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*KEITH MURRAY (1892-1981) 'Segovia' 1927, street scene with figures, monogrammed and titled lower left, dated verso, pencil and watercolour, 24cm x 30.6cmNote: Keith Day Pearce Murray MC RDI FRIBA (5 July 1892 - 16 May 1981) was a New Zealand-born British architect and industrial designer, known for ceramic, silver and glass designs for Wedgwood, Mappin & Webb and Stevens & Williams in the 1930s and 1940s. He is considered to be one of the most influential designers of the Art Deco / Modern age.

*ISABEL LAMBERT RAWSTHORNE (NÉE NICHOLAS) (1912-1992) Double portrait circa 1960s, oil on canvas, 60cm x 50cmProvenance: The picture was inherited by descent from mother to daughter. The mother was friends with both Constant Lambert and Alan Rawsthorne (two of Isabel's husbands), as part of the same music circle. She remained friends with Isabel right up her twilight years when she lived in a cottage in Essex. Indeed the daughter vividly recalls visits, and the kind donation of old canvases to her brother as a young artist.Note: Isabel has been subjected to relative obscurity, probably due to her name changes from three marriages, and from being dismissed by society as merely the striking studio model, lover or muse of artistic icons such as Alberto Giacometti, Pablo Picasso, and Francis Bacon. Despite highly acclaimed exhibitions in the 50s and 60s, she has only recently received serious renewed recognition, which is now gaining pace and several paintings have entered public collections as a result.From a humble background she studied at the Liverpool College of Art, later winning a scholarship to the Royal Academy in London. After working with Jacob Epstein she moved to Paris to study at the Academie de la Grande Chamiere and associated with Giacometti, Tristan Tzara and the Surrealist Circle. Throughout her life she was within leading artistic circles, be they composers, dancers, artists or writers. It is notable that she became a respected scenery and costume designer for ballet and opera productions at the Royal Opera House.From 1949 she and Bacon showcased their figurative brand of modern art at the Hanover Gallery and exhibited in the ICA and British Council. Indeed the critic David Sylvester ranked her alongside Bacon, Lucien Freud, John Craxton and Peter Lanyon.It was during the 1960s and 1970s, with the deaths of Giacometti and her third husband, that the ethereal double portraits emerged and where the distinctive dead and sculpted likenesses evolved. This painting is almost certainly one of a portrait series of her late husband Alan Rawsthorne and his sister Barbara. The spectral faces dissolve into a void-like background, capturing the fragility of the human body. The doubling effect suggests the mirrored ballet studios in which she drew dancers at their craft. The grainy texture, created with sand highlighted with hints of pink, yellow and white, emphasises the shafts of light and the window behind.

*KEITH MURRAY (1892-1981) 'Florence' canal scene with gondolier, signed and dedicated in pencil to the margin, monogrammed in plate lower right, etching, the image 12.5cm x 13cm; together with four further prints by Murray (5) (all unframed)Note: Keith Day Pearce Murray MC RDI FRIBA (5 July 1892 - 16 May 1981) was a New Zealand-born British architect and industrial designer, known for ceramic, silver and glass designs for Wedgwood, Mappin & Webb and Stevens & Williams in the 1930s and 1940s. He is considered to be one of the most influential designers of the Art Deco / Modern age.

*KEITH MURRAY (1892-1981) Spanish street scene with figures circa 1927, signed in pencil lower right, pencil and watercolour, 19cm x 29cm; together with another Swiss street scene 'Sion, August 1925', pencil and wash, 20cm x 31.5cm (2)Note: Keith Day Pearce Murray MC RDI FRIBA (5 July 1892 - 16 May 1981) was a New Zealand-born British architect and industrial designer, known for ceramic, silver and glass designs for Wedgwood, Mappin & Webb and Stevens & Williams in the 1930s and 1940s. He is considered to be one of the most influential designers of the Art Deco / Modern age.

BETTY JOEL (BRITISH, 1894-1985) A SIDE TABLE; MADE BY TOKEN WORKS, 1934 Walnut; rectangular form, curved edge Paper label with 'TOKEN HAND MADE FURNITURE/Designed by Betty Joel (facsimile stamp)/Made by J Roberts/at Token Works, Portsmouth, June 1934' 74cm high, 106cm wide, 60cm deep"I personally began to design furniture because I despaired of trying to adapt old furniture to the needs of my own entirely modern house" ~ Betty Joel in 1932An impressive business woman, and talented (perhaps occasionally overlooked) female furniture, textile and interior designer active in England during the interwar years. Joel epitomised the elegance and innovation of early 20th century furniture design. Her works are known for their distinct art deco style; the designs were modern yet functional, using high-quality woods and detailed joinery; examples can be found in the V&A and Geffrye museums in London. Her great-nephew Clive Stewart-Lockhart has published, this year (2025), a new biography on Joel to mark the 40th year of her passing - showcasing her design, vision and ever-lasting impact on British furniture design. 

