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A GROUP OF CLOCKS, comprising a Masons Ironstone 'Mandalay Red', marked on the back, vintage Kundo 400 day anniversary torsion clock, enclosed in a glass dome, cream face with black numbers and metal hands, decorated with a tiny green and red flower garland pattern around the dial, sitting on a circular wooden base, Royal Albert plate style wall clock with shades of blue roses, gold hands and numbers with gilt pattern detail central, three Masons style pattern mantal clocks with MAW & Co. on the clock face, quartz barometer, collection of four miniature brass decorative quartz clocks one in the shape of a motorbike, The Belgravia carriage clock co. London quartz wall clock, vintage desk/mantel clock by H. Pidduck & Sons Ltd. 'Hanley' dark wood case, a gold dial with black hands and roman numerals, beaded detail around the base, (qty), (all clocks untested and may need some work)
A collection of late 19th Century dust pressed tiles, including J C Edwards Ruabon (attributed), 6 inch military portrait tile, Lord Kitchener, in wooden stepped frame, together with a Maw & Co Benthill Works portrait tile, and a collection of painted and floral moulded tiles, including a Persian decorated 8 inch tile, damaged. (qty)
A collection of 19th Century and later dust pressed tiles, including 8 inch Maw & Co 'Spring' tile, impressed stylized figure of a maiden amongst trees and flowers, titled to corner, framed, Minton Hollins & Co 8 inch tile, printed monochrome roundel depicting The Miller, His Son and The Donkey, circa 1875, Moyr Smith for Minton, a 6 inch dust pressed tile, from the Death of Harold Series, monochrome printed decoration, together with a Maw & Co 8 inch dust pressed majolica tile, faux tubelined Art Nouveau female portrait, framed. (4)
A pair of Maw & Co (Broseley) stoneware pottery planters, circa 1852-83, the circular flattened bulbous tops moulded with four high-relief lion masks on a lobed band, picked out in ochre against a mottled off-white ground, above a purple glazed lower body, supported on four ochre glazed lion paw columns and canted corner square bases, the off-white glazed interiors with an ochre and purple band to the rim, impressed marks to bases, height 30cm, diameter of tops 48cm (some faults).
Maw & Co. - A set of six mid 20th century circa. 1970s Maw & Co. Tubeline and Majolica framed ceramic tiles. The tiles each depicting Victorian workers in different professions, each titled to lower, including; Chorus Girl, Chimney Sweep, Street Trader, Street Musicians, Gameskeeper, Victorian News Vendors. Each tile hand painted. Measures approx. 44cm x 24cm.
A 20th Century Maw & Co. Broseley Salop 6 inch dust pressed terracotta tile, decorated with sgraffito stylised spikey leaves all in a grey ground, together with a similar sgraffito decorated 6 inch tile, in the style of Salopian Art Pottery with stylised floral and leaf decoration in blue and grey. (2)
A 1930s Pilkington's 4 inch dust pressed tile, tube line decorated with a windmill to a landscape against clouds, after designs attributed to Edmund Kent, picked out in enamel colours, together with a collection of similar period 4 inch tiles from other makers with similar stylised designs to include Candy, Maw & Co and Honiton examples. (5)
A later 19th Century Maw & Co Broseley Salop 6 inch dust pressed brown clay tile, hand painted with blue underglaze stylised flowers over a brown glaze, together with a E. Smith & Co printed and hand coloured tile with a snail over green leaves and branches, also two other unknown maker's tiles with similar floral designs in various colour glazes, all with maker's marks verso. (4)
A pair of 19th Century New Wharf Pottery Co 6 inch dust pressed tiles, transfer printed with studies of doves to a dovecote to the cream glazed ground, together with a selection of other similar period tiles depicting birds and animals including examples from Maw & Co, Corn Brothers and W. B. Simpson & Co. (5)
