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Click here to subscribeFloral tea service on green ground, Minton tea set for one, Prattware pot and other decorative ceramicsGood morning, Unfortunately we do not offer in house postage and packing, however I can give you details of couriers who visit our building frequently. They can provide you with a quote. ATD Shipping: 01903 742233 or 07483353934 email: atdshipping@gmail.comJentel Packing: 01206 776777 email: enquiries@jentelpacking.co.ukKind regards
(Commemorative anti-slavery slave) An English pottery jug, possibly Minton, the spherical body inscribed in gilt with four lines of verse beneath an elongated neck banded in black and enamelled with flowers and foliage in colours, the handle, foot and rim lined in gilt, the underside impressed MILAB B and painted with a decorators mark, circa 1860, 205mm * The lines of verse are attributed to Richard Duke from his 1717 poem ‘The Review’.
Copeland Spode Gloucester pattern part-tea service comprising 8 teacups, 8 saucers and 8 side plates, a Royal Doulton part-tea service in the Tivoli pattern with pink borders suspending yellow pendants husks, comprising a teapot (lacking cover), a milk jug, a cream jug, a sugar bowl, a teacup and 2 saucers and a side plate, and a Minton Haddon Hall part-tea service comprising 8 teacups and saucers, 6 side plates of differing sizes, a two-handled shaped oval cake plate, a small side plate. a milk jug, a sugar bowl, a shaped oval dish, a rectangular dish and a cup, various printed marks
Royal Crown Derby porcelain flower-encrusted brooch and clip-on earrings in original leather case together with various items of Coalport Strawberry pattern china including an egg-shaped box and cover, a cylindrical spill vase, a miniature cabbage-leaf moulded jug, a miniature teacup and saucer, a bell and a ginger jar and cover, a Foley china 1937 Coronation souvenir coffee cup and saucer printed and painted with a coronation procession titled Long Live the King and a Minton Haddon Hall pattern bone china preserve pot, cover and stand and other items
Collection of late 18th century and later Continental and English pottery and porcelain comprising a late 18th century Thuringian porcelain teapot and cover, painted with loose puce flower sprays, a Derby (Sampson Hancock) Imari patterned scalloped dish, 30cm wide, a Minton saucer dish painted with colourful flowers to the border, a Coalport pink ground fluted circular dish, cover and stand, gilt with spider's webs and leaves, a Dresden flower encrusted tazza, a Continental porcelain figural spill vase, an inkwell and cover on fixed stand and other itemsCondition ReportThuringian porcelain Teapot: Large chip to pot rim, gilt loss, general wear.Derby scalloped Dish: Some pattern imperfections, general wear and scratches throughout, fouling to interior.Copeland Spode Straining Dish: Crazing throughout, soem pattern loss and general wear.Derby sugar pot: Some surface and base wear.Spill vase: Occasional chips and losses especially to egg rims. Wear and pattern loss.Coalport lidded dish: Crack to lid and stand. Crazing especially to lid and stand. Gilt loss and wear.Inkwell: Large crack to lid, glued. Heavy fouling and wear.Dresden flower encrusted tazza: Crack interior base. Small chips especially to encrustments.Rounded rectangular floral dish: Wear and imperfections throughout.Wood and Sons bowl: Chip and crack. Crazing and wear throughout.Lidded royal limoges pot and dish: Some surface wear.Wedgewood plate: Scratches to surface and wear.See additional photos.
