Footnotes:Provenance With Lukacs and Donath, Rome (paper label to the base)Italian private collectionA biscuit example of this figure with the incised modeller's signature 'Aniello' is illustrated by Caròla-Perrotti, op. cit, no. 533; another painted example is illustrated by Angela Caròla-Perrotti, La Porcellana della Real Fabbrica Ferdinandea (1978), no. 175, pl. CLVI. Another figure of this type from the Collezione Fiordalisi was sold at Bonhams New Bond Street, 7 December 2017, lot 44.For further information on this lot please visit Bonhams.com
Lot 233
Paire de vases Medicis en bronze doré, milieu du XIXe siècleA pair of gilt-bronze Medici vases, mid-19th centuryEach of Campana form cast with the thiasus, Bacchanalian procession of Classical figures, above twin satyr-mask handles on spreading acanthus-cast bodies and fluted waisted socles on a Africano square chamfered base with canted angles, 17.5cm diam., 24.5cm high, (6 1/2in diam. 9 1/2in high)Footnotes:ProvenancePrivate Swiss Collection. These vases are inspired by the celebrated Antique marble 'Borghese' and 'Medici' originals from the first century A.D and named for the noble families to whom they later belonged.This lot is subject to the following lot symbols: ** VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU.TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.For further information on this lot please visit Bonhams.com
Lot 71
Console italienne en bois sculpté et doré, dessus de jaspe de Sicile plaqué, première moitié XVIIIe siècle, probablement MarcheA giltwood and Sicilian jasper veneered top console table, first half 18th century, probably MarcheThe shaped eared veneered marble top above a C-scrolling foliate base, the front rail centred by a mask, above shaped legs joined by conforming stretchers centred by a shell, 125.5cm wide x 65cm deep x 90cm high, (49in wide x 25 1/2in deep x 35in high)This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Lot 123
Paire de commodes nord-Italiennes en marqueterie d'amarante, bois citronnier, bois teinté vert et bois de rose, plateaux en placage d'Alabastro a pecorella, travail Lombard ou Gênois de la fin du XVIIIe siècle, dans le goût de Giuseppe MaggioliniA pair of north Italian amaranth, bois citronnier, green-stained sycamnore and tulipwood marquetry commodes, Lombard or Genoese, in the taste of Giuseppe Maggiolini, late 18th centuryEach of rectangular form, the alabastro a pecorella top with verde moulding, above a beed and real moulding and a panelled frieze drawer above two drawers, the marquetry depicting dense scrolling acanthus foliate motifs, swags, trophies, fruited vases, profiles and and lion mask, the angles inlaid with trophies, atheniennes and floral sprays, the sides conformingly inlaid, and on tapering legs with upswept foliate motifs and husks, formerly but probably not originally with handles. , 122cm wide, 60cm deep, 91cm high (48in wide, 23 1/2in deep, 35 1/2in high). Footnotes:ProvenancePrivate Collection, SpainThe finely designed and well executed marquetry of this impressive pair of commodes relates them to the documented oeuvre of the celebrated Milanese cabinet-maker Giuseppe Maggiolini (1738-1814), Intarsiatore delle Loro Altezzi Reali. Maggiolini, was one of the most celebrated Italian cabinet-maker of the neoclassical period. He worked extensively for the Milanese court and for the aristocracy of Northern Italy, including Marchese Litta, who, along with the designer Giuseppe Levati, first recognized his talents as a talented intarsiatore in the 1760's. Maggiolini exceptional oeuvre included the lavish furnishing of the Palazzo Ducale in Milan, Villa Reale in Monza and the Palazzo Ducale in Mantova. Such was his influence, that a number of pupils, and suiveurs were working along side the master and in a similar manner in order to supply the high demand of this neoclassical style very much in favour at the end of the 18th century. Some of these talented cabinet makers were trained in the workshop of Giuseppe Maggiolini. While Maggiolini's preparatory designs are conserved in the Fondo Maggiolini at Castello Sforzesco and in the Civica Raccolte delle Stampe in Milano, and have been extensively studied (see G. Beretti, Giuseppe e Carlo Francesco Maggiolini, L'Officina del Neoclassicismo, Milan, 1994; and G. Beretti – A. Gonzàlez-Palacios, Giuseppe Maggiolini, Catalogo ragionato dei disegni, Milano, 2014), some of the designs