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Lot 351

ROBERT SAYER, PUBLISHER (1720 OR 1725-1794) OBADIAH TEMPTING THE PRETTY MILLINER hand coloured mezzotint, published 1788, 35.5 x 25cm++Surface marks and stains but a pleasing impression, long undisturbed in the ebonised framne

Lot 313

EDWARD FISHER (1722-1782) AFTER SIR JOSHUA REYNOLDS MISS KITTY FISCHER [FISHER] mezzotint, published by Robert Sayer [1759], 35 x 25cm and three other contemporary mezzotints of ladies comprising John Raphael Smith after Sir Joshua Reynolds - Mrs Mordaunt, James Wilson after Francis Farrel - Miss Louisa Williams and Richard Houston after Francis Hayman - The Sense of Hearing (4)++The first in apparently very good condition with some very faint spotting, the three others in typical country house condition with old dust and time stains

Lot 575

A GEORGE III OVAL MEZZOTINT-UNDER-GLASS OF A LADY AND CHILD, LATE 18TH C the backboard retaining fragmentary trade label of the publisher Robert Sayer, 34 x 27cm, gadrooned giltwood frame++Glass undanmaged

Lot 521

John Faber (circa 1684-1756) after John Closterman (1660-1711) - Reverse painted mezzotint on glass - Queen Anne with orb and sceptre, 11.5ins x 9.75ins, in early ebonised frame

Lot 541

George Moutard Woodward (1760-1809) - Coloured lithograph - "Reading a Will", 18.75ins x 18ins, Early 19th Century English school - Coloured mezzotint - "The Quadrant, Regent's Street", 18ins x 19ins, Cecil Aldin (1870-1935) - Coloured lithograph - "The Huntsman", 16ins x 13ins, and one other mezzotint, all framed and glazed

Lot 571

A print, mezzotint after John Cother Webb, Venice, signed and dated 1927

Lot 299

'The Miraculous Escape of His Royal Highness the Duke of York May 18th.1794', 18th century mezzotint, hand coloured, pub. Haines & Son London 1795, 36cm x 26cm

Lot 96

A PAIR OF 18TH CENTURY MEZZOTINT ENGRAVINGS - 'A Flat Between Two Sharps' and 'A Sharp Between Two Flats', printed for and sold by Carington Bowles, hand-coloured, numbered 605 and 604 respectively, 35 x 25cm (2)

Lot 210

Red Hen Press.- Jones (Shirley) Nocturne for Wales, number 34 of only 20 copies with an original set of etchings, from an edition limited to 50 signed by the author/artist, 5 etched plates printed in black and colours, each numbered (34/70), titled, signed and dated in pencil, loose as issued with accompanying text volume in original cloth with circular tan morocco label on upper cover in original cloth portfolio with ties, A.L.s. from the author/artist to Marie Louise Rosenthal loosely inserted, South Croydon, Red Hen Press, 1987; Falls the Shadow, number 26 of 40 copies signed by the author/artist, printed in brown, 6 blind-stamped plates, each with "shadow" etched plate with aquatint and mezzotint, Japanese tissue guards, prospectus loosely inserted, original brown morocco-backed cloth with brown morocco wings onlaid on upper cover, by Gwasg Gregynog, uncut, original cloth drop-back box, morocco label, 1995, folio, South Croydon, Red Hen Press (2)

Lot 288

After George Romney Mezzotint. The print entitled 'Lady Hamilton as a Bacchante', approx 20 x 25 cms, framed and glazed, published by Frost and Reed 1913, blind stamp nr A31 together with another print after Reynolds entitled 'The Right Honorable Lady Elizabeth Lee daughter of Simon Earl Harcourt', approx 35 x 48 cms framed and glazed. (2)

