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Charles Turner (British, 1773-1857) ''Mr Saml Chiffney'' Hand-coloured mezzotint portrait by C Turner, probably after his own design, image 415mm by 320mm The champion jockey about to be weighed after a raceNot examined out of frame. Some crinkling/creasing Imprint, 1807, London, C Turner Siltzer p.336

George Stubbs (British, 1724-1806) ''Pangloss belonging to Lord Grosvenor'' Mezzotint, sheet 250mm by 350mm Provenance: Norman Blackburn, London Christie's 23.5.07, lot 785Not examined out of frame. Trimmed to plate Imprint: 1777, London, R Sayer & J Bennett Siltzer p.270

James Seymour (British, 1702-1752) A hunter being led out with two hounds Mezzotint by T Burford, plate 250mm by 350mmNot examined out of frame. A good impression Imprint: 1800, London, Laurie & Whittle Siltzer pg.247

George Stubbs (British, 1724-1806) ''Eclipse the Property of Denes O'Kelly Esqr'' Mezzotint by T Burke, plate 460mm by 570mmNot examined out of frame. Age toning. Some surface damage. Full margins Imprint: [c.1773], London, R H Laurie Siltzer p.270

Francis Sartorius (British, 1734-1804) ''Bellario, was got by Brilliant out of a Witington Mare ...'' Mezzotint, plate 250mm by 350mm Provenance: Norman Blackburn, LondonNot examined out of frame Imprint: 1770, London, R Sayer Not in Siltzer

Francis Sartorius (British, 1734-1804) ''Eclipse'' Mezzotint and etching by R Houston, plate 250mm by 350mm Provenance: Sotheby's 18.7.01Not examined out of frame Imprint: [c.1770 or later]. London, R Sayer Not in Siltzer

Francis Sartorius (British, 1734-1804) ''King Herod'' Mezzotint, plate 250mm by 350mm Provenance: Frank T Sabin, London W1Not examined out of frame Imprint: 1768, London, R Sayer Siltzer p.242

Francis Sartorius (British, 1734-1804) ''Gimcrack'' Mezzotint and etching together with a further mezzotint entitled ''Firetail the Property of Thos Foley Esqr'', plate 250mm by 350mm and 240mm by 355mm respectively (2) Provenance: Tennants 6.1.12, lot 498Not examined out of frame. Rubbed and scuffed surface, with (filled) worn traces. Imprint: 1760, London, R Sayer Siltzer p.242

Francis Sartorius (British, 1734-1804) ''Pilgrim'' Mezzotint, plate 250mm by 350mmNot examined out of frame. Appears to be lacking lower margin Imprint: 1770, London, R Sayer Siltzer p.242

Francis Sartorius (British, 1734-1804) ''Carless'' [Careless] Mezzotint and etching together with a further mezzotint with gouache colouring After Thomas Spencer, 'Miss Doe', a mare of Sir Edward O'Brien, Bart, plate 250mm by 350mm and 235mm by 330mm, respectively (2) Provenance: Tennants 24.11.00, lot 601Not examined out of frame. Evenly browned Imprint: 1768, London, R Sayer Siltzer p.242

REV FRANCIS BLOMEFIELD & REV CHARLES PARKIN: AN ESSAY TOWARDS A TOPOGRAPHICAL HISTORY OF THE COUNTY OF NORFOLK, London, 1805-10, 11 volumes bound in 22, large paper edition, interleaved, mezzotint port frontis + 36 plates of which 8 folding (folding Norwich plan loosely inserted with some staining), 14 pedigrees as called for, illustrations of Arms mainly all hand coloured, extra illustrated with approx 40 prints, drawings etc including a watercolour of Morningthorpe Church, and an albumen view of Forncett St Peter church, some manuscript material on interleaves in the same hand, armorial book plates of Daniel Gurney (1791-1880), volume 1 with inscription "These volumes,,,bequeathed to me by my father were given to my son Cecil Feb 2nd 1914 A(rthur) C(harles) W(odehouse) Upcher (1846-1938)", quarto, old quarter vellum, printed paper labels worn with loss, 11 volumes rebacked, 2 volumes recased + CLEMENT ROLFE INGLEBY (EDITED): A SUPPLEMENT TO BLOMEFIELD'S NORFOLK, introduction by Christopher Hussey, London, 1929, limited edition (350), numbered, signed presentation copy from Ernest Bullard to Cecil Upcher, quarto, original cloth, + a packet small lot East Anglia prints, drawings etc, mainly 19th century or earlier including John Hoyle, Norwich Plan (24)

