There are 11227 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA film photograph, digitally printed on paper, by Argentinian social activist photographer Moira Antonello. Signature in silver ink on lower right side. Housed in a white mat. Photograph size: 11.25"L x 16.75"H. Mat dimensions: 15.75"L x 19.75"H. Artist: Moira Antonello (Argentinian, b. 1973)Dimensions: See DescriptionCondition: Age related wear. Soiling on upper edge of mat.
A stunning vintage original serigraph in colors on paper by Jamaican artist Lloyd Van Pitterson entitled Cassandra. Printers blindstamp on lower left: Serigraphics Limited Inc., New Jersey. Artists Proof edition number in graphite on lower left: A/P XX/XXV (20/25). Title in center of lower edge. Artists signature on lower right. Housed in a white mat with a pink border. Sight size: 20.75"L x 16.5"H. Mat dimensions: 25.75"L x 21.5"H. Artwork can be unframed and rolled for shipment. Artist: Lloyd Van Pitterson (Jamaican, 1926-1997)Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear.
A vibrant original color serigraph on paper embellished with gold and silver foil titled Morning Sunlight by artist Russel Baker. Signature in graphite on lower right. Edition number in graphite on lower left: 204 of 350. Title in graphite in lower middle. Housed in a gilded ornate frame with a white mat featuring a gold-colored border. Sight size: 22.25"L x 34"H. Frame dimensions: 32.5"L x 1.25"W x 44.25"H. Artist: Russel Baker (British, b. 1958)Issued: c. 1990Dimensions: See DescriptionEdition Number: 204 of 350Condition: Age related wear. Scratch on protective glass on lower right side.
A film photograph, digitally printed on paper, by Argentinian social activist photographer Moira Antonello, from the series Ausencias (Absences). Housed in a white mat. Photograph size: 11.25"L x 7.25"H. Mat dimensions: 15.75"L x 19.75"H. Artist: Moira Antonello (Argentinian, b. 1973)Issued: c. 2000Dimensions: See DescriptionCondition: Age related wear. Some soiling around mat. Small crease on upper right corner.
This superb original pastel on paper by American Abstract artist Virginia Davis depicts a central row of diminishing organic shapes highlighted by vibrant colors that float away in a parallel universe. Signature and date on lower right: Virginia Davis 5/30/51. Housed in a recessed wooden frame with a white mat. Artwork dimensions: 16"L x 21.50"H. Frame size: 24"L x 29"H x 2.25"W. Artwork can be unframed and rolled for shipment. Artist: Virginia Davis (American 20th century)Issued: 1951Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
Antique original etching on paper depicting Piccadilly Circus by British artist James Grant. Signature in pencil on lower right: James Grant. Housed in a black wooden frame with an ecru mat. Sight size: 4"L x 6"H. Frame dimensions: 8L x 9.50"H x 0.50"W. Artwork can be unframed and rolled for shipment. Artist: James Arden Grant (British 1887-1973)Issued: c. 1920Dimensions: See DescriptionCountry of Origin: EnglandCondition: Age related wear.
Features an engraving by Henry Robinson depicting the Prince of Wales and Princess Royal, commissioned by the queen. Based on the original work by Sir William Charles Ross (1794–1860), a respected miniature painter who frequently depicted members of the British royal family. Showcased in a gilded gold wooden frame with a beige textile mat. Frame size: 13.75"L x 1"W x 16.25"H. Sight size: 6.75"W x 8.25"H. Signature to lower middle right side. Artist: After Henry Robinson (active mid-19th century)Issued: 19th centuryDimensions: See DescriptionCondition: Age related wear. As is.
