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JOAN MIRO Life and Work by Jacques Dupin, 1st Edition, 1962. condition:Good.

JOAN MIRO 'Figure with the Red Sun', off set lithograph, 32cm x 23cm, framed and glazed.

Joan Miro: Barcelona 1893 - 1983 Palma. Bedeutender spanischer Maler der Klassischen Moderne, Grafiker, Bildhauer und Keramiker.Motiv: Abstrakte Formation in Rot, Gelb, Blau, Schwarz und Grün. Vermutlich aus einer Serie von 12 Lithographien aus dem Jahr 1972. Farb - Lithographie, unten in der Platte bezeichnet „Miro“, unten links nummeriert Ex. Nr. „200/50“, ca. 32 x 24 cm, ungerahmt. Lit.: Ausführliche Kurz-Biographie mit Literatur im Wikipedia - Artikel.

§ ‡ JOAN MIRO (SPANISH 1893-1983) 'XXE SIÈCLE - 1983' FROM XXE SIÈCLE NO. 4 - 1938 Linocut on red paper, from the edition of unknown size, signed in print(image size 30cm x 23.5cm (11.75in x 9.25in))

§ BARBARA RAE C.B.E., R.A., R.S.A., R.E. (SCOTTISH 1943-) HILLFORT Screenprint, 19/40, signed, titled and numbered in pencil(76cm (30in) diameter)Provenance: The Scottish Gallery, EdinburghFootnote: Exhibited: 'Print Exhibition - W. Barns-Graham, Elizabeth Blackadder, John Byrne, John Houston, Joan Miro & Barbara Rae,' The Scottish Gallery, Edinburgh - 8 July - 1 August, 2009.

After Joan Miro (contemporary) Untitled lithograph in colours, on wove paper, after Lithograph VII (1972) 33.7 x 50cm Provenance: With Andipa Gallery, London.Condition report: Not examined out of glazed frame, there is crease down the centre where the paper has been folded in half, otherwise well-presented and ready to hang.

Attributed Joan Miro (1893-1983) abstract painting Oil on Canvas. Bearing Signature lower left and verso. Comes with documentation photographed. No additional documentation or authentication is provided with this painting. Sight Size: 18.5 x 19.5 in. Overall Framed Size: 29.5 x 27 in.-This lot is being sold as-is with only the supporting documentation that is provided. No returns will be offered on this item under any circumstances.

MIRO, JOAN (1893-1983), 2 Lithographien aus "Derriere le Miroir", Titelblatt "Derriere le Miroir" UND "Femme-Oiseau", je Farblithographie/Papier, verso Text, HxB: Blatt je ca. 38x56 cm, davon 1x Passepartoutausschnitt ca. 37x55 cm und Außenmaße Rahmen ca. 58x76 cm. Je Mittelfalz; Alters- und Knickspuren, part. fleckig, 1x Reißnagellöchlein an den Ecken. 1x im Passepartout hinter Glas gerahmt, 1x ungerahmt.| MIRO, JOAN (1893-1983), 2 lithographs from "Derriere le Miroir", title page "Derriere le Miroir" AND "Femme-Oiseau", each color lithograph / paper, verso text, HxW: each sheet approx. 38x56 cm, of which 1x Passepartout cutout approx. 37x55 cm and external dimensions frame approx. 58x76 cm. Each center fold; Traces of age and crease, part. stained, 1x thumbtack hole at the corners. 1x framed in a passe-partout behind glass, 1x without frame.

