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Derrière le Miroir. Nr. 107-109. Sur 4 murs. 29 S. Mit Orig.-Lithographien von Mirò, Chagall, Giacometti, Tal Coat und Reproduktionen von Braque, Bonnard, Matisse, Picasso, Kandinsky, Mirò, Léger und Bazaine. 38 x 28 cm. Illustr. OUmschlag (etwas berieben und mit kleinen Knickspuren am unteren Rand). Paris, Maeght 1958. Cramer 51. Mourlot 208. Die Lithographie von Giacometti nicht bei Lust. - Seltene Ausgabe, u. a. mit einem Text von Fernand Léger (1881-1955). - Leicht fingerfleckig und mit kleinen Gebrauchsspuren, sonst wohlerhalten.

Tetzen-Lunds, Chr. Samling af moderne fransk malerkunst. 5 S. Mit zahlreichen Abbildungen auf Tafeln. 33 x 24 cm. OHalbleinen. Kopenhagen 1934.Eines von 100 nummerierten Exemplaren des Kataloges der Sammlung Tetzen-Lunds' (1852-1936), die 107 Werke aller Größen der Zeit versammelte, von Cezanne über Picasso, Renoir, van Gogh und Derain bis zu Monet, Matisse und Modigliani. - Wohlerhalten. - Dabei: Hollstein & Puppel. Kunstauktion XL - Sammlung C. Brose Berlin. 111 S., 1 Bl. Mit XXX Tafeln. 28,5 x 21,5 cm. Halbleder d. Z. mit goldgepr. RSchild. Berlin 1928. - Versteigerungskatalog der legendären Sammlung, die auch einen großen Bestand an Werken von Karl Blechen umfasste (154 Losnummern).

Two vintage Matisse exhibition posters, to include: 'Henri Matisse Oeuvres gravees, Galeris Maeght Lelong, Paris, 4 Octobre - 15 Novembre 1984, published in 1984 by Galeris Lelong, Paris, sheet size: 52 x 86.5 cm frame size: 62.5 x 93.5 cm; together with 'L'Art et Le Livre - Hommage a Henri Matisse, Exposition au Lavoir "Matisse et L'Affiche"', published by Succession H. Matisse, 46 x 55.5 cm (2)

A large collection of good quality art related books including Henri Matisse, several books on Versailles, French Furniture Makers, The Robert Von Hirsch sale catalogues (4) works on Rembrandt, 35 volumes approx

HENRI MATISSE, Femme assise, off set lithograph, French vintage frame, 33cm x 25cm.

HENRI MATISSE, Jeune femme assise, off set lithograph, French vintage frame, 28cm x 21.5cm.

HENRI MATISSE, Jeune femme assise jaune, off set lithograph, French vintage frame, 21cm x 26.5cm.

HENRI MATISSE, Jeune femme assise avec guitare, off set lithograph, French vintage frame, 28cm x 21cm.

HENRI MATISSE, Portrait in colours of a woman, signed in the plate, off set lithograph, vintage French frame, 10.5cm x 15cm.

HENRI MATISSE, Portrait in colours of a woman with flowers, off set lithograph, vintage French frame, 27cm x 23cm.

A Tate exhibition poster for Picasso and Matisse, 2002, 75.5x51cm

HENRI MATISSE, Portrait of a woman K4, signed in the plate, 1966 lithograph printed by Mourlot, French vintage distressed frame, 52cm x 39.5cm. (Subject to ARR - see Buyers Conditions)

Henri Matisse (1869-1954), Pencil on Paper Image Size: 25 1/8 by 16 7/8 inches (64 by 43 cm) All measurements are approximate. Signed (lower right) Henri Matisse (1869-1954) was a groundbreaking French artist whose contributions to modern art are immeasurable. A master of color and form, Matisse is celebrated for his revolutionary Fauvist movement, characterized by bold, non-naturalistic colors and expressive brushwork. His art evolved through various styles, including Cubism and abstraction, always reflecting a profound sense of creativity and innovation. Matisse's iconic cut-out works, created in his later years, exemplify his ability to convey emotion and movement with simplicity. His legacy as a pioneer of 20th-century art remains unrivaled, influencing generations of artists and leaving an enduring mark on the art world. Please read our policy carefully: 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final. 2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period. 3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold. 4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.

After Henri Matisse (French, 1869-1954) - Study for Dance III - an offset lithograph exhibition poster advertising 'Matisse Painter as Sculptor' at Dallas Museum of Art, 2007. After Matisse's charcoal & stumping drawing. Measures approx. 43cm x 28cm. 

