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Lot 1301
Pablo Picasso lithographic print (Mourlot) circa 1959, Pablo Picasso print circa 1956 (Ambrose Vollard) 2 x Elisabeth Frink lithographic prints circa 1975, 2 x Henry Moore Shelter prints circa 1940, Paul Klee print, Salvador Dali Print circa 1953, Henri Matisse print circa 1935. 9 in total all mounted but unframed, approx overall sizes 16 x 12 inches. Cellophane wrapped.
Lot 14
Exquisite etching of a female figure, framed to museum quality standards. A contemporary of Picasso, Dali and Matisse, Joan Miro combined abstract art with Surrealist fantasy. His mature style evolved from the tension between his fanciful, poetic impulse and his vision of the harshness of modern life. He worked extensively in lithography and produced numerous murals, tapestries, and sculptures for public spaces. Overall size: 14 1/2 x 12 in. Sight size: 9 x 6 in. Please note that all sales are final. No refunds will be given under any circumstances.
Lot 75
MARIE VOROBIEFF MAREVNA (RUSSIAN 1892 - 1984), REVOLUTION oil on board, signed and dated 1970 67cm x 90cm Framed. Provenance: This painting was gifted to Mrs Nina Barnes of Ainsdale Road, Ealing, London by the artist. Mrs Barnes used the professional name of Nina Walker and was Chorus Master, Royal Choral Society, Repetiteuse and Chorus Master at Royal Opera House, Covent Garden and Recitalist with Caballe. Nina Barnes and Morevna became friends through their attendance at Ealing Abbey which they both lived close to. Nina Barnes passed away in November 2018. Notes: Born Marie Bronislava Vorobyeva-Stebelska (????? ????????????? ?????????-???????????) in Cheboksary, Russia. Marevna is internationally known for convincingly combining elements of cubism (called by her "Dimensionalism") with pointillism and – through the use of the Golden Ratio for laying out paintings – structure. She has been accredited with being the first female cubist painter. Though she lived the greater part of her life abroad – her formative years as a cubist painter in France and her mature years in England – she is usually referred to as a "Russian painter". In 1910 she went to Moscow to study at the Stroganov Art Academy, but in the following year left for Italy. On the island of Capri she was introduced to Maxim Gorki who nicknamed her "Marevna" (after a Russian fairy sea princess). She adopted the nickname and was widely known as Marevna for the rest of her life. A petite blue-eyed blonde, she was said not to have been a conventional beauty; but an outgoing nature paired with the proverbial depth of the Russian soul seems to have given her a charm which made her "special" to all who knew her. She moved to Paris in 1912 as an aspiring twenty year old. It was there that she became friends with some of the greatest artists and writers of the early twentieth century then resident in Montparnasse and especially at La Ruche, among them were Pablo Picasso, Georges Braque, Marc Chagall , Jean Cocteau, Ilya Ehrenburg, Max Jacob, Moise Kisling, Henri Matisse, Amedeo Modigliani and Chaim Soutine. It was while a resident of La Ruche that Marevna met the gifted Mexican cubist and later muralist artist Diego Rivera. Diego Rivera was nearly 30 at the time and at the zenith of his cubist phase, having already exhibited his works at three exhibitions. Marevna herself discovered cubism as an eminently suited vehicle for her own talent. Rivera was a known womanizer of fiery temper and began a relationship with Marevna while he was still in a common-law marriage with the Russian artist Angelina Beloff who was pregnant with Rivera's son. Despite Diego Rivera's assurances of his love for Marevna, their relationship ended soon after the birth on 13 November 1919 in Paris of their daughter Marika. It's probable that Marevna never fully recovered from the break up of her relationship with Rivera and it's reported that after her death her ashes were laid in the Rivera mausoleum in Mexico. Marevna exhibited widely in France and Europe throughout her career, as well as at the Guggenheim Museum in New York in 1968; and more recently a major retrospective was held at the Russian State Tretyakov Gallery in Moscow, in 2004. A small collection of her work is held at Athelhampton House in Dorset where she lived with her daughter during the 1950’s. Her work is also in several museums including a substantial collection at the Musée Petits Palais in Geneva. When her daughter's marriage ended Marevna moved to the London suburb of Ealing with her daughter and two grandsons. A substantial number of her paintings were bought by international collector Oscar Ghez in 1967. Marevna died in London on 4th May 1984. Her work can command high prices at auction including Nu Allongé (1930), at Aguttes, Paris lot 34 19/6/2009 sold for 266,966 EUR (premium) and Hasidic Dance During Chanukah Celebration (1970), at Sotheby's, New York lot 125 26/4/2006 sold for 228,000 USD (premium).