Over 70 Jazz / Modern Jazz / Jazz Fusion / Hard Bop LPs featuring foreign pressings to include Grover Washington Jr, Earl Klugh, Bob James, Larry Carlton, Art Blakey, Chet Baker, The Tatum Hampton Rich Trio, Bill Holman, Ray Bryant, Boots Mussulli Quartet, Zoot Sims, Chico Hamilton, Coleman Hawkins, Gene Amons, Milt Jackson, Mose Allisson, Dizzie Gillespie, Bill Jennings, Clarence Clemons, Robert Conti, Django Reinhardt, Charlie Byrd and more. Vg+ overall

Over 70 Jazz / Modern Jazz / Jazz Fusion / Hard Bop LPs featuring foreign pressings to include Phil Upchurch, Wes Montgommery, Herbie Mann, Thelonious Monk, Eddie Lockjaw Davis, Gene Krouper, Art Pepper, Gerry Mulligan, Ben Webster, Lester Young, Charlie Byrd, Milton Buckner, Stan Getz, Oscar Peterson, Johnny McLaughlin, Kenny Burrell, Geroge Duke and more. Vg+ overall

Over 70 Jazz / Modern Jazz / Jazz Fusion / Hard Bop LPs featuring foreign pressings to include Joe Pass, Tiny Grimes, Bill Frisell, Eric Gale, Lester Young, Art Pepper, Phil Upchurch, Roy Ayers, Kazumi Watanabe, Kevin Eubanks, Tom Browne, Wilton Felder, Steps Ahead, Joe Sample, Herb Ellis, David Benoit, Wim Overgaauw, Peter Leach and others. Vg+ overall

▲ Clive Barker (b.1940) 'William Nicholson's Brushes', 2008copper-plated bronze and polished bronze, stamp signed, titled and dated on a plaque inside the pot49.5cm highProvenance: The David and Pam McCleave Collection of Modern British Art.Exhibited: Whitford Fine Art, London, 'POP NOW', 4 June - 3 July 2009.Condition ReportSurface dust and dirt with a little verdigris starting to emerge. For a full report please contact the department.

▲ Ruskin Spear RA (1911-1990) South Kensingtonsigned 'Ruskin Spear' l.r., oil on board47 x 61cmProvenance: Sotheby's, New Bond Street, 'Modern British and Irish Art', 2 June 2004, lot 88;the David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 63 x 77cmAppears to be in good order. Not examined under UV light, for a full report please contact the department.

▲ Gerald Scarfe (b.1936) 'Two Dodgy Brexiteers Run for It!’, a Boris Johnson and Nigel Farage satire, signed 'Gerald Scarfe' l.r. and inscribed with title l.c., pen and ink and watercolour heightened with white, with pencil inscriptions59 x 84cmProvenance: Provenance: Sotheby's, New Bond Street, 'Scarfe at Sotheby's', 5 April 2017, lot 17;the David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 64 x 94cmA little cockling and a few tiny speckles of light surface dirt. Presents well overall. Not viewed out of glazed frame.

▲ Sir Peter Blake RA (b.193-) 'Vintage Blake'screenprint in colours, 2012, 'Peter Blake' in pencil l.r. and numbered '116/250', printed at Coriander Studios, published by CCA Galleries, with blind stampsheet 77 x 75cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportThe top right corner has a 6cm rip to the margin. Tiny nicks to the extreme corners. Very faint dirty smudges to the top left corner. The printed area appears to be in good condition.

▲ Roger Hilton (1911-1975) Untitled, 1972charcoal and gouache25 x 17.5cmProvenance: The estate of the artist;with Jonathan Clark & Co. Fine Art, London;the property of a private collector.Literature: 'Roger Hilton: Night Letters', edited by Timothy Bond, published by Archive of Modern Conflict, 2009, illustrated p.24.Condition ReportFramed: 37 x 29.5cmPinholes to upper corners. There are slight marks where the work has been stuck down with small piece of tapes applied verso in the corners and the centre of the left and right edges. On very close inspection there are a couple of extremely small faint brown speckles in the lower right and the centre of the right edge, however the work presents well overall and is ready to hang. Not viewed out of glazed frame.

▲ Sir Peter Blake RA (b.1932) 'Some of the Sources of Pop Art VII'screenprint in colours with glitter and diamond dust, 2009, signed 'Peter Blake' in pencil l.r. and numbered '125/175', printed at Coriander Studios, published by CCA Galleries, with blind stampsheet 106 x 101cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportPresents very well overall. Small fold mark in the lower left corner. A couple of very faint smudges to the margin in the upper left corner. There are some very minor abrasions to the strip of blue ink to the right of the American flag. Please see additional images.

▲ Sir Peter Blake RA (b.1932) 'The Second Real Target 25 Years Later'screenprint in colours, 2009, signed 'Peter Blake' in pencil l.r. and numbered '29/100', printed at Coriander Studios, published by CCA Galleries, with blind stampsheet 111.5 x 88cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportAppears to be in good condition.