Alternance. Textes inédites. Mit 16 meist in der Platte signierten Original-Radierungen von Jean Cocteau, J.G. Daragnès, Hermine David, Dignimont, Pierre Dubreuil, Eduoard Goerg, Valentine Hugo, J.E. Laboureur, Marie Laurencin, André Lhote, R. Lotiron, J. Maret, Henri Matisse, Viellard und Waroquier. (Paris), Le Gerbier, (1946). 137 S. Lose Doppelbogen in OUmschlag(etw. lichtrandig, wenig angeschmutzt). Eins von 300 Exemplaren. - Duthuit 268. - Anthologie mit unveröffentlichten Texten von Beucler, Bost, Cassou, Eluard, Gargue, Giraudoux, Lacretelle, MacOrlan, Marce, Maulnier, Mauriac, Mondor, Paulhan, Pillement und Ribemont-Dessaignes. - Seltener etwas Abklatsch. Mit dem vollen weißen Rand. Insgesamt wohlerhalten. One of 300 copies. With 16 original etchings mostly signed in the plate by Jean Cocteau, J.G. Daragnès, Hermione David, Dignimont, Pierre Dubreuil, Eduoard Goerg, Valentine Hugo, J.E. Laboureur, Marie Laurencin, André Lhote, R. Lotiron, J. Maret, Henri Matisse, Viellard and Waroquier. Anthology with unpublished texts by Beucler, Bost, Cassou, Eluard, Gargue, Giraudoux, Lacretelle, MacOrlan, Marce, Maulnier, Mauriac, Mondor, Paulhan, Pillement and Ribemont-Dessaignes. - Rarely with some offset from the prints. With the full white margins. - Overall well presevered.

Miotte, Jean - - André Verdet. (1913 Nizza - 2004 Saint-Paul-de-Vence). Les voies de l'univers / les désordres de l'homme. Mit vier signierten Originalzeichnungen von Jean Miotte, Ezio Cella, Mario Borgna und André Verdet. Mailand, Editions Centro Difussione Arte, 1995. 126 Bll. Folio. Bedrucktes blaues Lwd. mit silbergeprägtem RTitel und DTitel sowie montiertem DSchild. In blauem OSchuber. Unikales Exemplar mit 4 sign. Orig.-Zeichnungen. - Das Buch eines von 500 im Druckvermerk handschriftlich nummerierten Exemplaren. Die Zeichnungen je mit Widmung. - Der französische Dichter, Maler und Bildhauer Verdet schloss sich im Krieg der Résistance an. 1944 von der Gestapo gefangengenommen, saß er als Lagerhäftling erst in Auschwitz, später Buchenwald, ein. Nach dem Krieg kehrte er in seinen Heimatort Saint-Paul-de-Vence zurück und befreundete sich mit Künstlern wie Braque, Chagall, Hartung, Léger, Matisse und Picasso. - Schuber minimal berieben. Insgesamt in sehr gut erhalten. Die Zeichnungen in farbprächtigem Zustand. Unique copy with 4 sign. orig. drawings. (The book) one of 500 copies numbered by hand in the imprint. The drawings each with dedication. - The French poet, painter and sculptor Verdet joined the Résistance during the war. Captured by the Gestapo in 1944, he was imprisoned first in Auschwitz and later in Buchenwald. After the war he returned to his hometown Saint-Paul-de-Vence and became friends with artists like Braque, Chagall, Hartung, Léger, Matisse and Picasso. - Slipcase minimally rubbed. Overall in very good condition. The drawings in splendid colour condition.

* MARY FEDDEN OBE RA RWA (BRITISH 1915 - 2012), THE MATISSE JUG limited edition giclee print on paper, signed and numbered 313/550mounted, framed and under glassimage size 40cm x 34cm, overall size 67cm x 59cm Condition is good overall, with no viisble or known issues.

Quality Costume Jewellery, comprising a metal and enamel decorative collar and matching earrings, and a Matisse vintage American red copper collar.

Henri MATISSE (1869-1954) "Blue Nude 1" (1952)Druckgrafik - Plakat, Lithografie, 120 cm x 89,5 cm,(edition dacs 1997 published by Enormus Art scheffield England)

