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Lot 199
Original vintage poster for an exhibition held from 27 September to 25 November 1984 presented by the Joan Miro Foundation in Barcelona - The Imaginary Museum Of Tintin - featuring a great design depicting characters from the popular Belgian graphic novel by the Belgian cartoonist Herge (Georges Prosper Remi; 1907-1983) being led by the comic book hero Tintin and his dog Snowy with the detectives Thompson and Thomson, Tintin's friends Professor Calculus and Captain Haddock and the opera singer Bianca Castafiore through a museum of items on display from his most memorable adventure stories including an ancient Chinese vase, the iconic red and white rocket, a sceptre, historic artefacts, a plane and models of ships. The Adventures of Tintin was created by Belgian cartoonist Georges Remi, who wrote under the pen name Herge in 1929. Issued by Editorial Youth. Fair condition, tears, pin holes, creasing, staining, paper losses. Country of issue: Spain, designer: Herge Casterman, size (cm): 90x60, year of printing: 1984
Lot 3294
Miró, Joan. - Dèrriere le Miroir. No. 139/140 (Miro-Artigas). 25 S. Mit 8 (inkl. Umschlag) teils gefalteten Original-Farblithographien von Joan Miró und zahlreichen Abbildungen. 38 x 28 cm. OUmschlag (leichte Gebrauchsspuren). Paris, Maeght, 1963.Enthält die Lithographien Mourlot 272-279. - Gut erhalten.
Lot 3450
Erotische Exlibris. Sammlung von ca. 150 erotischen, zumeist signierten Exlibris tschechischer Künstler in Orig.-Graphik in verschiedenen Techniken, häufig farbig. Lose Blatt unter Passepartout. Um 1975-2000.Slowenien U. a. Alma Antonova, Milan Bauer, C. Bouda, Jiri Brazda, Victor Fleissig, Josef Hodek, Josef Janusek, L. J. Kaspar, Emil Kotrba, Bohomil Kratky, Richard Lander, Josef Liesler, Jaroslav Lukavsky, Matous, Zdenek Mezl, Michal, Miro Parizek, Vladimir Suchanek, Jiri Vlach, Ladislaus Vlodek, Pavel Hlavaty usw. - Wohlerhalten.
Lot 145
§ KAREL APPEL (DUTCH 1921-2006) MOTHER AND CHILD - 1972 Lithograph, E.A., signed and editioned in pencil to margin(the image 70cm x 52.5cm (27.5in x 20.75in))Footnote: Karel Appel was a leading member of 20th century Europe’s avant-garde. Born in the Netherlands in 1921, he began painting in his early teens, later studying at the Rijksakademie in Amsterdam during the German occupation in the 1940s. His work was heavily influenced by the earlier notorious art establishment disruptors Pablo Picasso, Henri Matisse and Jean Dubuffet and the impact of his own art was to cause similar scandal in the eyes of the public and press. Highly regarded now for his paintings, murals, sculpture and poetry, Appel is famously synonymous with the CoBrA Group, which he joined in 1948. CoBrA was a faction of experimental cross-disciplinary artists from Copenhagen, Brussels, Amsterdam. Their work shocked and bemused Dutch society but found a warm welcome in Denmark. Typically, the group’s visual language was playful, spontaneous and deliberately child-like. Appel’s career was truly international, with time spent travelling to Mexico, Brazil and Yugoslavia, as well as living for periods in Paris, Florence and New York. He was exhibited extensively in the latter city in the 1950s, including in the influential exhibition ‘The New Decade’ at the Museum of Modern Art which featured the work of twenty-two European painters and sculptors including Francis Bacon, Jean Dubuffet, and Pierre Soulages. Lyon & Turnbull are delighted to offer this wonderful work dating from the 1970s. It is a classic example of the artist’s typical iconography, which often included representations of the human form and animal kingdom in idiosyncratic style. It shows the absorption of the work of forebears including Paul Klee and Joan Miro, as well as referencing the unselfconscious purity and freedom of folk and children’s art. His approach to painting was impetuous and instinctive – often involving squeezing paint directly from the tube and using his fingers, a palette knife and occasionally a brush to manipulate his materials. The results, as here, take on a life of their own. The colours are joyful, the imagery playful, and yet an underlying chaos and unnerving absurdity is also present. The creatures Appel created in these acrylic works of the 1970s were sometimes later realised as sculptures or limited edition lithographic prints. The work offered here for sale relates closely, with some small differences, to the lithograph ‘I am an Animal’, printed in an edition of 100 in 1971. It could reasonably be posited that this work is potentially the original on which the lithograph is based, and consequently an image the artist esteemed highly enough to be serialised into print form.
