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Click here to subscribeTWO BOXES OF CERAMICS AND ORNAMENTS, to include a large pewter porringer, engraved for a Bupa presentation, a smaller pewter porringer made by The Quaich Co. Scotland Ltd. a small collection of David Winter cottages, a set of resin chess pieces, a set of Rosenthal miniature Studio Line teapots, a Minton 'Haddon Hall' pattern trinket pot, collector's plates, etc. (s.d/a.f) (2 boxes)
A QUANTITY OF NAMED CERAMICS, a group of Minton 'Haddon Hall' pattern dinnerware, comprising six dinner plates (two chipped), six side plates, soup dish, two saucers, oval biscuit plate and a bread plate, a boxed set of two Minton trinket dishes, a boxed Royal Doulton 'Tapestry' pattern trinket dish, a Limoges oyster platter for Canadian Pacific Line in the 'Empress' pattern by W.G & Co. Limoges, two blue and white wall plates marked with four Chinese characters on the back, two early 19th century Spode plates retailers Waring & Gillow in the 'Pheasant' pattern and a square serving dish (cracked and reglued), three graduated Coalport 'Indian Tree' pattern plates (largest is cracked and reglued), a collection of nine hand painted porcelain cutlery handles, three Wade tortoises, three vintage beaded evening purses, a framed embroidered picture featuring a bird in a tree, four Jule. H.Kullberg prints, etc. (qty) (Condition Report: some items are cracked, broken or have been reglued, a 19th century Imari pattern tray and server has extensive restoration and staples)
A COLLECTION OF BOXED CERAMIC THIMBLES, with Perspex display stand and dome, forty six thimbles by manufacturers including Wedgwood, Royal Doulton, Coalport, Portmeirion, Bow Porcelain, Longton Hall, Minton, Haviland, Sutherland, Limoges Castel, Pickard, etc (46 + stand) (Condition Report: appear ok, minimal wear to boxes)
A stunning Minton Archive Collection porcelain figurine featuring a majestic peacock perched on a rock. This intricately detailed sculpture showcases the exquisite craftsmanship of Minton, a renowned English ceramics manufacturer known for its fine porcelain and artistic innovation since its founding in 1793. The peacock is beautifully hand painted with vibrant hues, featuring a rich green tail adorned with distinctive eye-like feather patterns. The textured rock base is accented with climbing vines and delicate floral elements, adding to the naturalistic appeal of the composition. The lifelike detailing in the feathers and the graceful posture of the bird make this a striking display piece. Minton backstamp.Issued: 2007Dimensions: 19.25"HCountry of Origin: EnglandCondition: Age related wear.
19th century Copeland and Garrett Berlin in Gothic tea cup and saucer featuring Loch Maben and Spondon Church together with a 'Daniel' coffee cup and saucer in Shrewsbury shape, Rockingham trio c.1840-1842, Minton c.1903 coffee cup and saucer, Minton coffee cup c.1852, pink ground and gilt finish cup and saucer and a cottage scene pattern cup
A Minton Secessionist Pottery Vase, with swirling twin handles, the tapered body painted in foliate pattern in blue and purple hues, printed mark Minton Ltd No 41, 18cm high.Crazing throughout, three leading to cracks to top rim, one handle with crack where it meets body, some paint marks to one handle (does rub off).
MINTON 'ANCESTRAL' S-376 PART DINNER SERVICE including, six fluted dinner plates, 27cms, six fluted breakfast/lunch plates, 23cms, six fluted salad/dessert plates, 20cms, (one plate faded with significant gilt wear), six fluted tea/side plates, 16cms, six fluted rim soup cups and saucers, two lidded vegetable tureens, sauce boat and stand, six fluted tea cups and saucers, teapot, oval lidded sugar bowl, two milk jugs (56)Provenance: private collection CardiffComments: as per description otherwise all appear in good condition however inspection advised
MINTON, TWIN HANDLED JARDINIERE, MID / LATE 19TH CENTURY decorated to one side with a boy piper, the other side with a lady seated in a chair, green arrow mark to base16cm wideIn overall good condition. Ares of gilding rubbed and firing imperfections to rim of foot. Hairline crack to inside. Additional images now available.
A collection of 18th and 19th century porcelain cups and saucers including: a pair of Pennington Liverpool coffee cups c.1790; a Pennington Liverpool coffee cup; a Grosbreitenbach small tea cup and saucer c.1780; a Minton coffee cup c.1820; a Leeds coffee cup c.1830; a Bow coffee cup c.1780; and a Wedgwood coffee can. (8)
Minton, England for Tiffany & Company, United States. Set of ten fine china porcelain dinner plates featuring gilt floral and foliate motifs along the rims, late 19th to early 20th century. Each with red stamp bearing "Tiffany & Co." in addition to a Minton's maker's mark dating to 1873-1912.Each, diameter: 9 in.Condition: All plates with crazing to the glaze. Light wear throughout including some plates with very light scuffs/scrapes to the face of the plate from light use. Light wear to the footrims. One plate with a large crack extending from one edge and nearly reaching the opposite edge; some small chips along this crack. Another plate with a crack through the face of the plate that does not reach either edge.