Jean Dufy, 1888 Le Havre – 1964 BoussayVOILIERS DANS LE PORT DU HAVRE, 1907Öl auf Leinwand.50 x 64 cm.Rechts unten signiert.In breitem vergoldetem gekehltem Rahmen.Anbei ein Zertifikat von Monsieur Quesnel und eines von Monsieur Marumo.Dufys Bestimmung war nicht von Vornherein im künstlerischen Metier zu suchen, denn er war Außenvertreter eines Handelsunternehmens, das Überseewaren importierte und auch als Sekretär auf dem Überseedampfer „La Savoie“ angestellt, der Le Havre und New York verband. Erst eine Ausstellung, die 1906 in seiner Heimatstadt stattfand und Matisse, Derain, Marquet und Picasso zeigte, führte ihn auf den künstlerischen Weg, der für ihn bestimmt war. Besonders ein Gemälde von Matisse, nämlich „Fenêtre ouverte à Collioure“ beeindruckte ihn mit seinen leuchtenden Farben und strahlendem Licht, sodass es in seinem Werk stark nachhallte - und auch in unserem Werk in Bezug auf Farbintensität und Macht der geometrischen eingebundenen Formen immanent zu sein scheint.In unserem Bild werden Kaimauern gezeigt und kleine trapezförmige Becken, ein Leuchtturm und Lagerhäuser, hinter denen sich das Meer erstreckt. Ein Segelboot beschreibt eine große Vertikale im linken Vordergrund, dessen Segel sich messerscharf in den Wind werfen und den Betrachterraum mit dem Bildraum verbinden. Dufy, der nach seinem Wehrdienst in Paris Drain, Braque, Picasso und Apollinaire begegnete, verwandte fortan vorwiegend stumpfere Farbtöne, wie Braun, Blau und Dunkelrot, während unser Gemälde von 1907 noch in strahlenden diversen Farben leuchtet und der Darstellung zusammen mit ihren gebrochenen geometrischen Formen Dynamik verleiht. Viele seiner meist späteren Werke werden in hochklassigen Museen der ganzen Welt ausgestellt, wie im Musée national d’Art moderne und im Centre Pompoidou in Paris, in der Albertina in Wien, im Art Institute of Chicago oder im MoMA in New York. Daher ist es uns eine besondere Freude ein so frühes Werk, welches Dufys Heimatstadt zeigt, mit der er emotional verbunden war, anbieten zu dürfen.Der Künstler erhielt seine Ausbildung an der École des beaux-arts in Le Havre und folgte dann seinem Bruder Raoul Dufy (1877-1953) 1912 nach Paris. Sein Bruder stellte ihm seinen Kreis postimpressionistischer Freunde vor, darunter Georges Braque (1882-1963) und Pablo Picasso (1881-1973). 1914 wurde seine erste Ausstellung organisiert, aber die charakteristische Lebendigkeit seiner Palette und seines Pinselstrichs manifestierten erst nach dem Ersten Weltkrieg zum Vorschein. (1371535) (13) (†)Jean Dufy, 1888 Le Havre – 1964 BoussayVOILIERS DANS LE PORT DU HAVRE, 1907Oil on canvas.50 x 64 cm.Signed lower right.Accompanied by an certificate by Monsieur Quesnel and by Monsieur Marumo.

August Macke, 1887 Meschede – 1914 Perthes-les-HurlusSTUDIENBLATT IIAquarell auf Pauspapier.27 x 32 cm.Rechts unten datiert „1912“.Im Passepartout, hinter Glas gerahmt.Beigegeben ein Zertifikat des Art Loss Register.„Fast immer habe ich auf der Straße das Skizzenbuch zur Hand, um Bewegungen von Menschen und Tieren allmählich voll beherrschen zu können, denn das lehrt einen kein Professor“, das schrieb Macke 1904 seinen Eltern. Er bezog sich hier auf seine Skizzenbuchzeichnungen, von denen er ca. 6000 Stück hinterlassen hatte, an Einzelblattaufzeichnungen sind es ca. 3000. Diese Zeichnung erinnert thematisch an die der französischen Impressionisten, denen er nach seiner ersten Parisreise 1907 malerisch, thematisch und kompositorisch viel verdankte. Als Lehrer für impressionistische Malerei suchte er sich übrigens Lovis Corinth aus, von dem wir in dieser Auktion ebenfalls ein Werk anbieten. Unser Aquarell entstand in dem für Macke wichtigen Jahr 1912, in dem er die Weichen für seine Künstlerlaufbahn neu stellte. Bereits im Dezember 1911 stellte er drei Bilder bei der ersten Ausstellung „Der Blaue Reiter“ der Galerie Thannhauser in München aus. Eben diese Ausstellung wurde im Jahr 1912 auch in Köln, Berlin, Hagen und Frankfurt gezeigt. Bei der Vorbereitung der Sonderbund-Ausstellung in Köln trat er als Interessenvertreter des Blauen Reiters auf, und für die Veröffentlichung des Almanachs „Der Blaue Reiter“ im Piper-Verlag in München gewann er Bernhard Koehler, den wohlhabenden Onkel seiner Frau, als Sponsor. Auch wenn er besonders Franz Marc stets freundschaftlich verbunden blieb, war das Geistige in der Kunst und der Weg in die reine Abstraktion nicht sein Ansatz – seine Kunst sollte gegenständlich bleiben. Mit dem Ehepaar Marc besuchte er und seine Frau Paris und die dortigen Ausstellungen der Fauvisten, Futuristen und Kubisten. Zurück in Deutschland ist dieses Studienblatt entstanden mit Spaziergängern, Kindern und Tieren, die er zuvor in Paris bewundern durfte und deren runde harmonische Studien an Matisse und die Fauvisten erinnern. Seine Formen werden weniger naturalistisch in ihrer Auffassung. Wenige Falten, Papier nachgedunkelt.Provenienz:Galerie Abels, Köln, nach 1945.Deutscher Privatbesitz, vor 1957 von Abels erworben.Vom Vorbesitzer erworben zwischen 2009 und 2019.Literatur:Das hier angebotene Objekt im Werkverzeichnis: Ursula Heiderich, August Macke. Aquarelle. Werkverzeichnis, Stuttgart 1997, Nr. 187, Abb. S. 247.Ausstellungen:Bielefeld, Städtisches Kunsthaus, Macke. 1887-1914, Aquarell-Ausstellung, 23.06.-21.07. 1957, Nr. 213. (1371073) (13)August Macke,1887 Meschede – 1914 Perthes-les-HurlusSTUDY IIWatercolour on tracing paper.27 x 32 cm.Dated “1912” lower right.Framed with mount under glass.Accompanied by a certificate from the Art Loss Register. With few creases, paper darkened.Provenance:Galerie Abels, Cologne, after 1945.Germany private collection, purchased by Abels before 1957.Purchased by previous owner between 2009 and 2019.Literature:The object on offer for sale in this lot is listed in the catalogue raisonné: Ursula Heiderich, August Macke, catalogue raisonné, Stuttgart 1997, no. 187, ill. p. 247.Exhibitions:Bielefeld, Städtisches Kunsthaus, Macke. 1887-1914, Exhibition of Watercolours, 23 June - 21 July 1957, no. 213.

