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Lot 4
Biddy PICARD (1922-2019) Nanjizal, c 1970s Mixed media on paper, signed, inscribed label 'Donated by artist Biddy Picard' to verso, 40.5 x 29cm, framed 56 x 42cmThe Estate of Frank RuhrmundThis work has not been examined out of its glazed frame. It is likely that there has been a degree of fading and browning of the substrate.There is no evidence of foxing
Lot 242
A pair of Regency oval silkwork pictures depicting a shepherdess carving a tree and a lady in classical dress placing flowers at the tomb of 'Shakespear' 29cm x 24.5cm (2)Silkwork and mixed media, the face, hands and feet are all painted goache on paper elements. some splits and old wear to the frames consistent with age.Area of discolouration to the sky of the shepherdess (shown in photo)
Lot 2051
A late 19th/early 20th century Chinese elm red-lacquered or wedding cabinet, the two doors opening to a fitted interior, with two drawers under and brass mounts. W105cm, H180cm, D62cm.Good overall condition. There is a circular hole in the back panel, suggesting this has been used as a media cabinet in the past. This is of mixed age, the fitted interior being in our opinion newer than the cabinet.
Lot 11
Willy Tir (1915-1991) ‘Z’ mixed media painting and sculpture shaped canvas max 68 x130cm and loose painted cloth. Provenance: Photographed in Cartwright Hall solo exhibition in 1974 and Scott Gallery, Lancaster of the same year. Also illustrated in Turnpike Gallery, Leigh catalogue of May 1975.
Lot 80
Gerard Dillon – ‘High Cross Panel’, mixed media with oil, gouache and pastel on fifteen sheets of paper laid on board, circa 1949, Gerard Dillon Retrospective exhibition label verso, 112.5cm x 159cm, within a stained wood frame. Note: considered one of the artist’s seminal works, the ‘High Cross Panel’ is inspired by Celtic relief sculptures that Dillon had sketched during his visits to Monasterboice and Mellifont Abbey with his friend, the artist Nano Reid. Although Dillon had grown disenchanted with the Catholic Church of his upbringing, Dillon’s incorporation of Celtic Christian iconography can be seen as an attempt to connect with a distinctly Irish tradition. By referencing Celtic art, Dillon sought to position his work within the broader context of Irish artistic heritage. Provenance: P.J. Carroll & Co. Ltd. Art Collection; private collection. Exhibitions: Gerard Dillon Retrospective, Municipal Gallery of Modern Art, Dublin, 1973. Illustrated: White, J. ‘Gerard Dillion an Illustrated Biography’ (Wolfhound Press, 1994), pp.26-27.
Lot 478
Shepard Fairey, American b.1970- Duality of Humanity, 2008; screenprint in colours, mixed media and collage on thick wove, signed in pencil and dated, a printer's proof, featuring the Obey symbol, sheet: 104.8 x 76.4 cm, (unframed) Note: this work features an American GI probably from the Vietnam war era, Fairey's collages are very collectible in the current market.
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