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Octave LANDUYT (1922) 'Felin peruvien' Mixed media on wood, signed Titled on the back 'Felin peruvien' Gemengde techniek op hout, getekend Getiteld op de achterzijde 67 x 47 cm 103 x 83 cm (the frame) Exhibition label on the back Art Belge Contemporain Bratislava - Prague Owner Galerie Veranneman
William Gear RA, FRSA, RBSA (1915-1997) Scottish"Crowlink"Signed and dated (19)74, mixed media, 58.5cm by 83cmArtist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of BusinessCondition report: Slight cockling to paper. Some light surface dirt and debris trapped under the glass. Not examined out of the frame.
Barbara Rae CBE, RA, FRSE (b.1943) Scottish"Spanish Landscape/Lecrin Hillside"Signed and inscribed, mixed media, 57cm by 60cmProvenance: The Scottish Gallery, Edinburgh, "Barbara Rae Sierra", 4th August - 5th September 2006 Condition report: The work has been float mounted and has a deckled edge. Slight cockling to the paper. Some light surface dirt and debris trapped under the glass. Otherwise in good overall condition. Not examined out of the frame.
Ruskin Spear CBE, RA (1911-1990)"Conversation in the Pub"Mixed media on paper, 46cm by 40cmProvenance: With the Leicester Galleries, LondonBeaux Gallery, LondonCrane Kalman Gallery, LondonExhibited: "Exhibition of Works, Artists of Fame and Promise II", Leicester Galleries, London, August 1950 No. 68.Condition report: Mixed media on paper. Slight cockling to the paper. The work is glazed, the lower area in general, but not exclusively has a chalky residue or bloom to the surface which might suggest a small degree of moisture which the work has been exposed to. See images. Small nick/damage/ paint loss? lower left corner - this may be by design. Otherwise appears in good overall condition. Not examined out of the frame.
George Hammond Steel (1900-1960)"Mousehole" (Cornwall)Signed, inscribed verso and dated 1954, mixed media on board, 13.5cm by 19cmArtist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of BusinessCondition report: Some very light surface dirt and debris trapped under the glass. Otherwise in good overall condition.
Carlos Nadal (1917-1998) "Promenade"Signed, with atelier stamp verso, mixed media, 32cm by 31.5cmProvenance: Tennants Auctioneers, Autumn Catalouge Sale, 18/11/10, lot 783Literature: "Carlos Nadal Works on Paper", John Duncalfe and Hilary Diaper, Tillington Press, 2014, p.82Sold together with a certificate of authenticity from Le Comité Nadal
Frederick (Fred) Cecil Jones RBA (1891-1966)"Hull"Signed and inscribed, mixed media, 27cm by 37.5cmFrederick Cecil Jones was a Yorkshire painter, etcher, and art teacher who produced extraordinarily detailed townscapes of his native county, that capture the spirit of time and place.Jones was born in Bradford, the son of artist Maud Raphael Jones. After a brief period at Bradford College of art, in 1916 Jones enlisted into the army where his artistic skills were quickly utilised. He served for the remainder of the war as a reconnaissance artist on the Western Front, earning the nickname ‘Detail Jones’ for his ability to precisely render even the finest details of his subjects.Returning to his West Yorkshire home after the War, he continued to hone his skills in panoramic drawing, capturing the towns and cities of Northern England with acutely observed detail. However, Jones did not just focus his powers of observation on landscape and architecture, he put people at the heart of his paintings which are often busting with life. He manages to capture small details of everyday life with a gentle, benevolent humour that makes his work so engaging; in a crowded shopping street a small child squirms in his mother’s arms, a shopper bends to peer into a window, and woman rummages for a lost item in her handbag.Jones returned to his artistic education, attending Leeds College of Art part-time between 1930 and 1935, and married fellow artist Ethel Mary Kitson. Whilst continuing to paint, he taught at Pudsey School of Art, where he became Deputy Principal. He would go on to exhibit both locally and nationally, showing at Cartwright Hall, Bradford, the Royal Academy and the Royal Scottish Academy. His paintings are now held in numerous collections such as Tate Britain and Wakefield Art Galleries. Condition report: Slight time staining to the paper. The work has slightly dropped in the frame to the top right. Vertical crease to the centre of the sky approximately 2cm in length. Superficial surface scratch to the right of the sky above the masts approximately 2cm in size. Not examined out of the frame.
Eric H Hill (1921-2021)"Prop Setting"Signed, inscribed to artist's label verso, mixed media, together with a further mixed media work by the artist "Pit Pony", 17.5cm by 12.5cm (2)Provenance: From the artist's estateEric Hill was born in Hellifield, North Yorkshire in 1921, moving with his family to Royston near Barnsley when he was seven years old. After leaving school, Hill went to work as a painter and decorator for the National Coal Board, where he was to work for the rest of his life except for a period of six years when he served in the Army as a driver during the Second World War.It was on his return from service that Hill first discovered his love of art and his talent for painting. As well as deriving inspiration from the Yorkshire landscape, Hill documented the streets of his hometown as well as the collieries that were the hub of the West Yorkshire mining communities. He exhibited in numerous art galleries, including the Cooper Gallery in Barnsley, and he has paintings held in the collections of the National Mining Museum for England and the Doncaster Arts and Museums Society.A member of active local art societies, Eric Hill also entered numerous competitions organised by the National Coal Board and the British Watercolour Society, in which he won many prizes.
