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HOMMAGE A PICASSO: WINDOW ENGBERG/BANACH 141)Lithograph printed in black, 1973, on Arches Cover mould-made paper, signed and inscribed AP in pencil, one of 30 artist's proofs aside from the edition of 90, printed by Gemini G.E.L. and with their blindstamp, published by Propyläen Verlag, Berlin and Pantheon Press, Rome, with full margins, framed.Sheet 29 7/8 x 22 1/4 inches; 759 x 565 mm.Frame 36 3/8 x 28 3/8 inches; 924 x 721 mm.Lightstain, some handling creases and two diagonal creases at bottom right corner (one extending into the image bottom right) most discernible raking light, some discoloration at bottom left sheet corner, hinged at a few places along sheet edges verso to back mat (some associated pale offsetting showing through to recto), framed with glass.Lightstain, some handling creases and two diagonal creases at bottom right corner (one extending into the image bottom right) most discernible raking light, some discoloration at bottom left sheet corner, hinged at a few places along sheet edges verso to back mat (some associated pale offsetting showing through to recto), framed with glass.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

Austrian-Hungarian/American, 1884-1953(i) Announcement Card (Mounted Herald)Ink on board13 3/4 x 10 inches (34.9 x 25.4 cm)(ii) Business Card (Archer on Horseback)Inscribed Dear Mama / Lolo hasnt got any rooms but I can always gt rooms at the Hudson..../ so do let me know / Yours with Love / Hunt on the reverseInk on paper4 x 5 inches (10.2 x 12.7 cm)(iii) Design for WeathervaneInk on paperSight 8 1/4 x 10 1/2 inches (21 x 26.7 cm)(Largest framed 21 x 17 1/2 inches)(i) There is a faint surface scratch at lower center. Some wear to corners. A few small spots of soiling to surface. Not examined out of frame. (ii) In overall good condition. A few tiny spots of staining. Not examined out of frame. (iii) In overall good condition. Some ripple to paper near the mat opening (left and right).(i) There is a faint surface scratch at lower center. Some wear to corners. A few small spots of soiling to surface. Not examined out of frame. (ii) In overall good condition. A few tiny spots of staining. Not examined out of frame. (iii) In overall good condition. Some ripple to paper near the mat opening (left and right).Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

American, 1928-2010Untitled, 1967 Signed and dated E. Benkert 1967 on the backingGouache on paper 22 1/2 x 21 7/8 inches (57.1 x 55.6 cm)Provenance:Property of the artist, Ernst BenkertThence by descent in the family(Framed: 23 3/4 x 23 x 1/2 inches)Sheet is rippled due to medium. Matburn along extreme edges of sheet, obscured by mat.Sheet is rippled due to medium. Matburn along extreme edges of sheet, obscured by mat.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

AN OLD NINGH'SIA SILK MAT,hand knotted in the Ningh’sia province, North China, c.1960-70, with centre medallion on a plain field inside single border, 47 x 47cm, (PL ref 8860A)

Three rugs to include a Persian hand-knotted runner with fringed ends (L 330CM x W 76CM); a Machine loomed rug in the style of a prayer mat (L115cm X W68.5cm); and an oriental style rug with a central medallion and fringed ends (L163cm x 101cm)

JOHN PAUL II: (1920-2005) Pope of the Catholic Church 1978-2005, later canonised as Pope Saint John Paul II in 2014. A very fine signed colour 8 x 10 photograph of the Pope, the Bachrach image shows the Holy Father standing in a half-length pose wearing his red cassock with one hand raised as he makes a papal blessing. Presented in its original 10.25 x 13.25 photographer’s mat. Signed in black ink `Joannes Paulus PP II´, to the lower white matted border of the image. Also dated beneath 5th January 1985, in his hand. Accompanied by a letter of provenance from Monsignor Emery Cabongo, secretary to the Holy Father, stating: “Mr. Abdul Woheed from the Embassy of Pakistan to Italy asked me to obtain for you the autograph of his Holiness Pope John Paul II. I did so and I am sending you the enclosed picture that has been given by your Embassy.” Provenance: The Barry Hoffman Collection. Framed and glazed. With a very light staple trace to the upper edge of the mat. About EX