A ROYAL DOULTON/ MINTON 'TAPESTRY' S770 PATTERN DINNER SET, comprising two covered tureens, two gravy boats with stands, one serving dish, a covered sugar bowl (marked as second quality), a small teapot, a standard teapot ( marked second quality), large jug, a covered soup tureen (second quality), four crescent shaped salad plates, one bread and butter plate, seven dinner plates, diameter 28cm, three large plates, diameter 35cm (one marked as second quality), ten finger bowls (three second quality), thirteen dessert dishes, two sets of salt and pepper pots, two mustard pots, one dish, thirteen soup dishes (one chipped, seven marked as second quality), one sugar bowl, thirteen twin handled soup bowls (one second quality), fourteen saucers, thirteen side plates (seven seconds), twelve tea plates, fifteen cups (six seconds), eighteen saucers (ten seconds) (146) (Condition report: obvious damage and second quality are mentioned in description, some pieces have surface scratches, medium to heavy use on some pieces)
THREE BOXES OF CERAMICS, to include two Villeroy & Boch coffee cups and two saucers, a Coalport 'Country ware' lidded pot, three Wedgwood 'Japonica' pattern mugs, a Villeroy & Boch 'Christmas' plate, 'Noah's Arc' pot and a 'Farm Yard' lidded pot by Laplau, a Coalport 'Oceanside' white coffee pot, Minton 'Tapestry' pattern plate, a Royal Doulton 'Camelot' tea set, etc (s.d) (3 boxes)
A late 19th century Minton Pâte-sur-Pâte plate by Marc-Louis Solon, depicting Justice, inscribed 'To Dor Thomas - ML Solon', within a double blue lined border with leaves, black ground, gilt edge, impressed Minton mark to underside, approx 23.3cm diam; together with a circular Pâte-sur-Pâte plaque, depicting the profile of Dr Thomas, on a green ground with gilt decoration, approx 10.3cm diam, in a wooden frame, inscribed to verso 'Dr. Henry Thomas Born 1832 Died 1894, Presented to him by Mr L Solon in 1884'; along with three letters to Dr Thomas from SolonMarc-Louis-Emmanuel Solon (1835-1913) a renowned French porcelain artist, began his career at Sèvres. He moved to Stoke-on-Trent in 1870 to work at Mintons Ltd, where he became the leading exponent of the technique of ceramic decoration called pâte-sur-pâte.Dr Henry Thomas (1833-1894) was a British homeopath who practiced in Llandudno
MINTON; a 19th century majolica jardinière moulded with six vertical straps, each with lion mask heads supported on lion paw feet, impressed marks, height 36cm, (af).Additional InformationCrazing to the body, minor chip to the raised parts, one foot has been broken off and crudely glued, part of the foot is missing, two more feet are damaged with losses.
A collection of twelve 19th century English porcelain trios, to include Spode, Daniel, Ridgeway, Coalport and Minton and an unmarked green example painted with harbour scenes. Additional InformationCrown Derby trio in deep blue - some crazing and glaze scratches, some rubbing to gilding. Yates trio (floral against pale beige / yellow ground) - both cups with some crazing, taller cup with one craze line which may be a slight hair line crack. Minor rubbing to enamels and gilding. Ridgeway example with pause leaf edges - minor rubbing to gilding and odd glaze scratch.Spode Imari trio - pattern number 963. Minor rubbing to gilding. Possible Coalport example with pale pink flowers - minor wear to gilding, odd slight glaze scratch. Green example painted with figures in a harbour - some minor wear to gilding and some minor rubbing to the green ground. Possible Minton example with flowers against a mid blue ground - minor rubbing to gilding and some wear / surface scratches to the blue ground.Copeland Garret example with white flowers against a yellow ground - some rubbing to the gilding and a light surface scratches / wear. Possible Minton example with a grey and pale pink leaf ground - minor gilding wear. Daniel example with birds and blue border - slight hair line crack to the edge of the saucer. Minor rubbing to the gilding and some light glaze scratches. Coalport trio with puce edge greyed leaves - saucer and small cup heavily crazed. Some rubbing to gilding. Daniel example with green and lattice border - some rubbing to gilding. All a little grubby and with some odd light glaze scratches.
A collection of twelve 19th century and later English porcelain cups and saucers, to include three Imari examples, a pair painted with birds and a Coalport twin handed green batwing cup and saucer (12)Additional InformationUnmarked Imari cup and saucer, minor rubbing to gilding and some glaze imperfections to the underside. Unmarked landscape Imari cup and saucer - slight rubbing to gilding. Unmarked Imari with an orange border - just very minor rubbing to gilding. Example painted with birds against a white ground - minor rubbing to gilding and enamels. Minton pink example in the manner of Dresser - some wear to the gilding, more so to the rim of the saucer, some light glaze scratches. Coalport batwing - minor rubbing to gilding, perhaps some very minor crazing. Daniel c&s with blow border - cup finely crazed throughout and does not ‘ping’. Minor rubbing to gilding and enamels and some minor glaze scratches. Bold blue c&s with yellow flowers - some rubbing to gilding amen minor glaze scratches. Unmarked green tall cup and saucer - cup with fine crazing throughout and does not ‘ping’. Minor rubbing to gilding. Royal Worcester blue and white floral - both heavily crazed and with rubbing to gilding. Final pair of cups and saucers with some rubbing to gilding and light scratches to painted flowers.