Lot 63
ANDRÉ BRETONLe surréalisme et la peinture, FIRST EDITION, 77 photographic plates after Ernst, de Chirico, Miro, Picasso, Man Ray, Braque, Arp, Picabia, Masson and Tanguy, modern crushed morocco, sides with single fillet gilt panel border enclosing onlaid marbled paper design with figural gilt and marbled paper shapes pasted on, gilt lettered on spine, marbled endpapers, publisher's printed green wrappers bound in, housed in morocco slipcase, 4to (245 x 185mm.), Paris, Nouvelle Revue Française, Librairie Gallimard, 1928This lot is subject to the following lot symbols: •• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 8192
Riesiges Konvolut von mehr als 150 Klischees mit Werken der Moderne: Picasso, Leger, Masson, Castillo, Oelze, Matta, Miro, etc., Fotochemisch erstellte Metalldruckplatten in Hochdruck nach den orig. Vorlagen für die Reproduktion in Monographien und Ausstellungskatalogen. Aus Verlagsnachlaß Mitte 20. Jh., durch das hohe Gewicht nur Speditionsversand möglich. Huge bundle of more than 150 clichés with works of modern art: Picasso, Leger, Masson, Castillo, Oelze, Matta, Miro, etc., photochemically created metal printing plates in high pressure according to the orig. Templates for reproduction in monographs and exhibition catalogs. From a publishing estate discount in the middle of the 20th century, due to the high weight, only forwarding shipping possible.
Lot 22
Kudzanai-Violet Hwami (Zimbabwean, born 1993)Adam and Steve joined by the knee, a study signed, dated and inscribed in pencil verso 'HWAMI / 2016 / Adam and Steve joined by the knee'oil on paper151 x 200cm (59 7/16 x 78 3/4in).Footnotes:ProvenanceAcquired directly from the artist;A private UK collectionA prodigious talent, Hwami has already received more acclaim in her short career than many artists achieve in a lifetime. She was selected to represent Zimbabwe at the Venice Biennale in 2019, aged only 26. Due to complete her masters in fine art at Oxford University's Ruskin School of Art this summer, she has already enjoyed successful solo exhibitions at the Tyburn Gallery and Gasworks in London. At the end of 2020, she was picked up by Victoria Miro, joining an impressive roster.When asked what precipitated her interest in art, Hwami credits her love of cartoons, Manga in particular. As a child, she was constantly sketching her favourite characters. The influence of these animations is evident in the dynamism of her compositions.Hwami's creative process is deliberate and thoughtful. It starts with a collage of images and photographs, around which she constructs a painted narrative. She says that this approach was partly influenced by the creative sharing of images on social media sites such as Tumblr:'I spent a lot of time on the internet as a pre-teen and, in that socially awkward stage of my life, I found it more comfortable to escape and exist in cyberspace. I started exploring sexuality and gender identity. I was obsessed with the idea of physically living in a different body. All my frustration and confusion was expressed through studying the queer body.'This spirit of enquiry and exploration can be seen in this oil, Adam and Steve. Although monumental in size, the work retains a delicate intimacy. The figure on the left looks out at us with an ambiguous expression - challenging, defiant, or aloof? Meanwhile, the figure on his right is completely oblivious to his audience. He has eyes only for his companion.Hwami's work asks the viewer to consider weighty topics - identity, sexuality, desire. But her handling is witty and fresh, as is evidenced by the title. The creeping tendril trailing along the bottom of the painting reaches towards the figure on the left, as if reaching out for its object of desire.Later this year, Hwami will showcase her works at a group exhibition at the Pompidou Centre in Paris. No doubt just one of many exciting developments yet to come for this artist.Bibliography:Amah-Rose Abrams, 'Kudzanai-Violet Hwami's modern pop portraits frame gender, sexuality and race', Wallpaper, accessed 12/02/21.This lot is subject to the following lot symbols: AR TPAR Goods subject to Artists Resale Right Additional Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Lot 2093
A Limited Edition Miro domino set, comprising twenty eight wooden rectangular domino tiles, each decorated with details based on seven drawings created in 1948 – 1950 by Joan Miro to illustrate the book of poems by the surrealist poet Tristan Tzara, titled “Parler Seul”, cased with literature
Lot 254
JOAN MIRO (Spanish 1893-1983) A PRINT, "Galerie Maeght: Miro Art, Sculptures & Graphique," EXHIBITION POSTER, CIRCA 1950, color lithograph on paper, signed in pencil L/R. 28" x 20" Provenance: Simpson's Antiques, lot 371, March 1997. Estate of David E. Brauer, Houston, Texas. Condition: Some surface wear and mild soil, but overall in fair to good condition, wear commensurate with age. Frame with some damage and glass with break and loss in lower right and some chips throughout, area has some soil on paper and chew marks from old pest exposure. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 409
JOAN MIRó I FERRÀ (Spanish/Catalan 1893-1983) A PRINT, "Untitled," CIRCA 1970s, lithograph on paper, signed in margin in pencil L/R, "Miro" and numbered 40/75 L/L, published by Galerie Maeght. 27 1/2" x 20 1/2" Provenance: Exhibited in "AN ART HISTORIAN COLLECTS: The David E. Brauer Collection" at the Mobile Museum of Art, Mobile, Alabama February 7 - November 29, 2020. Estate of David E. Brauer, Houston, Texas. Condition: Minor scratches on frame, generally in very good condition, wear commensurate with age. Simpson Galleries strongly encourages in-person inspection of items by the bidder. Statements by Simpson Galleries regarding the condition of objects are for guidance only and should not be relied upon as statements of fact and do not constitute a representation, warranty, or assumption of liability by Simpson Galleries. All lots offered are sold "AS IS." NO REFUNDS will be issued based on condition.
Lot 206
*After Joan Miro 'Great Britain' lithograph printed in colours, signed in the plate 19.5 x 39.5cm with Nathan Daniel Isen, Philadelphia certificate of authenticity *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Paper stuck down, no other obvious condition issues.
Lot 207
*After Joan Miro 'Portugal' lithograph printed in colours, signed 19.5 x 39.5cm with Nathan Daniel Isen, Philadelphia certificate of authenticity *Artist's Resale Right may apply to this lot.Condition report: Not viewed out of glazed frame. Paper stuck down. No other obvious condition issues.