▲ Edward Burra (1905-1976) The processionwith 'E J Burra' estate stamp u.r., pencil and watercolour, with a pencil drawing of dancers verso65 x 50cm, unframedProvenance: Sotheby's, London, 'Works from the Estate of Edward Burra, Lady Ritchie of Dundee and Associated Owners', 3 July 2002, lot 256;the property of a private collector.Edward Burra was known for his surreal, satirical depictions of modern life. Born in London and raised in Rye, Sussex, he battled chronic rheumatoid arthritis, which shaped both his lifestyle and artistic practice. Despite physical limitations, he developed a distinctive style, favouring large-scale watercolours. His early work focused on urban nightlife, revelling in the grit and glamour of brothels, bars and cabaret scenes.Burra’s fascination with Hispanic culture led him to Spain in 1933, during the turbulent years of the Second Spanish Republic (1931-1939). The country was undergoing radical political change - secular reforms, social unrest and rising tensions that would eventually lead to civil war. He was captivated by Spain's dramatic cultural traditions, particularly its religious processions, bullfights and theatrical Catholic rituals. Spanish art profoundly influenced him, from the eerie mysticism of El Greco to the stark realism of Goya and Zurbarán. Burra immersed himself in the culture, learning Spanish and surrounding himself with Spanish literature. He also travelled to Mexico, where the vibrant folk traditions and imagery of the Day of the Dead reinforced his fascination with ritual and the macabre.His undated drawing 'The Procession' showcases his signature compositional technique. The eye is led diagonally from the upper left to the lower right, where figures seem to move beyond the paper’s edge. This sense of momentum is key to his later religious-themed works. Burra’s cartoonist-like approach is evident - while most of the piece remains an outline, he selectively colours a few figures, particularly a striking, red-skinned face, adding both drama and mystery. This technique teases the viewer, leaving them wondering how the final piece might have looked, a hallmark of Burra’s ability to balance intrigue and narrative depth.Condition ReportThere are several very small, repaired tears to the upper edge. A few light spots of foxing starting to emerge. Very light surface dirt. There is a little pale yellow discolouration in the lower right corner.

▲ Sir Peter Blake RA (b.1932) 'Marilyn'screenprint in colours, 2008, signed 'Peter Blake' in pencil l.r. and numbered '143/175', printed at Coriander Studios, published by CCA Galleries, London, with blind stampsheet 82 x 59.5cm, unframedProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportAppears to be in good condition.

▲ William Scott RA (1913-1989) White, Umber and Grey, 1962signed 'W. Scott' l.r., gouache49 x 61.5cmProvenance: Sotheby's, London, November 1996, lot 78;with Hanover Gallery, London;Design Research Unit, acquired from the above;Sotheby's, London, 14 March 1979, lot 197;a private collection;Sotheby's, London, 'Modern & Post-War British Art', 27 November 1996, lot 78;the property of a private collector.Condition ReportFramed: 70 x 81cmRippling to the edges of the sheet. A little time staining with a faint border of discolouration around the edges, please refer to illustration. The sheet appears to be stuck down to the mount in several places around the edges, but does not appear to be laid down. Deckled edges. Presents well overall and ready to hang. Not viewed out of perspex glazed frame. Perspex has light scratches in upper right.

▲ Roger Hilton (1911-1975) Untitlednumbered '171' u.r., conté25.5 x 20cm, unframedProvenance: The estate of the artist and part of a collection of 27 drawings belonging to Fergus Hilton;with Jonathan Clark & Co. Fine Art, London;the property of a private collector.Literature: 'Roger Hilton: Night Letters', edited by Timothy Bond, published by Archive of Modern Conflict, 2009, illustrated p.61.Condition ReportMounted: 34.5 x 40.5cmSmudging in areas, please refer to illustration. A little faint foxing starting to emerge. A tiny abrasion to the surface of the paper in the upper left between the drawn lines. Light creasing. Stuck down along the left edge.

▲ Gerald Scarfe (b.1936) 'Toff Gate', Boris Johnson for PMsigned 'Gerald Scarfe' l.r., pen and ink and watercolour heightened with white over pencil84 x 59cmProvenance: Sotheby's, New Bond Street, 'Scarfe at Sotheby's', 5 April 2017, lot 19;the David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 95 x 64cmSome faint dirty smudges. A small brown mark to the upper right corner. Presents well overall. Not viewed out of frame.

▲ Roger Hilton (1911-1975) Untitledcharcoal20 x 25cm, unframedProvenance: With Jonathan Clark & Co. Fine Art, London;the property of a private collector.Literature: 'Roger Hilton: Night Letters', edited by Timothy Bond, published by Archive of Modern Conflict, 2009, illustrated p.195.Condition ReportTime staining and a little discolouration with foxing starting to emerge. A small brown spot in the upper right quarter. Faint dirty marks and smudges. There are some faint colourless lines across the work which appear to be the impressions of another drawing.

▲ Roger Hilton (1911-1975) 'Entwined Couple', c.1970scharcoal29 x 22.5cmProvenance: The estate of the artist;with Jonathan Clark & Co. Fine Art, London;the property of a private collector.Literature: 'Roger Hilton: Night Letters', edited by Timothy Bond, published by Archive of Modern Conflict, 2009, illustrated p.140.Condition ReportFramed: 41 x 34.5cmA little time staining and light creasing. Slight marks in the corners and around the edges where the work has been affixed with small pieces of tape verso. Not viewed out of glazed frame.

▲ Roger Hilton (1911-1975) Untitledconté25.5cm x 20cm, unframedProvenance: The estate of the artist and part of a collection of 27 drawings belonging to Fergus Hilton;with Jonathan Clark & Co. Fine Art, London;the property of a private collector.Literature: 'Roger Hilton: Night Letters', edited by Timothy Bond, published by Archive of Modern Conflict, 2009, illustrated p.108.Condition ReportMount: 40.5 x 34.5cmThe conté is lightly smudged in areas, please refer to illustration. Faint brown speckles to the lower third. A light brown stain in the lower right corner. Stuck down along top edge with minor discolouration to the extreme edges in the upper left corner.

