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Lot 745
* IAIN R MCINTOSH RSA, HARBOUR mixed media on paper, signed "IM" (the artist's usual signature) 40cm x 49cm Mounted, framed and under glass. Artist's label verso. Note: Iain R. McIntosh RSA was born in 1945 in Peterhead, Aberdeenshire, and studied at Gray’s School of Art. Trained as a sculptor, he is perhaps best known for his wood-carved boats and sailing vessels, inspired by his coastal upbringing. In recent years he has begun to focus more on painting and drawing but his subject matter is still never far from the sea. He was elected Associate of The Royal Scottish Academy in 1981 and full Academician in 2005. His work very rarely appears at auction.
Lot 756
* STEPHEN COLLINGBOURNE (BRITISH B 1943 - ). SHADOWLANDS III mixed media on paper, signed 60cm x 75cm Framed and under glass. Note: Stephen Collingbourne was a Lecturer at Edinburgh College of Art from 1976 - 1998. Examples of his work are listed in the collections of The Scottish Arts Council, The Welsh Arts Council, Leicester City Art Gallery, Devon County Council, Hertford County Council, Edinburgh City Art Gallery, Motherwell District Council and Art In Hospitals. He has held numerous solo shows including in London, Kuala Lumpur, Finland, Liverpool, Leeds, Cardiff, Southampton, Plymouth, Leicester and at the Edinburgh City Art Centre. Stephen Collingbourne has won numerous awards and prizes including at The Royal Scottish Academy in 1978 and again in 1979.
Lot 766
* STEPHANIE DEES RSW, TREES AND RIVER mixed media on paper, signed 20cm x 24cm Mounted, framed and under glass. Label verso: The Scottish Gallery, Edinburgh. Note: Stephanie Dees attended Edinburgh College of Art, obtaining MFA Degree in Painting 1996 to 1998, adding to her Edinburgh College of Art, BA(Hons) Degree in Drawing and Painting from 1992 to 1996. Dees is a regular exhibitor at Society and Commercial Gallery group exhibitions throughout the UK and has been showing with The Scottish Gallery since 1997. Her works feature in private and public collections worldwide. Stephanie’s Works of Edinburgh capture different seasons and changing light. From the pale light of winter with silhouetted bare trees, to the light and shade of a beautiful summer day and the bright bursts of green and vibrant colour that summer brings, through to the warm comforting glow of an autumnal day. With her East Lothian paintings, she considers the importance of space and the calmness and serenity she feels when looking out to sea. Having been brought up in North Berwick the certainty of the sea gives Stephanie time to reflect and look back to nature in the chaotic and busy time we live in. The warm character and joyous colours of the East Neuk harbour paintings conjure happy memories of her childhood holidays as she hopes to convey the unspoilt charm of this part of Scotland. Stephanie has enjoyed no less than seven solo shows at The Scottish Gallery (Edinburgh) which is widely regarded to be the most prestigious contemporary art gallery in Scotland. He most recent solo show at the gallery was in 2019.
Lot 132
GEORGE HOLT (1924-2005). Two unframed, signed verso, both dated 1990, mixed media on board, one titled ‘Struggle’, black splatters over green and blue frames, 33cm x 44.5cm, one abstract composition over newspaper, 33.5cm x 44.5cm. IMPORTANT: Online viewing and bidding only. No in person collections, an additional charge of £15 (inc. VAT) applies to this lot to cover postage to registered UK only address.