Striking drawing on ivory paper made with bold color markers, ink pen, and white gouache attributed to Neo-Pop Expressionist artist Jean-Michel Basquiat. This artwork depicts one of Basquiat's synthetized Portraits filled with pink, orange, red, and black marker for the grill-like mouth, spiky short hair, and facial open contours. Signature on lower right: Basquiat with the iconic crown. Stamped on verso: This will certify that it is the oblation of the Authentication Committee of the Estate of Jean-Michel Basquiat it is a genuine work by JEAN-MICHEL BASQUIAT. Signed in brown crayon: J-M-B with crown design. Housed in a black frame with a ecru mat. Frame size: 16"L x 20"H x 0.75"W. Artwork dimensions: 8"L x 12"H. Artwork can be unframed and rolled for shipment. Artist: Attributed to Jean-Michel Basquiat (American, 1960-1988)Issued: c. 1980Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
A vibrant color photograph print applied to board, capturing a detailed close-up of a glossy soccer player figure from a foosball table, with blurred figures in both the foreground and background. Housed in a black frame with a white mat. Sight size: 29.5"L x 19.5"H. Frame dimensions: 40"L x 1"W x 30"H. Issued: c. 2010Dimensions: See DescriptionCondition: Age related wear. Minor buckling throughout print. Few scratches on frame cover.
Tsuchiya Koitsu (Japanese, 1870-1949). Shin-hanga woodblock print titled "Teahouse- Yotsuya Arakicho" depicting a teahouse illuminated from within, 1935. Published by Dai Hangaten.Sight; height: 15 in x width: 10 1/4 in. Framed; height: 20 in x width: 15 in x depth: 1 in.Condition: The colors are bold and bright. There are no major visible tears, losses, or signs of restoration. There is a slight undualtion along the upper edge of the sheet. Housed under a non-acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Kazuhiko Sanmonji (Japanese, b. 1945). Woodblock print on paper titled "Breeze of Time D" depicting a crashing wave, 1985. Pencil signed and dated along the lower right; numbered 3/50 along the lower left.Provenance: Kanda's BOQ; Private Minnesota Collection.Sight; height: 17 in x width: 24 3/4 in. Framed; height: 23 1/4 in x width: 31 1/4 in x depth: 1 in.Condition: The colors are bold and bright. There are no visible tears, losses, or restorations. Housed under a mat. Framed under glass. Light wear to the frame. Not inspected out of frame.
Antique Japanese woodblock print, possibly from a novel. Depicting a beautiful woman or courtesan by the moonlight.Sight; height: 6 in x width: 4 in. Framed; height: 13 in x width: 9 in x depth: 1 in.Condition: The colors are bold and deep. A few small areas of foxing throughout. There are a few minute holes throughout the upper quarter and lower left corner. Verso and edges not inspected. Housed under a mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Toyohara Kunichika (Japanese, 1835-1900). Woodblock print on paper titled depicting the kabuki theater actor Bando Hikosaburo, 1865.Sight; height: 14 1/4 in x width: 9 1/2 in. Framed; height 21 1/2 in x width: 15 1/2 in x depth: 1 in.Condition: The colors are bold and deep. The sheet is toned. Some light soilling in areas. There are no visible tears, losses, or restorations. Edges versos not inspected. Housed under a mat. Framed under glass. Light wear to the frame. Not inspected out of frame.
Yoshitoshi Mori (Japanese, 1898-1992). Kappazuri stencil print on paper titled "Sukeroku" depicting the titular samurai character in eponymous play, 1984. Pencil signed and dated along the lower left; numbered 81/90 along the lower right.Provenance: Kato's Gallery, Tokyo; Private Minnesota Collection.Sight; height: 19 3/4 in x width: 13 in. Framed; height: 36 1/2 in x width: 18 1/2 in x depth: 1 in.Condition: The colors are bold and bright. There are no visible tears, creases, losses or restorations. Light undulation to the sheet. Housed under a mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Utagawa Kuniyoshi (Japanese, 1797-1861). Woodblock triptych on paper print titled "Courtesans with Melting Spring Snow" depicting three beauties gathered on a balcony, 1855.Provenance: The Kyoto Art Company, Kyoto; Private Minnesota Collection.Sight; height: 13 3/4 in x 28 1/2 in. Framed; height: 18 1/2 in x width: 36 1/4 in x depth: 1 in.Condition: The colors are bold and bright. The sheets are toned. Foxing and light areas of soiling throughout. Creasing throughout, some deep. Versos and extreme edges not inspected. Housed under a mat. Framed under glass, light wear to the frame. Not inspected out of frame.
