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Timothy Gibbs (British 1923-2012): 'Hillside' - Abstract Landscape, mixed media on paper signed and dated '66, titled on exhibition label verso 43cm x 73cm Provenance: exh. Leicester Galleries, Cork Street, London September 1969, No.14, label versoCondition Report: Good overall condition in original frame
A folio of Old Master and other prints, early 18th c and later, including Jacques Philippe Le Bas (1707-1783) after Julien-David Le Roy (1724-1803) - Vue d'un Monument élevé en l'honneur de Thrasyllus à Athenes; Vue du Tmple de Minerve Suniade; Vue du Monument appellé vulgairement à Athenes l'Arc de Thesée; Vue du Temple de Jupiter Olimpien à Athenes; Vue de quelques fragments d'un Temple, situé dans un lieu de l'Attique appellé Thoricion, five, s.l., s.n., n.d. [1758], etchings, trimmed to just within the platemark, the largest 30.5 x 46cm; Francesco Morelli (c.1767-c.1830) after Jean Jérôme Baugean (1764-1827) - [Pyramid of Caius Cestius], Rome: Agapito Franzetti, n.d. [1795-1800], etching, 35 x 45cm; another two Grand Tour prints conforming; possibly by Robert White (1645-1703) - [Kentish Petition of 1701/The Kentish Petitioners], unlettered, s.l., s.n., n.d. [1701], line engraving, 36.2 x 26.2cm; Thomas Goff Lupton (1791-1873) after John Renton (1774 - c. 1841) - The Rev:d Matthew Wilks, portrait, London: Smith & Son, mezzotint, 41.5 x 31.5cm; 18th c portrait engravings; a gouache coat of arms; Welsh castles; 18th c Dutch maps; other European towns; other prints, mixed media and sizes, repaired early 19th c folio, leather over marbled boards, (54.5 x 72cm), (approx. 70) Mixed condition
English Civil War; Extra-Illustrated and Interleaved by an Antiquary Descendant. Hutchinson (Lucy), Memoirs of the Life of Colonel Hutchinson, Governor of Nottingham Castle and Town, Representative of the County of Nottingham in the Long Parliament, and of the Town of Nottingham in the First Parliament of Charles II, etc. With Original Anecdotes [...] and A Summary Review of Public Affairs [...], first edition, London: Printed for Longman, Hurt, Rees, and Orme, by T. Bensley, 1806, frontispiece, folding pedigree (annotated), and 4 full-page plates, extra-illustrated with 6 mixed media engravings, inter-leaved with a two-fold manuscript continuation of the family pedigree, [3]ff of MS, including genealogical notices of the Derbyshire families of Chandos-Pole, Stanhope & Gell, and further antiquarian notices, an ALS from the Rev. Francis Hutchinson of Tisbury Vicarage, Salisbury (whose information was 'Quite wrong ', as annotated by POH), another from Gordon Goodwin (apparently 'An impudent and very ignorant person '), tipped-in printed ephemera from periodicals, contemporary calf boards, rebacked, marbled edges and endpapers, 19th c bookseller's ticket to ffep: E.W. Perry, George Street, Plymouth, 4to Provenance: Peter Orlando Hutchinson (1810-1897), of Sidmouth, Devon, antiquarian, historian and diarist; his armorial bookplate, manuscript ownership inscription dated 1862, manuscript additions and marginalia.