BERBER, MERSAD (1940-2012), "Portrait einer jungen Dame", u.re. signiert, Mischtechnik/Papier collagiert und mit Blattvergoldung und Rahmenzierelement, HxB. ca. 56x43 cm (69x55 cm mit Rahmen). Mit verglastem Rahmen. Leichte Altersspuren. | BERBER, MERSAD (1940-2012), "Portrait of a Young Lady", signed, mixed media / paper collaged and with gold leaf and decorative frame element, HxW. approx. 56x43 cm (69x55 cm with frame). With a glazed frame. Slight signs of age.
MINIATURPORTRAIT "Freifrau Evelina Josepha von Wackwitz", Brustbildnis der Dame mit lilafarbenem Kleid und Hut, Mischtechnik, HxB: 11x9,5 cm. Alters- und Beriebspuren. Mit verglastem Rahmen (Holz gebrochen). VERSO handschriftliche Beschreibung zur Abgebildeten.AUS DEM NACHLASS DER EHELEUTE ALFRED UND GISELA DIENST| MINIATURE PORTRAIT "Baroness Evelina Josepha von Wackwitz", half-length portrait of the lady with a purple dress and hat, mixed media, HxW: 11x9.5 cm. Signs of age and use. With glazed frame (wood broken). VERSO handwritten description of the depicted. FROM THE ESTATE OF THE HUSBANDS ALFRED AND GISELA DIENST
GOERTZ, JÜRGEN (geb. 1939), "Maulwurf beim Aufbohren der Erde", Mischtechnik (Epoxidharz, Metall, Holz u.a.), unterseitig signiert, bezeichnet und datiert 'Jürgen Goertz, ROMA 1973', HxBxT: ca. 58x35x35 cm. Altersspuren, minim. Holzabsplitterung. PROVENIENZ: Privatsammlung des Künstlers Fritz Genkinger.| GOERTZ, JÜRGEN (born 1939), "mole drilling the earth", mixed media (epoxy resin, metal, wood, etc.), signed, inscribed and dated 'Jürgen Goertz, ROMA 1973' on the underside, HxWxD: approx. 58x35x35 cm. Signs of age, minimal. wood chipping. PROVENANCE: Private collection of the artist Fritz Genkinger.
PEBE (das ist: Paul Bader, 1928-2019), 3 Figürliche Kompositionen, 2x Mischtechnik/Papier, je signiert und datiert (19)89 und (19)86, 1x Tuschzeichnung/Papier, signiert, datiert (19)84 und undeutlich betitelt, HxB: Passepartoutausschnitte 18x18 cm bis 24x34 cm. Je hinter Glas gerahmt, davon 2x im Passepartout (Außenmaße bis 53x48 cm).| PEBE (that is: Paul Bader, 1928-2019), 3 figurative compositions, 2x mixed media / paper, each signed and dated (19) 89 and (19) 86, 1x ink drawing / paper, signed, dated (19) 84 and indistinct titled, HxW: Passepartout cutouts 18x18 cm to 24x34 cm. Each framed behind glass, 2x of which in a passe-partout (external dimensions up to 53x48 cm).
Eddie Bianchi (act. 1975-1995) A modernist mixed media still life painting of a goblet and bottle name stamped on the back of the frame, Frame size approx 30 x 26 ¾ inches (Glazed) Plus a modernist 1960's watercolour painting of four female faces/heads entitled 'group work' (on the back of the artwork) signed Tarsanane (on the back of the artwork) and dated 1962. Frame size approx 25 x 20 ½ inches (Glazed)
λ John Caple (British b. 1966) From Kubla Khan by Samuel Taylor Coleridge Mixed media on paper Signed (lower right) titled (lower left) and inscribed with white pen Image 18 x 61cm (7 x 24 in.) John Caple has exhibited with John Martin Gallery for over 20 years. The inspiration for his work is deeply rooted in his family's heritage who have been land workers in Mendip, Somerset since the eighteenth century. Captured by poetry, folklore and the history of Somerset his catalogue of work throughout his career has captured the memories of generations before him and depict his strong sense of connection to the natural world, shared by his forefathers. The present lot is inspired by From Kubla Khan by Samuel Taylor Coleridge, English poet and critic. Coleridge lived on the Quantock Hills and his experiences and connections to this landscape are captured in his poetry. Wordsworth, Keats and Percy Shelley were also drawn to this landscape and it is through these generations of poetry that Caple has found a way of delving into the landscape and exploring the natural world through his artwork. His work stands as a visionary language for the poets of the past.
THREE CHINESE SCROLL PICTURESComprising; a print of a mountainous landscape with painted highlights; a print of a galloping horse; a mixed media scroll of a bird perched on snowy branches, sizes 99cm by 42cm, 103cm by 53cm and 65cm by 33cm (3)Generally in good condition with some creases and minor markings
Edward Vulliamy (20th century)"View from the Log Cabin"Signed, oil on board, 35.5cm by 47.5cm; together with a 20th century oil on board depicting a gentleman viewing a Jackson Pollock, 87cm by 57cm (unframed), and a pair of Indian design mixed media panels depicting exotic birds amongst foliage (4)
§ Tessa Newcomb (British 1955-) three carved and polychrome painted model boats, each formed from timber off-cuts and mixed media, unsignedthe largest 38cm wideCondition report: The largest boat with multiple sites of paint loss, though this is likely the state that the wood was found in. The artist has left glue visible. The narrowest chimney quite loose.The other two boats with layers of dust and dirt and with paint losses. The boat with two chimneys with one quite loose, but both are generally structurally sound.

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43995 item(s)/page