Utagawa Kunisada/Toyokuni III (Japanese, 1786-1865). Woodblock print on paper titled "Mitsuke: Bando Shuka I as Shizaka," from the series "53 Stations of the Tokaido," 1852.Provenance: Nakashian-O'Neil Interiors, St. Paul, MN; Private Minnesota Collection.Sight; height: 13 3/4 in x width: 9 3/4 in. Framed; height: 21 1/2 in x width: 15 in x depth: 1/2 in.Condition: The colors are bold deep. The sheet is toned. There are several deep and light creases throughout. There are no major visible tears losses, or restorations. There are two minute holes along the upper left corner. Light undulation to the sheet. Housed under an acidic mat. Framed under glass. Light wear to the frame. Not inspected out of frame.
Late 18th to early 19th century Chinese silk landscape painting signed Qiu Ying (Chinese, 1494-1552) with a colophon signed Dong Bangda (Chinese, 1699-1769).Sight; height: 35 1/4 in x width: 15 1/4 in. Framed; height: 45 3/4 in x width: 22 1/2 in x depth: 1 in.Condition: The sheet is toned. There is a large tear along the upper edge. Some creases throughout. Housed under a linen mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Clifton Karhu (American/Japanese, 1927-2007). Woodblock print on paper titled "Doorway in Kyoto" depicting blue draped fabric over a doorway, 1971. Pencil signed and dated along the lower right; titled along the lower center; numbered 7/80 along the lower left.Sight; height: 23 1/2 in x width: 23 in. Framed; height: 31 1/2 in x width: 30 1/2 in x depth: 1 1/4 in.Condition: The colors are bold and deep. The sheet is toned. There are no visible tears, losses, or restorations. Creases throughout. Housed under an acidic mat. Framed under glass. Light wear to the frame. Not inspected out of frame.
Kunio Kaneko (Japanese, b. 1949). Woodblock print on paper titled "Lucky Kimono 4" depicting a blue kimono with waves against a gold ground, 2004. Signed and dated along the lower right; titled along the lower left; numbered 29/150 along the lower center.Sight; height: 6 in x width: 6 in. Framed; height: 10 in x width: 9 1/2 in x depth: 1 in.Condition: The colors are bold and bright. There are no visible tears, creases, or losses. Housed under a mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Shotei Takahashi (Japanese, 1871-1945). Woodblock print on paper titled "Mt. Fuji from Mizukubo, Evening." Seals along the lower corners.Sheet; height: 10 1/2 in x width: 15 3/4 in. Matted; height: 13 in x width: 19 in.Condition: The colors are bold and bright. There are no tears or repairs. There is one deep crease measuring approx. 1.5 inches in length running inward horizontally from the right edge in the center. A few light spots of skimming to the verso. With a paper mat - not attached.
Hiroshi Yoshida (Japanese, 1876-1950). Shin-hanga woodblock print titled "A Little Restaurant" depicting a figure standing outside a lit restaurant at night. Signature and title block-signed/impressed along the lower margin indicating a posthumous printing.Sheet; height: 15 3/4 in x width: 10 1/2 in. Matted; height: 19 in x width: 13 in.Condition: There are no major tears, losses, or repairs. The sheet is slightly toned. Light wear along the edges. Affixed to a paper mat along the right edge along the verso. Not framed.
Kazuhiko Sanmonji (Japanese, b. 1945). Woodblock print on paper titled "Breeze of Time B" depicting a crashing wave, 1984. Pencil signed and dated along the lower right; numbered 21/75 along the lower left.Provenance: Kanda's BOQ; Private Minnesota Collection.Sight; height: 10 3/4 in x width: 18 1/2 in. Framed; height: 16 3/4 in x width: 24 1/2 in x depth: 1 in.Condition: The colors are bold and bright. There is a small network of foxing along the lower right corner. There are no visible tears, losses, or restorations. Light undulation to the sheet. Housed under a mat. Framed under glass. Light wear to the frame. Not inspected out of frame.
