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Valentine Green (1739-1813) After Sir Joshua Reynolds The Duke of Bedford with his Brothers Lord John Russell, Lord William Russell and Miss Vernon Mezzotint, published 1778 51 x 44cm; 20 x 17¼in Together with three further mezzotints and two engravings (6) General condition report Some discolouration to paper especially in margins, a few minor blemishes, generally good condition
*Faber (John 1695-1756). Sr. Godfrey Kneller Bart. & Knt of ye Roman Empire, Principal painter to K. Charles 2d., James 2d., William 3d & Ann & King George 1st, 1735, uncoloured mezzotint after Ipse, 35.5 x 25.5 cm (14 x 10 inches), mounted, framed and glazed, together with George Stepney Esq. &c., 1733, uncoloured mezzotint after G.Kneller, 35 x 25 cm (14 x 10 inches), mounted, framed and glazed, with Smith (John), Henry Comte de Nasseau D'Auverquerk Feld Marshal..., published J.Smith, circa 1720, uncoloured mezzotint after G.Kneller, 34 x 25 cm (13.5 x 10 inches), mounted, framed and glazed, plus Smith (John), Honoratissimus Thomas Dominus Herbert comes de Pembroke et Montgomery &c. &c., circa 1740, uncoloured mezzotint after W.Wissing, 35 x 25 cm ),14 x 10 inches), mounted, framed and glazed, with one other similar (5)
*Ward (William, 1766-1826). A Visit to the Boarding School, published J.R.Smith, Decr. 28, 1789, uncoloured mezzotint after G.Morland, 45.5 x 56.5 cm (18 x 22.25 inches), mounted framed and glazed, together with [Portraits of Robert and Charles Collings Esqrs. To the breeders and friends of the improved short horns, this print is respectfully dedicated by their very obliged and humble servants Thos. Weaver and John Thomson, published John Thompson, Smeaton, Yorkshire], circa 1830, uncoloured mezzotint, trimmed to image with loss of title and letters, 50.5 x 46 cm (20 x 18 inches), mounted, framed and glazed (2)
John Dixon (1740-1801), Sir Fopling Arrested: Drawn from a late real Scene, [Published...] by John Bowles, London 1769, hand-coloured mezzotint, 34cm x 25cm, Harrods label; Philip Dawe (c.1730-1832) The Enraged Marconi, [Published by] John Bowles, [London] 1773, 34cm x 25cm, Harrods label [2]
*Golf. Henderson (William), [Henry Callendar Esq.], published Vicars brothers, 1916, coloured mezzotint on india wove, signed by artist in pencil below image, blind stamp of the Fine Art Trade Guild, 570 x 405 mm, mounted, framed and glazed in 'line and wash' mount and modern burr walnut and gilt frame (1)
*Prints & engravings. A mixed collection of twenty-four engravings and prints, mostly 18th & 19th century, including hand coloured vue d'optiques of London and Philadelphia, Vanity Fair caricatures of Queen Victoria and the jockey Tod Sloane, topographical engravings, watercolours of botanical subjects, classical scenes, sporting scenes, a 1781 mezzotint of 'Orpheus' by Richard Earlom and large topographical aquatints by Lewis and Reeve, various sizes and condition (24)
Thornton (Robert John). New Illustration of the Sexual System of Carolus von Linnaeus..., published T.Bensley, 1807, title page with ink library stamp, portrait frontispiece, additional calligraphic title and allegorical engraving of 'The Universal Power of Love', mezzotint portrait of Linnaeus in Lapland dress and twenty-four uncoloured portraits, ninety one uncoloured mixed method engravings of botanical studies, one with later hand colouring which is detached and twenty tables and diagrams, occasional spotting, later endpapers, lacking the 'Temple of Flora' 20th century half sheep, rubbed and worn, folio Sold as a collection of plates, not subject to return. (1)
John Jones (British, c. 1755-1797) after Sir Joshua Reynolds: Portrait of merchant John Barker (1707-1787), Governor of the London Assurance Corporation, seated at a tapestry-covered table, with his hand resting on a chart, Ramsgate Harbour in the background, mezzotint, published 1786, H 58 x W 38 cm. Note: In Joshua Reynolds' portrait of John Barker (now in the Metropolitan Museum of Art) it is impossible to identify the papers on Barker's desk, but in John Jones' engraving published in the same year, additional details have been added to render them identifiable as plans of Ramsgate Harbour. Barker was a trained engineer and was strongly involved with the development of the harbour, a view of which can be seen through the window behind the sitter. Since the painting has now been cut down, this print also serves as a valuable record of Reynolds' original composition.
A FRAMED MEZZOTINT BEHIND GLASS - PORTRAIT MRS FITZHERBERT FROM THE ORIGINAL PICTURE IN THE POSSESSION IF EARL FORTESCUE TOGETHER WITH A FRAMED ENGRAVING PORTRAIT OF PIERE PAUL RUBENS AFTER VAN DYCK ENGRAVED I M NATTIER 1710 PLUS A FRAMED ENGRAVING BEHIND GLASS 'THE MOSQUE OF SOULTON HASSAN CAIRO DRAWN BY O R CARTER FROM SKETCH C LAVER ENGRAVED BY C BOURNE TOGETHER WITH A FRAMED ENGRAVING BEHIND GLASS 'THE CUT FINGER' AFTER DAVID WILKIE ENGRAVED ABRAHAM RAIMBACH 1810 (4)
After Lemuel Francis Abbott (British, 1760-1802) , "To the Society of Goffers at Blackheath. This plate is with just respect. Dedicated by their most humble servant. Lemuel Francis Abbott", mezzotint with colors, printed by Valentine Green Mezzotint Engraver from the 1790 original London edition published by Abbott, sight 18 in. x 13 in., framed Note: The print depicts William Innes (1760-1830) and his caddy. Innes was the captain of the Society of Golfers in Blackhealth.
A PAIR OF COLOURED PRINTS MOUNTED ON CANVAS - SAD STORY AND WOODCUTTER & COWBOY AFTER R WESTALL ENGRAVED JOHN OGBOURNE + AN ENGRAVING MOUNTED ON CANVAS TITLED SACRAMENT AFTER R WESTALL ENGRAVED R M MEDON + A PRINT DEPICTING PRIESTS TALKING + A FRAMED COLOURED PRINT BEHIND GLASS - CHRISTOINE RAYMOND PUB. GAINSBOROUGH GALLERIES + A MEZZOTINT - 'SUNDAY - DEDICATED TO ALL CHRISTIANS' AFTER WILLIAM COLLINS ENGRAVED S W REYNOLDS PUB. 1837, MEZZOTINT - 'SALE OF THE PET LAMB' AFTER WILLIAM COLLINS ENGRAVED S W REYNOLDS PUB. 1837 + A MEZZOTINT PORTRAIT - WILLIAM LORD BAGOT' AFTER J HOPPNER ENGRAVED G CLINT (8)

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7038 item(s)/page