Französische Bibliophilie - - Joan Miró. (1893 Montroig - 1983 Mallorca). Tracé sur l'eau. Suite d'aquarelles. Mit einer Originallithographie (Umschlag), 2 lithographischen Tafeln auf Transparentblättern und 14 lithographischen Tafeln nach Aquarellen von Joan Miró. Paris, Maeght, 1963. Gr.-4°. OPapierumschlag. Cramer, 82. - Miro lithographe II, 314. - Eindrucksvolle Folge der Aquarelle Miros. Die 14 Aquarelle wurden auf zartem Onion Skin du Marais bei Maeght in Lithographie gedruckt. - Wohlerhalten. With an original lithograph (cover), 2 lithographic plates on transparent sheets and 14 lithographic plates after gouaches by Joan Miró. Paris, Maeght, 1963. Gr.-4°. OPaper cover. Impressive set of Miró's watercolors. The 14 watercolours were printed in lithograph on delicate Onion Skin du Marais at Maeght. - Well preserved.

Französische Bibliophilie - Chagall, Marc - - Verve. An Artistic and Literary Quarterly. Vol. I. No. 3. Paris, (Juni 1938). Mit 4 OFarblithogr. v. Chagall, Miro, Rattner u. Klee u. zahlr. tls. farb. Abb. 132 S. Fol. OKart. mit DIllustr. nach Bonnard (etw. berieben). Anthonioz S. 71-88. - Enthält die Farblithographie-Folge: Die vier Jahreszeiten. - Seiten papierbedingt leicht gebräunt, tls. etw. fingerfleckig. - Insgesamt gutes Exemplar.

Französische Bibliophilie - Maeght Editeur - - Sammlung illustrierter Bücher und Verlagskataloge. Vorh.: W. Lavater, Leidenschaft und Passion. Lithogr. Leporello. 4°. 1985. OU. - Miro, Peintures, Gouaches, Dessins. Zürich 1972. 4°. Mit 2 OLithos u. lith. OU. OU. - Th. Schiesser, Metamorphose. OU. 1989. - M. Neumann. OU. 1989. - A. Frénaud, La vie comme elle tourne. Bilder von P. Alechinsky. 4°. OKart. 1977. - M. Butor, Le chien roi. Bilder von P. Alechinsky. OKart. 1984. - 8 Kataloge 1971-86 Livres, Lithographies, Derriere le Miroir, Catalogue des livres, Catalogue de DLM et Affiches, Lithoigr. et Gravures Orig. u.a.

Französische Bibliophilie - Matisse, Henri - - Verve. Nr. 1, Dec. 1937. Mit 2 seit. Umschlagsillustration von H. Matisse u. Farblithogr. von Leger, Miro, Rattner und Borès. Paris, 1937. 4°. 112 S., 8 Bll. Illustr. OKart. (Umschlag berieben u. angestaubt). Mit Lithographien von Fernand Léger "L'Eau", von Joan Miro "L'Air", von Rattner "Le Feu", und von Borès "La Terre". Enthält außerdem photogr. Abbildungen von Man Ray, Brassai und Cartier. Illustr. original cardboard (cover rubbed and dusty). With lithographs by Fernand Léger "L'Eau", by Joan Miro "L'Air", by Rattner "Le Feu", and by Borès "La Terre". Also includes photogr. illustrations of Man Ray, Brassai and Cartier.

Five 20th Century exhibition postersto include Michael English, UFO coming, 1967;The Waddington Galleries, Alice;Robert Fraser Gallery, Peter Blake, 1965;A Joan Miro offset lithograph, and one other poster (5).

Miro, contemporary, lithograph - Star Scene, 41cm x 59cm, in glazed frame

Joan Miro (1893-1983) Lithographic print Exposition Chez Berggruen & Cie France 1958, published in 1958, lithography by Fernand Mourlot France. Frame size approx 22 1/4 x 18 1/4 inches (Glazed)

δ Grayson Perry (b.1960)Hold your Beliefs LightlyMachine embroidery in colours, on cotton and silk, 2011, signed and numbered from the edition of 250 in black ink verso, published by Victoria Miro Gallery, London, overall size 280 x 405mm (11 x 15 7/8in) (unframed)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Joan Miro, Exhibition Poster Galerie Adrien Maeght, 64 x 48cm