▲ Roger Hilton (1911-1975) Untitledconté20 x 25.5cm, unframedProvenance: The estate of the artist and part of a collection of 27 drawings belonging to Fergus Hilton;with Jonathan Clark & Co. Fine Art, London;the property of a private collector.Literature: 'Roger Hilton: Night Letters', edited by Timothy Bond, published by Archive of Modern Conflict, 2009, illustrated p.202.Condition ReportMount: 34.5 x 40.5cmSmudging and light fingerprints. Handling creases. Two diagonal fold marks to the upper right. Small faint speck of discolouration to the extreme edges. Stuck down along top edge.

▲ Clive Barker (b.1940) 'What's Up Doc', 2001polished bronze, stamp signed, titled, dated and numbered '2/3' on the base16.5cm highProvenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportDust and dirt to crevices. For a full report please contact the department.

▲ Joseph Klibansky (Dutch, b.1984) 'Leap of Faith', 2019 polished bronze, signed 'Joseph Klibansky', numbered '20/20' and dated '09-09-2022' on top of backpack 45cm wide 80cm deep 69cm high 180cm high overall, on a white plinthSouth African-born Joseph Klibansky is a contemporary artist based in Amsterdam. Known for his innovative approach, Klibansky blends traditional artistic techniques with cutting-edge digital technology to create captivating works of art. His sculptures, often crafted from polished bronze, are celebrated for their reflective surfaces and playful yet thought-provoking themes. As in the present lot he often blends traditional craftsmanship with modern aesthetics. In 'Leap of Faith' we see a spaceman attempting to take 'one giant leap for mankind' but is weighed down by a crucifix on his back. The sculpture explores themes of courage, risk and transformation, which are often central to Klibansky's work.Condition ReportPlinth: 34 x 74 x 110cmPresents well overall. A little light surface dust and dirt. Tarnishing with light surface scuffs and scratches to the crucifix. Some tarnishing to spaceman. No obvious major condition issues visible on inspection. Please see additional condition images.

▲ Roger Hilton (1911-1975) 'Black Tree'signed with initials and dated '74' l.r., mixed media46 x 38cmProvenance: The estate of the artist;with Jonathan Clark & Co. Fine Art, London;the property of a private collector.Exhibited: Newlyn Art Gallery, Newlyn, 'Roger Hilton: A Centenary Celebration', 29 January - 2 May 2011.Literature: 'Roger Hilton: Night Letters', edited by Timothy Bond, published by Archive of Modern Conflict, 2009, illustrated p.261.Condition ReportFramed: 59.5 x 50.5cmMixed media including charcoal, pastel, watercolour and gouache. Cockling and creasing to the edges. A little time staining. Splashes of paint to upper area, appears to be intentional by artist. Pinholes to the corners. Well presented and ready to hang. Not viewed out of glazed frame.

▲ Clive Barker (b.1940) 'Magritte's New Shoes', 2016polished bronze, stamp signed, titled, dated and numbered '2/6' on plaque inside the right shoe9.5cm high (2)Provenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportDust and dirt to crevices. Verdigris starting to emerge in places. For a full report please contact the department.

▲ Clive Barker (b.1940) 'Football Boots', 2016polished bronze, stamp signed, titled, dated and numbered '2/3' on a plaque to the base55.5cm highProvenance: The David and Pam McCleave Collection of Modern British Art. Condition ReportDust and dirt to the crevices with some verdigris in places. For a full report please contact the department.

▲ Roger Hilton (1911-1975) 'Red and Orange'signed with initials and dated '74' l.r., charcoal, gouache and pastel44 x 34cmProvenance: The estate of the artist;Jonathan Clark & Co. Fine Art, London;the property of a private collector.Exhibited: Newlyn Art Gallery, Newlyn, 'Roger Hilton: A Centenary Celebration', 29 January - 2 May 2011.Literature: 'Roger Hilton: Night Letters', edited by Timothy Bond, published by Archive of Modern Conflict, 2009, illustrated p.179.Condition ReportFramed: 58 x 47cmPinholes to corners. Very light time staining. The right edge is deckled and uneven at the bottom. A little smudging to the orange pastel in the lower right. Minor handling creases. Faint dirty marks and smudges, however presents well overall and ready to hang. Not viewed out of glazed frame.

▲ Gerald Scarfe (b.1936) ‘Pub Bore’a Nigel Farage satire, pen and ink and wash heightened with white, with pencil inscriptions84 x 59cmProvenance: Sotheby's, New Bond Street, 'Scarfe at Sotheby's', 5 April 2017, lot 12;the David and Pam McCleave Collection of Modern British Art.Condition ReportFramed: 95 x 64cmA few faint dirty smudges. Presents well overall. Not viewed out of frame.

▲ Roger Hilton (1911-1975) Untitledconté20 x 25cm, unframedProvenance: The estate of the artist and part of a collection of 27 drawings belonging to Fergus Hilton;with Jonathan Clark & Co. Fine Art, London;the property of a private collector.Literature: 'Roger Hilton: Night Letters', edited by Timothy Bond, published by Archive of Modern Conflict, 2009, illustrated p.198.Condition ReportMount: 34 x 40.5cmA little light smudging, please refer to illustration. Light handling creases and a couple of very small spots of discolouration. A larger diagonal crease mark 8cm in length crosses the vertical drawn line on the right side, finishing at the lower right edge where there are some faint dirty marks. A little time staining to the extreme right edge. Stuck down along top edge.