The Cartwright family of Marnham Hall, Nottinghamshire. A portfolio of manuscript and other ephemera, early 19th c and later, including Americana: verse addressed to and about George Cartwright (1739/40-1819), British Army officer and later trader-explorer in Newfoundland and Labrador, by his brother John Cartwright (1740-1824), Royal Navy officer, major in the Nottinghamshire militia and political radical, n.d., 11 lines of verse; John Ternouth (1796-1848), sculptor, MS letter, dated 16 Feb:y 1826, presumably in a secretarial, addressed to Miss Cartwright, almost certainly Frances Dorothy Cartwright (1780-1863), JC's niece-adopted daughter and biographer, viz. sculpting a sepulchral monument in memoriam to the aforementioned radical; postal history franked cover addressed to Mrs. H. Strickland (née Mary Cartwright; the daughter, along with Frances, of the Rev. Edmund (1743-1823), JC'S brother), the verso of which is illustrated and inscribed with a spider and manuscript by one of her children; further children's and juvenile drawings, mostly natural history, including cut paperwork, mixed media, principally watercolour; pencil sketch of a country house, further amateur floor plans in pen-and-ink; Photograph of a picture now (1861) in the possession of G. Cartwright Esq:r (son of the younger Ed:d therein represented. The group was designed & arranged by Major John C. brother to Dr C [Rev. Dr Edmund C] and painted by [?]; further ephemera indicative of provenance through Edmund Cartwright's line of descent, early 19th c reverse calf over marbled boards, folio (37 x 23cm)
A large quantity of miscellaneous pictures, prints and printed ephemera, 18th c and later, including a Victorian piracy broadside, [The Flowery Land Mutineers] [...] The Five Sea Pirates, London: H. Such, Printer and Publisher, 1864, some losses, but the ballad complete, 24 x 17.5cm; after Henry Beighton (1687-1743), The South Prospect of Blithe-Hall (sic; Blythe) in Warwickshire, The Seat of the Author Sir William Dugdale, 1728, etching and engraving, tatty, 42 x 46cm; Thomas Major after Bonaventura Peeters the Elder; defective Thomas Maybank lithograph with aeroplanes; 1669 birds-eye view engraving of a Dutch formal garden; other 17th/18th c Baroque gardens; 18th copperplate engraved coats of arms; other plates, including English country houses and other topography; 19th c pencil sketch of Lismore Castle; fashion, cartoons and humour; cookery; etc., mixed media, various sizes, (approx. 300) Mixed condition.
Art & Design. A large pattern book, possibly for textile or wallpaper manufacture, c. 1880, approx. [163]ff, illustrated with approx. 350 harlequin numbered patterns, various styles and designs, including Paisley, ancient Egyptian, Adam Revival, other classicism, Victorian royal commemoratives, the odd French Republic commemorative, tartans, checks, and other patterns, mixed media, including watercolour, gouache, and/or pen-and-ink on paper, monochrome and polychrome printed, woven and other textiles, etc., various sized specimens, disbound, perished spine, some movement, folio (50 x 31cm)
Miscellaneous. Binding: Hall (Mrs. S.C., editor), The Drawing-Room Table-Book. London: George Virtue, n.d. [1849], printed in foliate lithographed borders, steel-engraved vignettes with tissue-guards, stained, finely bound in contemporary Renaissance Revival citron morocco, boldly blocked and tooled in gilt with knots and strapwork, six-compartment spine of raised bands, lettered in the second, some rubbed portions, spine somewhat sunned, all edges gilt and gauffered, 4to; Buchanan (Robert, editor) & Dalziel (The Brothers, engravers), Wayside Posies: Original Poems of the Country Life. London: George Routledge and Sons, 1867, half-title, plates and poetry, split with movement, finely bound in contemporary red morocco gilt over boards, some rubbed wear, all edges gilt, Merchant Taylors' Company's presentation plate, 4to; Grangerised Copy: Russell's Eccentric Personages, Monsieur le Docteur Devine to Daniel Defoe only, London: John Maxwell and Company, 1865, extra-illustrated with late 18th c and later mixed media prints, though principally 19th c, bound by Root & Son in contemporary blue three-quarter calf gilt over marbled boards, signed, repaired, top-edge gilt, others uncut, marbled endpapers, 8vo; [&] Ruskin (John, editor), Bibliotheca Pastorum, volume IV only: A Knight's Faith, Orpington: George Allen, 1885, contemporary tan quarter-calf over marbled boards, upper-cover just holding, top-edge gilt, others uncut, 8vo, (4) Provenance: 1st: Robin de Beaumont (1926-2023), bibliophile, President of The Private Libraries Association and benefactor to The British Museum; his book label to pastedown, with his loosely-inserted and other pencil bibliographic notes. 3rd: William Foyle (1885-1963), of Beeleigh Abbey, Essex; his armorial gilt-tooled morocco bookplate to pastedown.