'Nice travail & joie', Plakat, Lithografie auf Papier, 100 cm x 64 cm Blattmaß, im Druck signiert und 47 datiert, betitelt, 'Édité par le Syndicat d'Initative de Nice et l'Union méditerranéenne pour l'art moderne' bezeichnet, gedr. Mourlot, Paris, Blatt leicht nachgedunkelt und minimal gewellt, Blattrand abgegriffen und mit kleinen RissenHenry Matisse (1869 Le Cateau-Cambrésis - 1954 Nice) (F)'Nice travail & joie', poster, lithograph on paper, 100 cm x 64 cm sheet size, signed and dated 47 in print, titled, 'Édité par le Syndicat d'Initative de Nice et l'Union méditerranéenne pour l'art moderne' inscribed, printed Mourlot, Paris, sheet slightly darkened and minimally wavy, sheet margin worn and with small tears

Henri Émile Benoît Matisse(French, 1869-1954)"Girl with Hair Tied Up", from Florilege des Amours de Rosard (1948),pencil signature mounted alongside work,lithograph in sanguine,51 x 46cms, in frame.Provenance: bearing labels of Caroline Wiseman Modern and Contemporary.

37 Kunstbücher. Zu Kunstgeschichte und Museen sowie Einzelkünstlern wie Matisse, Kandinsky und Liebermann. Gebrauchsspuren.

HENRI MATISSE, rare original lithographic poster, signed in the plate - 1961, 67cm x 47.5cm, Les Grandes Gouaches Decoupees -Musee Des Arts Decoratifs, printed by Mourlot Imp, vintage French frame. (Subject to ARR - see Buyers Conditions)

HENRI MATISSE (1869 Le Cateau-Cambrésis - 1954 Nizza) Farblithografie, ¨Le Couer¨ (1947, aus der Serie ¨Jazz¨), ca. 34,5x28cm (in Passepartout), gerahmt (51x43,5cm) FR

Heinrich Steiner1911 Kaiserslautern - 2009 Rom - "Stall zwischen Mauern" - Aquarell/Bütten. 48 x 65 cm (Blattmaß). 46 x 64 cm (Passepartoutausschnitt). Sign. r. u.: H. Steiner. Auf der Rückseite des Rahmens auf Etikett der Galerie Koch, Hannover bez. und betit. Passepartout. Unter Glas gerahmt (Galerierahmen). Heinrich Steiner ist ein wichtiger Vertreter des deutschen Expressionismus der zweiten Generation. Er studierte in Hamburg und München bei Karl Caspar sowie in Florenz. Durch das gemeinsame Arbeiten mit Rudolf Levy ließ er sich maßgeblich in seiner Kunst beeinflussen. Er war Mitglied des deutschen Matisse-Kreises. Italien war er sehr verbunden, was sich auch in seinen Sujets, insbesondere den Landschaftsbildern mit leuchtend expressiven Farben darstellt. Aquarell, Heinrich Steiner, Klassische Moderne, Malerei

Matisse, Henri (1869 Le Cateau-Cambrésis - Nizza 1954) "Elle vit apparaitre le matin elle se tut discrètement", so im Werk betitelt. Farblithographie/Velin, re. u. im Stein sign. und dat., nach einer 1950 entstandenen Découpage von Matisse 1951. Erschienen in "Sur quatre Murs", DLM 36-37-38. Ca. 30,5x 82,5 cm. PP., R.