CHAPPE IGNACE: (1762-1829) French politician and administrator, a member of the Legislative Assembly during the French Revolution, and the brother of inventor Claude Chappe, noted for his semaphore telegraph system. L.S., I. Chappe, two pages, small 4to, Paris, 5th January 1802, to Citizen Le Mat (?), head of office at the Ministry of the Navy, on printed stationery featuring an attractive vignette of Mercury holding a telegraph, in French. Chappe writes in his capacity as Administrateur des Lignes Telegraphiques regarding Alexis Grosselin, a naval artillery soldier in Toulon, and states ´Je m´interesse beaucoup a ce jeune homme; je vous prie de vouloir bien mettre a M. de Grosselin, sa mere, qui vous donnera cette lettre, a meme d´obtenir son conge´ (Translation: ´I am very interested in this young man; I would ask you to kindly give M. de Grosselin, his mother, who will give you this letter, the opportunity to obtain his leave´). With integral address leaf. Some very light, extremely minor age wear, VG

Vintage Corgi Toys 378 MGC GT Whizzwheels Model, red body, mat black bonnet, black interior, Whizzwheel hubs, with suitcase, in mint original condition, red/yellow window box is in good original condition, some fading to box, with Corgi model club leaflet, two racing number 5 decals.

Milton Mini Auto Cars India Studebaker Golden Hawk, mat red body/base, silver trim, black plastic wheels, in near mint original condition, no 310 illustrated box is very good.

Dinky Supertoys 971 Coles Mobile Crane with Scarce yellow plastic wheel hubs, orange crane, with chevron decal, mat black base, plastic driver, in mint original condition, blue/white striped box is excellent, yellow card base, complete with two inner packing pieces.

Scarce Last issue Dinky Toys 237 Mercedes Benz Racing Car, mat white body, red plastic wheel hubs, blue driver, racing number 36 paper labels, in mint original condition, with yellow picture box, in excellent original condition, serrated price label on one end flap, vintage 39p price label.

A Bokhara mat of traditional design with ten guls on a red ground, 30" x 24"

A Persian mat with bird design on a blue ground, 32" x 23" approx

A Senneh kelim mat with floral design on a cream ground, dated 1948, 18" x 28"

PAIR OF HONGMU SPINDLE-BACK ARMCHAIRS, MEIGUIYI QING DYNASTY, 18TH/19TH CENTURY 清 硬木梳背玫瑰椅 （一對）after a bamboo prototype, each with a humpback toprail supported on rounded posts extending to the back legs and flanking the slightly curved round section spindles, with a matching series of spindles bracing stepped rectangular arms, the broad rectangular frame with mat seat supported on legs of oval section joined by humpback stretchers with short vertical posts, the base with stretchers and a footrail (2) 56cm wide x 96.7cm high x 44cm deep each  Private English collection, London; acquired from Christie's New York, 23 & 24 September 1988, lots 660倫敦私人收藏；購自紐約佳士得，1988年9月23及24日，拍品660 Compare the single chair in the Lan Xianmai Collection, illustrated in C. Evarts, et al., Splendour of Style: Classical Furniture of the Ming and Qing Dynasties, Taipei, 1999, p. 93; and a pair included in Nicholas Grindley, Exhibition at Kate Ganz, New York, March 2000, no. 9. A pair of close comparable hunghuali spindle-back armchairs, meiguiyi, very similar in design and dated to the Qing dynasty, 19th century, is in the collection of the Liangyi Museum, Hong Kong, museum number: LYMF-29. Another set of four was in The YC Chen Collection, sold at Christie's Hong Kong, 29 May 2013, lot 1955. Another pair of hongmu meiguiyi, also dated to the Qing dynasty 19th century, was acquired from Galerie Gisèle Croës, Brussels in 1985 and offered in Sotheby's Paris, 15 December 2016, lot 180. A further pair of chairs, with plain aprons in place of humpback stretchers, was sold in Christie's New York, 21 March 1997, lot 203.靠背和扶手之內裝有形似梳齒直欞的椅子，均稱作「梳背椅」。直欞圍子在結構上借鑒了某些竹製傢俱的特點，並與當時門窗流行的「柳條式」戶隔相似。比較一張類似的玫瑰椅，著錄於國立歷史博物館編輯委員會編輯：《風華再現──明清家具收藏展》，臺北：國立歷史博物館，1999，圖版93；另一對可比較之玫瑰椅，收錄於Nicholas Grindley：《Exhibition at Kate Ganz.》，紐約，2000，圖版9；一張形制及尺寸相近的清十九世紀黃花梨梳背扶手椅，兩依藏博物館藏，館藏號「LYMF-29」；四張陳玉階舊藏晚清梳背玫瑰椅，2013年5月29日售於香港佳士得，拍品1955；另兩張紅木玫瑰椅，1985年出自布鲁塞爾古董商Galerie Gisèle Croës，2016年12月15日見於巴黎蘇富比，拍品180；另一對紅木例子，面下裝格形橫棖，1997年3月21日於紐約佳士得售出，拍品203，皆可資比較。