Lot 697
After Henri Matisse, Print on paper, 'Nu bleu IV', 93cm x 63.5cm, Framed and glazed For condition information please view this lot on our website HERE.Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com
Lot 253
VERVEVerve. An Artistic and Literary Quarterly, Nos. 1-4, colour plates, photographic illustrations, publisher's pictorial wrappers (designed by Matisse, Braque, Bonnard, and Rouault), in ORIGINAL BOX CASES, 4to, Paris, 1937-1939; and 8 others, including 7 other volumes of Verve, 2 with covers designed by Matisse, sold as a periodical (12)This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 1216
A collection of fine art books and reference works including: Andre LEJARD, Matisse 16 Peintures 1939-1946, Les Edition du Chene, Paris 1950; Richard CALVOCORESSI, Marine Painting, Phaidon; Musee Picasso, Picasso Masterpieces, 2012; Roland PENROSE, Pablo Picasso - Four Themes, Folio Society 1961; Denys CHEVALIER, Klee, Uffici Press 1971; Ulricke BECKS-MALORNY, Kandinsky, Taschen 2007; Doris KRYSTOF, Modigliani, Taschen 2000; Caroline WISEMAN, Nicholsons - A Vital Simplicity, Wiseman 2004; Roland DOSCHKA, Paul Klee, Prestel 2007; Frank WILLETT, African Art, Thames & Hudson 2002; Dopuglas HALL, Klee, Phaidon 1992; Ronald ALLEY, Ben Nicholson, Beaverbrook, 1962; Sir John ROTHENSTEIN, Turner, Beaverbrook 1962; Elizabeth COWLING, Interpreting Matisse/Picasso, Tate 2002;Timothy TEUTEN, The Collector's Guide to Masks, Bracken 1995; Tony BIRKS, Lucie Rie, Marston House 1999; Tony BIRKS, Hans Coper, Marston House 1991.Provenance:From the collection of Edward Campden
Lot 294
Original vintage travel advertising poster for Air France, and designed by Roger Bezombes (1913-1994). Bezombes was a painter, sculptor, medalist, and designer. He studied in Paris, at the Ecole des Beaux-Arts, and was much influenced by his friendship with Maurice Denis. He worked principally as a painter, adopting the saturated colours of Henri Matisse in landscapes and figure studies often based on observation of "exotic” cultures, notably Mediterranean and North African. This poster, titled 'vacances' (vacations / holidays), promotes international air travel, with its artwork featuring various flags of the world stitched onto a sun umbrella dome, featuring a colourful paper collage. Intriguing font with stylised letters taken from flags and emblems including Honduras, Algeria, Sweden and the United Kingdom. The dome rests on a garden of rabbits, cows, geese, goats and flowers. Very good condition, creasing on edges. Country of issue: France, designer: Roger Bezombes (1913 - 1994), size (cm): 100x61, year of printing: 1980
Lot 659
* Lipczinski (Albert, 1876-1974). Portrait of an Officer, circa 1915, oil on board, signed lower left, 46 x 37.5 cm (18 x 14.75 ins), maplewood veneer frameQty: (1)NOTESProvenance: Until recently in the collection of Diana Keast (nee Harman, younger daughter of Martin Coles Harman, who bought Lundy Island in 1925), the last surviving member of the Harman family. The Polish artist Albert Lipczinski came to Liverpool in the late 1890s, to study art at Liverpool University Art School and became part of the bohemian artistic group centred on the University, the Sandon Society Studios, and the painter Augustus John. Lipczinkski's portrait of Dorothy Reilly wearing a japanese kimono was exhibited alongside avant-garde post-impressionist works by Van Gogh, Gauguin, Matisse and Signac in a groundbreaking exhibition of modern art by post-impressionists and local artists held at the Sandon Studios Society, in Liverpool, in 1911. A first biography of the artist by David Bingham was published in 2011, coinciding with an exhibition of the artist's work at the Williamson Art Gallery in Birkenhead.
Lot 430
MATISSE HENRI: (1869-1954) French Artist. An excellent signed and inscribed programme, 32 pages, 4to, Vence, July-August 1951, in French. Signed to the title page `a M. Wheeler, cordialement H. Matisse´. The exhibition programme is entitled `L´Art Sacré´, (`Sacred Art´), relates to the Vence Chapel, and contains over thirty photographs showing the chapel, Matisse´s works, and few showing the French painter at Vence. Covers bounded with brown lace. VG The chapel at Vence is the Chapelle du Rosaire, a village between Nice and Antibes in the south of France. He worked on the chapel project using the cut-out method from 1948 to 1951. Matisse was diagnosed with abdominal cancer in 1941 and surgery left him chair and bed bound. Painting and sculpture became almost impossible physical challenges which made him turn to creating cut paper collages and decoupages with the help of assistants. His closest collaborator was Monique Bourgeois, a student nurse who helped Matisse after his surgery, also his model, who became a nun in 1946, and the reason of this chapel work by Matisse.
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