Matisse, Henri (1869 Le Cateau-Cambrésis - Nizza 1954) "Femme". Farblithographie bzw. Farbserigraphie, re. u. mit Bleistift monog. "H.M." sowie li. u. nummeriert Ex. 144/300 sowie im Stein sign., Herausgeber wohl Maeght Èditeur, Paris. Bildmaß ca. 47x 39 cm, PP., R. (nicht ausgerahmt). Erworben Galerie Rudolf, Heidelberg für 7.500 DM im Jahr 1998.

CARTIER: ART DECO DIAMOND BROOCH, CIRCA 1925The slightly curving openwork plaque with arrow-shaped terminals, set throughout with vari-cut diamonds including old brilliant, old pear, baguette, French, Asscher, single and calf, signed Cartier Ltd London, numbered ?304, length 5.9cm, fitted Cartier case Footnotes:ProvenanceMaud Russell (1891-1982)Descent to the current ownerMaud Russell, British art collector and patron, was one of Britain's foremost collectors of French modern art during the 20th century and a stylish and popular society hostess known for her infinite generosity. Maud and her husband, Gilbert Russell, a cousin of the Duke of Bedford, regularly entertained artists, writers, intellectuals, musicians, politicians and society figures at their London home and at their beautiful 2000-acre country estate, Mottisfont Abbey, in Hampshire, now owned by the National Trust. Their numerous friends, to name but a few, included Duff and Lady Diana Cooper, Cecil Beaton, Margot Asquith, Clementine Churchill, members of the Bloomsbury Group, the Souls and Ian Fleming. Fleming's friendship after her husband's death from asthma in 1942 was a vital lifeline during a period of intense grief for Maud.A few years later, Maud's gift of £5000 enabled Fleming, with whomshe worked in Naval Intelligence during the Second World War, to purchase Goldeneye, his retreat in Jamaica, where he created his world-famous spy James Bond. At Mottisfont, where she lived until 1972, Maud commissioned Rex Whistler to paint magnificent tromp l'oeil murals in the drawing room and a mosaic called the Angel of Mottisfont and a mural, by Russian artist, Boris Anrep, (the angel's likeness was modelled on Maud). Other artists Maud sat for during her life include Sir William Nicholson, John Singer Sargent, Ambrose McEvoy, Cecil Beaton and Henri Matisse. Born Maud Nelke, she was the daughter of a wealthy German banker and stockbroker, Paul Nelke, who immigrated to Britain in the 1880s and who later counted Winston Churchill as a client. Her mother Maria was also German, the daughter of Carl Conrad (Director of the Berlin Mint). During the 1930s, as war loomed, Maud helped as many of her relatives escape Germany as she could, bravely visiting Cologne after Kristallnacht in 1938 to see if they needed help and bringing those that wanted to, back to England. After Maud's death, her family discovered she had kept a regular diary throughout her life, which her granddaughter, Emily Russell, spent three years sensitively editing for the book 'A Constant Heart, The War Diaries of Maud Russell, 1938-1945', published by the Dovecote Press. The well written entries reveal the mind of a sensitive and observant woman and are a rare social record of the time.This brooch, given to Maud by her husband, has never been offered on the market before, is being sold by her family.Additional image creditsMaud with Ian Fleming and Angus Menzies at Mottifsont. © Emily Russell. Portrait of Miss Maude Nelke, c.1914 (oil on canvas), by Nicholson, William (1872-1949). © Ferens Art Gallery / Bridgeman ImagesFor further information on this lot please visit Bonhams.com

§ Henri Matisse (French 1869-1954). 'Nu au Collier', etching, signed and numbered 24/25 lower right, 11 x 15.5cm. Framed and glazed. Please note that Artist's Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price. Please visit www.dacs.org.uk for more information.Condition Report: § Under glass, paper discoloured, abrasions to paper by signature, needs a light clean.

Pierre Bonnard (French, 1867-1947)Le Bain (deuxième planche), from Album des peintres lithographes de Manet à Matisse (Bouvet 92a) Lithograph in black, circa 1925, on Chine volant paper, second state of two, from the unnumbered edition of 525, printed by Atelier Duchatel, published by Edmond Frapier, Galerie des Peintres-Graveurs, Paris, with their blindstamp (L. 1057b), the full sheet, framedImage 300 x 215mm (11 7/8 x 8 1/2in)Sheet 365 x 278mm (14 3/8 x 11in)Footnotes:ProvenanceWilliam Weston Gallery, London, whereby acquired by the present owner.For further information on this lot please visit Bonhams.com