Hiroshi Yoshida (Japanese, 1876-1950). Woodblock print on paper titled "The Golden Pavilion (Kinkaku)" depicting a pavilion along a lake's edge. Signature and title block-signed/impressed along the lower margin indicating a posthumous printing.Sheet; height: 16 in x width: 10 1/2 in. Matted; height: 19 in x width: 13 in.Condition: There are no major tears, losses, or repairs. The sheet is slightly toned. Some wear along the edges. Affixed to a paper mat along the left edge along the verso. Not framed.
Hasui Kawase (Japanese, 1883-1957). Woodblock print titled "Rain in Maekawa" depicting a downpour along a darkened city street. Seals along the lower left and the right margin.Sheet; height: 15 1/2 in x width: 10 1/2 in. Matted; height: 19 in x width: 13 in.Condition: There are no major tears, losses, or repairs. The sheet is slightly toned. Light wear along the edges. There are two pinholes along the left margin. Affixed to a paper mat along the right edge along the verso. Not framed.
Hiroshi Yoshida (Japanese, 1876-1950). Shin-hanga woodblock print titled "Sarawasa Pond." Signature and title block-signed/impressed along the lower margin indicating a posthumous printing.Sheet; height: 15 3/4 in x width: 10 1/2 in. Matted; height: 19 in x width: 13 in.Condition: There are no major tears, losses, or repairs. The sheet is slightly toned. Light wear along the edges. Affixed to a paper mat along the left edge along the verso. Not framed.
Hiroshi Yoshida (Japanese, 1876-1950). Shin-hanga woodblock print titled "Nikko kiri no hi (Misty day in Nikko)" depicting travelers visiting a shrine nestled amongst a misty forest. Signature and title block-signed/impressed along the lower margin indicating a posthumous printing.Sheet; height: 16 in x width: 11 in. Matted; height: 19 in x width: 13 in.Condition: There are no major tears, losses, or repairs. The sheet is slightly toned. Light wear along the edges. Affixed to a paper mat along the upper left corner along the verso. Not framed.
Tsuchiya Koitsu (Japanese, 1870-1949). Shin-hanga woodblock print titled "Kagurazaka at Ushigome" depicting a street in the nighttime rain, 1939. Published by Doi Hangaten.Sight; height: 16 in x width: 11 in. Framed; height: 20 in x width: 15 in x depth: 1 in.Condition: The colors are bold and bright. There are no major visible tears, losses, or signs of restoration. There is a slight undualtion along the upper edge of the sheet. Housed under a non-acidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Group of two possibly Edo era Japanese woodblock print illustrated novel pages. One depicting two women in a chamber and the other depicting a standing man fanning himself.Sight, each; height: 6 in x width: 4 in. Framed; height: 20 3/4 in x width: 9 in x depth: 1 in.Condition: The colors are bold and deep. One small spot of soiling along the upper print. Verso and edges not inspected. Housed under a mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Yoshitoshi Mori (Japanese, 1898-1992). Kappazuri stencil print on paper titled "Actor's Face in Woman's Shibaraku," 1981. Pencil signed and dated along the lower left; numbered 25/70 along the lower right.Provenance: Kato's Gallery, Tokyo; Private Minnesota Collection.Sight; height: 18 3/4 in x width: 13 1/4 in. Framed; height: 27 1/2 in x width: 21 1/4 in x depth: 1 in.Condition: The colors are bold and bright. There are no visible tears, creases, losses, or restorations. Housed under a mat. Framed under glass. Light wear to the frame. Not inspected out of frame.
Clifton Karhu (American/Japanese, 1927-2007). Woodblock print on paper titled "Koshihata House - Kyoto" depicting blue draped fabric over a doorway, 1971. Pencil signed and dated along the lower right; titled along the lower center; numbered 25/80 along the lower left.Sight; height: 16 1/4 in x width: 25 3/4 in. Framed; height: 23 1/4 in x width: 32 1/4 in x depth: 1 in.Condition: The colors are bold and bright. The sheet is toned. There are no visible tears, losses, or restorations. Creases throughout, especially along the margins. Housed under a nonacidic mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Sarah Brayer (American, b. 1957). Aquatint on paper titled "Winter Dawn" depicting a snow-filled street in Japan, likely Kyoto, 1988. Pencil signed and dated along the lower right; titled along the lower center; numbered 30/150 along the lower left.Provenance: Kato Gallery, Tokyo; Private Minnesota Collection.Sight; height: 29 in x width: 15 1/4 in. Framed; height: 35 3/4 in x width: 21 in x depth: 1 in.Condition: The colors are bold and deep. There are no visible tears, creases, losses, or restorations. Housed under a mat. Framed under glass. Light wear to the frame. Not inspected out of frame.