Seven 19th Century 6 inch dust pressed tiles, Art Nouveau style, including W B Simpson & Sons stencilled tile, green, brown and blue tones over white ground, decorated with a stylised flower head and leaves, printed marks verso, a Mintons China Works floral tile printed blue over white ground, decorated with stylised flowers and strawberry, design attributed to John Wadsworth, a W B Simpson, Maw & Co floral printed tile with brown and blue tonal decoration, together with three unmarked painted and stencilled tiles. (7)
An assorted collection of late 19th to early 20th Century 6 inch dust pressed tiles, to include a Pilkington's two tile panel depicting a Putti in relief holding a wreath, glazed in white over a blue ground, a Minton example with incised Gothic style decoration with mottled deep green and ochre glaze, a tile attributed to T.G.F. Booth relief moulded with a standing heron amongst reeds, a Maw & Co tile relief moulded with a stylised shell design in yellow and green, and a possibly Minton tile with a central pink and white flower head over scrolling blue and white leaves all over a textured yellow ground. (6)
An assorted collection of late 19th and early 20th Century 6 inch dust pressed tiles, makers to include, T. A. Simpson & Co, Pilkington's, Mintons China Works, Henry Richards, Maw & Co etc, all relief moulded or faux tube lined stylised floral motifs and repeated patterns, all with colour glaze finish. (22)
A large 19th Century framed tile panel attributed to Maw & Co Broseley Salop, hand painted with large stylised yellow lilies over a mottled blue and ochre ground, 30cm x 15cm, frame size 34cm x 19cm, together with a Maw & Co Broseley Salop, smaller rectangular dust pressed tile, hand painted with flowers and brambles over a blue ground, JGJ initials. (2)
A late 19th Century Maw & Co 6 inch dust pressed tile, transfer printed in blue over white with a design attributed to Owen Gibbons, with Japanese figures in a landscape, details picked out in hand painted blue and yellow glaze with gilding, together with a similar tile designed by Owen Gibbons for Maw & Co with blue transfer printed floral decoration with gilt highlights, maker's marks verso. (2)
Four 19th Century 6 inch dust pressed tiles, two printed with pigs and piglets in brown and blue over white ground, by Maw & Co Broseley, and Henry Richards Tile Co respectively, a Mintons Hollins tile, black printed and hand painted over a white ground, decorated with a wolf and lamb from Aesop's Fables series, and a Minton & Co Prossers Patent tile, blue printed over white ground, depicting the family crest of the Dalhousie family in the form of a double headed Wyvern. Note: Minton Exhibition Catalogue stated that this tile was originally from a set in a French marble fire surround at Panmore House, Scotland, the home of Lord Dalhousie
Three 19th Century plastic clay encaustic and armorial tiles, including Minton & Co 'The Passion' embossed tile, brown, white and gilt over buff ground, decorated with crucifix and related symbols with scrolling foliate tendrils, impressed marks verso, together with a similar example, terracotta over buff ground decorated with symbols leading to the crucifixion, and a Maw & Co, Benthall Broseley armorial tile, incised decoration on terracotta ground, lion rampant opposing chevron with roundels within arrowhead filed. (3)
A late 19th Century Maw & Co Broseley Salop 6 inch dust pressed tile, with heavy relief moulded decoration depicting a Greek male portrait in profile wearing an olive wreath, all in a blue glaze ground, together with the companion tile depicting a female portrait in profile wearing a fruiting vine wreath, all in a blue ground, maker's marks verso, damage. (2)
A set of three late 19th Century Maw & Co dust pressed 8 inch tiles, circa 1880, from the Parables of the New Testament Series attributed to CO Murray, comprising The Foolish Virgins, The Wicked Husbandmen and The Lost Piece of Silver, all transfer printed in black on a fawn ground, embossed marks. (3)
A 19th Century Craven Dunnill 6 inch dust pressed tile tonal red lustre over white ground decorated with flower heads and scrolling leaves, moulded and impressed marks verso, together with a similar example, decorated with Christmas Cacti, impressed marks Grip Back verso, attributed to Maw & Co. (2)

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372 item(s)/page