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Lot 523
James McQueen, British b.1977- Give Me Solutions Not Fucking Problems, 2022; mixed media print on wove, signed and numbered 194/195 in pencil, published by Washington Green fine art, contained within its own presentation portfolio, sheet: 102 x 67.5 cm, (unframed) (ARR) Note: together with a certificate of authenticity issued by Washington Green Fine art.
Lot 57
Aubrey Williams (Guyanese/British, 1926-1990)Petrification II signed, titled and dated 'PETRIFICATION II/Aubrey Williams/61' (verso)mixed media on canvas63.8 x 76.4 cm. (25 1/8 x 30 in.)Footnotes:ProvenanceSergio Dangelo and Carla Bordoni, Italy, thence by descentPrivate Collection, ItalyThis lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 145
Sotiris Sorogas (Greek, born 1936)Sans Titre/ Ouverture signé en grec (au centre à droite)acrylique et technique mixte sur toile150 x 150cm (59 1/16 x 59 1/16in).signed in Greek (centre right)acrylic and mixed media on canvasThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 152
Yiannis Spyropoulos (Greek, 1912-1990)INTENTION B signé en grec (en bas à droite); inscrit 'JANNIS SPYROPOULOS INTENTION B 1966' (sur le châssis)huile et technique mixte sur toile73 x 60cm (28 3/4 x 23 5/8in).signed in Greek (lower right); inscribed (on the stretcher) oil and mixed media on canvasThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 154
Yiannis Spyropoulos (Greek, 1912-1990)Graphic Art signé en grec (en bas à droite)huile et technique mixte sur papier50 x 35cm (19 11/16 x 13 3/4in).Peint en 1984.signed in Greek (lower right)oil and mixed media on paperThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 3
Spyros Vassiliou (Greek, 1902-1985)Festival, Athènes signé en grec (en bas à droite)technique mixte et feuille d'or sur panneau24 x 35cm (9 7/16 x 13 3/4in).signed in Greek (lower right)mixed media and gold leaf on boardFootnotes:ProvenanceA gift from the artist to a private collector circa 1960.Bonham's London, The Greek Sale, 1 April 2002, lot 78.Acquired from the above sale and thence by descent to the present owner.Athens celebrating the first Monday of Lent is one of Vassiliou's key subjects, considered to be the quintessence of his work and artistic vision.The Monday of Lent marks the passage from a secular period, that of carnival, to a more ascetic and contemplative one, the forty days before Easter. Through fasting people cleanse themselves of everyday mundane thoughts and contemplate matters of life and death, sacrifice and resurrection. This passage is made easier through the feast of the first day of Lent, which combines sadness with hope, yet with a certainty that hope will prevail. There is a definite Byzantine as well as surrealistic quality to this feast, both being captured by the artist.The city seems to float on a golden carpet. The street sellers with their colourful flowers or balloons, the old-time photographer, the horse carriages, the strolling figures are all carried away by the spirit of the day. The impressionistic diminutive pigments give a flickering, micrographic image of the city. Behind the dark mountain the golden Byzantine sky welcomes the kites, which fly free from their cords like birds. Vassiliou never stops being startled, he does not give up on the young child within him. He treasures memories of his youth and shares them with us as a remedy against oblivion. Even the lower part of the work resembles an old mirror that faded as the years went by. Considering the changes in the city's character, Vassiliou's works were almost prophetic. In 'Lights and Shades' he says about the demolition of old houses: '...the salvage remnants of the demolished house laid out on the pavement for sale, at least have something in them to remind us of the human pulse of a city that has lost forever its face and its soul'.Vassiliou creates an 'enchanted city' with face and soul, which accepts the inevitable with dignity.As Haris Kambouridis has noted: ' Vassiliou is a genuine creative artist who combines technical mastery, effective composition, inspirational flair and a talent for self-expression, qualities which have established him as one of the most important Greek artists of this century.' (Haris Kambouridis, Craftsmanship and the human scale in the work of Spyros Vassiliou, Zygos magazine, 1983, vol. II Annual, p.60)This lot is subject to the following lot symbols: * AR* VAT on imported items at a reduced rate of 5.5% on the hammer price and the prevailing rate on buyer's premium if the item remains in EU. TVA sur les objets importés à un taux réduit de 5.5% sur le prix d'adjudication et un taux en vigueur sur la prime d'achat dans le cas où l'objet reste dans l'Union Européenne.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 76