AFTER SIR MARTIN ARCHER SHEE (1769-1850), ENGRAVED BY CHARLES TURNER, mezzotint portrait depicting William Charles Keppel, 4th Earl of Albermarle (1772-1849), circa first quarter of 19th century, printed dedication to Thomas William Coke, 1st Earl of Leicester (1754-1842) of Holkham Hall, Norfolk, some areas of damage and restoration, framed and glazed, the whole approx size 760 x 470mm

FRANCIS S WALKER, A LADY, MEZZOTINT, PRINTED IN COLOUR, SIGNED BY THE ARTIST IN PENCIL, 42 X 33CM AND A LARGER SIMILAR CONTEMPORARY EARLY 20TH C MEZZOTINT BY ANOTHER, ALSO SIGNED (2)

S.M. delinThe Hibernian Sisters,black and white mezzotint, 355 x 250mmSold by J. Okey under St Dunstans Church, Fleet Street, with engraved lines, Hibernia long with spleen beheld/Her favourite tastes by ours excelled/Resolv’d t’outrie Britannias Fair/By her own Beauties, Sent a pair, Duchess of Hamilton/ Countess of Coventry; together with after, F. Cotes, Duchess of Hamilton, black and white engraving, 170 x 140mm(2)The Gunning sisters Elizabeth (1734 - 1790) and Maria (1733 - 1760) daughters of John Gunning of Castlecoote Co. Roscommon took England by storm, such were their striking features and personalities. They married into the top rank of aristocracy, Elizabeth marrying two Dukes. In the present mezzotint she is still designated ‘Hamilton’ which dates it prior to the Dukes death in 1758. Her sons became the 7th and 8th Dukes of Hamilton. She married the 5th Duke of Argyll in 1759 and was created a peeress in her right. Her son became the 6th Duke of Argyll. Maria married the 7th Earl of Coventry of Croome Court. Her son became the 8th Earl of Coventry.

A COLLECTION OF ENGLISH PRINTS, comprising:After W.Hollar, Portrait Henrietta Maria of France, engraving, 19th century, 18 x 12.5cm; After Holbein, Portrait Maria Stuart, 19th century, lithograph, 35 x 25cm; John Field, Portrait of Queen Victoria and Prince Albert, mezzotint, 33.5 x 27.5cm; T Woolnoth after Anthony Stewart, Portrait of Princess Victoria, dated 1829, lithograph, 28 x 23cm; RJ Lane, after WC Rofs, Portrait of Queen Victoria, dated 1840, lithograph, 25 x 20.5cm; RJ Lane, Portrait of Queen Victoria, dated 1937, 26.5 x 21cm, After Alexander Bassano, Photo portrait of Queen Victoria, dated 1897, halftone photolithograph, 29 x 23cm; After Lafayette, Portrait of The Prince of Wales, half tone photolithograph, 42 x 31cm; After Langfter, Portrait of George V, photolithograph, 55 x 40cm; C.E Wagstaff after E T Parris, Portrait of Queen Victoria, dated 1838, steel engraving, 44.5 x 34cm;J Erxleben after F Hanfstaengl, Portrait of Prince Albert, dated 1840, lithograph 36 x 29cm; F. Bacon after WC Ross, Portrait of Queen Victoria, dated 1841, steel engraving, 36 x 27cm; R J Lane after W C Ross, Portrait of Prince Albert, dated 1840, 24.5 x 21cm; After Alexander Basso, Portrait of Queen Victoria with a fan, photolithograph, 29 x 22.5cm; RJ Lane after AE Chalon, Portrait of Queen Victoria, dated 1838, lithograph, 44.5 x 31.5cm

GILBERT STUART (1755 - 1828)His Grace Willm Robt. Duke of Lenister, 1792Black and white mezzotint by Hodge, 1st state385 x 285mm