▲ David Hockney OM CH RA (b.1937) 'Pool Made With Paper and Blue Ink' for the book 'Paper Pools' (MCA Tokyo 234)lithograph in colours, 1980, signed and dated 'Hockney 80' in pencil l.r., and numbered '681/1000', published by Tyler Graphics Ltd., Mount Kisco, New York, with blind stamp sheet 27 x 24cmWhen thinking about David Hockney, the subject of the swimming pool is one that comes to mind. It has become one of the defining motifs of his artistic career and an iconic image of modern art. The theme recurs frequently in his paintings, drawings, photographs and prints.Hockney’s fascination with pools began in 1964 when he flew over Los Angeles and was captivated by the vivid expanse of blue pools dotting the Californian landscape - an image starkly different from the scenery of Britain he had left behind. To Hockney, the swimming pool was a representation of pleasure and leisure in the 1960s, and a joyous image to reproduce. Additionally, it provided a creative opportunity to explore the play of light and reflections on water, shaped by ripples, curves and shadows cast by gentle breezes or the movement of swimmers.This motif repeatedly surfaced in his work over the years, including the present lithograph titled 'Pool Made With Paper and Blue Ink for a Book'. This piece was created for the special edition book 'Paper Pools' by David Hockney, edited by Nikos Stangos and published in 1980 by Thames & Hudson. The book delves into Hockney’s 'Paper Pool' series, comprising twenty-nine paper pulp artworks that he created in 1978 while staying with his friend, the printmaker Ken Tyler. Inspired by this new medium, Hockney used Tyler’s swimming pool as the subject for this lithograph. He meticulously studied the pool at various times of the day and night, observing and recording the interplay of light and colour, through drawings and photographs.Though smaller in scale compared to Hockney’s large oil paintings, this lithograph is equally vibrant and demonstrates meticulous precision in its execution. The image was initially hand-drawn by the artist and then printed in six colours from three lithographic limestones and three aluminium plates. This lot is pencil signed and numbered '681' from a limited edition of 1,000 prints with an additional 122 proofs. Condition ReportFramed: 58 x 49.5cmPresents well overall. In our opinion the colours are bright. Slight time staining to the margins. There is some acid discolouration to the extreme edges. There is a little rubbing/ abrasion to the water in the lower centre and along the left edge, please see additional condition images. The print has been stuck down in the corners and it is not possible to see the reverse of the sheet. The print sits flat without any obvious cockling or creasing.

▲ Roger Hilton (1911-1975) 'Two Prawns'signed with initials and dated '74' l.l., gouache35.5 x 40cmProvenance: The estate of the artist;with Jonathan Clark & Co. Fine Art, London;the property of a private collector.Literature: 'Roger Hilton: Night Letters', edited by Timothy Bond, published by Archive of Modern Conflict, 2009, illustrated p.48.Condition ReportFramed: 48.5 x 52.5cmLight rippling. Pinholes to corners. Small scattered faint brown speckles which appear to be paint rather than foxing or a later condition issue. A small 1cm ridge in the paper to the upper edge, centre right, possibly a minor tear (?). Light marks and smudges. Well presented and ready to hang. Not viewed out of glazed frame.

▲ Roger Hilton (1911-1975) 'Nude Couple Embracing', c.1970scharcoal25 x 20cmProvenance: The estate of the artist;with Jonathan Clark & Co. Fine Art, London;the property of a private collector.Exhibited: Tate, St Ives, 'Into Seeing New: Roger Hilton', 7 October 2006 - 21 January 2007.Literature: 'Roger Hilton: Night Letters', edited by Timothy Bond, published by Archive of Modern Conflict, 2009, illustrated p.160.Condition ReportFramed: 38 x 32.5cmCurved creases in the lower left corner. Appears to be mounted with small pieces of tape applied to the corners verso, which has caused a slight bump in the upper right corner. Light smuding and fingerprints which are believed to be by the hand of the artist rather than a later condition issue, please refer to illustration. Not viewed out of glazed frame.

▲ Sir Peter Blake RA (b.1932) 'Wooden Puzzles' portfolio, 2013a set of five screenprints in colours with hand-collaged and embossed elements, diamond dust and glitter, each signed 'Peter Blake' in pencil l.r. and numbered '32/100', printed at Coriander Studios, published by CCA Galleries, presented in original archival box with title page and colophoneach sheet 49 x 42cm (5)Provenance: The David and Pam McCleave Collection of Modern British Art.Condition ReportA little very minor cockling to the sheets. Appears to be in otherwise good condition. Dirty marks and scuffs to box.

▲ Terence Cuneo (1907-1996) The German surrender at Lüneburg Heath, 4 May 1945signed and dated 'CUNEO/FEBRUARY 1969' l.l., oil on canvas 101.5 x 126.5cm;together with a collection of correspondence relating to the picture between Mr Haworth, of James Haworth & Brother Ltd., and others, including the 1st Viscount Montgomery of Alamein;later correspondence between Mr John Haworth and David McCleave (qty.)Provenance: Mr Haworth;the David and Pam McCleave Collection of Modern British Art.This painting depicts a monumental moment in history, captured at the time with photographs. No official war artist was commissioned at the time, and Field Marshal Montgomery was said to be disappointed that there was nothing more substantial than a few photographs to portray this important meeting. He had mentioned this to Garfield Weston (director of Fortnum & Mason) who then discussed it with James Haworth in 1968. It was Haworth who suggested Terence Cuneo as just the artist to recreate the scene, as can be seen in the accompanying correspondence sold with this lot. Cuneo preferred to work from life drawings, but agreed to proceed with the commission and it is said that 'Monty' was delighted with the painting. Originally, Garfield Weston intended for the painting to be displayed in the restaurant of Fortnum & Mason, but the acquisition did not proceed as planned. Consequently, the painting stayed with the Haworth family until 2006, when it was acquired by David McCleave.Condition ReportFramed: 120 x 145cmSlight rubbing to the edges. On close inspection there is a little very fine cracking starting to emerge in the upper left. There appears to be a small spot of overpaint above the door in the upper left corner, please refer to illustration. This can also be seen under uv light. No other obvious retouching was seen under uv. Presents well overall.