found on our commodes are related to the designs of Giuseppe Levati, while the closely related classical profiles were equally designed by Andrea Appiani in Maggiolini's oeuvre. The attractiveness of the Maggiolini style, particularly in the last quarter of the 18th century expanded well out of Lombardy. Numerous masterpieces were to be found in Genoa following the interest of Marchese Serra Domenico Genovese and his subsequent 1780's commissions. A console in the Palazzo Reale in Genoa, was recently attributed to Maggiolini by Giuseppe Beretti on the basis of preparatory drawings for a console with the same frieze inlay. Other Genoese influent families as the Durazzo were very much interested in furnishing executed in the latest 'Maggiolini' style.It is conceivable that our commodes were executed by a Genoese talented cabinet maker following closely the Maggiolini style, and while it has not been possible to identify such Genoese makers, a few names as Bartolomeo Degola and Gaetano Renaldi working as 'ebanista Milanese abitando in Genova Strada Novissima' could be potential candidates. For other related commodes, see as well G. Morazzoni, Il Mobile Intarsiarto di Giuseppe Maggiolini, Milan, 1957.This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Lot 207
Importante et rare suite de quatre larges fauteuils d'apparat à châssis en bois doré italiens, Naples première partie du XIXe siècleImportant and rare suite of four large Italian giltwood ceremonial armchairs, Naples first part of the 19th centuryEach richly carved overall with foliate scrolls and palmette motifs, the outscrolling rectangular back above lion mask padded armrests, on acanthus-wrapped monopodiae supports terminating in animalistic legs and paw front feet and splayed back legs, upholstered à châssis in red and gold patterned silk, 70cm wide x 73cm deep x 99cm high, (27 1/2in wide x 28 1/2in deep x 38 1/2in high)Footnotes:This rare suite of four Italian carved and giltwood fauteuils epitomise the Empire style which was spreading in Europe at the beginning of the 19th century following Napoleon's military incursions. These majestic armchairs are carved with lion monopodia and allegorical decorations in honour of Napoleon. It is in 1804, that Percier and Fontaine were given the task of designing the decor and furnishings of the throne rooms at the Palais des Tuileries and Saint-Cloud, and, in 1807, for Fontainebleau as well. The design of the present chairs and particularly from the lion monopodia supports derive from the celebrated Fauteuil du Trône, supplied by Jacob-Desmalter for Napoléon Bonaparte's Salle du Trône at the Château de St. Cloud in 1808.This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
Lot 1205
A FRENCH BRASS LANTERN CLOCK18TH CENTURY AND LATERthe thirty hour movement with a verge escapement, outside countwheel and striking on a bell, the brass 7 1/4inch dial with blue and white enamel numerals around a centre chased with Baroque strapwork, foliage and a basket of flowers, beneath a pierced surmount of a mask beneath a cockerel flanked by cherubs, with a pair of brass cased lead weights decorated with bands of flowerheads33.5cm high
Lot 202
A PAIR OF ITALIAN GILTWOOD CARTOUCHE SHAPED MIRRORSVENETIAN, IN ROCOCO STYLE, 19TH CENTURYeach with a plate etched with a man inside a scrolling border, the two colour gilt frame with a central shell flanked by a pair of figures above floral swags , with 'C' scrolls and a mask, one cracked (2)120 x 63.5cm
Lot 236
λ A GEORGE III MAHOGANY BRACKET CLOCKBY JOHN BITTLESTON, LONDON, LATE 18TH CENTURYthe brass eight day, chain-driven twin fusee movement with a repeat mechanism with an ivory toggle, anchor escapement, chiming on a nest of eight bells and striking on another single bell, the backplate inscribed 'Bittleston London' beneath an engraved classical urn and surrounded by 'C' scrolls and flowering foliage, the brass pendulum with a Holmes type off-set pivoted crutch and floral engraving, on an enamel dial with black Roman hours and Arabic five minutes with subsidiary seconds and date dials to the centre, beneath a 'Strike Silent' and 'Rise and Fall Regulation' dial to the arch, on a gilt brass frame engraved with a central patera and flowering foliage, the case with silk backed gilt brass floral trellis side panels, mask and foliate mounts, side handles and scrolling foliate feet47cm high*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.