Lot 315

Speed (John). The History of Great Britaine under the Conquests of ye Romans, Saxons, Danes and Normans, London: John Sudbury and George Humble, 1614, engraved title page (trimmed and mounted with slight loss along fore edge), woodcut portraits and coins throughout by Christoph Schweitzer, light browning, moderate soiling, repaired tear in 4A2[superscript 2], closed tear in 5F1, lacking errata leaf, contemporary panelled calf, rebacked, folio (42 x 26.5 cm), together with: Charles I (King of England), Basilika. The Works of King Charles the Martyr, 2nd edition, for Richard Chiswell, 1687, engraved armorial frontispiece, engraved additional title page, 3 double-page plates ('The Parable of Jotham', 'The goodly Cedar', and the additional frontispiece to the Eikon), 18th-century mezzotint portrait of Charles by Smith after van Dyke mounted to engraved title verso, related pamphlet and manuscript notes laid in, contemporary panelled calf, covers detached, folio (42 x 27 cm), Hughes (John, & White Kennet, editors), A Complete History of England, 3 volumes, 1st edition, for Brab. Aylmer [and others], 1706, 28 engraved portraits including frontispieces (of 30?: lacking plate of Elizabeth I and one other), volume 2 frontispiece and title page detached, frayed and water-stained, occasional damp-staining elsewhere, contemporary boards with leather removed (partly extant on spines), worn, folio, Loggan (David), Oxonia illustrata, 1st edition, 1675, engraved title, index leaf and 3 text leaves (all loose), 19 double-page engraved plates (of 40), damp-staining to corners occasionally touching images, engraved bookplate of John Rolle, 1st Baron Rolle (1750-1842), contemporary mottled calf, worn, joints cracked, large folio (51 x 38.5 cm) Josephus (Flavius), The Works which are Extant ... translated from the Original Greek, according to Dr. Hudson's Edition, by John Court, 1st edition, R. Penny and J. Janeway, 1733, 9 engraved maps and plates including frontispiece (of 12?), many folding, frontispiece laid down, map of Jerusalem with crude repairs, quires 9M-O torn and repaired affecting text, modern half calf, folio, and 1 other STC 23046 (Speed); Wing C2076 and Madan, Eikon Basilike, 68 (King Charles I); Wing L2838 (Loggan). (8)

Lot 15

After George Frederick Wall OM RA (1817-1904)SIR GALAHADMezzotint, with touches of line, by D A Wehrschmidt, published by the Gainsborough Gallery 1898, 88 x 60cm in an oak mount and frame, labelled Christopher Wood

Lot 270

A late 18th century mezzotint print of a semi nude female holding a bird marked J B Cipriani. F Bartolozzi H.12.5cm

Lot 122

A colour portrait mezzotint after Gainsborough, hand signed in pencil by the printmaker, 30 x 25 cm

Lot 1442

A large signed Norman Hurst mezzotint of an 18th century young woman plus three signed prints of similar subjects including a E.Stobart and Fred Millar

Lot 413

After Joshua Reynolds, mezzotint, Portrait of William Petty Marquess of Lansdowne and a companion print of Sir Francis Baring after Sir Thomas Lawrence, overall 57 x 76cm

Lot 123

ALBERT GALAIN, A COAST SCENE WITH SHIPPING mezzotint engraving, signed in pencil and bears blindstamp 27cm x 35cm Mounted, framed and under glass

Lot 9

A MEZZOTINT BEHIND GLASS TITLED "ELIJAH FEEDING THE RAVENS" Printed for R. Sayer & Bennett 1778 A/F 34 x 27 cm¦++On card behind glass, no frame, worm holes¦

Lot 12

HAND COLOURED MEZZOTINT "His Imperial Majesty, Charles the Fifth, Emperor of Germany &c &c.", after a painting by Van Dyke, unframed, 35 X 22 cm

Lot 435

Thomas Gooch Appleton (1854-1924) - Coloured mezzotint - Portait of a lady in 18th Century dress, 34cm x 29cm, signed in pencil to margin, in gilt frame

Lot 177

Aristedes, a hand Coloured Mezzotint, in an oval glazed giltwood frame, 35 x 45cm