Cricket. An early 19th c drawing-room album, c. 1830, illustrated with a contemporary watercolour of a cricket match, within a fenced pitch and before a manor house, 10.6 x 15cm, mounted on a leaf with manuscript lines viz. the sport, loosely-inserted watercolour of a similar house from a different perspective, 13.5 x 23cm, the album further typically illustrated and inscribed over approx. [65]ff, with commonplace prose and verse from belles-lettres, and enclosing mixed media works on papers, including an earlier cartoon of Napoleon, [Triumph des Jahres 1813/ Den Teutschen zum Neuenjahr 1814], s.l., s.n., n.d. [1814], cut-out profile, etching, with contemporary watercolour hand-colouring, trimmed with loss of all lettering, 18 x 9cm, with a loosely-inserted contemporary 3pp MS poem on the same subject, India: a tipped-in ALS of 2pp, indistinctly inscribed by a contemporary Indian, in English, to a Master Surgster (?; presumably a member of the East India Company), addressed and dated Bombay/11th July 1829, viz. passage on a ship, an indistinct named-view pen-and-ink of an Indian landscape c. 1830, gouache still life on a petrified leaf, 11 x 11cm, four Chinese watercolour studies on pith paper, various states of condition and sizes, a small watercolour of British soldiers, full-page monochrome pen-and-ink study of a deer, named-view watercolour of Torquay, a satirical print by G. Davies after Charles Jameson Grant, [Frontispiece for The Penny Magazine] The March of the Intellect, lithograph, n.d. [1830-35], trimmed loss of primary title, 25.5 x 20cm, cut-out engravings and further mixed process prints, finely bound in a somewhat worn contemporary brown straight-grained morocco over boards, gilt, contemporary bookseller's ticket to pastedown: Wilson, 88, Royal Exchange, London, rubbed and worn binding, split and contents loose/loosening, all edges gilt, 4to
Travel. Yorkshire: a Windsor clergyman's summer motoring holiday journal, The Rev. W.R. Flex, cleric, school master and sometime Eton beak, August 1932, 103 ff manuscript diary, principally to verso, with social, topographical and antiquarian observations, including the Weavers' Strike at Hebden Bridge, the leaves adjoining the narrative illustrated with 12 hand-drawn motoring and other maps, 35 b/w photographs and 7 loosely-inserted of local sites and his family, further printed ephemera, contemporary papered limp boards, some wear, but holding, 8vo; World War Two, South-East Asia: My Pencil, my Rifle, and Me, dated 1945, an army serviceman's unfinished memoir, [iii], [24]pp of MS only, 6 mixed media illustrations (of 7, apparently), including a pen-and-ink self-portrait of the author in military uniform, the extant narrative comprises an amusing, and at times, self-deprecating introduction and an account of the sea voyage only, inscribed in a contemporary Japanese ruled ledger, with a later tacked-on tan pigskin leather wrapper, the upper-cover lettered in blind relief, foolscap 4to (31 x 23cm), (2)
Miscellaneous pictures and prints, late 18th c and later, including after Sir William Nicholson (1872-1949) - Archery, lithograph, 23 x 21cm; 19th c named-view topography, including country houses; early 20th c children's colour illustrations; some ephemera; maps; etc., mixed media and sizes, (approx. 150) Mixed condition.
Children's and Juvenile Books. [Landon (Letitia Elizabeth)], Traits and Trials of Early Life, third edition, London: Henry G. Bohn, 1844, portrait frontispiece, original publisher's cloth, blind and gilt, uncut, 8vo; [India]: Hodson (Thomas), 'Old Daniel;' or, Memoir of a Converted Hindoo (sic, Hindu), London: Weslyean Conference Office, n.d., chromolithographed frontispiece, further colour and b/w plates, original publisher's cloth, all edges gilt, 8vo; [Holy Land]: Anon, Story of Bethlehem, London: James Nisbet and Co., 1859, original publisher's cloth binding, in the manner of Leighton, pictorial gilt and blind-stamped, all edges gilt, 8vo; others, all in their original Victorian or later decorative trade bindings, illustrated with mixed media printing, various sizes, (23)
Miscellaneous Manuscript and Printed Ephemera, 15th/early 16th c and later, including an auction catalogue, Messrs. Knight, Frank & Rutley:~ 20, Hanover Sqaure, W. Catalogue of Family Portraits, Drawings, and the Library, from Aston Rowant House, Aston Rowant, Oxfordshire. By Direction of The Lady Vaux Harrowden [...], 30th November, 1917, original wrappers, 8vo; late 19th/early 20th c b/w photograph of an Eastern patriarch; a full-length portrait silhouette of a dandified gentleman, possibly Oscar Wilde; fragmentary leaves from a post-incunabulum, probably Italian, n.d. [15th/early 16th]; fragments from a 16th English Black Letter Bible, later used as binder's waste; pamphlets and monographs on fairy tales and folk lore; two early 20th c friendship albums, typically inscribed with sentiment, sometimes illustrated with original drawings, caricatures, flowers, animals, etc., executed in watercolour, pen-and-ink, and further media, mixed bindings and sizes; etc
A collection of approx. 115 bookplates/ex-libris labels, principally European, early 20th c and later, pictorial designs by various hands, including Hubert David, Jacqueline Verbist-Maanen, Cornelis Labots, infrequent armorials and crests, mixed media printing, various sizes, mostly mounted, cloth archive box Good condition.