Lot 553
* Casals (Pablo, 1876-1973). Catalan Cellist, Composer and Conductor. Signed portrait, 1955, head and shoulders portrait of the cellist with his left hand visible on the cello, woodcut by F. Miro, signed and inscribed to the lower margin, 'To Mr Kelleth [six] Powers with kindest regards - Pau Casals 1955', a little spotting, 30 x 21 cm, framed and glazedQty: (1)
Lot 584
* Miro (Joan, 1893-1983). Spanish Artist. Signed photograph, 'Miro', June 1967, gelatin silver print photograph by Adelmann, head and shoulders shot in profile of a smiling Miro, signed and inscribed vertically downwards in lighter area of left margin in black marker pen, 'pour Barry a malven, amicalement, Miro! VI/67', some scattered trivial creases and surface marks, 19.5 x 25.5 cm, photographer's sticker to versoQty: (1)
Lot 26
◆ GEORGE LESLIE HUNTER (SCOTTISH 1877-1931) A STILL-LIFE OF FRUIT AND GREEN JUG Oil on panel(46cm x 37.5cm (18.1in x 14.8in))Note: This charming still-life has an important provenance, having come from La Colombe d’Or. It is now a top-quality hotel and restaurant destination in Provence, where guests and visitors can enjoy its significant collection of twentieth-century art as they dine and relax. Yet in the late 1920s when Hunter frequented it, La Colombe d’Or was a humble inn, where an artist could rent a room and studio with board, for a reasonable price and including the relative luxury of regular hot water. These pleasant surroundings, home comforts and regular meals were exactly what the notoriously erratic Hunter needed to feel steady and allow himself to focus on the great inspiration he was finding in the South of France, a place of glorious vistas and sun-soaked days.The proprietor of this institution was Paul Roux and with a particular interest in art and as an amateur painter himself, he often accepted paintings in lieu of payment from his artistic guests and residents. Many of these then struggling artists went on to be significant players in the story of twentieth century art – Picasso, Braque, Miro, Matisse and Alexander Calder, creating the basis of the art collection as it remains now. We can only imagine that Hunter handed this painting over on a similar basis, as we know the management of money was not his strong suit when faced with great artistic inspiration.Hunter returned to still-life compositions throughout his career, often re-using objects in different iterations to generate the effect he was looking for. Here, the simple outline and two-tone colour of the jug fill the composition but this simplicity is enlivened with Hunter’s expressive brushwork both in and around the object while the composition is brightened with the inclusion of various colour-rich fruit in the foreground. Hunter achieves a sense of balance across the composition as the vertical lines of the table edge and the white canvas in the background intersect behind the jug, drawing our attention inwards. As we might expect from a Scottish Colourist, Hunter plays with colour here, juxtaposing the deep green jug with the zingy orange fruit and incorporating dashes of purple, yellow and blue-grey into the backing wall, and to gently suggest the patterned tablecloth. Hunter is at his most subtle here and with this sophistication, the more you look the more there is to see.
Lot 4107
Karton mit schwarz-weiß Abzügen von Werken berühmter Künstler des 20. Jh., u. A. Paul Klee, Max Ernst, Joan Miro...darunter auch ein Umschlag mit einem Stapel Abzügen mit der (handschriftlichen) Aufschrift ''Coll. Hulton, Klee, und in Schreibmaschine ''An das Hessische LAndsmuseum z. Hd. Herrn Reg.-Oberinspektor Nickel...'' Maße Karton (gut gefüllt) 15 x 33 x 24Cardboard with black and white prints of works by famous artists of the 20th century, including Paul Klee, Max Ernst, Joan Miro...including an envelope with a stack of prints with the (handwritten) inscription ''Coll. Hulton, Klee, and in typewriter ''An das Hessische LAndsmuseum z. Hd. Herr Reg.-Oberinspektor Nickel...'' Dimensions cardboard (well filled) 15 x 33 x 24
Lot 196
Federico Castellon (American, 1914-1971) "By the Arks" Original Pencil Signed Lithograph. Signed in lower margin. Born in Almeria, Spain, Federico Castellon was a painter in surrealist style, sculptor, illustrator, teacher and printmaker. His full name was Federico Cristencia de Castellon y Martinez. He came to the United States in 1921, and received his citizenship in 1943. He was elected to membership in the National Academy of Design in New York and was a member of the Society of American Graphic Artists.His surrealist style was influenced by Salvador Dali.Castellon participated in the 1935 Paris Exhibition of Spanish Artists that included Pablo Picasso, Juan Gris, and Joan Miro. He taught successively in New York City at Teachers' College of Columbia University, Pratt Institute, and Queens College. He won numerous awards including two Guggenheim Fellowships and First Prize from the Library of Congress. A retrospective of his prints was held at the Allied Artists of America in 1978. Image Size: 8.75 x 12.5 in. Overall Framed Size: 19.5 x 21.5 in. Framed behind glass.