Yoshitoshi Mori (Japanese, 1898-1992). Kappazuri stencil print on paper titled "Benten Kozo" depicting Benten Kozo Kikunosuke, the main character of an eponymous play about the outlaw, 1984. Pencil signed and dated along the lower right; numbered 5/90 along the lower left.Provenance: Kato Gallery, Tokyo; Private Minnesota Collection.Sight; height: 19 1/2 in x width: 13 in. Framed; height: 36 1/2 in x width: 18 1/2 in x depth: 1 in.Condition: The colors are bold and bright. There are no visible tears, creases, losses or restorations. Housed under a mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Haku Maki (Japanese, 1924-2000). Woodblock print on paper with embossing titled "Wan 14" depicting a chawan tea bowl. Signed along the lower right; titled along the lower center; numbered 48/50 along the lower left.Provenance: Kato Gallery, Tokyo; Private Minnesota Collection.Sight; height: 7 1/4 in x width: 7 1/4 in. Framed; height: 11 1/2 in x width: 11 1/4 in x depth 1 in.Condition: The colors are bold and deep. A few scattered spots of foxing throughout. There are no visible tears, losses, or restorations. Housed under a mat. Framed under glass. Light wear to the frame. Not inspected out of frame.
Sarah Brayer (American, b. 1957). Aquatint on paper titled "School Boys" depicting a group of young boys with umbrellas, likely in Kyoto, 1986. Pencil signed and dated along the lower right; titled along the lower center; numbered 37/150 along the lower left.Provenance: Kanda's BOQ, Tokyo; Private Minnesota Collection.Sight; height: 13 1/4 in x width: 13 1/4 in. Framed; height: 19 3/4 in x width: 18 3/4 in x depth: 1 1/4 in.Condition: The colors are bold and deep. There are no visible tears, creases, losses, or restorations. Housed under a mat. Framed under glass. Light wear to the frame. Not inspected out of frame.
Kazuhiko Sanmonji (Japanese, b. 1945). Woodblock print on paper titled "Breeze of Time" depicting a crashing wave, 1985. Pencil signed and dated along the lower right; numbered 6/75 along the lower left.Provenance: Kanda's BOQ; Private Minnesota Collection.Sight; height: 9 1/2 in x width: 8 1/4 in. Framed; height: 15 in x width: 13 in x depth: 1 in.Condition: The colors are bold and bright. There are no visible tears, creases, or losses. Housed under a mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Yoshitoshi Mori (Japanese, 1898-1992). Kappazuri stencil print on paper titled "Why Don't You Wait Here?" depicting a figure's face in profile, 1981. Pencil signed and dated along the lower right; numbered 28/50 along the lower left.Provenance: Kato's Gallery, Tokyo; Private Minnesota Collection.Sight; height: 19 1/2 in x width: 13 1/2 in. Framed; height: 27 1/2 in x width: 21 1/4 in x depth: 1 in.Condition: The colors are bold and bright. There are no visible tears, creases, losses, or restorations. Housed under a mat. Framed under glass. Light wear to the frame. Not inspected out of frame.
Hiroshi Yoshida (Japanese, 1876-1950). Shin-hanga woodblock print titled "Night in Kyoto" depicting a wet street reflecting lantern lights. Signature and title block-signed/impressed along the lower margin indicating a posthumous printing.Sheet; height: 16 in x width: 10 3/4 in. Matted; height: 19 in x width: 13 in.Condition: There are no major tears, losses, or repairs. The sheet is slightly toned. Light wear along the edges. Affixed to a paper mat along the left edge along the verso. Not framed.