Ed Kluz (b.1980)"The Station, Richmond"Mixed media collage, 60cm by 28.5cmProvenance: Commissioned from the artist in 2007Overall good condition. Thin layer of dust and debris.Cockling to background paper, particularly evident in tne sky. Some lifting of paper and adhesive visible, maybe technique. Paint loss on the frame, likely original.Please see photos. Not examined out of frame.
Characters (Emma Hamilton) - Armando De Stefano (Napoli - 1926 - 2021) - Acrylic on paper (mixed media), 20th century Italian school, depicting characters (Emma Hamilton). Internal frame dimensions: 36x41 cm. Overall frame dimensions: 52x57 cm. Signed at the bottom right by Armando De Stefano (Napoli - 1926 - 2021). Artwork in good condition.
Denis Bowen (South African, 1921-2005) Haloe Mixed media on board Signed and inscribed on reverse 'Haloe 1994' Together with a handwritten invitation by the artist to a private view of his works at the Belgrave Gallery and another invitation to Pierre and Sonya Rouve for a private viewing of his paintings at Bede Gallery Jarrow Provenance: Pierre Rouve Dimensions: 10.5 in. (H) x 20.5 in. (W)
Lilya Pavlovic-Dear (American/Serbian, b. 1947) The Partition Signed and inscribed at bottom 'EA 1971 - The Partition - PAVLOVIC Lilya to my friend Pierre Rouve 5 II. 1973' Mixed media on paper Together with: [a] A 1997 retrospective catalogue of Lilya's works including a printed black and white photograph of the artist [b] Multiple handwritten cards and invitations from the artist to Mrs Rouve Lilya Pavlovic-Dear was born in Yugoslavia in 1947. She studied at the Academy of Fine Arts, Belgrade and did a Master of Fine Arts in Printmaking at the Chelsea College of Arts in 1973, focusing on etching and silk screens. Her work was exhibited at Prudhoe Gallery, London, the Library of Congress in Washington D.C. and at the 2015 Venice Biennale. Many public and private collections include her works throughout Europe, such as the French Bibliothèque Nationale, the United Sates, such as the Museum of Modern Art, South Africa, and China. She taught at UCLA in the 1970s and is currently living and working between the United States and France. Provenance: Pierre Rouve Dimensions: (Frame) 29.5 in. (H) x 22 in. (W) (Paper) 21.5 in. (H) x 15 in. (W)
A group of Christmas cards from various artists to Pierre Rouve To include: [a] Maurice Jadot (1893–1983), Belgian Two cards signed Margaret and Maurice Jadot Gouache One monogrammed and dated 1958 lower right [b] Francis Littna (1903-1973), Czech An abstract drawing of figures Ink and watercolour on paper Dated 1956 [c] Ahmed Cherkaoui (1934-1967), Moroccan A print signed and dated '66' lower right [d] John Jesse An abstract composition Signed and dated 'Jesse 62' bottom right Watercolour on paper [e] An abstract composition with gold flakes Mixed media on paper Signed 'Marcelle et Henry' [f] James Guitet (1925-2010), French Two abstract compositions Etchings One numbered 81/150, signed and dated '65,' the other signed and dated '68' [g] Suzanne Rodillon (1916 - 1988), French An abstract composition Signed and dated '58' bottom right [h] Jean Piaubert (1900–2002), French An embossed card Signed bottom right To be sold without reserve Provenance: Pierre Rouve Dimensions: Ranging from 10 in. (H) x 7 in. (W) To 4.5 in. (H) x 6 in. (W)

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43994 item(s)/page