PRINTS FROM THE MOURLOT PRESS, Chagall, Picasso, Miro, Matisse et al, published by Mourlot Press, Paris, 1964, one of 2000 copies on Velin d'Arches of this exhibition catalog from the Smithsonian Institution, with 18 original lithographs, loose from spine, some foxing to front and back pages, some annotations in pencil

Derrière le Miroir No. 250; Hommage a Aimé et Marguerite Maeght, 1982, pp. 111, with 24 original colour lithographs, 37 x 56 cm: Miro, Bram van Velde, Tapies, Alechinsky, Pol Bury, Titus Carmel, Takis, Garache 28 x 37 cm: Chagall, Rebeyrolle, Tal-Coat, Ubac, Pol Klapheck, Kelly, Bazaine, Adami, Arakawa, Riopelle, Gardy-Artigas, Fiedler, Chilida, Steinberg (cover), plain card covers with dust wrapper, repair to top front cover of dust wrapper, owners name to top of front endpaper in pencil, all lithographs in good condition

HAYTER STANLEY WILLIAM: (1901-1988) English Painter and Printmaker associated with surrealism in the 1930s and abstract expressionism from the 1940s onwards. Hayter founded the legendary Atelier 17 studio which was frequented by many artists including Picasso, Miro, Chagall, Rothko, Pollock and Kandinsky. A good T.L.S., Bill, one page, 4to, Waverly Place, New York, 21st April (1946), to Gigi [Richter]. Hayter apologises for his disgrace in not having answered his correspondent’s letters and explains that he hopes to be in London in June ‘when I hope to see you and thank you adequately for attending to my affairs for me’. The artist informs Richter that he will make a one man show in New York at the Hugo Gallery before he leaves but doesn’t think that one will be possible in London, remarking ‘Here I have been doing very well; got a new colour print that I want to show you when I come; unholy job of additive colour’. He also thanks Richter for sending a catalogue from the Jeune Gravure show (‘they had nothin [sic] of mine in it since 1932’) and further remarks ‘I enjoyed the cuttings about the Picassos. It’s a wonderful country for fighting over ancient causes that were settled years ago elsewhere; in Hyde Park on Sunday afternoon you could generally find someone solemnly discussing Homoousian (sic) as if they had never heard of the Nicean (sic) Creed’. Hayter also writes that, shortly after Richter left New York, Sonja Sekula came to work at the Atelier on one occasion, explaining ‘by the time about half a dozen of the chaps arrived she got scared (or pretended to) and left - - she hasn’t been back to work since - - I don’t know what this calls for but I am too busy to try to cope with her. She is to show with Peggy Guggenheim whose scandalous book turned out to be less so than one expected - - fortunately any stories I should have objected to were killed off before publication’. In concluding Hayter asks if Richter met John Buckland Wright in London, commenting ‘He would be able to help if you wanted to continue with the gravure’, and also recommends his old friend Anthony Gross. Accompanied by the original envelope (postage stamps crudely torn away) hand addressed by Hayter and signed (‘Hayter’) by him in the return address panel. VGIrmingard Emma Antonia Richter (1922-2020) German-born art restorer, better known as Gigi Richter. Described as ‘the doyenne of picture restorers throughout the 1940s and 1950s’ Richter attended art school in New York after leaving Europe at the outbreak of World War II. She then pursued art conservation studies at the Brooklyn Museum of Art and the Fogg Art Museum at Harvard University. Richter moved back to England at the end of 1945 and was to pursue art restoration in London until changing career paths to become a botanist in 1960.Sonja Sekula (1918-1963) Swiss-born Artist linked with the abstract expressionist movement. Peggy Guggenheim (1898-1979) American art collector, bohemian and socialite who had included Sekula’s work in her ’31 Women’ exhibition of 1943 and also gave the artist a solo exhibition in 1946. Guggenheim’s biography, Confessions of an Art Addict, was also published in 1946. John Buckland Wright (1897-1954) New Zealand-born British Painter, Etcher & Engraver.Anthony Gross (1905-1984) British Printmaker and Painter, an Official War Artist during World War II.