Lot 394
Brian Shields ''Braaq'' (1951-1997) Study of a masked nude Mixed media, unframed, together with a further 1997 watercolour depicting a stretching female nude by Trevor Neal, 18cm by 13cm & 12.5cm by 20cm respectively (2) Provenance For Braaq : Tennants Auctioneers, Summer Catalogue Sale 2011, Lot 741 Produced by the artist in the presence of the vendor at above sale Artist's Resale Rights/Droit de Suite may apply to this lot, please refer to our Terms of Business . in good original condition. possible light time staining to paper. sealed in mount with tape. unframed. Trevor neal in good overall condition, framed and glazed
Lot 342
Δ Adrian Heath (British Artist, 1920-1992) - Untitled - mixed media painting study of an abstract figure, believed to be that of a reclining nude. 21cm x 22cm. Mounted and framed in a lightwood frame, to a total size of; 38.5cm x 37cm. With a certificate of Authenticity from The London Art Society, where the vendor purchased it from. Heath was born in Burma and attended Bryanston School in Dorset, southern England. In 1938, he studied art under Stanhope Forbes at Newlyn. In 1939 and 1945–47, he attended the Slade School of Art. He served in the RAF as a tail gunner in Lancaster bombers in World War II, but spent almost the entire war as a prisoner of war at Stalag 383. During this period he became friends with and taught fellow POW Terry Frost to paint. In 1949 and 1951, he visited St Ives, Cornwall, where he met Ben Nicholson. In the early 1950s, he was also associated with Victor Pasmore and Anthony Hill. As such he became the main link between the emerging St Ives School and British Constructivism. He was also influenced by D'Arcy Thompson. In 1953 Heath published 'Abstract Painting: its Origins and Meaning' a slim but perceptive volume appraising the development of abstraction by the early moderns. He exhibited at the Musée Carcassone in 1948, and at the Redfern Gallery, London, from 1953, together with other galleries in London. His work is in the collections of the Tate Gallery and the Hirshhorn Museum, Washington DC. Δ Artist Resale Rights / ARR will apply to this work at the rate of 4% (if under €50,000) £3,000.00 NΔ Adrian Heath (British ARtist, 1920-1992) - Untitled - mixed media painting study of an abstract figure, believed to be that of a reclining nude. 21cm x 22cm. Mounted and framed in a lightwood frame, to a total size of; 38.5cm x 37cm. With a certificate of Authenticity from The London Art Society, where the vendor purchased it from. Heath was born in Burma and attended Bryanston School in Dorset, southern England. In 1938, he studied art under Stanhope Forbes at Newlyn. In 1939 and 1945–47, he attended the Slade School of Art. He served in the RAF as a tail gunner in Lancaster bombers in World War II, but spent almost the entire war as a prisoner of war at Stalag 383. During this period he became friends with and taught fellow POW Terry Frost to paint. In 1949 and 1951, he visited St Ives, Cornwall, where he met Ben Nicholson. In the early 1950s, he was also associated with Victor Pasmore and Anthony Hill. As such he became the main link between the emerging St Ives School and British Constructivism. He was also influenced by D'Arcy Thompson. In 1953 Heath published 'Abstract Painting: its Origins and Meaning' a slim but perceptive volume appraising the development of abstraction by the early moderns. He exhibited at the Musée Carcassone in 1948, and at the Redfern Gallery, London, from 1953, together with other galleries in London. His work is in the collections of the Tate Gallery and the Hirshhorn Museum, Washington DC. Δ Artist Resale Rights / ARR will apply to this work at the rate of 4% (if under €50,000) £3,000.00 NΔ Adrian Heath (British ARtist, 1920-1992) - Untitled - mixed media painting study of an abstract figure, believed to be that of a reclining nude. 21cm x 22cm. Mounted and framed in a lightwood frame, to a total size of; 38.5cm x 37cm. With a certificate of Authenticity from The London Art Society, where the vendor purchased it from. Heath was born in Burma and attended Bryanston School in Dorset, southern England. In 1938, he studied art under Stanhope Forbes at Newlyn. In 1939 and 1945–47, he attended the Slade School of Art. He served in the RAF as a tail gunner in Lancaster bombers in World War II, but spent almost the entire war as a prisoner of war at Stalag 383. During this period he became friends with and taught fellow POW Terry Frost to paint. In 1949 and 1951, he visited St Ives, Cornwall, where he met Ben Nicholson. In the early 1950s, he was also associated with Victor Pasmore and Anthony Hill. As such he became the main link between the emerging St Ives School and British Constructivism. He was also influenced by D'Arcy Thompson. In 1953 Heath published 'Abstract Painting: its Origins and Meaning' a slim but perceptive volume appraising the development of abstraction by the early moderns. He exhibited at the Musée Carcassone in 1948, and at the Redfern Gallery, London, from 1953, together with other galleries in London. His work is in the collections of the Tate Gallery and the Hirshhorn Museum, Washington DC. Δ Artist Resale Rights / ARR will apply to this work at the rate of 4% (if under €50,000) £3,000.00 N
Lot 95
Laurie Plant (1974 - to present) - A contemporary mixed media oil on canvas abstract painting depicting layered randomised shapes us a pastel palette with pen and ink detailing. Measures approx 77cm x 61cm. Laurie Plant is an artist and freelance teacher who has working for the University of Bath and in other schools, colleges, museums and galleries. Laurie has an MA and BA in Art History. Solo exhibitions include: New Zealand House - London, Clarion UK - Swindon =, MOMA Wales and Unicorn Gallery - London.