David Foggie RSA, RSW, (Scottish, 1878-1948) Portrait of William Boyd (1873-1941), oil on canvas, signed lower right and dated 1912, original Whistler gilt frame, 23 1/2 x 19 1/2in. (59.7 x 49.5cm.). Together with a collection of photographs and cuttings relating to the sitter including a b/w photograph of William Boyd with Queen Mary and a b/w photograph of crowds outside the factory of James Keiller & Sons dated July 1914 on the occasion of the visit of Queen Mary to the factory, mounted together in one frame, also a letter to William Boyd dated 14th October 1931 from Glamis Castle from Cecilia Bowes-Lyon, Countess of Strathmore and Kinghorne, mother of Queen Elizabeth the Queen Mother. Also a bronze bust of William Boyd on a green marble base, 12in. (30.5cm.) high. *William Boyd (1873-1941) was Managing Director of James Keiller & Sons, famous for Keiller's marmalade, and at the time a highly successful company based in Dundee and London and exporting around the world. William Boyd was a serious art collector who in the 1910's began buying the work of William McTaggart and the Scottish Colourists and upon retiring in 1920 started investing in modern French art. His collection included works by Matisse, Rodin, Sisley, Vuillard, Bonnard and de Segonzac and he owned more more works by Van Gogh than any other Scottish collector. **Good condition.

HENRI MATISSE, collotype E11, Seated Woman, signed in the plate, edition: 950, printed by Martin Fabiani, 1943, 24cm x 32.5cm. (Subject to ARR - see Buyers Conditions)

Musee Matisse exhibition poster, framed and glazed. 46 x 66.5 cm overall.

Henri Matisse (1869-1954) - Portrait de Femme (1946), lithograph, visible sheet dimensions 31.5 x 24cmNote: information to reverse of the work states this 1946 example one of 950 produced by Mourlot Framed, mounted and glazed.Paper sits good and flat.Slightly darkened spotting to paper evident on close inspection.Photogramh is an accurate representation of the image – the background colours are uneven.

Henri Matisse (after) 'Seated Odalisque' offset lithography, limited edition of 75, sheet size 50 x 70 cm, plate signed bottom right, numbered with pencil bottom left 8/75, cotton paper, bottom left embossing stamp 'SPADEM Paris', without additional documentation, sold unframed

Henri Matisse (after) 'Pasiphae: Borne Away to the Stars…' offset lithography, limited edition of 75, sheet size 50 x 70 cm, plate signed bottom right, numbered with pencil bottom left 29/75, cotton paper, bottom left embossing stamp 'SPADEM Paris', without additional documentation, sold unframed

Sam Francis (American, 1923-1994). Monotype on handmade paper titled "Chariot," 1985. This print depicts an abstract composition of amorphous forms in various colors such as red, blue, yellow, black, and green. Signed in pencil along the lower right. Original artist pencil inventory number on the lower edge of the verso "GTW-VF-VB. 03-#2-1985." With detached gallery labels.Provenance: Pamela Auchincloss Gallery, Santa Barbara, California; Flanders, Minneapolis, Minnesota; Private Minnesota Collection.Lot Essay:Sam Francis came to be an artist under unlikely circumstances. After serving the Air Force during World War II, Francis was injured during flight test maneuvers and subsequently hospitalized. It was while he was recovering that he first began to paint. Francis went on to graduate from the University of California, Berkeley in 1950 with a degree in art and began his European travels. His first stop was Paris, where he studied Monet’s “Water Lilies†and developed a relationship with the Matisse family and artists such as Al Held, Joan Mitchell, and Jean-Paul Riopelle. He went on to develop and maintain studios in Bern, Paris, Tokyo, Mexico City, New York and Northern and Southern California.Sam Francis was considered a revolutionary master of color, space, and light. His works call to various art movements - New York Abstract Expressionism, Impressionism, Art Informel, and color field painting. They are characterized by bright, vibrant splashes of color against a luminous white background. Francis took great interest in the creative process, but his understanding of the relationship between color and light set him apart from contemporaries such as Jackson Pollock and solidified him as a key player in contemporary art history.Height: 30 in x width: 25 1/2 inCondition: The sheet is in excellent condition with no tears, rips, losses, or restorations. The colors are bold and bright. Along the verso there are two areas of framer's tape along the top left and right edge. There are two rectangular areas of skimming to the sheet along the upper left and right corners of the verso. Each measure 1 inch x 1.5 inches. Purple and red spots along the verso original to the artistic process. It is possible that there is very light wear along the deckled edges. There are natural areas of unevenness to the paper due to the handmade nature of the material. Not framed.