A 19th century copper saucepan, a modern twin handled copper saucepan, a copper frying pan, an early 20th century Art Nouveau twin handled copper cup, height 11.5cm, diameter 10cm, a pair of copper beakers and pair of modern hammered copper wall sconces (8).

A pair of early 20th century frosted glass Art Deco style triangular wall lights, 28 x 33cm, an Art Deco style pink frosted glass circular plafonnier, diameter 35cm, and a modern stainless steel effect Ikea Anglepoise type lamp, height approx 46cm (4).

Four modern timepieces, including an early 20th century Art Deco oak cased mantel clock, with silvered dial, height 22cm, a quartz Ken Broadbent framed collage clock, modelled as a pocket watch, overall 45 x 41cm, and two further modern timepieces (4).

Three modern copper jelly moulds, the largest diameter 24cm, the smallest diameter 20cm, an early 20th century Art Nouveau style brass porter/door stop, height 31.5cm, and a modern copper lamp, height 23cm (5).

A modern Art Nouveau style two branch florally modelled table lamp, with frosted glass shades, height approx 40cm, a further small freestanding tabletop florally modelled lamp, with single frosted glass shade, height 22cm, and a further example (lacking shade) (3).

Exquisite handmade Czech art glass sculpture by Beranek, featuring a striking abstract design encased within a thick, clear glass form. The central motif consists of a vibrant red and orange gradient teardrop shape with a bright green base, resembling a stylized flower or organic form. The piece is smoothly polished and has a modern aesthetic, demonstrating the exceptional craftsmanship of Beranek glassmakers. Retains its original label, marked "Beranek Hand Made, Made in Czech Republic."Issued: 20th centuryDimensions: 8"HCountry of Origin: Czech RepublicCondition: Age related wear.

A captivating set of four limited edition Moet & Chandon Mini Rose Imperial Champagne bottles, each adorned with vibrant graffiti style artwork by contemporary artist Abraham Onkst. Known for his bold expressionistic style, Onkst's work incorporates fluid layers, dynamic movement, and encoded symbols, making these bottles not only luxury collectibles but also unique art pieces. Each bottle features a striking hand painted design in a variety of colors and is personally dated and signed ONKST on the base, adding to its rarity and desirability. A must have for champagne enthusiasts, collectors of modern art, or those looking to own a piece of Onkst's distinctive visual language.Dimensions: 8"HIn-house shipping from Lion and Unicorn is not available for this lot. Winning Bidders will have to arrange to pick up their purchases at the Lion and Unicorn Auction Studios at 200 Oakwood Ln. Suite 200 Hollywood, Florida 33020, or make arrangements with their own third-party shipper. A local third-party shipper that can be contacted directly for a domestic shipping quote is: First Class Shipping Center 7826 NW 44th Street Sunrise, FL 33351 Tel: 754-800-7674 Fax : 954-999-5166 Email: 1shippingcenter@gmail.com https://www.1shippingcenter.comCondition: Age related wear.

A striking contemporary acrylic sculpture by artist R. Garrett, featuring a dynamic ribbon-like form with textured surfaces and vibrant hues of red, blue, and gold. The piece captures fluidity and movement, with the interplay of light creating a mesmerizing effect. Signed R. Garrett and dated 2000 on the clear acrylic base, this unique work exemplifies the artist expertise in acrylic sculpting and modern abstract design. A captivating addition to any contemporary art collection.Artist: Rod Garrett (American, 20th-21st century)Issued: 2000Dimensions: 14"HCountry of Origin: United StatesCondition: Age related wear.