* Various Artists. Other Men's Flowers, London: The Paragon Press, 1994, the complete portfolio comprising fifteen works either screenprinted and / or printed letterpress, various papers, printed by Thomas Shaw and Simon Reddington, with title and colophon pages, signed in pencil or ink by the participating artists and numbered 94/100 in pencil to the colophon page, the full sheets, loose as issued, each sheet 47 x 61 cm (18 1/2 x 24 ins), contained within the original blue solander box with title printed in red, large folio (49.5 x 62 cm) QTY: (1)NOTE:The contributing artists in this portfolio include Henry Bond, Stuart Brisley, Dan Brown, Helen Chadwick, Mat Collishaw, Itai Doron, Tracey Emin, Angus Fairhurst, Liam Gillick, Andrew Herman,Gary Hume, Sarah Staton, Sam Taylor-Wood, Gavin Turk and Max Wigram.

A boxed vintage Dexter mat cutter

▲ Mat Collishaw (b.1966) ‘Transparencies I-V', 1998iris print from an edition of 10, signed 'M Collishaw' in pencil l.r.image 15.5 x 17.5cmProvenance: With Lisson Gallery, London;a private collection, Kensington, London W8.Condition ReportFramed: 38 x 38cmAppears to be in good condition. Not viewed out of glazed frame.

Group of fishing equipment to include unhooking mat, weighing sling, canvas carry all, 10' 6" 3 piece river rod, 12' twin top river rod, 2" oval landing net and a 20" landing net.

Al Hansen (American, 1927-1995) ‘Ostiak Mirror Lady’mixed media and collage on matsigned and dated 1985, Gracie Mansion Gallery New York label verso38 x 31cm. A little dusty but otherwise in honest untouched condition, measurements given are for the card backing which includes the signature, central panel measures 30.5 x 20cm but some of the card at the top does overlap, original plain wooden frame with Gallery label verso.For sale by order of the executors, the Estate of Edi Chin Li, former bass guitarist with The Tourists, alongside Annie Lennox and Dave Stewart, 1976-1980.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail. 

LOUIS VUITTON Schultertasche "ALLSTON". Koll. 2002. Monogram Mat Burgundy mit silberfarbener Hardware. Längenverstellbarer Trageriemen mit Detail aus naturbelassenem Leder. Ein Außenfach mit Magnetverschluss, Hauptfach mit Reißverschluss, textiles Innenfutter. Dezente Gebrauchsspuren vorhanden. 30x8x18,5cm.| LOUIS VUITTON shoulder bag "ALLSTON". Coll. 2002. Monogram Mat Burgundy with silver-colored hardware. Adjustable shoulder strap with natural leather detail. One outer compartment with magnetic closure, main compartment with zipper, textile lining. Subtle signs of wear. 30x8x18.5 cm.

Framed Oil Painting "Heading for Cover" by Terry Harrison This is a framed oil painting titled "Heading for Cover," attributed to British artist Terry Harrison, as identified by the visible signature in the lower left corner. The subject of the work is a serene English countryside scene in winter or late autumn, featuring a prominent bare-branched tree to the right, a wooden post-and-rail fence, and a pheasant nestled in the grass in the foreground. The midground reveals a ploughed field with surrounding hedgerows, while the background features sparse trees and a small church tower atop a slight hill, likely referencing St. Mary’s Church in Hartley Wintney, Hampshire, as noted on the reverse side of the canvas. The reverse bears handwritten annotations reading: "Heading for Cover," and references to "St. Mary’s Hartley Wintney (from the Winchfield Road)." The wooden stretcher is equipped with a wire hanging cord and corner wedges for tension adjustment. Framed in a gilt wood frame with a cream linen inner mat, the piece reflects a naturalistic, rural aesthetic commonly present in late 20th to early 21st-century British landscape painting. The painting appears to be in good condition, with no significant visible damage to the canvas or frame. Likely medium-sized, it exemplifies Harrison's known focus on traditional British pastoral themes.

**Framed Artwork: "The Lace Gate," Imperial Palace, Vienna by Robert Kassini**This framed artwork, attributed to Robert Kassini, depicts "The Lace Gate" at the Imperial Palace, Vienna. The scene features an ornate wrought iron gate set within a prominent stone archway, leading to a cobblestone street framed by historic European buildings. A horse-drawn carriage and pedestrians populate the background, suggesting a late 19th or early 20th-century timeframe. Muted tones of black, grey, beige, and subtle hints of blue and green dominate the colour palette. The piece is likely a coloured print, hand-tinted etching, or lithograph. Below the image, faint text is visible, potentially identifying the title or artist. The artwork is bordered by an off-white mat, displaying minor age-related discolouration. The reverse features handwritten notes and a label. These provide provenance details, including the title, artist, and purchase history, stating the artwork was acquired from "Herr Pöhler in the Archway of the Palace - Sept 1897". The piece is set in a decorative wooden frame, approximately 45–60 cm in height and 30–40 cm in width. The frame shows signs of wear, with minor chipping and missing fragments, reflecting its age. Dating to circa 1880–1930, this artwork carries associations with Vienna's Imperial history and is further enriched by its documented provenance and historical setting.

