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EDWARD FISHER (1722-1782) AFTER SIR JOSHUA REYNOLDS MISS KITTY FISCHER [FISHER] mezzotint, published by Robert Sayer [1759], 35 x 25cm and three other contemporary mezzotints of ladies comprising John Raphael Smith after Sir Joshua Reynolds - Mrs Mordaunt, James Wilson after Francis Farrel - Miss Louisa Williams and Richard Houston after Francis Hayman - The Sense of Hearing (4)++The first in apparently very good condition with some very faint spotting, the three others in typical country house condition with old dust and time stains
George Moutard Woodward (1760-1809) - Coloured lithograph - "Reading a Will", 18.75ins x 18ins, Early 19th Century English school - Coloured mezzotint - "The Quadrant, Regent's Street", 18ins x 19ins, Cecil Aldin (1870-1935) - Coloured lithograph - "The Huntsman", 16ins x 13ins, and one other mezzotint, all framed and glazed
Red Hen Press.- Jones (Shirley) Nocturne for Wales, number 34 of only 20 copies with an original set of etchings, from an edition limited to 50 signed by the author/artist, 5 etched plates printed in black and colours, each numbered (34/70), titled, signed and dated in pencil, loose as issued with accompanying text volume in original cloth with circular tan morocco label on upper cover in original cloth portfolio with ties, A.L.s. from the author/artist to Marie Louise Rosenthal loosely inserted, South Croydon, Red Hen Press, 1987; Falls the Shadow, number 26 of 40 copies signed by the author/artist, printed in brown, 6 blind-stamped plates, each with "shadow" etched plate with aquatint and mezzotint, Japanese tissue guards, prospectus loosely inserted, original brown morocco-backed cloth with brown morocco wings onlaid on upper cover, by Gwasg Gregynog, uncut, original cloth drop-back box, morocco label, 1995, folio, South Croydon, Red Hen Press (2)
After George Romney Mezzotint. The print entitled 'Lady Hamilton as a Bacchante', approx 20 x 25 cms, framed and glazed, published by Frost and Reed 1913, blind stamp nr A31 together with another print after Reynolds entitled 'The Right Honorable Lady Elizabeth Lee daughter of Simon Earl Harcourt', approx 35 x 48 cms framed and glazed. (2)
Speed (John). The History of Great Britaine under the Conquests of ye Romans, Saxons, Danes and Normans, London: John Sudbury and George Humble, 1614, engraved title page (trimmed and mounted with slight loss along fore edge), woodcut portraits and coins throughout by Christoph Schweitzer, light browning, moderate soiling, repaired tear in 4A2[superscript 2], closed tear in 5F1, lacking errata leaf, contemporary panelled calf, rebacked, folio (42 x 26.5 cm), together with: Charles I (King of England), Basilika. The Works of King Charles the Martyr, 2nd edition, for Richard Chiswell, 1687, engraved armorial frontispiece, engraved additional title page, 3 double-page plates ('The Parable of Jotham', 'The goodly Cedar', and the additional frontispiece to the Eikon), 18th-century mezzotint portrait of Charles by Smith after van Dyke mounted to engraved title verso, related pamphlet and manuscript notes laid in, contemporary panelled calf, covers detached, folio (42 x 27 cm), Hughes (John, & White Kennet, editors), A Complete History of England, 3 volumes, 1st edition, for Brab. Aylmer [and others], 1706, 28 engraved portraits including frontispieces (of 30?: lacking plate of Elizabeth I and one other), volume 2 frontispiece and title page detached, frayed and water-stained, occasional damp-staining elsewhere, contemporary boards with leather removed (partly extant on spines), worn, folio, Loggan (David), Oxonia illustrata, 1st edition, 1675, engraved title, index leaf and 3 text leaves (all loose), 19 double-page engraved plates (of 40), damp-staining to corners occasionally touching images, engraved bookplate of John Rolle, 1st Baron Rolle (1750-1842), contemporary mottled calf, worn, joints cracked, large folio (51 x 38.5 cm) Josephus (Flavius), The Works which are Extant ... translated from the Original Greek, according to Dr. Hudson's Edition, by John Court, 1st edition, R. Penny and J. Janeway, 1733, 9 engraved maps and plates including frontispiece (of 12?), many folding, frontispiece laid down, map of Jerusalem with crude repairs, quires 9M-O torn and repaired affecting text, modern half calf, folio, and 1 other STC 23046 (Speed); Wing C2076 and Madan, Eikon Basilike, 68 (King Charles I); Wing L2838 (Loggan). (8)
AFTER BENJAMIN WEST, PRA (1738-1820) PORTRAIT OF PRINCE WILLIAM , LATER KING WILLIAM IV Half length, wearing a midshipman's uniform, oil on papier mache, oval 36 x 27cm. * A detail from West's large (244 x 166cm.) composition in oils on canvas that also includes Prince Edward, commissioned by King George III and Queen Charlotte (1778, Royal Collection). This lot imitates closely the reduced detail, engraved in mezzotint by Valentine Green (1780) ++ Some craquelure
Jeremy King (British, b.1933), 'Strand of the Green' and 'Azay Le Rideau', limited edition prints, signed and numbered 13/250 and 233/250 in pencil, Kathleen Caddick (b.1937), 'Treeridde', limited edition print, signed and numbered 30/200 in pencil and H. Scott Bridgwater after Jean Baptiste Camille Corot, 'Souvenir de Mortefontaine', coloured mezzotint engraving. (4).