Jazz / Ragtime / Blues 12" albums. A collection of approximately 57 LPs. Son House; 'The Father of Folk Blues' (BPG 62604, G+/VG), Louis Armstrong; 'At the Crescendo vol. 2' (CP52, VG/VG), Bristol & West jazz Band; 'How Would You Like Your Notes?' (AAA 301, VG+/VG+), Various Artists; 'All Star Festival' (99500 DL, VG/VG), Kid Ory; 'The Kid From New Orleans' (CLP 1303, G/F), Oscar Peterson; 'Plays Cole Porter' (MFP 1025, VG/VG+), Charlie Parker with Miles Davis; 'Bird & Miles' (DJML 062, VG/VG+), Dizzy Gillespie and Charlie Parker; 'Giants of Modern Jazz' (BJ 1204, G/G+), The Original Tuxedo 'Jass' Band; 'The Oldest Jazz Orchestra Founded In 1896' (BAP 5004, VG/G+), George Shearing; 'Jazz Moments' (T 677, G+/G+), Jimmy Yancey; 'Low Down Dirty Blues' (590 018, G+/G+), Mahalia Jackson; 'Newport 1958' (BBL 1958, G+/G+), Ella Fitzgerald; 'Ella In Hollywood' (CSD 1427, VG/VG), Jo Stafford; 'Do I Hear A Waltz?' (ST908, VG/VG), Count Basie; 'At The Savoy Ballroom 1937' (PAN 6903, VG/VG), Sarah Vaughan; 'The Many Moods of Sarah Vaughan' (EMB 3333, F/G+), Henry 'Red' Allen; 'Feeling Good' (BPG 62400, G+/VG), Billie & Dee Dee Pierce; 'New Orleans Jazz' (670 178, VG/VG+), Bunny Berigan; 'His Trumpet & His Orchestra' (LSA 3108, VG+/VG+), Charlie Parker; 'Parker Panorama' (VLP 9138, G+/VG), Burl Ives; 'Ballads with Guitar' (T 302, VG/VG), Billie Holiday; 'Lady Day' (ERO 8014, VG/VG), Ella Fitzgerald; 'Ella Swings Lightly' (T 483, VG/VG+), Bing Crosby and Louis Armstrong; 'Bing & Louis' (MFP 1209, G+/VG), Joshua Rifkin; 'Piano Rags by Scott Joplin' (H-71248, VG/G+), Burl Ives; 'Sings Irving Berlin' (T 515, G+/VG+), Count Basie and His Orchestra; 'Sugar Hill Shuffle' (WMD 197, VG/VG+), Cleo Laine and The Tubby Hayes Quartet; 'Jazz Date' (WL1088, G+/VG), Louis Armstrong; 'Louis Armstrong' (SHM 639, G+/G+), Muggsy Spanier's Ragtime Band; 'The Great 16' (RD-27132, G/G+), Jimmy Rushing; 'The Smith Girls' (SBBL 631, G+/G+), George Lewis and his Ragtime Band; 'Jazz At Vespers' (RLP 12-230, G/G+), George Lewis And Papa Bue's Viking Jazzband; 'George Lewis And Papa Bue's Viking Jazzband' (671 209, G+/G+), Various Artists; 'The Golden Era of Dixieland Jazz!' (ALL-770, VG/G+), Burl Ives; 'Sings In The Quiet of The Night' (AH 14, G+/VG+), Art Tatum; 'The Art of Tatum' (LAT 8358, F/VG), Red Nichols; 'And His Pennies' (T 131, F/G), Louis Armstrong; 'Plays W. C. Handy' (52067, G/G), Glenn Miller; 'Carnegie Hall Concert' (RD-27057, F/G+), King Oliver, Louis Armstrong, and Bessie Smith; 'The Blues Heritage' (CJS 846, VG/VG), Nat King Cole; 'Nat King Cole Sings With The Nat King Cole Trio' (MFP 1129, G+/VG), Jelly Roll Morton; 'I Thought I Heard Buddy Bolden Say' (RD 8048, VG/VG), Sidney Bechet; 'A Jam Session' (SE 8023, VG+/VG+), Glenn Miller; 'Glenn Miller's Original Recordings' (RD-27068, VG/VG), Mr. Acker Bilk and His Paramount Jazz Band; 'Acker' (33 SX 1248, VG/VG), Various Artists; 'Washboard Rhythm' (AH 55, G+/G+), Benny Goodman; 'On Stage with Benny Goodman and His Sextet, recorded "live" in Copenhagen' (DKL 4/1 4/2, G+/VG), Sarah Vaughan; 'You're Mine You' (ALLR 801, VG/G), Nat King Cole; 'Sings St.Louis Blues' (T 404, G+/VG), Andre Previn and David Rose; 'Like Blue' (MGM-C 828, VG/VG), George Lewis and His All Stars; 'George Lewis On Tour' (TS 3263/1-2, G+/VG), The George Lewis Band of New Orleans; 'Jazz at Preservation Hall' (HA-K 8165, VG/VG). (57)

A collection of costume jewellery - including a boxed Swarovski pendant; three modern gold plated fob watches; various faux-pearl necklaces; a boxed Art Deco style necklace; etc.

A small collection of coloured and art glass - 1960s-modern, including a Per Lutken for Holmegaard green glass vase, ovoid form, 6.6cm high, signed and numbered 18119 to base; a wine glass containing vintage marbles; a Czech 1960s-70s amber glass Rosice glassworks vase by Rudolf Schrotter, 15cm high; etc.

A box of collectables - including an Art Nouveau style yellow metal double-photo frame, modern; a set of six butter knives with silver handles; a white metal chain mail purse; a boxed Arthur Price EPNS christening set; a gilt metal and enamel miniature carriage clock (escapement missing); an Elkington & Co. silver plated dish; a silver-handled pie server; EPNS flatware; etc.

J.M. Barrie Peter Pan and Wendy Decorated by Gwynedd M. Hudson, Hodder and Stoughton (poor), Ewing Matherson works in iron, Max Ernst, Roulault, Picasso, modern Italian sculpture, other art books approximately 21:- Two Boxes.

Encased in an elegant modern frame, this promotional vintage movie poster for the 1955 romantic comedy The Seven Year Itch features the legendary Marilyn Monroe and Tom Ewell. Directed by Billy Wilder, this CinemaScope classic is a cultural touchstone, celebrated for Monroe's iconic subway grate scene. The poster highlights the vibrant and playful design characteristic of mid-century movie art, with bold typography and striking imagery, making it a standout piece for collectors and film enthusiasts alike. Poster can be unframed and rolled for shipment.Issued: 1955Dimensions: 17.25"L x 14.25"W x 1"DCondition: Age related wear.