Sarah Brayer (American, b. 1957). Aquatint on paper titled "School Girls" depicting a pair of young girls in bright yellow hats and backpacks, likely in Kyoto, 1986. Pencil signed and dated along the lower right; titled along the lower center; numbered 30/150 along the lower left.Provenance: Kanda's BOQ, Tokyo; Private Minnesota Collection.Sight; height: 11 in x width: 11 in. Framed; height: 17 1/2 in x width: 16 1/2 in x depth: 1 in.Condition: The colors are bold and bright. There are no visible tears, creases, or losses. Housed under a mat. Framed under glass; light wear to the frame. Not inspected out of frame.
Kazuhiko Sanmonji (Japanese, b. 1945). Woodblock print on paper titled "Breeze of Time E" depicting a crashing wave, 1986. Pencil signed and dated along the lower right; numbered 4/25 along the lower left.Provenance: Kanda's BOQ; Private Minnesota Collection.Sight; height: 17 in x width: 32 in. Framed; height: 24 1/4 in x width: 39 1/4 in x depth: 1 in.Condition: The color are bold and deep. There are no visible tears, creases, losses, or restorations. Light undulation to the sheet. Housed under a mat. Framed under glass. Light wear to the frame. Not inspected out of frame.
Hiroshi Yoshida (Japanese, 1876-1950). Woodblock print on paper titled "Cryptomeria Avenue," depicting a tree-lined path. Signature and title block-signed/impressed along the lower margin indicating a posthumous printing.Sheet; height: 16 in x width: 10 3/4 in. Matted; height: 19 in x width: 13 in.Condition: There are no major tears, losses, or repairs. The sheet is slightly toned. Light wear along the edges. Affixed to a paper mat along the upper left corner along the verso. Not framed.
Utagawa Kunisada/Toyokuni III (Japanese, 1786-1865). Woodblock print on paper titled "Beauty Fujinokata in Mirror," ca. 1840. Possibly from a Kabuki theater program.Sight; height: 9 1/2 in x width: 3 1/4 in. Framed; height: 15 1/2 in x width: 11 1/2 in x depth: 1 in.Condition: There are no visible tears, losses, or restorations. There is a minute hole along the upper right quadrant. Toning along the upper edge. Housed under a nonacidic mat. Framed under glass. Light wear to the frame. Not inspected out of frame.
THE COBBLER (BARTSCH, HOLLSTEIN, GODEFROY 27)Etching, 1671, on cream laid paper, with thread margins or trimmed to or within the platemark, framed.Sheet 7 1/2 x 5 7/8 inches; 191 x 149 mm.Frame 13 5/8 x 11 1/2 inches; 346 x 292 mm.Provenance:Theodor Falkeisen (1768-1814) and Johann Friedrich Huber (1766-1832), Basel (Lugt 1008)Affixed at top sheet corners verso to back mat, lightstain, matstain verso, some areas of applied white, a tiny spot of discoloration at top left extreme sheet edge, some faint graphite marks at bottom right sheet corner recto, some minor creasing at bottom extreme edge, some old paper hinge residue bottom left sheet edge verso, a thin area at bottom right sheet corner, framed with glass.
GREY RABBITHand-colored lithograph J.T. Bowen, 1843, on wove paper, plate XXII from The Viviparous Quadrupeds of North America, framed.Image 17 x 23 3/8 inches; 432 x 594 mm.Sheet 22 x 28 1/16 inches; 559 x 713 mm.Frame 29 1/4 x 35 1/4 inches; 743 x 895 mm.Lightstain and matstain, foxing and minor soiling, handling creases mainly discernible in raking light, some other creasing and a few tears and small losses at sheet edges (two longest tears 3/4-inch), affixed with tape along top sheet edge verso to top mat, framed with glass.
MiniArt, ICM and Ban Dai kit models - five scale model kits comprising two off MiniArt 1:48 scale Marston Mat landing strips with barrels # 49019, MiniArt British Infantry Weapons and Equipment # 35368, ICM 1:35 scale Fierce Fighting American Civil War # DS3519, and BaanDai 1:72 scale Star Wars B-Wing Starfighter # 0230456-4500, all appear mint with parts on sprues in factory sealed bags, with decals, construction info and other ephemera, all within mint boxes, kit unchecked for completeness, (This does not constitute a guarantee) [5 - b]
Original acrylic on wooden board by Florida based artist Maria Reyes Jones who depicts two green pears with heavy texture and bright colors. Signature in paint on lower right side. Title in graphite on lower center: Two Pears. Housed in a black frame with a white mat. Artwork dimensions: 8.50"L x 6.75"H. Frame dimensions: 16.50"L x 15.50"H x 1.25"W. Artist: Maria Reyes Jones (American, b. 1969)Issued: c. 2000Dimensions: See DescriptionCountry of Origin: United StatesCondition: Age related wear.