GILBERT STUART (1755 - 1828)The Rt. Hon. Henry GrattanBlack and white mezzotint by C. H. HodgesPublished 15th November 1792 by George Coman at Thomas Macklins Portrait Gallery, Fleet Street London and at his house in Dublin, 400 x 290mm

SUSAN JAMESON (BRITISH, B1944), three mezzotint limited edition prints 'Evening Sun' 30/150, signed, titled and numbered in pencil, approximate size 36cm x 29cm, 'Evening Lake' 30/150, signed, titled and numbered in pencil, approximate size 36cm x 29cm, 'Reflections in Ullswater' 42/150, signed, titled and numbered in pencil, approximate size 35cm x 29cm (3) (artist resale rights may apply)

A SMALL BOX OF SIX SILVER AND ENAMEL COCKTAIL STICKS, a Worcester Royal Porcelain works 'Prunus Blossom' charger, assorted tureens and plates, a George Jones parian jug and a mezzotint of lady and child

Ward after Briggs, mezzotint, portrait of the Earl of Yarborough, overall 56 x 42cm

Ward after Chalon, coloured mezzotint, Wasp, Child and Billy, overall 57 x 69cm and another print of bulldogs, Jem Burn's Four Pets, overall 45 x 47cm

A FRAMED AND GLAZED PORTRAIT MEZZOTINT ENGRAVING DEPICTING A LADY WEARING A HAT, frame size approx 44cm x 57cm

'Their Royal Highnesses', 18th-century mezzotint depicting the children of King George III. Engraved by Valentine Green, 'Metzotinto Engraver to his Majesty', after Benjamin West, 'Historical Painter to his Majesty'. Published by John Boydell, London, September 29th 1778. In Hogarth frame. 67cm x 60cm

James Ward, after Alexander NasmythTHE SPOTTESWOODE OXMezzotint, published by Anthony Cardon, 180347 x 64cm; and another, AN OX (2)

Thomas Landseer, after Percy Forster'THE CELEBRATED SHORT-HORNED COW BRACELET'Mezzotint 46 x 55cm

20th Century oil on board, seascape, together with a mezzotint ' The Schindler ', a Bartolozzi stipple engraving and a 19th Century woolwork template

A "The Cottagers Wealth" mezzotint Engraving by George Keating after George Morland, published 1798 (19 1/2 x 16cm plate size approx)

Max Švabinský (1873-1962)WEIẞE KAMELIE (MITTLERE)1910Schabtechnik auf Papier, 213x154 mm (Passepartout-Ausschnitt), signiert in Bleistift rechts unten „MŠvabinský“.Passepartout.Max Švabinský (1873-1962)WHITE CAMELLIA1910Mezzotint on paper, 213x154 mm (mount aperture), signed in pencil lower right „MŠvabinský“.Mounted.

AN 18TH CENTURY MEZZOTINT

A PAIR OF FLORENTINE GILT WOOD OVAL PICTURE FRAMES containing mezzotint portraits

Robert Strange (1721-1792) after Sir Anthony Van Dyck (1599-1641) - Engraving - "Carolo I Magnae Britanniae Regi" - Standing portrait of King Charles I, 24.5ins x 18.25ins, and an early 19th Century mezzotint - George IV astride a black charger with a battle scene to the background, 22.25ins x 19.5ins, both framed and glazed

After Von Roos, colour mezzotint, portrait of the racehorse 'Nancy', 57 x 67cm

Ward after Chalon, coloured mezzotint, Wasp, Child and Billy, overall 57 x 69cm and another print of bulldogs, Jem Burn's Four Pets, overall 45 x 47cm

Louis Busiere (French, 1880-1960): after John Downman (Welsh, 1750-1824): a portrait of a lady, in white cap and ruffled collar, hand coloured mezzotint, the artist signed to the plate and dated 1792, the engraver signed in pencil to the lower margin, with framer's label verso, 25 by 20cm, in an ornate gilt frame with oval window, 37 by 33cm.Provenance: The Private Lincolnshire Estate of a Danish Family.