**Collection of Framed Antique Maps and Historical Prints**This collection features three framed items of historical and cartographic significance:1. **Hastings Castle Print**: A detailed engraved print titled *"Hastings Castle, in Sussex,"* published by Alex. Hogg & Partners, Paternoster Row, under Act of Parliament. It depicts the ruins of Hastings Castle atop a hill overlooking the sea. The engraving is bordered by a cream mat with beige inner lining and encased in a metallic-effect frame with beaded edges. Approximate frame size: 10–12 inches square.2. **Wiltshire Map**: A hand-coloured 19th-century map of Wiltshire, England, featuring decorative cartographic details, including geographical boundaries, key towns, and a mileage scale labelled *"English Miles."* This map displays place names such as Cirencester, Reading, and Marlborough, along with an inset showing a section of Wiltshire situate in Berkshire. Framed with a double cream mat within a polished wooden frame featuring a brown and black border. Approximate frame size: 16–20 inches in height and 12–15 inches in width. Date attributed to the early-to-mid 19th century.3. **Staffordshire Map**: An antique hand-coloured map of Staffordshire bearing the title *"STAFFORDSHIRE"* in decorative script. Surrounding the map are engraved illustrations of Staffordshire landmarks, including Lichfield Cathedral and a heraldic shield, together with other county-related embellishments. The map is bordered by a dark green mat and framed in a bevelled wooden frame, likely cream-coloured. Approximate frame size: 18–22 inches in height and 14–18 inches in width. Likely from the mid-19th century.Each piece highlights England's historical cartography and visual art traditions, making them valuable to collectors focused on British history and decorative maps.

Black-and-White Photographic Print by Francis Giacobetti A framed black-and-white photographic print by Francis Giacobetti, professionally mounted behind clear glass with a cream-coloured mat featuring bevel-cut edges. The dark polished wooden frame exhibits subtle red undertones and minor scuffs. Measuring approximately 70 cm by 50 cm, the photograph depicts a reclining nude figure draped partially with a patterned textile, emphasising texture and form. The image incorporates handwritten and stamped-style text layered over the upper-right quadrant, featuring phrases such as "APPROVED" (repeated multiple times), "The strongest hope the idea is to be artist," and other annotations. These elements suggest conceptual or thematic commentary. The artist's name, "FRANCIS GIACOBETTI," is centred on the mat beneath the photograph. Giacobetti is recognised for fine art nude photography, particularly during the latter half of the 20th century. Notable features include the distinct overlay of textual elements, artistic presentation, and potential connection to a series or limited edition work. The style and details suggest a 20th-century creation, aligning with Giacobetti’s prominence within this period.

**Framed Limited Edition Print "On Cranborne Chase" by Robert Tilleard** A limited edition print titled *"On Cranborne Chase"* by the contemporary artist Robert Tilleard, hand-numbered "3/50" and signed in pencil. The title appears centred below the dark-toned pastoral scene, which depicts the rolling hills of Cranborne Chase under a moody, cloud-laden sky. The print is professionally presented in a natural wood frame with a cream-white mat board. This piece was framed on 4th December 2007 at Picture Frames.co.uk, as per a commended frame certification label on the reverse. A collector's item or decorative artwork reflecting the rural beauty of the English countryside.

**Framed Watercolour Painting by Robert Weir Allan**This is a framed watercolour painting by Robert Weir Allan (1852–1942), a renowned Scottish landscape and marine painter. The artwork depicts a castle atop a cliff overlooking a tranquil body of water, likely a coastal or estuarine scene. The scene includes a dock with modest cottages, sailing vessels in calm waters, and a red-sailed boat, reflective of maritime life. The landscape is rendered in soft natural tones, with greens, browns, and blues dominating the palette, characteristic of Allan's romantic landscape style.The painting is signed “R. Allan” at the lower-left corner. It is professionally mounted within a cream-coloured off-white mat with embossed recessed borders and encased in a rectangular gilt wooden frame, featuring minimal wear commensurate with age. The artwork dimensions are approximately 25 cm by 18 cm, with the frame adding several centimetres to the overall size.The back of the framed piece includes a biographical plaque detailing Robert Weir Allan's career, affiliations, and achievements. He was elected A.R.W.S. in 1887 and R.W.S. in 1896, frequently painting the coasts of Scotland and travelling extensively, including to India and Japan. Additionally, there is a handwritten dedication reading, "To my darling Tim, August 31st, 1982."This original watercolour exemplifies 19th to early 20th-century artistic trends in romanticised depictions of historical and maritime themes.