Original color engraving on paper of the city of Saltsburg by renowned Austrian artist Robert Kasimir, Signature in graphite on lower center: Robert Kasimir. Housed in a gilded frame with a light grey mat. Sight size: 20.50"L x 15"H. Frame dimensions: 28"L x 24"H x 1.75"W. Artwork can be unframed and rolled for shipment. Artist: Robert Kasimir (Austrian 1914-2002)Issued: c. 1950Dimensions: See DescriptionCountry of Origin: AustriaCondition: Age related wear.
A captivating mid-century Modern oil-on-paper artwork depicting a dynamic trapeze scene in a circus, created by renowned Expressionist New-York based painter and sculptor Sam Diamond. The artist skillfully used a palette knife to infuse texture and depth into the composition. Signed Sam Diamond on the lower left corner. Housed in a wooden frame with an off-white mat. Artwork dimensions: 10"L x 13"H. Frame dimensions: 19.25"L x 23.25"H x 1.50"W. Artist: Sam Diamond (Polish/American, 1919-1978)Issued: c. 1950Dimensions: See DescriptionCountry of Origin: Poland/United StatesCondition: Age related wear.
A whimsical framed etching by renowned Bolivian artist Graciela Rodo Boulanger, depicting a playful child sitting atop a richly detailed elephant balancing on a colorful circus ball. Known for her charming and imaginative compositions, this piece features textured details and a dreamy background. Signed in pencil lower right, with E.A. (Epreuve d'Artiste) notation on the lower left, marking it as an artist's proof. Housed in a wooden frame with a gray mat. Sight size: 8"L x 11"H. Frame dimensions: 16.5"L x 1.5"W x 19.5"H. Artwork can be unframed and rolled for shipment. Artist: Graciela Rodo Boulanger (Bolivian, b. 1935)Issued: Mid 20th centuryDimensions: See DescriptionCondition: Age related wear.
Group of ten art exhibition posters: 1. Original vintage advertising poster for Edvard Munch Exhibition held in Munch Museum Oslo. Good condition, creases on bottom, tears on margins. Country: Norway. Year: 1973. Designer: Edvard Munch. Size: 84 x 59.5. 2. Original vintage advertising poster for Sculpture The Mind-Sickness The Prinzhorn Collection held in Kunstverein Hamburg. Very good condition, few creases on margins. Country: Germany. Year: 1980. Designer: Unknown. Size: 84 x 59.5. 3. Original vintage advertising poster for Charlottenborg Forarsudstilling. Good condition, small creases on margins, pencil signs in the lower right corner. Country: Denmark. Year: 1977. Designer: Unknown. Size: 85.5 x 60. 4. Original vintage advertising poster for German Painting At The Time of Romanticism Orangerie des Tuileries. Very good condition, creases on margins. Country: France. Year: 1977. Designer: Unknown. Size: 59 x 40.5. 5. Original vintage advertising poster for Pietro Longhi From Drawing to Painting Sala Napoleonica Venice. Good condition, small tears and creases on margins. Country: Italy. Year: 1975. Designer: Pietro Longhi. Size: 98 x 68; 6. Original vintage advertising poster for The Der Spiegel gallery shows portfolios from Bucher Graphic series edition MAT, edition MAT MOT / Die Galerie Der Spiegel zeigt Mappen Bucher Graphic Seritypien edition MAT, edition MAT MOT, featuring an illustration of black circles with smaller images of a dog, flower, people, food, hand, telephone in them, blue smoke, set over brown background. Fair condition, folds, tears, creasing. Country of issue: Germany, designer: Unknown, size (cm): 84x59, year of printing: 1965; 7. Original vintage advertising poster for Abstraction: Towards a New Art Exhibition Painting 1910-20 Exhibition held in Tate Gallery. Good condition, creases on top. Country: UK. Year: 1980. Designer: Malevich. Size: 76 x 51. 8. Original vintage advertising poster for Erwin Wortelkamp Kunsthalle Nuremberg. Fair condition, creases on margins, major paper loss in the upper left corner, tear on top. Country: Germany. Year: 1978. Designer: Unknown. Size: 83.5 x 59.5. 9. Original vintage advertising poster for Henry Fuseli Tate Gallery. Good condition, creases and small scratches on margins. Country: UK. Year: 1975. Designer: Henry Fuseli. Size: 76.5 x 50.5. 5. Original vintage advertising poster for Gentilini Palazzo Dei Diamanti. Good condition, creases on margins, tears and paper losses on bottom. Country: Italy. Year: 1972. Designer: Gentilini. Size: 100 x 68.; 10. Original vintage advertising poster for Espaces Exhibition Milan. Adolphe Appia. Good condition, creases on the image, tears on margins. Country: Italy. Year: 1980. Designer: Unknown. Size: 99.5 x 68.