Lot 1778

AFTER BENJAMIN WEST, PRA (1738-1820) PORTRAIT OF PRINCE WILLIAM , LATER KING WILLIAM IV Half length, wearing a midshipman's uniform, oil on papier mache, oval 36 x 27cm. * A detail from West's large (244 x 166cm.) composition in oils on canvas that also includes Prince Edward, commissioned by King George III and Queen Charlotte (1778, Royal Collection). This lot imitates closely the reduced detail, engraved in mezzotint by Valentine Green (1780) ++ Some craquelure

Lot 2268

Jeremy King (British, b.1933), 'Strand of the Green' and 'Azay Le Rideau', limited edition prints, signed and numbered 13/250 and 233/250 in pencil, Kathleen Caddick (b.1937), 'Treeridde', limited edition print, signed and numbered 30/200 in pencil and H. Scott Bridgwater after Jean Baptiste Camille Corot, 'Souvenir de Mortefontaine', coloured mezzotint engraving. (4).

Lot 270

A late 18th century mezzotint print of a semi nude female holding a bird marked J B Cipriani. F Bartolozzi H.12.5cm

Lot 87

SIX RICHARD EARLOM MEZZOTINT ENGRAVINGS after Claude Le Lorrain, from the original drawing in the collection of the Duke Of Devonshire, plates No. 9, 10, 59, 77, 91 and 200 (6)

Lot 337

C. Vandyk, a mezzotint engraving depicting a Duchess in ebonised and parcel gilt frame.

Lot 21

Sailing Vessels at Sea, colour mezzotint signed in pencil by Jessie Furber with blind stamp 19cm x 28 and Bridlington, two oils on wood panel signed and dated 1974/8 by S. Wilson 10cm x 33cm (3) Condition Report Click here for further images, condition, auction times & delivery costs

Lot 11

A group of 15 mezzotint portraits, 18th century, mainly by McArdell after Reynolds, female portrait subjects, loose, c.47 x 35cm (i)

Lot 12

A mixed box of prints and engravings. To include later impressions after Turner, Girton, Constable and many others; a 'Freres Tale' leaf (i4) from the Kelmscott Chaucer, (slight bleed to red ink); portrait of Bartolozzi by J Watson after Reynolds, mezzotint; a mounted autograph letter signed by Richard Doyle to Hon. Mrs Cowper, 1857; also lithographs and steel engravings etc

Lot 24

John Martin (1789-1854) Sadak in Search of the Waters of Oblivion, mezzotint, publ. A. Martin 1841, 50 x 37cm (plate; slight foxing); The Last Man, mezzotint by Alfred Martin, on wove, originally publ. by A. Martin, Ackermann & Co., et al. 1836, unframed, (2 copies), 31.5 x 41cm (plate; foxing); and 9 other smaller size late impressions, including some without letters (12)

Lot 239

W Ward: A 19th century mezzotint, "Stephen Hemstead of Ilsley Berks", in gilt frame

Lot 115

A rare pair of early 18th century oval reverse glass mezzotint portrait prints, of Queen Anne and Prince George of Denmark, Duke of Cumberland, after Sir Godfrey Kneller, probably published by John Smith, 29 x 23cm, each in a contemporary but later gilt carved wood frame, (Prince George damaged). (2)

Lot 412

A mezzotint after the painting by Thomas Lawrence, P.R.A. titled Pinkie, framed

Lot 1011

Peter Coulthard 'The Shooting Party' and 'Mayfield Valley' Limited Edition Colour Prints, approximately 38 x 58cm, both signed, Arthur Hogg signed mezzotint - Sleeping.

Lot 379

18th Century Dutch School After Adriaen Brouwer (c. 1605-1638) etching with mezzotint, 'Peasants Outside a Tavern', 29.5 cm x 36 cm, framed and glazed

Lot 1725

Robert Kipniss (American) born 1931, landscape with trees and buildings (2), monochrome mezzotint type limited edition prints, signed, 125/175, 137/175 and 36 x 27 cm approx, framed

Lot 409

A mezzotint colour print depicting three men sat at a table after W.A. Cox, signed in pencil.