A mixed box of prints and engravings. To include later impressions after Turner, Girton, Constable and many others; a 'Freres Tale' leaf (i4) from the Kelmscott Chaucer, (slight bleed to red ink); portrait of Bartolozzi by J Watson after Reynolds, mezzotint; a mounted autograph letter signed by Richard Doyle to Hon. Mrs Cowper, 1857; also lithographs and steel engravings etc
John Martin (1789-1854) Sadak in Search of the Waters of Oblivion, mezzotint, publ. A. Martin 1841, 50 x 37cm (plate; slight foxing); The Last Man, mezzotint by Alfred Martin, on wove, originally publ. by A. Martin, Ackermann & Co., et al. 1836, unframed, (2 copies), 31.5 x 41cm (plate; foxing); and 9 other smaller size late impressions, including some without letters (12)
A rare pair of early 18th century oval reverse glass mezzotint portrait prints, of Queen Anne and Prince George of Denmark, Duke of Cumberland, after Sir Godfrey Kneller, probably published by John Smith, 29 x 23cm, each in a contemporary but later gilt carved wood frame, (Prince George damaged). (2)
Jessie Furber, Two colour mezzotints, Portraits of HRH The Duchess of York (Later QEII) and Lady Carmichael,The larger 47cm x 39cm, Framed and glazed, With an early 19th century mezzotint 'Sweet Polly of Plymouth', tondo, and a print of animals (4)Mrs Jessie Furber was a resident of Whitchurch and her husband Robert was an Editor of the Whitchurch Herald. There are believe to be few mezzotints of The Duchess by Furber in private hands. This particular image was previously loaned to an exhibition of at The Heritage Centre Whitchurch
Ï’A William IV mahogany reclining armchair, circa 1835, the button upholstered and shaped wing back, reclining and the seat rising when leant back against, the sprung seat flanked by padded arms with scroll terminals, on baluster turned and lappet carved tapering legs at the front, terminating in brass caps and castors, this chair is very likely made to a Daw's patent design, 111cm high, 79cm wide, 92cm deep, together with a mezzotint of The Waterloo Heroes Assembled at Apsley House, after John Prescott Knight (1803-1881) and engraved by Charles George Lewis (1808-1880), published 1st October 1845, image size 55.5cm x 87cm, rosewood frame 120cm x 89cm Provenance: Inverailort, Inverness-shire, the former home of General Sir Alexander Cameron KCB (1781-26 July 1850), known for his distinguished military career with the Rifle Brigade during the Napoleonic Wars, until wounded in the throat at Waterloo in 1815. Cameron saw no more active service after 1815, and his later years were marked only by promotions and honours. In October 1815 he was made a knight of the Russian Order of St Anne; in 1830 he was promoted Colonel; in 1832 he was appointed Deputy-Governor of St. Mawes; in 1838 he was promoted Major-General, and made a KCB; in 1846 he received the Colonelcy of the 74th Regiment. On 26 July 1850 he died at Inverailort. The chair was removed from Inverailort, circa 1996, and then by direct descent to the current owner. Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Burton (Sir Richard F.) A Plain and Literal Translation of the Arabian Nights' Entertainments, entitled the Book of the Thousand Nights and a Night [and:] Supplemental Nights, 16 volumes, 1st edition, Benares [London]: printed by the Kamashastra Society for private subscribers only, 1885-8, wood-engraved mosaic frontispieces, title pages printed in red and black, top edges red, original black cloth, volumes 1-10 decorated in gilt, volumes 11-16 decorated in silver, rubbed, scattered pale mottling to sides, headcaps chipped, tips worn and occasionally bumped, volumes 1 and 5 recased and relined, volume 10 spine defective, Supplementary Nights spines faded, volume 13 joints split at extremities, a binding set, 8vo, together with Fielding (Henry), Works, with the Life of the Author, a New Edition, to which is now added, The Fathers; or, the Good-natured Man, 10 volumes, printed for W. Strahan [and others], 1784, etched frontispiece to volume 1, engraved frontispieces to remaining volumes, offset, contemporary tree calf, gilt spines, twin morocco labels, gilt device of a liver bird and initials 'FRL' to front boards, joints superficially cracked in places, craquelure to spines, some minor loss to labels, 8vo, Torrens (W. M.) Memoirs of the Right Honourable William, Second Viscount Melbourne, 2 volumes, 1st edition, Macmillan and Co., 1878, mezzotint frontispiece, light spotting, top edge gilt, 20th-century half calf for Hatchards, 8vo, and numerous others, mainly 19th-century popular editions of English literature in original cloth, 8vo Penzer pp. 114-16 for Burton. (6 shelves)
A Cutler, a pair of oils depicting old gentlemen with musical instruments, each signed and dated 1922 lower left, oil on canvas, 46 x 20cm, together with an etching of pointers on the hill signed Binks, a landscape oil, a mezzotint of a young lady and two further prints, all by different hands.
A FRAMED AND GLAZED MEZZOTINT TITLED "MRS VOSS", engraved by J. Smith after G. Kneller, handwritten label on back says "Mrs Voss & Child. Wife of a Quaker in Austin Friars with whom Kneller (the painter) arranged that she should serve him as mistress and model", 52 x 40 cm inc. frame, framer's label on back "Francis Harvey Printseller 4 St. James's Street, London"
A FRAMED AND GLAZED COLOURED MEZZOTINT DEPICTING A STABLE SCENE TITLED "THE FIRST OF SEPTEMBER MORNING", engraved by W. Ward after G. Morland, published by T. Simpson May 1799, 47 x 53 cm inc. frameCondition Report: Discolouration at bottom, no visible major damage but not inspected out of frame
A collection of artist's materials, to include tins of Landseer and Windsor & Newton watercolours, and charcoal, (most in associated boxes) and a box of card board mounts, together with a selection of small books including Old Engravings, Mezzotint and Stipple, a selection from the stock of Fredk. B. Daniell & Son (a/f)

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7038 item(s)/page