Lot 1098
JOAN MIRO (1893 Barcelona - 1983 Palma de Mallorca)Farblithografie, ¨Abstrakte Komposition mit JOAN MIRO (1893 Barcelona - 1983 Palma de Mallorca)Farblithografie, ¨Abstrakte Komposition mit JOAN MIRO (1893 Barcelona - 1983 Palma de Mallorca)Farblithografie, ¨Abstrakte Komposition mit JOAN MIRO (1893 Barcelona - 1983 Palma de Mallorca)Farblithografie, ¨Abstrakte Komposition mit JOAN MIRO (1893 Barcelona - 1983 Palma de Mallorca) Farblithografie, ¨Abstrakte Komposition mit 2 violetten Flecken¨, unten rechts im Stein signiert, ca. 53x78,5cm, ungerahmt
Lot 965
Sorlier,C.Sorlier,C. Die Keramiken und Skulpturen von Chagall. Monaco, Sauret 1972. Gr. Sorlier,C. Sorlier,C. Die Keramiken und Skulpturen von Chagall. Monaco, Sauret 1972. Gr.4°. Mit 1 Lithogr. v. Chagall u. zahlr., meist farb. Abb. 249 S., 3 Bl. Olwd. mit farb. illustr. OU. (Dieser mit leichten Gebrauchssp.). Werkverzeichnis der Keramiken und Plastiken. - +Dabei: Pierre,J. u. J.Corredor-Matheos.+ Ceramiques de Miro et Artigas. Paris, Maeght (1974). 4°. Mit 2 dplblgr. Farblithogr. v. Joan Miro u. zahlr. tls. farb. Abb. 228 S., 2 Bl. Olwd. m. farb. illustr. OU. (Dieser mit leichten Gebrauchssp.). - Zus. 2 Bde.
Lot 1089
Derrière le miroir.Derrière le miroir. Nr. 87-89, 125/126, 128, 139/140, 151/152, 164 Derrière le miroir. Derrière le miroir. Nr. 87-89, 125/126, 128, 139/140, 151/152, 164/165, 186, 193/194, 203 sowie 231 in 10 Heften. Paris, Maeght 1956-78. Fol. Mit zus. 66 (tls. mehrf. gefalt., tls. dplblgr.) Farblithogr. v. Miro Lose in OU. (Tls. etw. Gebrauchssp., tls. leicht gebräunt). - Tls. gering gebräunt.
Lot 972
Derriere le miroir.Derriere le miroir. Nr. 250. Hommage a Aimé et Marguerite Maeght. P Derriere le miroir. Derriere le miroir. Nr. 250. Hommage a Aimé et Marguerite Maeght. Paris, Maeght 1982. Fol. Mit 21 (18 farb., 10 dplblgr.) Lithogr. (inkl. Umschlag) u. 3 (2 farb., 1 dplblgr.) Serigraphien sowie zahlr. Abb. 111 S., 1 Bl. Okart. mit OU. (Rckn. gering gebräunt, gering berieb.). Gemeinschaftswerk von 24 von der Galerie betreuten Künstlern, mit Graphiken von Adami, Alechinsky, Bazaine, van de Velde, Pol Bury, Chagall, Chillida, Fiedler, Gardy-Artigas, Miro, Rebeyrolle, Riopelle, Steinberg, Tal-Coat, Tapies, Ubac u.a. - Guter Zustand.
Lot 1124
San Lazzaro et ses amis.San Lazzaro et ses amis. Hommage au fondateur de la revue XXe s San Lazzaro et ses amis. San Lazzaro et ses amis. Hommage au fondateur de la revue XXe siecle. Paris 1975. Fol. Mit 9 (7 farb.) Lithogr. u.a. von Chagall, Ernst u. Miro u. 6 Farbtaf. 141 S., 2 Bl. Lose Bogen in OU in Olwd.-Kassette mit Porträt-Photo v. P.Volboudt im Innendeckel. (Leicht fl.). Graphik Picasso vor S. 49. - Eines v. 500 num. Ex. (GA 630) auf Velin d'Arches. - Enthält Lithogr. v. M.Bill, A.Calder, M.Chagall (Mourlot 832), M.Ernst, H.Hartung, J.Miró (Cramer 1080), H.Moore (Cramer/Grant/Mitchinson 366), Gr.Sutherland (Tassi 160) u. Zao Wou-Ki. - Taf. mit Abklatsch.
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