Yiannis Spyropoulos (Greek, 1912-1990)Pelasgiko No 2 signé en grec (en bas à droite); signé, titré et daté 'Jannis Spyropoulos PELASGIKO No 2 Athens 1962' (sur la châssis)huile et technique mixte sur toile114 x 162cm (44 7/8 x 63 3/4in).signed in Greek (lower right)signed, titled and dated (on the stretcher) oil and mixed media on canvasFootnotes:LittératureY. Papaioannou, The Work of the Painter Yannis Spyropoulos, doctoral dissertation, Athens 1994, no. 727, p. 176 (referred under the title Synthesis No 3), p. 291 (listed).Y. Papaioannou, Yannis Spyropoulos – Monograph, Yannis and Zoe Spyropoulos Foundation, Athens 2010, no. 727, p. 258 (mentioned under the title Synthesis No 3), p. 259 (illustrated).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 78
Vassilis Fotopoulos (Greek, 1934-2006)Cinq maquettes de costumes de théâtre toutes signées des initials et datées 2003 (en bas à droite)tempera et technique mixte sur papier76 x 58cm (29 15/16 x 22 13/16 in).(chacune)signed with initials and dated (lower right)tempera and mixed media on paper(5)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 79
Yiannis Tsarouchis (Greek, 1910-1989)Jeune homme couché technique mixte sur papier47 x 98cm (18 1/2 x 38 9/16in).Peint vers 1937.mixed media on paperFootnotes:ProvenanceAcquired by the father of the present owner from Tatiana Gritsi-Milliex in 1964.Conveying monumentality, corporeal presence and sculpturesque clarity, this striking nude captures the vitality and pulse of life. 'In no other painter's work, the human body is presented with such integrity, purity and open-mindedness than in the work of Tsarouchis. As a result, his pictures are transformed into a truthful language of a never-ending spiritual quest.'1 Painted in 1937, the work showcases the artist's realist approach, as well as a tendency to elaborate on stylistic elements from Matisse. Its surface texture, broad, overlapping planes of colour, shallow compositional structure, silent inflexibility and sweeping brushstrokes, immediately capture the eye and recall the teachings of the French master (Compare Matisse's The dream, 1935, Musée National d'Art Moderne, Centre Georges Pompidou, Paris; and Large reclining nude, also known as The pink nude, 1935, Baltimore Museum of Art). Moreover, the simplified contours, flat patterning, and search for balance between figure and field are characteristic of Matisse's art in the mid-1930s when he made many paintings and drawings of the nude. Radically abbreviated and daringly bold in style2, this picture of a male body—Tsarouchis's signature image—conveys a world of pure form where line, shape and colour have acquired a life of their own, pushing the figure to the boundaries of the canvas and by extension towards the limits of representation. 1 T. Niarchos, 'A Natural Phaenomenon' [in Greek], in Yannis Tsarouchis, It's Good to Confess, Kastaniotis editions, Athens 1986, p. 293.2 'I asked this model to sit for me at my studio to paint him in a way that differed from that of the Athens School of Fine Arts.' Yannis Tsarouchis Painting, Comments [in Greek], Yannis Tsarouchis Foundation, Athens 1990, p. iv.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 85
Alexis Akrithakis (Greek, 1939-1994)Deux Vélos signé en grec et daté '67. II' (en haut à droite)tempera et technique mixte sur papier32 x 69cm (12 5/8 x 27 3/16in).Peint en 1967.signed in Greek and dated (upper right) tempera and mixed media on paperThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 90
Georgios Sikeliotis (Greek, 1917-1984)Canal signé en grec (en bas à droite)technique mixte sur papier70 x 100cm (27 9/16 x 39 3/8in).signed in Greek (lower right)mixed media on paperFootnotes:ExpositionsAthens, British Council Hall, Exhibition of Paintings by Giorgos Sikeliotis, Old England, December 3-22, 1974.Thessaloniki, Techni Macedonian Art Society, Exhibition of Paintings by Giorgos Sikeliotis, Old England, January 9-26, 1975 (possibly).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 9082