Framed Watercolour Landscape Painting A framed watercolour painting depicting a tranquil rural scene. The composition features a reflective river bordered by grassy banks and trees, with a backdrop of gently sloping hills under a partly clouded sky. Fine details include a wooden gate partially obscured by vegetation and small reddish flowers dotting the riverside. The medium is watercolour on paper, with a naturalistic style and a muted palette of greens, blues, and yellows. The artwork is presented within a reddish-brown wooden frame with subtle grooves along the edges, complemented by a beige mat board. The frame is backed by a particleboard secured with nails and includes a wire hanging mechanism. The visible section of the frame measures approximately 2-2.5 cm in width. The painting dates approximately from the late 19th to mid-20th century, a period when watercolour landscapes were popular within British art circles. It shows no visible signature or title, leaving further identification requiring closer inspection of the frame's reverse or additional markings.

**Ivan Couver Signed Watercolour Harbour Scene, 21 x 14 Inches**A vibrant watercolour painting by Ivan Couver depicting a serene harbour scene with sailing ships moored on calm waters. In the background, a Gothic-style structure, red-tiled gabled houses, and a windmill evoke a Northern European, likely Danish or Dutch, setting. The artist skilfully employs reflections and detailed brushwork, particularly in the water and sky. Signed "Ivan Couver" in the lower right-hand corner, confirming its originality.**Notable Features**:- Maritime theme with architectural and coastal elements.- Golden wood frame with grooved detailing and a harmonious golden mat.- Dimensions: 21 x 14 inches (53 x 35.5 cm), excluding the frame.The work resonates with 19th to early 20th-century European artistic traditions. A fine example of detailed watercolour craftsmanship with potential historical significance.

Framed Abstract Painting by S. SullyA framed abstract painting signed "S. Sully" in red in the lower-left corner. The artwork, in bold hues of red, green, black, and white, depicts an abstract, seated human figure with accentuated, emotive brushstrokes. The medium appears to be acrylic or oil on paper, surrounded by a white mat board within a natural wooden frame, finished with glass protection. The frame is approximately 73cm x 58cm, with the artwork slightly smaller due to matting. The reverse side features a label from Oxford Framing Services, located at 38 Cowley Road, Oxford, OX4 1HZ, along with the handwritten title, "THINKING MAN I". Likely created in the mid-to-late 20th century, the dynamic style reflects impressionist and expressionist tendencies.

**Collection of Framed Botanical Illustrations, 19th-Century Style**This collection includes two framed botanical illustrations, both featuring orchids. 1. **Artwork Details**: - The first illustration depicts *Loddigesia schomburgkiana*, showcasing green leaves, bulbous bases, and red and white flowers, with supplemental sketches and scientific annotations. Inscribed below is "drawn by Mrs. Good." - The second illustration depicts *Grammatophyllum villosum*, featuring elongated green leaves, white and orange-red flowers, and floral sketches. It is attributed as "Mrs. Good del" (indicating the artist) and includes a circular emblem in the lower right corner. - Both illustrations highlight traditional 19th-century botanical precision, incorporating supplemental scientific sketches. 2. **Frames and Matting**: - The artworks are mounted on cream-coloured matting with a fine green border. These are enclosed within wooden frames, rectangular in shape, with a medium brown polished finish. Frames measure approximately 30-35 cm in height and 20-25 cm in width. 3. **Additional Features**: - A circular label with "ROYAL EXPORTS LIMITED" and "222" appears on one mat, suggesting mid-20th-century framing or export provenance. - The inscriptions and Victorian-era botanical style suggest these pieces date from the mid- to late-19th century, although framing elements indicate later presentation. These framed botanical artworks reflect the historical importance of scientific illustrators and their contribution to the study of orchids.

Subbuteo Table Soccer Game Set with Detailed Box Artwork and Accessories Floodlight EditionThis Subbuteo tabletop football game set includes a comprehensive collection of the essential components for play. The box, predominantly green with the "Subbuteo" name highlighted in a red oval at the top center, features an image of football players in the middle of a match, surrounded by smaller images detailing close-up views of stadium floodlights, game figures in action, and goal scenes. Text in multiple languages at the bottom declares "THE FOOTBALL GAME," "CALCIO IN MINIATURA," "LE JEU DE FOOTBALL," and equivalent translations in Dutch, German, Spanish, and Portuguese, emphasising its international appeal.Inside, the box reveals two distinct teams of player figures (one in blue and white, and the other in red and white), although three player figures are noted as missing. Additional contents include two goalposts with nets, a green play mat representing the football pitch, various corner flags, supporting rods, two extra bases, and a football. All components are organized neatly in a molded plastic tray within the box, complete with instructional or promotional materials inside the lid. Standard dimensions for Subbuteo sets are typically around 36 inches by 20 inches for the playing field, although exact measurements are not provided here.