Marc Chagall (Russian/French, 1887-1985). Lithograph on Arches paper titled "Paris of Dream" depicting a dream-like depiction of Paris, 1969-1970. Pencil signed along the lower right; numbered 12/75 along the lower left. With a certificate of authenticity from Cass Publishing. As the artist described these works, "Visions of Paris which are perhaps the same and also different. Paris, reflection of my heart. I'd like to fade into it, not be alone with myself."Literature: Mourlot 600.Provenance: Cass Publishing, Minnetonka, Minnesota; Private Collection, Minnesota.Lot Essay:Marc Chagall (born Moishe Shagal) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints.Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists". For decades, he "had also been respected as the world's pre-eminent Jewish artist". Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the UN and the Art Institute of Chicago and the Jerusalem Windows in Israel. He also did large-scale paintings, including part of the ceiling of the Paris Opera.Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern Europe and Jewish folk culture. He spent the wartime years in Soviet Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Arts College before leaving again for Paris in 1923.He had two basic reputations, writes Lewis: as a pioneer of modernism and as a major Jewish artist. He experienced modernism's "golden age" in Paris, where "he synthesized the art forms of Cubism, Symbolism, and Fauvism, and the influence of Fauvism gave rise to Surrealism". Yet throughout these phases of his style "he remained most emphatically a Jewish artist, whose work was one long dreamy reverie of life in his native village of Vitebsk." "When Matisse dies," Pablo Picasso remarked in the 1950s, "Chagall will be the only painter left who understands what colour really is".Sight; height: 40 1/2 in x width: 28 in. Framed; height: 57 1/4 in x width: 45 in.Condition: The artwork is in good condition overall. There are no rips, major creases, or restorations. No issues when inspected under UV light. The artwork is hinged along the upper edge in three spots (corners and center). It is floated in the frame. The sheet is very lightly toned and there is a very slight undulation to the sheet. There is an approx. 7 inch long crease along the lower right margin. Several handling marks throughout the margins. Some wear to the deckled edge; possibly original to the artistic process. The work is titled with pencil along the lower margin of the verso. There is some light wear to the mat. Some light wear to the frame; framed under glass.

MATISSE HENRI: (1869-1954) French artist. Vintage signed and inscribed 8.5 x 12 printed image of Matisse, evidently neatly removed from a book or exhibition catalogue, depicting the artist seated in a head and shoulders pose. Signed in black fountain pen ink to the lower white border, inscribed to [Erich] Chlomovitch and dated 28th July 1939 in Matisse's hand. A good signed image with an interesting association. A couple of light, minor corner creases and two small tears to the right white border, G Erich Chlomovitch (1915-1942) Erich Slomovic. Yugoslav art collector, an assistant and protégé of the French art dealer Ambroise Vollard.   

Assorted volumes to include:- Galsworthy, John "The White Monkey", Grosset and Dunlap 1924, blue cloth with green and white decorations to front board and backstrip, name inscription dated 1929 on ffep and two photographs cut from a newspaper paste inside front board, dj  Forster, E M  "Maurice", Edward Arnold 1971, dj  "David Hockney a Bigger Exhibition", folio, limp covers  "Painting the Modern Garden Monet to Matisse", published by The Royal Academy Goble, Warwick (ills) "Green Willow" (poor condition) and various other volumes (1 box) 

HENRI MATISSE, The Fall of Icarus, 34cm x 26cm, lithograph with pochoir 1945, signed in the plate. Ref: Duthuit :104 (Subject to ARR - see Buyers Conditions)vintage French frame.

HENRI MATISSE, a set of 10 pochoir after decoupage, various sizes, in an edition of 1000, published in Paris by Bergrruen, printed by Mourlot in 1953. (Subject to ARR - see Buyers Conditions)

Matisse, Henri (1869 Le Chateau - 1954 Nizza, nach) - "Pasiphae: Chant de Minos (Les Crétois)", Blatt 2, Offset-Serigrafie, ca. 57,5 x 42 cm, im Doppelpassepartout unter Glas gerahmt (nicht ausgerahmt), Gesamtmaße ca. 95 x 77 cm, Rahmen mit Gebrauchsspuren

Henri Matisse print in museum quality frame

MATISSE, Henri, "Portrait", Farblithografie, 21 x 21, Edition A. Sauret, Mourlot/Paris, 1954, ungerahmt

MATISSE, Henri, "A la rencontre de Matisse", Farblithografie, 54 x 47, Galerie Maeght, 1969, ungerahmt

Ernst Hassebrauk (1905 Dresden - 1974 ebenda)"Schale mit Trauben". OriginaltitelExpressives, starkfarbiges und mit furiosem Duktus gemaltes, wohl in den 1960er Jahren entstandenes Blatt Hassebrauks, das den Einfluss der Fauvisten und Expressionisten, besonders Henri Matisse, Otto Dix und Oskar Kokoschka, auf seine Kunst widerspiegelt. Aquarell u. Farbkreiden/Velin. R. u. sign.; L. u. betitelt. 58 cm x 69 cm. Rahmen.Watercolour and coloured chalks on wove paper. Signed and titled.