Lot 54
JOHN BANTING (1902-1972)Fish portrait; with four other works mixed media on paper21 x 13.3 cm (8 1/4 x 5 1/4 in). (and similar)In four frames, one double-sided (4)Footnotes:We are grateful to Dr. Silvano Levy for compiling this catalogue entry.John Banting became part of the Bloomsbury set in 1925 and made designs for Virginia Woolf's Hogarth Press. His leftist political leanings led him to form a relationship with Nancy Cunard whose politics he adopted. With Cunard, Banting made a stand against racial prejudice and the two went to Spain during the Civil War for three months to witness the devastation wreaked by the Nationalists. Banting was drawn towards Surrealism and was invited by Marcel Duchamp to contribute to the Exposition Internationale du Surréalisme, in Paris in 1938. The works offered here reveal the two facets of Banting's work. On the one hand he demonstrates a playful take on the minutiae of the natural world – the analogy between the patterns formed by the scales of fish and the marbling of book endpapers, the faces that can be imagined in the forms of a seashell. On the other hand, he portrays Nature as imbued with potential aggression and malevolence. Skulls, for him, lay bare the violent natural weaponry that lies just below the seemingly innocuous facades of both animals and humans. The confrontation in one of the works here is between a humanoid and an ovine. Each bears its threatening sharp teeth at the other. Banting saw Fascism and National Socialism as similarly intrinsically belligerent.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 55
JOHN BANTING (1902-1972)Two figures; with four other works mixed media on paper21 x 13.3 cm (8 1/4 x 5 1/4 in). (and similar)In four frames, one double-sided (4)Footnotes:We are grateful to Dr. Silvano Levy for compiling this catalogue entry.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 434
Reginald John 'Reg' Williams (York 1928-1992): Untitled, abstract mixed media with pigmented resin and fibreglass unsigned 62cm x 75cm Notes: Reg Williams was a member of the 'York Four' along with fellow artists Russell Platt (see lots 385 and 386) and John Langton, and studio potter David Lloyd Jones. This work was probably produced in the 1950s, when Williams pioneered this method of working with resin and fibreglass, which he also used to produce stained-glass effect windows such as those in St Michael's Church, Wombwell. Born in Birmingham, Reg studied at the Royal College of Art, where he was made a Royal Scholar in 1955, and graduated in 1957. He was a Senior Lecturer at the York School of Art 1957-1986, during which time he was a founder member of the York Four in 1963. His work is in the permanent collection of York Art Gallery, and commissions by him can be found at St Michael & All Angels Church, Wombwell, and The Retreat, York. He exhibited at the Royal Academy, the Austen Hayes Gallery, York, the New Contemporaries, and more. His daughter Sarah is also an established artist. Our thanks to the artist's daughters Leslie and Sarah for their help in cataloguing this lot. - Condition Report
Lot 143
*RICHARD SLADDEN (1933-2020) A pair of inverted abstract compositions, mixed media, each 39cm x 49cm. RICHARD SLADDEN - Throughout his life Dick was totally committed to art and in his early years as a practising artist came into prominence by exhibiting at the New Vision Centre Gallery in London, the Alwin Gallery, the Arnolfini Gallery in Bristol and in Dusseldorf, Germany, in a joint exhibition with the artist Bruce McLean. He was born in Clevedon, Somerset, on 11 March 1933, and spent his early years growing up by the sea. At the age of 12 he became a boarder at Kings School, Taunton, at the end of the War. He later enrolled at the Royal West of England Academy School of Architecture in Bristol and also did two years National Service in the Lancashire