Lot 709

Francis Walker. Mezzotint of a lady. Signed in pencil

Lot 446

Jessie Furber, Two colour mezzotints, Portraits of HRH The Duchess of York (Later QEII) and Lady Carmichael,The larger 47cm x 39cm, Framed and glazed, With an early 19th century mezzotint 'Sweet Polly of Plymouth', tondo, and a print of animals (4)Mrs Jessie Furber was a resident of Whitchurch and her husband Robert was an Editor of the Whitchurch Herald. There are believe to be few mezzotints of The Duchess by Furber in private hands. This particular image was previously loaned to an exhibition of at The Heritage Centre Whitchurch

Lot 55

An unframed 19th Century mezzotint of David Garrick, 29" x 22"

Lot 1652

Peter Coulthard 'The Shooting Party' and 'Mayfield Valley' Limited Edition Colour Prints, approximately 38 x 58, both signed, Arthur Hogg signed mezzotint - Sleeping.

Lot 476

WILLIAM BARNARD (1774-1849) AFTER GEORGE MORLAND (1763-1804), THE COTTAGE FIRESIDE mezzotint, 1811, mounted to within platemark, 60 x 48cm++In apparently good condition with some slight creasing and dust in the lower margin, unexamined out of the present Hogarth frame

Lot 100

Ï’A William IV mahogany reclining armchair, circa 1835, the button upholstered and shaped wing back, reclining and the seat rising when leant back against, the sprung seat flanked by padded arms with scroll terminals, on baluster turned and lappet carved tapering legs at the front, terminating in brass caps and castors, this chair is very likely made to a Daw's patent design, 111cm high, 79cm wide, 92cm deep, together with a mezzotint of The Waterloo Heroes Assembled at Apsley House, after John Prescott Knight (1803-1881) and engraved by Charles George Lewis (1808-1880), published 1st October 1845, image size 55.5cm x 87cm, rosewood frame 120cm x 89cm Provenance: Inverailort, Inverness-shire, the former home of General Sir Alexander Cameron KCB (1781-26 July 1850), known for his distinguished military career with the Rifle Brigade during the Napoleonic Wars, until wounded in the throat at Waterloo in 1815. Cameron saw no more active service after 1815, and his later years were marked only by promotions and honours. In October 1815 he was made a knight of the Russian Order of St Anne; in 1830 he was promoted Colonel; in 1832 he was appointed Deputy-Governor of St. Mawes; in 1838 he was promoted Major-General, and made a KCB; in 1846 he received the Colonelcy of the 74th Regiment. On 26 July 1850 he died at Inverailort. The chair was removed from Inverailort, circa 1996, and then by direct descent to the current owner. Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.

Lot 513

Burton (Sir Richard F.) A Plain and Literal Translation of the Arabian Nights' Entertainments, entitled the Book of the Thousand Nights and a Night [and:] Supplemental Nights, 16 volumes, 1st edition, Benares [London]: printed by the Kamashastra Society for private subscribers only, 1885-8, wood-engraved mosaic frontispieces, title pages printed in red and black, top edges red, original black cloth, volumes 1-10 decorated in gilt, volumes 11-16 decorated in silver, rubbed, scattered pale mottling to sides, headcaps chipped, tips worn and occasionally bumped, volumes 1 and 5 recased and relined, volume 10 spine defective, Supplementary Nights spines faded, volume 13 joints split at extremities, a binding set, 8vo, together with Fielding (Henry), Works, with the Life of the Author, a New Edition, to which is now added, The Fathers; or, the Good-natured Man, 10 volumes, printed for W. Strahan [and others], 1784, etched frontispiece to volume 1, engraved frontispieces to remaining volumes, offset, contemporary tree calf, gilt spines, twin morocco labels, gilt device of a liver bird and initials 'FRL' to front boards, joints superficially cracked in places, craquelure to spines, some minor loss to labels, 8vo, Torrens (W. M.) Memoirs of the Right Honourable William, Second Viscount Melbourne, 2 volumes, 1st edition, Macmillan and Co., 1878, mezzotint frontispiece, light spotting, top edge gilt, 20th-century half calf for Hatchards, 8vo, and numerous others, mainly 19th-century popular editions of English literature in original cloth, 8vo Penzer pp. 114-16 for Burton. (6 shelves)

Lot 434

A Cutler, a pair of oils depicting old gentlemen with musical instruments, each signed and dated 1922 lower left, oil on canvas, 46 x 20cm, together with an etching of pointers on the hill signed Binks, a landscape oil, a mezzotint of a young lady and two further prints, all by different hands.