Robert Dumont - Duparc, 'Blocking of the Harbour of Ostend by HMS Vindictive,' signed mezzotint engraving Unfortunately we cannot do condition reports for this sale.

A quantity of early prints to inc four portrait engravings of royal figures after works by Cornelius Johnson, Antonis Mor etc, the largest impressions approx. 35 x 25 cm; 'His Majesty James the First, King of England, and his Royal Progeny, Together with the Family of the King of Bohemia' mezzotint & etching, circa 1800, 30 x 39 cm; Two coloured engravings depicting views of 18th century London, 28 x 40 cm etc

After J. Pollard, General Post Office, aquatint and After Schiavonetti, mezzotint, Maternal Instruction 51 x 72 & 44 x 36cm.

W Hamel - Standing nude, pastel, signed lower right in pen, 29 x 12cm; together with a further nude lying study, pastel, signed lower right, 29.5 xc 47cm; and two mezzotint nude studies, each signed, titled and dated in pencil to the margin (4)

AFTER G.MORLAND. THE ANGLER'S REPAST, MEZZOTINT ENGRAVING. 49 x 61cms. TOGETHER WITH SIX OTHER ANTIQUE AND LATER FIGURAL AND LANDSCAPE PRINTS, SOME IN DECORATIVE GILT FRAMES. (7)

Ireland.- Siege of Londonderry.- Walker (George) A Vindication of the True Account of the Siege of Derry in Ireland, engraved mezzotint portrait frontispiece, ?lacking final blank, modern half calf, gilt, [Wing W354], 4to, for Rob. Clavel, 1689.⁂ Rare with the frontispiece, we can trace no other like copy.

A 19th century mezzotint: Elizabethan Lady, signed in pencil 'Arthur Hogg', framed and glazed; a framed advertising poster for bread, after Parrish, framed and glazed

After Sir Godfrey Kneller, portrait of the Duchess of Marlborough (Sarah Jennings), mezzotint by M Cormack, published 1912 by Alfred Bell & Co, blind stamped and signed in pencil, paper label verso, 36.5cm by 26.5cm, (a/f)

AFTER LANDSEER MEZZOTINT 'Favorite Pony and Spaniels' 20" x 25" (50.8cm x 63.5cm) And two other colour prints All framed and glazed, (3)

A 19th century gilt framed mezzotint engraving. Napoleon et son fils after Steuben.

Quaker.- Preston (Thomas, fl. 1740-1785) Portrait of James Naylor, looking to the right, wearing broad-rimmed hat, mezzotint with engraving, on laid paper without watermark, sheet 240 x 160 mm. (9 1/2 x 6 1/4 in), handling creases, minor surface dirt, [circa 1660]; together with William Richardson's 'Titus Oates', 1810, and a variant copy of Gillray's 'Political-Candour' [cf. BM Satires 10414], 215 x 170 mm. (8 1/2 x 6 3/4 in), all unframed, (3).Provenance:Denstone College Library (stamps verso)Literature:(Naylor) Chaloner Smith 3⁂ Naylor, an English Quaker leader, was among the members of the Valiant Sixty, a group of early Quaker preachers and missionaries. In 1656, he achieved national notoriety when he re-enacted Christ's Palm Sunday entry into Jerusalem by entering Bristol on a horse. He was imprisoned and charged with blasphemy.

L Busiere, three children, countryside beyond, inscribed label verso 'Sackville Children by Hoppner', mezzotint, published 1921 by Henry Graves, blind stamped and signed in pencil, 53.5cm by 41.5cm

L Busiere, lady with brown eyes and hair wearing a red scarf and blue shawl, mezzotint, published 1930 by Henry Graves & Co Ltd, blind stamped and signed in pencil, 59cm by 45.5cm

L Busiere , lady in a white satin gown, woodland beyond, mezzotint, published 1924 by Henry Graves & Co Ltd, blind stamped and signed in pencil, 63cm by 41cm

L Busiere, figures resting beside a tree, distant hay cart and church, mezzotint, published 1928 by Henry Graves & Co Ltd, blind stamped and signed in pencil, 64.5cm by 50cm