Fusiliers. His working life began in the then Ministry of Works Ancient Monuments branch for six years until he decided that was much too slow for him. His complete change of direction led him into art and design education, becoming a Senior Lecturer at Croydon College of Art. where, among other activities, he founded a well-regarded sculpture department. He moved to Epsom School of Art and Design in 1972 as Vice Principal. He was later instrumental in merging Epsom and Farnham Schools of Art which became the Surrey Institute of which he became the Assistant Director, by which time he was also Principal of Epsom. The Surrey Institute later merged with Rochester, Maidstone and Canterbury Schools of Art to become what is now the University of the Creative Arts. Retiring in 1994, he and Carol moved to Somerset . He participated in the Somerset Open Art Weeks several times having converted the 50ft waggon shed in the garden into an illuminated outdoor art gallery and being open to the public for two weeks in alternate years, occasions which Dick greatly enjoyed. After spells in Storrington for three years and later Milford for nine years, they eventually moved to Caesars Place in Godalming. It was here that Dick died peacefully in his sleep on 14 April 2020. He was a strong, talented and vigorous personality and was much loved and well respected by all his family and friends . He has left a very large gap in all our lives - Carol Miller, March 2021
Lot 152
*RICHARD SLADDEN (1933-2020) A pair of abstract architectural paintings, silver and black outlines against a rich blue ground, apparently inspired by the architecture of Frank Gehry, mixed media on canvas, each 100cm x 100cm (on stretcher). RICHARD SLADDEN - Throughout his life Dick was totally committed to art and in his early years as a practising artist came into prominence by exhibiting at the New Vision Centre Gallery in London, the Alwin Gallery, the Arnolfini Gallery in Bristol and in Dusseldorf, Germany, in a joint exhibition with the artist Bruce McLean. He was born in Clevedon, Somerset, on 11 March 1933, and spent his early years growing up by the sea. At the age of 12 he became a boarder at Kings School, Taunton, at the end of the War. He later enrolled at the Royal West of England Academy School of Architecture in Bristol and also did two years National Service in the Lancashire Fusiliers. His working life began in the then Ministry of Works Ancient Monuments branch for six years until he decided that was much too slow for him. His complete change of direction led him into art and design education, becoming a Senior Lecturer at Croydon College of Art. where, among other activities, he founded a well-regarded sculpture department. He moved to Epsom School of Art and Design in 1972 as Vice Principal. He was later instrumental in merging Epsom and Farnham Schools of Art which became the Surrey Institute of which he became the Assistant Director, by which time he was also Principal of Epsom. The Surrey Institute later merged with Rochester, Maidstone and Canterbury Schools of Art to become what is now the University of the Creative Arts. Retiring in 1994, he and Carol moved to Somerset . He participated in the Somerset Open Art Weeks several times having converted the 50ft waggon shed in the garden into an illuminated outdoor art gallery and being open to the public for two weeks in alternate years, occasions which Dick greatly enjoyed. After spells in Storrington for three years and later Milford for nine years, they eventually moved to Caesars Place in Godalming. It was here that Dick died peacefully in his sleep on 14 April 2020. He was a strong, talented and vigorous personality and was much loved and well respected by all his family and friends . He has left a very large gap in all our lives - Carol Miller, March 2021
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