A Paragon Country Lane pattern part tea and dinner service - comprising, four small, and two large teacups and saucers, twelve small side plates, four sandwich plates, four large, and four small bowls, four large, two small dinner plates, cake plate, oval dish, etc, qty; Minton Haddon Hall pattern cups and saucers, side plates, etc.
A quantity of early 19th Century blue and white pearlware, comprising a Minton large 'Italian Ruins' pattern oblong tureen and cover, a Spode 'Etruscan' pattern meat dish and pair of plates, a pair of Spode 'Filigree' pattern plates, a Spode dinner and side plate 'Fox and the Lion', a Copeland Spode 'Tower' plate, Cauldon square dish and George Jones octagonal dish, printed and impressed marks, the tureen 47cm long
Three Minton 'Pink Cockatrice' pattern oversize breakfast teacups and saucers, late 20th century, the cups 9cm high, the saucers 21cm diameter, printed maker's marks to bases; with three Minton 'Cuckoo' pattern oversize breakfast teacups and four conforming saucers; and two further Minton oversize breakfast teacups (15) CONDITION REPORT:All pieces show minor surface wear, but no obvious chips, cracks, crazing or evidence of restoration. All pieces ring when pinged. Some of the cups show dirt to the interior and would benefit from cleaning.
A Minton glazed earthenware snake, c.1870, the coiled body naturalistically modelled with scales,51cm long24cm wide19cm highProvenance: Bonhams, 'Masterpieces of Minton', 23 July 2002, lot 311.Condition ReportHairline cracks. Some unglazed areas where it would have possiblly been attached to a vase as a handle. Unmarked but with remnants of some numbers in ink. The tip of the tail missing.
R Dean for Minton, a twin-handled pate-sur-pate decorated vase, 1911, decorated with battle ships cutting through waves, signed, incised 3508, factory marks with date cypher, 37cm.Footnote:Similar examples executed by Dean suggest this unusual series was produced to commemorate the coronation of George V and Queen Mary.
Minton pottery toad, blue glaze, three legged, impressed marks, height 18cm. Condition report:Two very small glaze chips to the top rim, glaze loss to back leg and small sections of glaze loss to both front legs.Additional images have been uploaded to the lot page on our website for you to view.
Biscuit porcelain figure, c. 1900, in the style of Minton, modelled as an Ottoman sultan in dress, possibly of Suleyman, on moulded oval base, unsigned, 48cm high.CONDITION REPORT: This is in good condition with good detail. Has some minor age-related staining. There are a couple of drilled holes for hanging potentially to the underside. Minor surface marks also, more prominent to the underside with some minor crazing.
Daniel O'Neill, Irish 1920-1974 - Flotsam, Landscape Donegal; oil on board, titled on the reverse 'Landscape Donegal', 40.3 x 60.7 cm (ARR) Provenance: Sotheby’s, London, 20th Century British and Irish Art, 14th September 2005, lot 185; private collection, purchased from the above Note: Campbell was from a circle of Post-War Irish artists that worked in Conlig in the 1950s that included Gerald Dillon and George F. Campbell. The present work reflects the neo-romantic style that was prevalent in Britain and Ireland in the period, seen here in the heavy atmosphere of the landscape, reminiscent of the early work of John Minton and John Craxton. The colour palette of muddied browns, greens and blues suggest an eerie calm that settles on the landscape. Horizontal brush strokes emphasise the still water and sky, in a direct opposition to the scattered flotsam littered across the foreground which alludes to an unseen danger. The mounds of debris recall scenes from the trenches and ravaged fields of World War Two, deeply ingrained in the collective consciousness of the post-war era. O’Neill became a full-time painter in 1945, having previously worked as an electrician on Belfast shipyard, and visited Paris in 1949. Here he was influenced by Maurice Vlaminck, Georges Roualt and Maurice Utrillo. In the following decade he moved to Conlig, Country Down, where a small group of artists had formed. These included George Campbell and Gerard Dillon. Some of his works were exhibited at the Irish Museum of Modern Art in 2005 as part of an exhibit on Northern Irish Artists. His work is held in Irish public collections including Ulster Museum and Dublin City Gallery, The Hugh Lane, as well as the Laing Gallery and Herbert Art Gallery & Museum in the UK. His work was shown at the influential Victor Waddington Gallery in Dublin in 1946 and Arthur Tooth & Sons, London in 1952.
FIVE BOXES OF CERAMICS AND GLASSWARE, a selection of dinner ware and tea ware, names include Royal Worcester 'Evesham Vale', Midwinter 'Country Garden', Royal Albert 'Old Country Roses', Denby, etc. also included decorative jugs, vases, trinket pots, cake plate etc. names include Minton, Royal Albert, Royal Worcester etc. a collection of drinking glasses mainly wine, a variety of styles and names included etched patterns, coloured stems, cut glass, names include Lawiercie, Edinburgh Crystal, also included in the glassware vases and bowls, some carnival glass, names include Webb Corbett, Royal Doulton, etc. (5 boxes), (sd/af)
A Minton porcelain punch bowl, circa 1820, decorated in the 178 pattern with iron red flowerheads on a green ground all heigtened in gilt, the footrim with a further band of gilt trailing floral decoration, indistinct impressed mark verso, dia.31cm.No chips or cracks.Significant gilt wear to top edge only.Some paint wear to large flower to base of inside.Inside of bowl grubby.
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