End of the Old Kingdom / Beginning of the First Intermediate Period, Dynasties VII-VIII, Ca. 2181 - 2160 BC.A beautiful limestone Egyptian false door consisting of a recessed central panel surrounded by two columns and one upper register of inscribed hieroglyphs. It belonged to Ima, a high official at the royal court, as shown in his titles: “King's acquaintance”, “King's nobleman of the house of the dignitaries” and “ Inspector of the spear(?)”. This title is a unicum, in fact it is not found in other known monuments. This false door has all the canonical parts: the decorated torus, the upper lintel, the outer door jambs, the lower lintel and the inner jambs. Between the inner jambs there is a narrow niche suggesting the entrance to a door with a rolled-up mat (drum)above it. In the space between the outer jambs there is a panel with a scene in sunk-relief : the deceased seated in front of the offering table. He is also depicted in sunk-relief on the outer jambs, standing up, looking inwards, with the emblems of his rank, the staff and the sceptre, in his hands. In the inner right jamb, a standing up woman is depicted in sunkrelief, looking inwards, with a lotus flower in her right hand. Above her figure a hieroglyphic text reports her titles and name: “King's acquaintance, priestess of Hathor, Pef”, she is probably Ima’s wife.For similar see: The Metropolitan Museum of Art Accession Number: 64.100 (model). Size: 700mm x 410mm; Weight: 23kgSize: 700mm x 410mm; Weight: 23kg. Provenance: Property of a London collector; formerly with Mayfair family S. A., acquired from a London professor in the late 1970s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter. This piece is accompanied by an authentication report from Simone Musso, consultant curator for Egyptian antiquities at the Stibbert Museum, Florence, Italy, member of the Nuri Archaeological Expedition.
BAUMEISTER, WILLI (1889-1955), "Horlogerie", 1953, Farbsiebdruck/Papier, im Druck u.re. monogrammiert 'WB', HxB: Platte ca. 28x21 cm, Passepartoutausschnitt ca. 30x23 cm, Außenmaße Rahmen ca. 78x63 cm. Alters- und Knickspuren, leicht gebräunt. Im Passepartout hinter Glas gerahmt (Rahmenfassung part. berieben). VERSO Etikett mit falscher Künstlerbezeichnung und Stempel. LITERATUR: Spielmann/Baumeister, Willi Baumeister, Werkkatalog der Druckgraphik, 2005, WVZ-Nr. 194.| BAUMEISTER, WILLI (1889-1955), "Horlogerie", 1953, colour screenprint/paper, monogrammed ‘WB’ in print lower right, HxW: plate approx. 28x21 cm, mat cut-out approx. 30x23 cm, outer frame dimensions approx. 78x63 cm. Signs of age and creasing, slightly browned. Framed in mount behind glass (frame mount partially rubbed). VERSO label with incorrect artist's inscription and stamp. LITERATURE: Spielmann/Baumeister, Willi Baumeister, Werkkatalog der Druckgraphik, 2005, WVZ-Nr. 194.
Loading...