MANUEL URRUTIA: (1901-1981) President of Cuba from January to July 1959. Urrutia resigned his position after only seven months, owing to a series of disputes with Fidel Castro, and emigrated to the United States shortly afterward. Rare D.S., `Urrutia´, one page, La Habana, 10th February 1959, Year of the Liberation", in Spanish. The typed document is a decree, according to which Doctor Manuel Urrutia Lleo, in his capacity as President of the Republic of Cuba, states that the council of Ministers has approved the law nº 57, containing two articles stating in part `We declare dissolve from first day of present month of February of the present year, the Presidential Palace Secret Services..´ Countersigned at the base by Prime Minister Jose Miro Cardona and by the Interior Minister Luis Orlando Rodriguez. The document bears at the base a large and attractive blue paper seal of the Cuban Presidency with ribbons affixed. Three binder holes to the left border with pinholes too and small tears to the edges not affecting the signatures. G Jose Miro Cardona (1902-1974) Cuban Politician who served as Prime Minister for a very short period of six weeks. He was appointed by President Urrutia in January 1959 but unexpectedly resigned in February 1959 and was replaced by Fidel Castro.  

Four framed and glazed abstract prints, one Miro, one Monessier and Paul Klee. (one mounted on wood, not glazed or framed) H.58 W.71cm (Largest)

Giorgia & Moon Brown wool blend edge to edge full length coat, and Elena Miro black wool coat both large size. Plus 1980s leather jacket, two sheep skin coats, one by Lillywhites and one with synthetic lining.

Joan Miro, lithograph, circa 1930s, abstract, image 20cm x 15cm, mountedGood condition

COLLECTION OF ART RELATED BOOKS, including Chagall, Manet and Miro, along with a number of Sotheby's Gleneagles catalogues

Joan Miro (1893-1983), A poem for Joan Miro, etching, inscribed 'epreuve d'essai pour Todd', signed and dated 1947 in pencil, 22cm by 17cm, with certificate from St. James's Art Books, London, together with a hardback edition of Dupin, Jacques, 'Miro Engraver vol.1 1928-1960, pub. 1984 - see pp 16-17 (ARR)

Miro, Joan: (1893-1983). Amnesty International. Artistes per l'Amnistia. Plakat zur Ausstellung Barcelona 1976-77. Farblithographie (bei Poligrafia 1976). 75 x 48 cm. Mit dem Namenszug im Stein. Unter Glas gerahmt, nicht ausgerahmt. - Corredor-Matheos Nr. 93. R

Miro, Joan: (1893 Barcelona - Palma 1983). Sammlung von 5 dplblgr. Farblithogr. aus "Der Lithograph". Blgr. je 32 x 49,5 cm. Vorhanden: Orig-Lithogr. III, VI, VIII, IX u. X (Seite 19, 91, 107, 131 u. 243). - Mittelfalz tls. etw. löchrig. R

Rehn, Walter Richard: (1884 Dresden 1951). Ohne Titel. Spielfeld mit 20 Feldern, 15 davon m. Inhalt. Darunter z.B. "Witz I. Wahl", "Witz 3. Witzwahl u. Strafmarke" od. "1 Glas Cognac". Womögl. Spielfeld für Trinkspiel. Radierung m. Plattenton 20. Jh. Sign. unt. re. M. handschriftl. Bez. in Bleistift, womögl. d. Künstlers, diese schwer leserlich. ╔Miro, Joan╗ (1893 Barcelona - Palma 1983). Peinture Murale (abstrahierte Szene m. Kuh). Farblithographie (1961). Ca. 25,3 x 78,8 cm. Doppelt gefaltet. - ╔Prosit 19 9╗. Holzschnitt 20. Jh. in grün und gelb. Ca. 25,7 x 21,6 cm. - Meist Gebrauchssp. R

Teixidor,J.: Joan Miro. Der Lithograph III. 1964-1969. Genf, Weber 1977. Gr.4°. Mit 6 Orig.-Farblithogr. (inkl. Umschlag) u. zahlr. tls. farb. Abb. 207 S., 3 Bl. Olwd. mit farb. illustr. OU. - Deutschsprachige Ausgabe.