A 20th-century Postmodern Art Deco-style pair of aviator pilot’s club chairs. These statement lounge chairs feature high-polished metal frames with a sculptural silhouette, embodying the sleek, industrial aesthetic reminiscent of vintage aircraft design. Upholstered in rich red Lazzaro Leather, they provide both luxurious comfort and striking visual appeal. A bold addition to any modern or industrial-style interior. Dimensions: 34"L x 30"W x 28"H.Dimensions: See DescriptionCondition: Age related wear.

This captivating artwork by Va Novak exemplifies the surrealist style with its vivid, imaginative composition and striking use of color. The painting features a dreamlike narrative, incorporating fluid, abstract shapes and fantastical elements. The central figure, adorned with a dramatic hat and flowing garments, is enveloped in a dynamic, multi-colored background filled with surreal imagery, including fish and celestial symbols, evoking a sense of mystery and whimsy. The bold strokes and layered textures highlight the artist's unique interpretation of surrealism. Va Novak's signature is prominently displayed in the lower-right corner, affirming authenticity. The piece is framed in a silver and black wooden frame, accentuating the vibrant colors within the composition. This work is a fine representation of mid-20th-century surrealist influences, appealing to collectors of avant-garde and modern art. Artwork dimensions with frame: 20"L x 24"H x 1.25"W.Artist: Va NovakIssued: c. 2000Dimensions: See DescriptionCondition: Age related wear.

A striking Lucite sculpture by renowned artist Hivo Van Teal, celebrated for his innovative acrylic designs. This abstract piece measures 18"L x 8"W x 17"H and is signed by the artist, ensuring its authenticity. Van Teal’s work is distinguished by its fluid forms and brilliant clarity, making this sculpture a captivating addition to any modern art collection. His mid-century and contemporary designs have been highly sought after in galleries and auctions, reflecting his lasting influence in the world of acrylic sculpture.Dimensions: See DescriptionCondition: Age related wear.

A captivating Lucite sculpture by renowned artist Hivo Van Teal, known for his dynamic and fluid acrylic designs. Featuring a striking interplay of curved and clear acrylic elements, this sculpture embodies Van Teal’s signature modernist aesthetic. His works are highly sought after in contemporary art circles, making this an excellent addition to any modern or mid-century-inspired collection. Measures 18"L x 11"W x 13"H.Dimensions: See DescriptionCondition: Age related wear.

A striking original 1937 Exposition Internationale poster by Eugene Beaudouin and Marcel Lods, printed by Jules Simon S.A., Paris. This Art Deco-era design was commissioned by the French Ministere du Commerce et de l'Industrie to promote the 1937 Paris International Exposition, an event showcasing modern industry, art, and technology. The composition features an ethereal depiction of the Parisian skyline, with the word Paris appearing as if written in the sky, possibly by an aerial display, while the Eiffel Tower and futuristic elements are integrated into a dreamlike nocturnal scene. Executed in a soft airbrushed style with a celestial color palette of deep blues, warm oranges, and misty whites, the poster captures the forward-looking spirit of the era. Signed in plate on upper right. Artwork can be unframed and rolled for shipment.Artist: Eugene Beaudouin (French 1898-1983) & Marcel Lods (French 1891-1978Issued: 1937Dimensions: 29"L x 44"HCountry of Origin: FranceCondition: Age related wear. Folding creases.

Museum of Modern Art 14ct gold necklace with Carnelian hern intaglio pendant. Stamped on the clasp. Measures approx. 25cm. Weighs 6.2g.

An Assortment of Modern Wristwatches, to include Everite, Citizen, Sekonda, Rotary, etc, together with an Art Deco style Agon 15 Rubis wristwatch head, Montine gilt coloured wristwatch head, Acctim travel clock :- One Tray

Four Modern Schuco Tinplate Racing Cars to include Studio 1050 Art. Nr. 01011 Mercedes Car No. 4, boxed.

CIRCLE OF WILLIAM HOGARTH (BRITISH 1697 - 1764) PORTRAIT OF GUSTAVUS HAMILTON, 2ND VISCOUNT BOYNE (1710 - 1746) Oil on canvas 51 x 36cm (20 x 14 in.)Provenance: The Collection of the Viscounts Boyne The Collection of Sir Oliver Lambart, Beauparc, Slane, Co. Meath, Ireland Sale, Sotheby's London, 1983Exhibited: Dublin, Gallery of Modern Art, Exhibition of Paintings from Irish Collections, 20 May - 25 August 1957The second son of the Hon. Frederick Hamilton (d. 1715) and Sophia Hamilton (d. 1748), Gustavus Hamilton succeeded his grandfather as the second Viscount Boyne in 1723. He was a Member of Parliament for Newport, Isle of Wight, between 1736 and 1741, and was invested as a Privy Counsellor in 1763. This picture is one of several early copies after Hogarth's original portrait, which is recorded in the Boyne collection. These copies are likely to have been executed under Hogarth's close supervision, by at least two or three members of his close circle, including Francis Hayman.Elizabeth Einberg discusses this picture in her catalogue, no. 118, pp.196-8, where she suggests that the present lot might be the copy referred to in footnote 3 of the entry.   Condition Report: The canvas has been lined. Light craquelure throughout. There is also an area of flaking to the upper left framing edge (approx. 6cm). Stretcher marks visible. Rubbing and abrasions to the framing edges. One or two spots of surface dirt scattered throughout. Inspection under UV light reveals some light in-filling scattered throughout, but largely along the upper edge. Also with traces of a green cloudy varnish.Condition Report Disclaimer