**Framed Etching of a Lion by Herbert Dicksee** This is a sepia-toned wildlife etching attributed to **Herbert Thomas Dicksee (1862–1942)**, celebrated for his extraordinary depictions of animals. The piece portrays a majestic lion in detailed realism, showcasing its intricate fur texture and expressive gaze. Likely an original or early print, this etching reflects Dicksee's Edwardian-era artistry and dedication to life studies, often inspired by animals at the London Zoo. **Medium and Presentation:** Rendered in fine etching techniques, the work features masterful linework and tonal contrasts. Mounted on a cream-coloured mat and housed in a light wooden rectangular frame with clean grooves, this timeless artwork is presented with a classic aesthetic. **Signature and Publisher Details:** The etching bears the faint signature "H. Dicksee" in the lower right, authenticating his authorship. A handwritten inscription referencing **C. E. Clifford & Co., 12 Piccadilly, London** suggests provenance linked to this late 19th-century art publisher, complementing the Victorian to early Edwardian dating of the piece. **Dimensions (framed):** Approx. 40–50 cm in height and 30–40 cm in width. This rare lion portrait embodies Dicksee's hallmark style and remains a notable example of British wildlife art, valued by collectors and connoisseurs alike.

An Eastern prayer mat, blue field with geometric borders, 140 x 76cm.

Three small Bokhara style mats and a Chinese mat, various sizes.

Large quantity of Hornby OO gauge track, along with some Gaugemaster scenic items(6000g)Both new unused and previously used and carefully removed from a layoutIncludes:- HornbyR8077 LH Express point (6)R8078 RH Express point (4)R8072 LH point (3)R8073 RH point (4)R641 R Curved pointR615 CrossoverPeco SL84 Catch turnout RHVarious other Hornby track as shown, Over 120 pieces of straight and curved track in total both new and usedThe 70 cm lengths are flexi Rail cleaners, pins, Gaugemaster Summer grass mat un-usedGaugemaster GM702 Countryside backscene large Condition: Good

Original color lithograph on wove paper entitled Through the Aspens that depicts a string of horses and foals with sun rays highlighting their path. Signature in graphite on lower right: Saltonstall. Edition number on lower left: 164/400. Title in lower center: Through the Aspens. Housed in a wooden frame with a pearl grey mat. Sight size: 26.75"L x 14.50"H. Frame size: 33"L x 20.50"H x 1.75"W. Artist: Saltonstall (American 20th century)Issued: 1985Country of Origin: United StatesCondition: Age related wear.

Vintage offset watercolor on paper of a quaint town by American Plein Air artist Cecile Johnson's original. Signature in plate on lower right: Cecile Johnson. Housed in a cream color wooden frame with a white mat. Sight size: 12"L x 8.75"H. Frame dimensions: 16.50"L x 13.50"H x 0.75"W. Artwork can be unframed and rolled for shipment. Artist: Cecile Ryden Johnson (American 1916-2010)Issued: c. 1970Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.

This lot features two exquisite chromolithographs, each showcasing remarkable craftsmanship and artistic depth from the late 19th century. Gobelins Chromolithograph by Fehrmann: this highly detailed and colorful print from 1891 depicts an allegorical scene, showcasing a female figure dressed in flowing classical attire, seated at a lectern with the inscription Principio. The intricate border features cherubs, Gothic architectural elements, and floral motifs, all indicative of the Gobelins style. Below, the caption reads, Unus Iste Labor Calami Liber Unice Exit, reflecting the intellectual themes of the piece. Marked Fehrmann and dated 1891, this chromolithograph embodies the precision and grandeur of the Gobelins decorative arts tradition. The second features A Daughter of the Rajahs After Paul Senneville: This striking chromolithograph features an elegant woman in ornate traditional attire, symbolizing exoticism and grandeur. Based on a painting by Paul Senneville, this print captures the grace and cultural allure associated with 19th-century portrayals of Eastern royalty. The fine detailing of the woman's elaborate embroidered gown and veil highlights the mastery of chromolithography in conveying texture and depth. Printed by George Barrie and copyrighted by C.B.H., this piece exemplifies 19th-century European fascination with Orientalist themes. Each artwork average dimensions with mat: 13.75"L x 19"H. Issued: 1890sDimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.