Calas,N. u. E.: Joan Miro. Der Lithograph IV 1969-1972. Genf, Weber 1982. 4°. Mit 6 Orig.-Lithogr. (inkl. Umschlag). 208 S. Olwd. mit farb. illustr. OU. ╔Dabei: Teixidor,J.╗ Joan Miro. Litografo III 1964-1969. Barcelona 1977. Mit 6 Orig.-Lithogr. (inkl. Umschlag). Olwd. mit farb. illustr. OU. - ╔Cramer,P.╗ Joan Miro. Der Lithograph V 1972-1975. Genf 1992. - Zus. 3 Bde.

Leiris,M., F.Mourlot (u.R.Queneau).: Joan Miro. Lithograph. Bde. I und II (von 6). Genf, Weber (1972-75). 4°. Mit 24 farb. Orig.-Lithogr. (inkl. OU) u. zahlr. tls. farb. u. ganzs. Abb. von J. Miro. 231 S., 2 Bl.; 253 S. Olwdbde. mit farb. lithogr. OU. (Diese mit leichten Gebrauchsspuren, Kopfschnitt leicht fleckig).

Konvolut: mit 11 Künstlergraphiken 19.-20. Jh. u. 5 Plakaten, 5 davon von Miro-Ausstellungen. Versch. Formate u. Techn., darunter Zeichnungen und Stahlstiche. 10 Bl. gerahmt (nicht ausgerahmt), z.T. zus. unt. Passep. ╔U.a. vorh.: Von Palmen umwachsenes Wiesenstück mit Behausung.╗ Federzeichnung um 1935. Verso Dr. Halm zugeschr. Ca. 21 x 26,7 cm. - ╔Beck, Emil╗ (20. Jh.). Kloster Frauental. Radierung in Braun 1925. Ca. 6,2 x 8,9 cm. Sign., dat., betit. u. bez. unt. Rd. M. d. Namensz. in d. Pl. - ╔Von Bäumen umgebener Hauseingang.╗ Öl auf Malkarton wohl Mitte 20. Jh. Ca. 24,3 x 32,9 cm. - Heftlöcher in d. Ecken. - Meist leichte Gebrauchssp. - ╔Dabei:╗ 5 gerahmte Offset-Reproduktionen der Golfregeln von Charles Crombie. - ╔Dabei: Vives, Miguel╗ (1937 Mallorca 2010). Südländisch anmutende Landschaft mit Baum an Flussufer vor flach gedeckter Architektur. Gouache auf Karton wohl zweite Hälfte 20. Jh. Ca. 34,7 x 56,8 cm. Sign. unt. re. - Etw. knicksp. ╔Dabei: Antiphonar.╗ 1 Antiphonarblatt wohl d. 16. Jh. auf Pergament. 1 ornamentale Initiale. M. Bleistift bez. - 2 hinterl. Löcher. Wellig. 1 Seite etw. gebr. 1 Seite m. Spuren durch Sonne. D

Color lithograph after Joan Miro, 30x44 cm

MIRO, after, composition, printed matter on linen 78 x 77 cm.MIRO, naar ontwerp van, compositie, drukwerk op linnen 78 x 77 cm.