A Della Robbia inspired floral painted bowl, inscribed 'God Save the King', with painted monogrammed initials and further mark to the base, diameter 19cm, and a Minton secessionist twin handled soap dish and strainer, diameter 20cm (2)Additional InformationThe Minton soap dish drainer is badly cracked and crazed. The bowl itself is crazed and also has a hairline crack to the rim. The other bowl has some unusual pitting marks underneath the rim, which is also rather rough in patches, and some light crazing throughout.
MINTON; two 'Secessionist Range' vases, including an example of shouldered form with stylised detail on a turquoise and amber ground, height 27cm (2).Additional InformationEach piece is damaged, the turquoise vases have large pieces broken out of the foot rim and glued back, the second vase has had large V-shaped piece broken out of the top rim which has been repaired.
CHRISTOPHER DRESSER (1834-1904) (ATTRIBUTED DESIGNER) FOR MINTON & CO. VASE, CIRCA 1870 glazed earthenware with gilded and enamel highlightsDimensions:15cm highNote: Literature: Halén, W. Christopher Dresser: A Pioneer of Modern Design London 1990, p.124, pl. 131 where related Minton & Co artwork is illustrated.
HENRY STACY MARKS (1829-1898) ORIGINAL DESIGN FOR THE PROSCENIUM FRIEZE AT THE GAIETY THEATRE, LONDON, DATED 1867 watercolour and pencil, initialled lower left HSM, signed and dated lower right in pencil H. S. MARKS/ 1867Dimensions:10.8cm x 75.8cmNote: Note: Influenced by the Pre-Raphaelites, Henry Stacy Marks trained at the Royal Academy in 1851 before studying in Paris the following year. Much of his early works focus on Shakespearean and medieval subjects. These works proved popular with many patrons. In the 1860s he undertook work for William Burges, Minton, stained glass manufacturers Clayton & Bell and the artist Lawrence Alma Tadema. During this time, he was also approached by the Gaiety Theatre in London to produce a frieze for the Proscenium Arch. The Theatre began as a music hall but became known for hosting pantomime and musical burlesque performances. From the late 1860s, the venue played an essential role in the development of modern musical comedy, and Mark’s playful and charming compositions were a setting for spectators to marvel at.
Robert Frame, Scottish c.1922-1989 - Landscape in yellow; oil on board, 24 x 51 cm (ARR) Provenance: the Estate of the Artist; private collection Note: Scottish artist Robert Frame, studied in Jankel Adler's studio in Glasgow together with his friends Robert Colquhoun, Rober MacBryde and Benjamin Creme. Another friend was W.S. Graham, and in 1942, Frame and Creme each produced drawings for Graham's first book 'Cage Without Grievance' published by David Archer's Parton Press. Frame moved to London in the mid-1940s with Colquhoun and MacBryde. In London, he was part of the circle around John Minton, becoming close to Minton for a time and was friendly with Prunella Clough. In the early 1950s, Frame exhibited with the St. George's Gallery in London, and also became involved with theatre. In the 1960s, Frame produced illustrations for several books for Ian Hamilton Finlay's Wild Hawthorn Press. The British Museum acquired a collection of Frame's drawings and monotypes by the artist in the 1980s. Please refer to department for condition report
Fred Uhlman, German/British 1901-1985 - Welsh Landscape no.1; ink on paper, 24.6 x 34.6 cm (ARR) Provenance: with Piccadilly Gallery, London (according to the label attached to the reverse of the frame); The Hon. (?) Makins, purchased from the above on 8th September 1967; private collection Note: Uhlman's depictions of the Welsh landscape are amongst the most important and celebrated of the artists career. Uhlman first visited Northern Wales in the 1940s as a refuge from the ongoing. He and his family would return repeatedly, eventually acquiring a holiday home in Croesor Valley. Like his fellow emigre Josef Herman, Wales was to have a major impact on his art and his reputation in Britain, and Uhlman embraced the isolation of the landscape, creating mystical images, such as the present work. Uhlman's Welsh works were first shown in 1942 at the Leicester Galleries, London. This created a link in his work with the burgeoning Neo-Romantic artists in London, such as Graham Sutherland and John Minton, as well as with his fellow-German, the 19th-century Romantic master, Caspar David Friedrich. Please refer to department for condition report
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