Vintage offset watercolor on paper of a quaint street after American Plein Air artist Cecile Johnson's original. Signature in plate on lower left: Cecile R. Johnson. Housed in a cream color wooden frame with a white mat. Sight size: 12"L x 8.75"H. Frame dimensions: 16.50"L x 13.50"H x 0.75"W. Artwork can be unframed and rolled for shipment. Artist: Cecile Ryden Johnson (American 1916-2010)Issued: c. 1970Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.

Vintage offset watercolor on paper of a tropical landscape after American Plein Air artist Cecile Johnson's original. Signature in plate on lower right: Cecile Johnson. Housed in a cream color wooden frame with a white mat. Sight size: 12"L x 9"H. Frame dimensions: 16.50"L x 13.50"H x 0.75"W. Artwork can be unframed and rolled for shipment. Artist: Cecile Ryden Johnson (American 1916-2010)Issued: c. 1970Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.

Jepson (Edgar) & M. Leblanc. Arsène Lupin, first edition, ownership stamps and inscriptions on endpapers, some spotting, ?later issue with publisher's adverts dated 1913, cloth with portrait removed from upper cover, extremities rubbed, 1909 § Bramah (Ernest) The Eyes of Max Carrados, first edition, spotting, cloth spine faded, extremities rubbed, 1923; Kai Lung Unrolls His Mat, first American edition, ownership inscription on front free endpaper, jacket worn and lacking portions from spine, New York, 1928 § Graeme (Bruce) The Return of Blackshirt, endpapers browned, cloth a little rubbed, 1927, original cloth; and c.30 others, crime fiction, 8vo (c.35)

Lima Models '00' gauge 109000 AC double train set, comprising GWR 4-6-0 'King George V' locomotive and tender no. 6000 in green livery, three coaches, track, controller, accessories and mat, and a Co-Co BR 'Western Gladiator' diesel locomotive no. D1016, six freight wagons, track, buildings, etc, boxedCondition Report:Not checked for completeness of track and accessories

A small prayer mat 85cm x 58cm

Hornby OO gauge, R1039, Flying Scotsman Train Set, (incomplete, missing buffers, controller, transformer and mat) and R2541, BR 0-6-0T Class J83 locomotive RN68472.

Thomas Gunn Miniatures, 1/30-scale Hansa Brandenburg W12 early seaplane 1184, 37.5cm wing span, with mat but no trolleys or stands, (boxed).

Batista, Helder (Portuguese, 1932-2015); b. Vendas Novas, and Gravarte, now Indugrave-Indústria de Gravura (Lisbon, 1952-present) ENGLAND, Eve and Adam Before and After They Had Eaten the Forbidden Fruit, 2008, an assembled laser-etched acrylic and steel square plaque by H. Batista [Gravarte] for the British Art Medal Society, scene from the Garden of Eden, serpent emerging from lily bush, bare legs of Adam and Eve with apple at upper left, rev. lower legs of Adam and Eve, wearing modern-day clothes and shoes, standing on a mat behind a door marked eden, borders stamped h. batista 18/100 b a m s 2008 gravarte, 80mm, 69.10g (Attwood 202; The Medal 54, p.69). Mint state, as made; in white card box of issue by Gravarte, Lisboa £60-£80 --- Edition of 100

JENS QUISTGAARD for Dansk Design, an extensive service of 1950s Flamestone IHQ, mat brown dinner service, with maker's marks to base

LA CORRIDAColor aquatint, 1956, on Arches paper, signed and numbered in 14/200 in pencil, printed by Aldo Crommelynck, Paris, published by Atelier Lacourière, Paris, with full margins, framed.Plate 19 1/8 x 25 7/8 inches; 486 x 657 mm.Sheet 22 1/2 x 30 1/4 inches; 572 x 768 mm.Frame 28 x 34 inches; 711 x 864 mm.Affixed with tape along top sheet edge verso to top mat, lightstain and matstain, a few unobtrusive tiny foxing spots recto (mainly in the margins), a small area of discoloration bottom sheet edge, a few foxing spots and minor soiling verso, some handling creases (mainly visible in raking light in the margins and verso), some pressure marks visible verso (from the printing process?), a 3/8-inch tear bottom right sheet edge, framed with glass.Affixed with tape along top sheet edge verso to top mat, lightstain and matstain, a few unobtrusive tiny foxing spots recto (mainly in the margins), a small area of discoloration bottom sheet edge, a few foxing spots and minor soiling verso, some handling creases (mainly visible in raking light in the margins and verso), some pressure marks visible verso (from the printing process?), a 3/8-inch tear bottom right sheet edge, framed with glass.Any condition statement is given as a courtesy to a client, is an opinion and should not be treated as a statement of fact and our Organization shall have no responsibility for any error or omission. Please contact the specialist department to request further information or additional images that may be available.Request a condition report