Mid 20th century Metal Boxed Set of Four Miro-Flare Miro-Flex Emergency Roadside Reflective Lights, Model 18

After Miro, Surrealist study, lithographic poster, full sheet size H.70cm W.50cm

JOAN MIRO 'Italy', original lithograph, edition: 1500 - Poloigrafa, signed in the plate, 20cm x 40cm. (Subject to ARR - see Buyers Conditions)

Original vintage advertising poster for a Joan Miro Exhibition held at Aalborg Denmark, Nordjyllands Kunstmuseum from 16.02.1974 - 24.03.1974. The featured image is a black, green, red, yellow and blue abstract design with Miro written at the bottom. Miro (1893-1983) was a Spanish painter, sculptor and ceramicist. Influenced by surrealism, fauvism and expressionism, his vibrant child-like designs express his fascination with the unconscious and subconscious mind. Excellent condition, minor creasing. Country of issue: Denmark, designer: Joan Miro, size (cm): 70x50.5, year of printing: 1974

Original vintage advertising poster for an exhibition of artworks by Joan Miro at the Aarhus Art Museum / Aarhus Kunstmuseum that took place between 7-22 September 1974 - Design features colourful abstract illustration on a white background. Miro (1893-1983) was a Spanish painter, sculptor and ceramicist. Influenced by surrealism, fauvism and expressionism, his vibrant child-like designs express his fascination with the unconscious and subconscious mind. Good condition, creasing, staining, foxing. Country of issue: Denmark , designer: Joan Miro , size (cm): 70x50, year of printing: 1974

Original vintage advertising poster for the Exhibition 'Miro,' Louisiana Museum of Modern Art, Humlebaek (Denmark) running 9.11.75 - 13.1.75. The print is a bold abstract design with consecutive blue red and black circles reminiscent of the eyes on peacock feathers, with Miro written underneath. Joan Miro (1893-1983) was a Spanish painter, sculptor and ceramicist. Influenced by surrealism, fauvism and expressionism, his vibrant child-like designs express his fascination with the unconscious and subconscious mind. Excellent condition, minor creasing. Country of issue: Denmark, designer: Joan Miro, size (cm): 66x49, year of printing: 1975

Original vintage exhibition poster for a Joan Miro exhibition at Galerie Maeght. Text translates to English as: 13 Rue de Theran Paris 8th Arrondissement. 15 October/12 November: Paintings on paper. 17 November/6th December: Drawings. The image is an abstract black, blue, red, green and yellow design by Miro, with consecutive circles reminiscent of the eyes on peacock feathers. Miro is written at the bottom in thick black text. Miro (1893-1983) was a Spanish painter, sculptor and ceramicist. Influenced by surrealism, fauvism and expressionism, his vibrant child-like designs express his fascination with the unconscious and subconscious mind. Good condition, creasing, tears. Country of issue: France, designer: Joan Miro, size (cm): 80x56, year of printing: 1971

Joan Miro (1893-1983) original lithograph, 50cm x 72cm, framed and glazed.

Joan Miro (1893-1983) original lithograph, 50cm x 72cm, framed and glazed.

Joan Miro (1893-1983) original lithograph, 50cm x 72cm, framed and glazed.