Lot 319
A MIXED LOT OF ITEMS (4)Two stick pins and a gold charm depicting the comedy and tragedy masks, and a brooch in the form of a mask, all unmarked, gross weight 11.9 gramsCONDITION REPORTAll in overall good condition with some minor surface wearProvenance: The Purple Shop – The Anthony Gardner Collection.See Bellmans website article for further information: https://www.bellmans.co.uk/story/the-purple-shop-the-anthony-gardner-collection
Lot 122
A BESWICK POTTERY WALL POCKET, NO. 483 (2)Modelled as a girl with arms raised, printed and impressed marks, 31.5cm wide; also a Beswick `Girl with Plaits' earthenware wall mask, incised 393, 20.5cm high (2)Provenance: The Purple Shop – The Anthony Gardner Collection.See Bellmans website article for further information: https://www.bellmans.co.uk/story/the-purple-shop-the-anthony-gardner-collectionCondition Report- `483' wall pocket- haircrack to the rim, approx. 3cm length. Minor wear to the enamels.Wall mask- a tiny amount of flaking to the orange enamel along the edge
Lot 41
A NORTH EUROPEAN JUGENDSTIL STYLE CREAM PAINTED BRASS, COPPER AND PEWTER MOUNTED DOMED CASKETLate 19th / Early 20th Century Mounted with a central female mask and titled ‘ARS NATURAM JUVAT’ translating as 'Art Helps Nature', 40cm wide; 24cm deep; 32.5cm highProvenance: The Purple Shop – The Anthony Gardner Collection.See Bellmans website article for further information: https://www.bellmans.co.uk/story/the-purple-shop-the-anthony-gardner-collection
Lot 441
A GROUP OF BUTTONS (QTY)To include three large enamelled and cut steel mounted buttons, each decorated with the portrait of a lady wearing a mask, a pair of studs, each enamelled with a bird and nest with eggs, a set of six torpedo shaped buttons (unmarked), three floral decorated gilt buttons and further buttons, including some enamelled and silver examplesProvenance: The Purple Shop – The Anthony Gardner Collection.See Bellmans website article for further information: https://www.bellmans.co.uk/story/the-purple-shop-the-anthony-gardner-collection
Lot 135
SIX CZECHOSLOVAKIAN POTTERY FEMALE WALL MASKSPrinted and impressed marks, largest 23cm high; and a Goebel's earthenware female wall mask, impressed mark (7)Provenance: The Purple Shop – The Anthony Gardner Collection.See Bellmans website article for further information: https://www.bellmans.co.uk/story/the-purple-shop-the-anthony-gardner-collectionCondition ReportThe mask of the woman with orange hair and green scarf has a shallow rectangular chip to the underside of the rim, approx. 1cm by 0.5cm. The woman with brown hair has three minor nicks around the edge and some light wear and scratches to her hair.The Goebels mask has a glued repair to one red flower and a shallow rim chips to another
Lot 231
A Mamiya RZ67 Pro II Camera, serial no SF 1131, body G-VG, some marks around tripod mount, bellows VG, with Mamiya Sekor Z 90mm f/3.5 W lens, shutter working, barrel G-VG, elements VG, with RZ67 AE prism finder, finder responsive, RZ67 waist level finder, RZ67 electronic release grip, RZ67 winder ,polaroid back, 120/220 back, with mask, 120 back, Polaroid back, lens hood and front cap
Lot 370
A pair of French bronze and marble mounted ewers, in Neoclassical taste, circa 1875; the raised handles each cast with a mask, above foliate cast spouts and necks; the slender bodies with recessed relief cast figures in classical drapery, on knopped stems to the circular marbre rouge royale socles; 38cm high.
Lot 303
A Regency rosewood and specimen wood work box; circa 1815; the top inlaid with tumbling cube pattern parquetry, the interior with fitted tray, with ivory keyhole surround and brass lion mask ring handles; 12cm high, 24cm wide, 18cm deep; and a small thuya wood box, 12cm wideIvory sale exemption licence ref. UR6C5VJ8
Lot 1221
A Chinese carved and stained hardwood and marble topped stand, circa 1900; the circular marble with lobed edges within a recessed relief carved foliate border and carved outer edge; the legs with stylised mask tops flaked by openwork foliate carved aprons; above a circular undertier, on stylised paw feet; 81cm high, 66cm wide
![A large Limoges [Henri Ardant & Co.] porcelain vase of amphora form with lion mask ring handles and putti supports, painted w](https://cdn.globalauctionplatform.com/25be3729-3f52-4a47-92ef-b0fb0166347e/7007b96d-a7ce-48ae-8556-b13a010908b8/468x382.jpg)
Lot 167
A group of five Caughley and Worcester cabbage-leaf mask jugs comprising three Caughley blue and white jugs transfer printed in the 'Bouquets' pattern, crescent and S marks, 15/19 and 22cm; a Chamberlain's polychrome jug painted in the 'Dragon in Compartments' pattern, 24cm; and a First Period Worcester polychrome jug painted in the 'Two Quail' pattern, 23cm [all damaged] 5.
Lot 339
Palitoy Vintage Action Man S.A.S. Outfit, dark flock hair and beard, blue pants, eagle-eyes, gripping hands, wearing jumpsuit, bullet proof vest, grey hood, gas face mask, belt with holster and 'Colt' 45, 'Heckler and Koch' sub-machine gun, plus other accessories, generally Good, not checked for completeness, unboxed.
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100651 item(s)/page