Graham Dodd (Australian 1933-2006): ‘Thames Barges’, limited edition signed print dated 1988 numbered 52/500; J West (British Late 19th/Early 20th Century): Reading in the Garden, watercolour signed together with an original oil, mixed media work, various prints and other watercolours max 36cm x 53cm (12)
Lot 476
‡ ROY TURNER DURRANT (1925-1998) mixed media including acrylics on paper - entitled verso 'Inscape: Bredwardine Walk', signed and dated '78, reference number lower right in pencil, 39 x 59cmsProvenance: deceased estate, Gwynedd, inscriptions verso with artist's reference number and artist's labelComments: original frame, glazed
Lot 475
‡ ROY TURNER DURRANT (1925-1998) acrylics and mixed media - entitled verso 'Inscape: Lavenham Hill', signed bottom centre with artist's reference (including year '73), 53 x 82cmsProvenance: deceased estate Gwynedd, signed verso, inscribed verso and with artist's labelComments: original frame, glazed
Lot 137
SERGEI CHEPIK (RUSSIAN, 1953-2011) (3)The White Guard - Premiere Vision, Yarcloklia; Soiree chez les Tourbine; Apes l'assaut set of three, each signed, two (lower left), one (lower right); each inscribed with title (on the backboard) mixed media on paper each 39 x 28cm (3) Provenance Catto Gallery, London, 2011, from whom acquired by the previous owner, thence by descent Exhibited Catto Gallery, London, Sergei Chepik, 10th - 30th November 2011 (Premiere Vision, Yarcloklia, illustrated in the exhibition catalogue, p.19
Lot 234
Three paintings to include A Green, 'Woman Drinking Tea', signed lower right ALR Green, oil on board; a portrait of a child, oil on canvas laid on board and a woodland scene signed lower right Maiden, mixed media oils and watercolours,first 24.5cm x 21.5cm; second 24cm x 18cm; third 20cm x 14.5cmQty: 3Some cracking to the paint layer of the portrait of the woman, particularly notable around the edges of her face and hands, some lifting to the paint, chipping around the edges; the portrait of the girl with surface dirt, minor losses to one edge, generally good condition; woodland scene also generally good condition
Lot 601
LINDA CHARLES (BRITISH 1969) TWO ABSTRACT STUDIES, the first is a single work in reds and gold, signed bottom left, mixed media on paper, approximate size 78cm x 56cm, the second comprises two works in red and gold mounted together, both signed, mixed media on paper, approximate sizes 38cm x 39cm, Condition Report: both frames have some damage (artist resale rights apply)
Lot 97
mixed media on paper, signed mounted, framed and under glass image size 56cm x 76cm, overall size 78cm x 97cm Note: David Martin sold his paintings through our auctions from time to time and was always kind, courteous and well liked. David McLeod Martin was born in Glasgow in 1922. He studied at Glasgow School of Art from 1940 to 1942 before serving in India with the Royal Air Force between 1942 and 1946. He returned to Glasgow School of Art in 1946 where he studied under David Donaldson and met his future wife, the painter Isobel Smith. After graduating from Glasgow School of Art in 1948 he pursued a career in teaching. He married Isobel in 1949 and moved to Eaglesham where he lived for the rest of his life. He was elected a member of the Royal Glasgow Institute of Fine Arts in 1959 and the Royal Scottish Society of Painters in Watercolour in 1961. Between 1973 and his retirement in 1983, David Martin was Principal Teacher of Art at Hamilton Grammar School. After his retirement from teaching he concentrated full time on his painting. Numerous highly successful solo shows in London were to follow and he continued to enjoy commercial success and critical acclaim both at home and throughout the UK for the rest of his life. David Martin was widely regarded as one of the finest still life and landscape painters of his generation and his work is held in numerous public, corporate and notable private collections including The Arts Council of Scotland, The City of Edinburgh Art Collection, Perth Museum and Art Gallery, The Dick Institute, Kilmarnock, Robert Fleming and Company Ltd, Linklaters and Paine, Lord MacFarlane, The Earl of Moray, Credit Lyonnais Bank, Warburg Asset Management and the Clydesdale Bank. A major retrospective of his work was held at Perth Museum and Art Gallery in 1999.
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