MEZZOTINT ENGRAVINGS, one depicting King William III at Namur, 1695; another, and it's companion James Duke of Monmouth, from a painting by Nether & Wike, a pair. Approximately 16" (42cm) high x 21" (53cm) wide. (2)

Wallerant Vaillant Mezzotint, 17th c. after Girolamo Mazzola Bedoli, Madonna and Child, signed in plate

After Sir Edwin Henry Landseer R.A. (1802-73), A Midsummer Night's Dream, signed E. Landseer in pencil (possibly facsimile?) in the margin, mezzotint, in an ebonised and gilt frame. 58cm by 89cm

Mezzotint engraving by Samuel Cousins RA after Millais painting 'The Order of Release' 1856

Mezzotint Sir Galahad after George F Watts by D A Klehrschmidt published 1989

*Hunt (William Holman, after). The Lady of Shalott, 1909, fine hand coloured mezzotint by J.D. Miller, published by Arthur Tooth and Sons, image size 605 x 465 mm, framed and glazed (1)

WILLIAM PETHER AFTER JOSEPH WRIGHT OF DERBY, 'An Alchemist', mezzotint, framed and glazed, 59 x 46 cm

*Coldstream Guards. Mansion (L. & Eschauzier L.), Officers of the British Army no. 4. Coldstream Guards (Winter dress), circa 1840, lithograph with contemporary hand colouring, slight dust soiling, 300 x 240 mm, mounted, framed and glazed, together with The Coldstream Guard's band, 1830, published W. Spooner, coloured by C. H. Martin, circa 1840, lithograph with contemporary hand colouring, some spotting, 420 x 320 mm, framed and glazed, with Reeve (R. G.), Military Incidents. The Baggage Guard in a fall of sleet. 'Tis comining in very fiercely - We had best let the guards put on their great coats', circa 1835, aquatint after C. B. Newhouse, contemporary hand colouring, 260 x 380 mm, mounted, framed and glazed, plus Carington Bowles (publisher), Here's a health to the Dutchess of York wherever she goes - Coldstream Guards, circa 1780, mezzotint with contemporary hand colouring, 145 x 110 mm, mounted, framed and glazed, with another four engravings and lithographs all relating to the Coldstream guards, all framed and glazed, various sizes and condition (8)

*Prints & Engravings. A collection of various antiquarian steel engravings, etchings and Old Master prints, mostly 18th and 19th century, including a mezzotint portrait of Edward Heardson, Cook to the Ad Libitum Society, by J. R. Smith after James Barry, etched portrait of John Stuart Mill by Rajon after G.F. Watts, mixed method engraving of Sarah Siddons as the Tragic Muse, by Francis Haward after Reynolds, 1778 (trimmed near border line), large scale engravings including Tilbury Fort by Willmore after Clarkson Stanfield, The House of Commons in 1860, by J.G. Barlow after John Phillip (signed by Phillip), Family of Lions, by Atkinson after Rosa Bonheur, 1881 (signed by the engraver), a quantity of stipple engravings reissued on silk, an late 18th century oval embroidered landscape on silk, etc (approx. 40)

Cantemir (Demetrius). The History of the Growth and Decay of the Othman Empire, 1st English edition, 2 parts in one, James, John, and Paul Knapton, 1734-35, mezzotint portrait frontispiece, 4-page list of subscribers, 460 pages of main text, including Life of Cantemir at end, folding engraved plan of Constantinople (one or two short closed tears, generally in very good condition), 22 engraved portraits of Turkish Emperors, contemporary gilt and blind-panelled full calf, rubbed and scuffed, and some wear to joints and edges (joints partly cracked), folio (35 x 23 cm, 13.75 x 9 ins) Atabey 190. Blackmer 281. The most important early history of the Ottoman Empire, translated by Nicholas Tindal from Cantemir's latin manuscript. The fine engraved portraits of Turkish emperors are all engraved by Claude du Bosc (1682-1746 or later). A good, clean copy. Provenance: Gerald Tyrwhitt-Wilson, 14th Lord Berners, Faringdon House, Oxfordshire. (1)

After Thomas Stothard R.A. Sailors in Port Mezzotint by William Ward 55 x 45cm; 21¾ x17¾in