Joan Miró (1893-1983)Plate II from Le Lézard aux plumes d'or (Mourlot 824; Cramer book 148) Lithograph in colours, 1971, on wove paper with the Miro watermark, signed and numbered 'E.A. 1/10' in pencil, an artist's proof aside from the edition of 50 printed with wider margins (there was also the book edition of 195), published by Louis Broder, printed by Mourlot, Paris, the full sheet, in good conditionImage 337 x 480mm. (13 1/4 x 18 7/8in.); Sheet 560 x 410mm. (22 x 16 1/8in.)Footnotes:Click for an instant shipping quoteThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Finlay, Ian Hamilton A collection Two prints, comprising: Dove, dead in its snows & Apollo and Daphne, design for a wall; [and a collection of books and paper ephemera:] Six Proposals for the improvement of Stockwood Park Nurseries in the Borough of Luton. Little Sparta, Dunsyre: Wild Hawthorne Press, 1985/6. One of 250 copies, with a typed letter, signed, from Ian Hamilton Finlay gifting the book and discussing the project; Evening will come, They will Sew the Blue Sail. Ian Hamilton Finlay and the Wild Hawthorn Press 1958-1991. Edinburgh: Graeme Murray, 1991; A Wartime Garden. Edinburgh: Graeme Murray, 1990; Myths. Wild Hawthorne Press, 1991; Six Milestones. Wild Hawthorne Press, 1992; Thomas Jefferson's Garden Book. Wild Hawthorne Press, 1986. 6 copies; The pears and frets of nettles, [n.d.] 7 copies; Saint-Just - a pack of Wild Hawthorne Press seeds; Unnatural Pebbles... Edinburgh: Graeme Murray Gallery, 1981; Instruments of Revolution. London: ICA, 1992; Lute, Lyre, Luger: chant for a Regional Occasion, 2000 voices; The Sound of a Single Swallow. Wild Hawthorne Press; Two Examples. Wild Hawthorne Press; Nature Over Again after Poussin. Glasgow: Collins Exhibition Hall, [n.d.]; The Old Stonypath Hoy. Wild Hawthorne Press, 1991; L'Idylle des Cerises. Wild Hawthorne Press, [n.d.]; Thermidor, 1ère Décade, 1989; The Wild Hawthorn Art Test. Wild Hawthorn Press, [n.d.] The Perfect Sentence. Wild Hawthorne Press, [n.d.]; Interpolations in Hegel. Wild Hawthorne Press, 1984. Inscribed and signed 'Ian'; A Bridge too Far: the First Battle of Little Sparta, 4th February 1983; A Concise Classical Dictionary, Christmas 1988, one of 250; Abrioux, Yves Homage to Ian Hamilton Finlay. London: Victoria Miro Gallery; Bann, Stephen Ian Hamilton Finlay. Shenval / Wild Hawthorne Press, 1972; and a large collection of others

PIGOTT, HADRIAN1961 Aldershot, EnglandTitel: Cadillac (black). Datierung: 1997. Technik: Mixed Media (Schwarze Fiberglasschale, PVC-Schaum, Samt, Waschbassin, Anschlußvorrichtungen und Seife). Maße: 63 x 90 x 80cm.Provenienz: - Victoria Miro Gallery, London. Erläuterungen zum KatalogHadrian Pigott England Zeitgenössische Kunst Objekte 1990er Wasser Skulptur Mischtechnik PIGOTT, HADRIAN1961 Aldershot, EnglandTitle: Cadillac (black). Date: 1997. Technique: Mixed media (black fibreglass bowl, PVC foam, velvet, wash basin, connection devices and soap). Measurement: 63 x 90 x 80cm. Provenance: - Victoria Miro Gallery, London. Explanations to the Catalogue

Artist: Andy Warhol (American, 1928 - 1987). Title: "Baron Philippe Rothschild". Medium: Color offset lithograph with gold and blind embossing. Date: Composed c1975. Dimensions: Overall size: 6 x 4 in. (152 x 102 mm).Lot Note(s): Signed in black marker, center left. Edition unknown, presumed very small. Very light cream wove paper with gold embossing and letterpress. Full margins. Fine impression. Very good to fine condition with crisp corners; the label has never been affixed to a bottle. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 14, no.53. Comment(s): A limited number of these labels were printed exclusively for distribution to friends, suppliers, etc., and were not intended to be used on the bottle. Chateau Mouton Rothschild is a wine estate located in the village of Pauillac in the Medoc, 30 miles northwest of the city of Bordeaux, France. It produces one of the world's greatest clarets. In 1946 the vineyard began the tradition of having each year's label designed by one of the world's great artists or sculptors of the day (Picasso, Chagall, Miro, etc.). For the 1975 vintage label, Warhol juxtaposes two different images of Baron Philippe Rothschild. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28401-1-400]

JOAN MIRO, Oiseau au regard, quadrichrome, 50cm x 60cm.