Lot 778

Thomas Lupton (1791-1873), after Abraham CooperFleur-de-LisMezzotint published by James Bulcock, London, July1, 182851 x 43.5

Lot 760

A pair of mezzotint portraits and one other pair

Lot 2190

A Mezzotint by Jean Francois Millet.

Lot 541

A FRAMED AND GLAZED MEZZOTINT PRINT "THE RABBIT ON THE WALL", engraved by John Burnet, printed by David Wilkie, 63 x 47.5 cm inc. frameCondition Report: Foxed and grubby, a little creasing

Lot 543

A  MEZZOTINT BEHIND GLASS TITLED "ELIJAH FEEDING THE RAVENS" Printed for R. Sayer & Bennett 1778 A/F  34 x 27 cmCondition Report:  On card behind glass, no frame, worm holes

Lot 544

P. LELLY . -  A FRAMED AND GLAZED PORTRAIT MEZZOTINT DEPICTING "ELIZABETH COUNTESS OF NORTHUMBERLAND"  51 x 42 cm inc. frameCondition Report: Print has foxing and frame is grubby with surface loss, not examined outside of frame

Lot 546

 A FRAMED AND GLAZED MEZZOTINT DEPICTING A LADY PRAYING  AFTER MARIA COSWAY, engraved by James Walker, c.1784  42.5 x 49 cm inc. frameLabel on reverse for J. Middleton, 231 King's Road, ChelseaAppears to be in good condition, good margins, visible plate mark, not inspected out of frame

Lot 551

A FRAMED AND GLAZED MEZZOTINT TITLED "MRS VOSS", engraved by J. Smith after G. Kneller, handwritten label on back says "Mrs Voss & Child.  Wife of a Quaker in Austin Friars with whom Kneller (the painter) arranged that she should serve him as mistress and model", 52 x 40 cm inc. frame, framer's label on back "Francis Harvey Printseller 4 St. James's Street, London"

Lot 560

CHARLES HANCOCK - A FRAMED AND GLAZED MEZZOTINT TITLED "THE COUNTY SQUIRE AND THE GYPSIES"

Lot 563

A FRAMED AND GLAZED COLOURED MEZZOTINT DEPICTING A STABLE SCENE TITLED "THE FIRST OF SEPTEMBER MORNING", engraved by W. Ward after G. Morland, published by T. Simpson May 1799, 47 x 53 cm inc. frameCondition Report:  Discolouration at bottom, no visible major damage but not inspected out of frame

Lot 564

A FRAMED MEZZOTINT DEPICTING A SOLDIER ON HORSE BACK

Lot 569

JOSEPH BOYDELL - A FRAMED MEZZOTINT FULL LENGTH PORTRAIT OF KING CHARLES THE FIRST 'In The Drawing Room at Houghton', after Van Dyke, 61 x 46 cm inc. frameCondition Report:  No glass in frame, small tears in paper margin right hand side, slight surface scratching

Lot 586

HAND COLOURED MEZZOTINT "His Imperial Majesty, Charles the Fifth, Emperor of Germany &c &c.", after a painting by Van Dyke, unframed, 35 X 22 cm

Lot 334

A Mezzotint 'Mrs Braddyll' - After Sir Joshua Reyolds - Ellen Jowett

Lot 215

A collection of artist's materials, to include tins of Landseer and Windsor & Newton watercolours, and charcoal, (most in associated boxes) and a box of card board mounts, together with a selection of small books including Old Engravings, Mezzotint and Stipple, a selection from the stock of Fredk. B. Daniell & Son (a/f)

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