Henri Matisse (1869-1954) after.One Thousand and One NightsLithograph printed in colours, 1951, printed by Mourlot, published by Galerie Maeght, Paris, for Derrière le Miroir Nos.36-37-38, on wove paper, with the two vertical folds as published, the full sheet printed to the edges, sheet 315 x 829mm (12 3/8 x 32 5/8in)

A box of volumes : Encyclopedia of Rock Music, art volumes, Matisse, Antony Gormley etc

Lou Albert-Lasard. (1885 Metz - 1969 Paris). Selbstportrait. Vermutlich 1950er Jahre. Aquarell auf weißen Grund und auf blauer Leinwand. 65 x 50,5 cm. Verso mit Stempelsignatur auf der Leinwand. - An den Kanten und im unteren Bildbereich mit Kratzern und partiellem Verlust der Farb- und Grundierschicht. Insgesamt in noch gutem Zustand und mit frischen, deckenden Farben. Lou Albert-Lasard war eine deutsch-französische Malerin. Ihre Ausbildung erhielt Sie an privaten Kunstschulen, da es Frauen zum damaligen Zeitpunkt noch nicht erlaubt war, an Staatlichen Schulen zu studieren. Sie war an Kunstschule von Heinrich Knirr und schloss in München Kontakte zu Alexej von Jawlenksy, Marianne von Werefkin sowie den Mitgliedern des Blauen Reiters, Wassily Kandinsky, Franz Marc und Paul Klee. Lou Albert-Lasard lebte eine Zeit mit dem Dichter Rainer Maria Rilke zusammen. Nach einer zehnjährigen Station in Berlin, wo Sie sich der avantgardistischen Künstlervereinigung "Novembergruppe" anschloss, ließ Sie sich ab 1928 in Paris wieder und bewegte sich in der Künstlerszene von Montparnasse. Währenddessen baute Sie Freundschaften zu Henri Matisse, Alberto Giacommetti und Robert Delauny auf. Ihr Werk hat Anklänge im Expressionismus, ist jedoch weniger spitz und grafisch, sondern organischer und von Farbenfreude geprägt und wird der sog. "Verschollenen Generation" zugeordnet. Watercolour on white ground and on blue canvas. Verso with stamp signature on the canvas. - With scratches at the edges and in the lower part of the picture and partial loss of the paint and primer layer. Overall still in good condition and with fresh, opaque colours.

Henri Matisse (1869-1954) Two lithographs from the reprint of Jazz, printed by Idem Mourlot, 2004 40cm x 60cm (2).

Henri Matisse Blue Nude bears initials in pencil (lower right) lithograph 36 x 24cmA little amount of fading and dotted foxing to the work. We are not 100% sure the initials are that of HM thus we have catalogued the image as 'bears the initials'. Beneath the glass a little bit of surface dirt to the mount in about three places.See new condition report photos.

Henri Matisse was a renowned French artist known for his significant contributions to modern art. He was born on December 31, 1869, in Le Cateau-Cambrésis, France, and lived until November 3, 1954. Matisse is celebrated for his innovative use of color and form, and his ability to create vibrant, expressive, and visually striking works.Matisse began his artistic career as a traditional painter but later became a leading figure in the Fauvist movement, which emphasized bold colors and brushwork. He experimented with various mediums, including painting, sculpture, drawing, printmaking, and collage.Some of Matisse's notable works include "The Joy of Life," "Dance," "La Danse," "Blue Nude," "The Red Studio," and "Woman with a Hat." His style evolved over the years, ranging from vivid and energetic Fauvist compositions to more simplified and abstract forms in his later years.Later in life, Matisse faced health challenges that limited his physical abilities. Despite this, he continued to work, exploring new techniques such as cut-paper collages known as "papier découpé." One of his famous series created during this time is "The Cut-Outs," which showcased his mastery of color and form.Matisse's artistic achievements and his exploration of color, shape, and form continue to inspire artists and art enthusiasts to this day. His works can be found in major museums and galleries around the world, including the Musée Matisse in Nice, France, and the Museum of Modern Art (MoMA) in New York City.Henri Matisse's contributions to the art world have left a lasting impact, making him one of the most influential and revered artists of the 20th century. His ability to convey emotion and beauty through his use of color and form has made his artworks timeless and highly regarded in the realm of modern art.Measures 16 x 20.

A Poole Pottery "Matisse" vase (height 16cm), along with an Anita Harris Studio vase

After Henri Matisse (1869-1954) French"Still Life with Magnolia"Limited edition colour print 12/41, 39.5cm by 51.5cm; together with a further print After Franz Marc, "Red Horses" (2)

Full title: Henri Matisse (1869-1954): 'La Notre-Dame', etching, [1937]Description:Work: 34 x 25,5 cm Paper: 44 x 36 cm Frame: 71,5 x 63 cm Etching from 'PARIS 1937', a luxe book edition with texts about Paris and 62 etchings in black and white by a large number of leading French artists, printed by P. Daragnes in a limited edition of 500 numbered copies and Published by La Ville de Paris.

HENRI MATISSE, Tanserin in Blauem Kleid, signed in the plate, off set lithograph, vintage French frame, 27.5cm x 19.5cm. (Subject to ARR - see Buyers Conditions)

HENRI MATISSE, collotype F8, Seated Woman, signed in the plate, edition: 950, printed by Martin Fabiani, 1943, 24cm x 32.5cm. (Subject to ARR - see Buyers Conditions)