JOAN MIRO, Abstract pochoir, signed in the plate, edition 1500, ref: Daniel Jacomet, 32cm x 25cm, framed and glazed. (Subject to ARR - see Buyers Conditions)

JOAN MIRO (SPANISH, 1893-1983) - SWEDEN (1974) "Sweden," from the suite Miró Sculpteur, 1974 Lithograph in colours, from the unsigned edition of 1500 Bears Park West Gallery label verso 40cm high x 20cm wide; 69cm high x 50cm wide Condition: No obvious condition issues

Artist: Joan Miro (Spanish, 1893 - 1983). Title: "Peinture". Medium: Oil on paper mounted on cardboard. Date: Composed 1963. Dimensions: Overall size: 13 5/8 x 10 in. (346 x 254 mm).Lot Note(s): Signed lower left. Very good condition. Comment(s): Although it was not a matrix that Miro used with great regularity, he composed many works on paper as well as ordinary cardboard, including “Femme et oiseaux devant le soleil” (1963), sale at Sotheby’s London in June of 2010, and “Personnage” (1963), sale at Sotheby’s New York in May of 2010. Image copyright © Artists Rights Society (ARS), New York. [29940-2-24000]

Artist: Lee Krasner (American, 1908-1984). Title: "The Trumpet". Medium: Conte crayon on paper. Date: Composed c1940. Dimensions: Overall size: 10 x 7 in. (254 x 178 mm). Image size: 8 1/8 x 5 in. (206 x 127 mm).Lot Note(s): Signed lower right. Textured tan wove paper. Good to very good condition. Comment(s): Undoubtedly a study for a larger work. In the early 1930s Krasner regularly visited the Museum of Modern Art in New York to analyze, absorb and emulate the works of the European Modernists: de Chirico, Miro and Henri Matisse were among her favorites. During this period Krasner was also taking life drawing classes, under various instructors and producing studies of the nude in pencil, conte crayon, ink and charcoal. In 1937 Krasner enrolled at the Hans Hofmann School of Fine Arts and, for the first time, became seriously engaged with Cubism (courtesy National Gallery of Australia). She became one of the most influential American abstract expressionist painters in the second half of the 20th century. On October 25, 1945, she married artist Jackson Pollock, who was also influential in the abstract expressionism movement. She was born Lena Krassner (outside the family she was known as Lenore Krasner) in Brooklyn, New York to Russian Jewish immigrant parents from Bessarabia. Image copyright © Estate of Lee Krasner/ARS. [27922-1-2400]

Joan Miro (1893-1983) Komposition, composition,Lithographie, u. rechts signiert Miro, u. links signiert E.A. (épreuves d'artiste), Sichtmass 74 x 54 cm, Rahmen 81,5 x 69 cm, Rahmen bestossen

Joan MIRO (1893-1983), ohne Titel, aus der Suite "Tapis de Tarragona" (M.800), Farblitografie, 1972, u.re. geprägte Signatur, u.li. num., Expl. 29/100, Druckmaße: ca. 29,5 x 43,5 cm, Blatt gebräunt, leichte Knickspuren, hinter Glas im Passepartout gerahmt.

Miro, Joan (Montroig 1893 - 1983 Calamajor/Mallorca),"Maravillas", Lithografie auf Papier, signiert im Stein Miró, 50 x 71.5 cm, o.R.

MIRO, Joan, "Personnage au-dessus de l'horizon", Original-Farblithografie, 59 x 40, nummeriert 17/100, handsigniert, besch., Jahresgabe der Kestner-Gesellschaft, Hannover 1965, WV Mourlot 390a, ungerahmt

MIRO, Joan, "L'issue dérobée", Original-Farbaquatinta, Prägedruck und verso einfarbige Radierung, 32 x 50, 1974, ungerahmt

MIRO, Joan, "Terres de grand feu", Original-Farblithografie, 37 x 56, Céramiques monumentales, Cramer 83, ungerahmt