λ  MAT COLLISHAW (BRITISH B. 1966) SUGAR AND SPICE, ALL THINGS NICE... Photograph with lightbox and frame 42 x 36cm (16½ x 14 in.)Executed in 2002. Provenance: Michael Hue-Williams, London Acquired from the above on 10 May 2002 Exhibited: London, Freud Museum, Hysteria, October 2009-January 2010

Hornby OO gauge, R1039, Flying Scotsman train set, Flying Scotsman with four teak coaches, track etc, missing track mat and paperwork, mostly very good condition. UK P&P Group 1 (£16+VAT for the first lot and £2+VAT for subsequent lots)

A Tray of SLR Cameras, a Fujica ST 605, with Pentacon 50mm f/1.8 lens, Minolta XD7, with Minolta MD 50mm f/1.7 lens, Dynax 307si, with Minolta AF 35-80mm lens, X-300s, with MD 28-70mm lens, Miranda RE-II, with EC 50mm f/1.8 lens, shutter not closing, Pentax SP, WITH Vivitar 28-200mm lens, shutter sluggish and a Wirgin Edixa Mat Reflex, with Xenon 50mm f/1.9lens, shutter jammed, Edixa Prismat, with Ulm 50mm f/2.8 lens, shutter not working, none battery tested, bodies G, elements G

Three TLR Cameras, a Seagull 4A, shutter sluggish/sticking in slow speeds, self timer sticking, body G, some lifting to leatherette, with Haiou 75mm f/3.5 lens, elements G, Yashica-Mat, shutter not working, leatherette missing from front, Yashinon 80mm f/3.2 lens, elements G and a Protina Reflex, shutter working, body F-G, elements G, all in ERC's

A Qing dynasty heavy hardwood square stool. The stool having a soft-mat seat set within the rectangular frame, above a short plain waist and plain apron, the whole raised on legs of square section joined by humpback stretchers and terminating in straight feet.Measures approx. 33cm x 48cm x 38cm.

Manchester United 1968 European Cup Winners squad signed plus manager commemorative First Day Covers commemorating their 4-1 victory against Benfica at Wembley back on 29th May 1968, the autographs comprise Sir Mat Busby and Jimmy Murphy his assistant, plus the team of Alex Stepney, Johns Aston, Bill Foulkes, Tony Dunne, David Sadler, Nobby Stiles, Brian Kidd (twice), Pat Crerand, Shay Brennan, Francis Burns and George Best, second cover is signed by Sir Bobby Charlton to complete the squad (2)

Five items relating the the old Wembley Stadium, including a large burgundy and yellow Alcohol Warning sign measuring 24 ins x 48 ins., a white and red Ground Regulations sign measuring 24 ins x 24 ins., an England No Autographs sign, framed and glazed, measuring 16 ½ ins x 26 ins., signed in black pen by Terry Venables with a colour photographic print of the former England Manager set in the mount, a large framed Wembley Stadium white and red number 102 signed, framed and glazed, measuring 22 ins x 27 ins., dedicated in black pen by Steve Perryman and a large, Wembley branded door mat, in delipidated condition, (a lot)

Four boxes containing romance novels; a Samsung Blu Ray player; a yoga mat; a selection of DVD's etc.

A Boxed Hornby OO gauge R1033 Harry Potter and The Chamber of Secrets Hogwarts Express electric train set, complete with mat and leaflets.

Housed in a gilt frame with a white mat. A lithograph of Chagall's 1949 painting of a bride and groom. Signed in plate lower right. ADAGP Paris embossed seal on the lower right. Numbered in pencil on the lower left. Frame size: 32.5"W x 39"H x 1.25"D. Sight size: 22.75"W x 29.25"H.Artist: Marc ChagallDimensions: See descriptionCountry of Origin: FranceCondition: Age related wear.

Large original acrylic on canvas by British artist Joyce Roybal who depicts a band of colorful musicians. She paints them with yellow gold, apple-yellow greens, red camaieu, and ranges of blue-purples that she placed against a marbleized sky blue background. Roybal added relief by carving curl shapes in the figures' hair and contours on the instruments. Signature on lower right: J Roybal. Housed in a wooded frame with a beige linen mat. Artwork dimensions: 35.50"L x 24"H. Frame size: 41"L x 29"H x 2"W.Artist: Joyce Roybal (British b. 1955)Issued: c. 1990Country of Origin: EnglandCondition: Age related wear.